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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AB7C10 it is the complementary color #5483EF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AB7C10. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AB7C10 shade: #B07C0B, #C18E1E, #D2A031, #E3B244 and #F4C457

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AB7C10. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AB7C10 shade: #AB7C10, #9A6A00, #895800, #784600 and #673400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AB7C10 shade: #AC7D10, #AC5210, #AC2810 and #AC1010

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AB7C10 shade: #AC7D10, #ACA710, #87AC10, #5DAC10 and #33AC10

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AB7C10 shade matches the following richer shades: #AC7D10 and #BB8300

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AB7C10 shade: #AC7D10, #9D771F, #8E712E, #7E6B3D and #6F654D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AB7C10 shade: #AC2710, #AC5110, #AC7B10, #ACA410 and #8AAC10

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AB7C10 shade: #614609, #86610C, #AC7D10, #D29813 and #EAAE24

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AB7C10 shade: #AB7C10, #22AC10 and #3C10AC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AB7C10 shade: #AB7C10, #10AC7B and #7B10AC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AB7C10 shade: #AB7C10, #22AC10, #1041AC and #9A10AC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AB7C10 shade: #AB7C10, #10AC2C, #1041AC and #AC108F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 27 / 91 / 33

HEX #AB7C10

RGB 171 124 16

HSL 41.81, 0.83%, 0.37%

LAB 55.19, 9.61, 58.07

 

Complementary color

CMYK 65 / 45 / 0 / 6

HEX #5483EF

RGB 84 131 239

HSL 221.81, 0.83%, 0.63%

LAB 56.44, 17.88, -59.21

 

CMYK 0 / 30 / 94 / 31

HEX #B07C0B

RGB 176 124 11

HSL 41.09, 0.88%, 0.37%

LAB 55.76, 11.8, 59.77

 

CMYK 0 / 26 / 84 / 24

HEX #C18E1E

RGB 193 142 30

HSL 41.23, 0.73%, 0.44%

LAB 62.32, 9.89, 61.16

 

CMYK 0 / 24 / 77 / 18

HEX #D2A031

RGB 210 160 49

HSL 41.37, 0.64%, 0.51%

LAB 68.8, 8.26, 61.22

 

CMYK 0 / 22 / 70 / 11

HEX #E3B244

RGB 227 178 68

HSL 41.51, 0.74%, 0.58%

LAB 75.19, 6.86, 60.59

 

CMYK 0 / 20 / 64 / 4

HEX #F4C457

RGB 244 196 87

HSL 41.66, 0.88%, 0.65%

LAB 81.51, 5.65, 59.62

 

CMYK 0 / 27 / 91 / 33

HEX #AB7C10

RGB 171 124 16

HSL 41.81, 0.83%, 0.37%

LAB 55.19, 9.61, 58.07

 

CMYK 0 / 31 / 100 / 40

HEX #9A6A00

RGB 154 106 0

HSL 41.3, 1%, 0.3%

LAB 48.48, 11.72, 55.56

 

CMYK 0 / 36 / 100 / 46

HEX #895800

RGB 137 88 0

HSL 38.54, 1%, 0.27%

LAB 41.69, 14.19, 50.01

 

CMYK 0 / 42 / 100 / 53

HEX #784600

RGB 120 70 0

HSL 35, 1%, 0.24%

LAB 34.75, 16.79, 44.36

 

CMYK 0 / 50 / 100 / 60

HEX #673400

RGB 103 52 0

HSL 30.29, 1%, 0.2%

LAB 27.68, 19.51, 38.13

 

CMYK 0 / 27 / 91 / 33

HEX #AC7D10

RGB 172 125 16

HSL 41.92, 0.83%, 0.37%

LAB 55.56, 9.51, 58.4

 

CMYK 0 / 52 / 91 / 33

HEX #AC5210

RGB 172 82 16

HSL 25.38, 0.83%, 0.37%

LAB 45.42, 33.28, 50.65

 

