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Color name
HEX #AB7C49

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AB7C49 it is the complementary color #5483B6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AB7C49. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AB7C49 shade: #B07C44, #C18E57, #D2A06A, #E3B27D and #F4C490

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AB7C49. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AB7C49 shade: #AB7C49, #9A6A36, #895823, #784610 and #673400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AB7C49 shade: #AB7C49, #AB6149 and #AB4949

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AB7C49 shade: #AB7C49, #AB9649, #A5AB49, #8BAB49 and #70AB49

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AB7C49 shade matches the following richer shades: #AB7C49, #BF7D35, #D27E21 and #E67E0E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AB7C49 shade: #AB7C49, #977B5D, #837A71, #6F7984 and #5C7998