CMYK 0 / 77 / 91 / 33

HEX #AC2810

RGB 172 40 16

HSL 9.23, 0.83%, 0.37%

LAB 38.42, 51.84, 45.44

 

CMYK 0 / 91 / 91 / 33

HEX #AC1010

RGB 172 16 16

HSL 0, 0.83%, 0.37%

LAB 36.33, 57.77, 43.92

 

CMYK 0 / 27 / 91 / 33

HEX #AC7D10

RGB 172 125 16

HSL 41.92, 0.83%, 0.37%

LAB 55.56, 9.51, 58.4

 

CMYK 0 / 3 / 91 / 33

HEX #ACA710

RGB 172 167 16

HSL 58.08, 0.83%, 0.37%

LAB 66.86, -13.25, 67.2

 

CMYK 22 / 0 / 91 / 33

HEX #87AC10

RGB 135 172 16

HSL 74.23, 0.83%, 0.37%

LAB 65.51, -31.67, 64.95

 

CMYK 46 / 0 / 91 / 33

HEX #5DAC10

RGB 93 172 16

HSL 90.38, 0.83%, 0.37%

LAB 63.23, -47.34, 62.14

 

CMYK 70 / 0 / 91 / 33

HEX #33AC10

RGB 51 172 16

HSL 106.54, 0.83%, 0.37%

LAB 61.87, -58.34, 60.44

 

CMYK 0 / 27 / 91 / 33

HEX #AC7D10

RGB 172 125 16

HSL 41.92, 0.83%, 0.37%

LAB 55.56, 9.51, 58.4

 

CMYK 0 / 30 / 100 / 27

HEX #BB8300

RGB 187 131 0

HSL 42.03, 1%, 0.37%

LAB 58.79, 12.74, 64.37

 

CMYK 0 / 27 / 91 / 33

HEX #AC7D10

RGB 172 125 16

HSL 41.92, 0.83%, 0.37%

LAB 55.56, 9.51, 58.4

 

CMYK 0 / 24 / 80 / 38

HEX #9D771F

RGB 157 119 31

HSL 41.9, 0.67%, 0.37%

LAB 52.35, 6.43, 50.53

 

CMYK 0 / 20 / 68 / 44

HEX #8E712E

RGB 142 113 46

HSL 41.88, 0.51%, 0.37%

LAB 49.2, 3.7, 40.38

 

CMYK 0 / 15 / 52 / 51

HEX #7E6B3D

RGB 126 107 61

HSL 42.46, 0.35%, 0.37%

LAB 46.03, 1.06, 28.41

 

CMYK 0 / 9 / 31 / 56

HEX #6F654D

RGB 111 101 77

HSL 42.35, 0.18%, 0.37%

LAB 43.1, -0.13, 15.05

 

CMYK 0 / 77 / 91 / 33

HEX #AC2710

RGB 172 39 16

HSL 8.85, 0.83%, 0.37%

LAB 38.3, 52.17, 45.36

 

CMYK 0 / 53 / 91 / 33

HEX #AC5110

RGB 172 81 16

HSL 25, 0.83%, 0.37%

LAB 45.21, 33.8, 50.49

 

CMYK 0 / 28 / 91 / 33

HEX #AC7B10

RGB 172 123 16

HSL 41.15, 0.83%, 0.37%

LAB 55.05, 10.63, 58.01

 

CMYK 0 / 5 / 91 / 33

HEX #ACA410

RGB 172 164 16

HSL 56.92, 0.83%, 0.37%

LAB 66.03, -11.69, 66.55

 

CMYK 20 / 0 / 91 / 33

HEX #8AAC10

RGB 138 172 16

HSL 73.08, 0.83%, 0.37%

LAB 65.71, -30.43, 65.19

 

CMYK 0 / 28 / 91 / 62

HEX #614609

RGB 97 70 9

HSL 41.59, 0.83%, 0.21%

LAB 31.67, 5.77, 37.44

 

CMYK 0 / 28 / 91 / 47

HEX #86610C

RGB 134 97 12

HSL 41.8, 0.84%, 0.29%

LAB 43.72, 7.73, 48.21

 

CMYK 0 / 27 / 91 / 33

HEX #AC7D10

RGB 172 125 16

HSL 41.92, 0.83%, 0.37%

LAB 55.56, 9.51, 58.4

 

CMYK 0 / 28 / 91 / 18

HEX #D29813

RGB 210 152 19

HSL 41.78, 0.83%, 0.45%

LAB 66.68, 11.73, 68.14

 

CMYK 0 / 26 / 85 / 8

HEX #EAAE24

RGB 234 174 36

HSL 41.82, 0.83%, 0.53%

LAB 74.76, 10.78, 71.64

 

CMYK 0 / 27 / 91 / 33

HEX #AB7C10

RGB 171 124 16

HSL 41.81, 0.83%, 0.37%

LAB 55.19, 9.61, 58.07

 

CMYK 80 / 0 / 91 / 33

HEX #22AC10

RGB 34 172 16

HSL 113.08, 0.83%, 0.37%

LAB 61.55, -61.07, 60.05

 

CMYK 65 / 91 / 0 / 33

HEX #3C10AC

RGB 60 16 172

HSL 256.92, 0.83%, 0.37%

LAB 24.67, 56.7, -72.35

 

CMYK 0 / 27 / 91 / 33

HEX #AB7C10

RGB 171 124 16

HSL 41.81, 0.83%, 0.37%

LAB 55.19, 9.61, 58.07

 

CMYK 91 / 0 / 28 / 33

HEX #10AC7B

RGB 16 172 123

HSL 161.15, 0.83%, 0.37%

LAB 62.55, -48.58, 15.03

 

CMYK 28 / 91 / 0 / 33

HEX #7B10AC

RGB 123 16 172

HSL 281.15, 0.83%, 0.37%

LAB 33.05, 63.5, -58.26

 

CMYK 0 / 27 / 91 / 33

HEX #AB7C10

RGB 171 124 16

HSL 41.81, 0.83%, 0.37%

LAB 55.19, 9.61, 58.07

 

CMYK 80 / 0 / 91 / 33

HEX #22AC10

RGB 34 172 16

HSL 113.08, 0.83%, 0.37%

LAB 61.55, -61.07, 60.05

 

CMYK 91 / 62 / 0 / 33

HEX #1041AC

RGB 16 65 172

HSL 221.15, 0.83%, 0.37%

LAB 31.51, 27.68, -61.15

 

CMYK 10 / 91 / 0 / 33

HEX #9A10AC

RGB 154 16 172

HSL 293.08, 0.83%, 0.37%

LAB 38.23, 68.31, -49.61

 

CMYK 0 / 27 / 91 / 33

HEX #AB7C10

RGB 171 124 16

HSL 41.81, 0.83%, 0.37%

LAB 55.19, 9.61, 58.07

 

CMYK 91 / 0 / 74 / 33

HEX #10AC2C

RGB 16 172 44

HSL 130.77, 0.83%, 0.37%

LAB 61.48, -61.25, 52.26

 

CMYK 91 / 62 / 0 / 33

HEX #1041AC

RGB 16 65 172

HSL 221.15, 0.83%, 0.37%

LAB 31.51, 27.68, -61.15

 

CMYK 0 / 91 / 17 / 33

HEX #AC108F

RGB 172 16 143

HSL 311.15, 0.83%, 0.37%

LAB 39.79, 67.25, -29.41

 

Description

Color code: HEX #AB7C10 | qconv.com Color code: HEX #AB7C10 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 171 red, 124 green and 16 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
171 124 16 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 27 magenta, 91 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 27% 91% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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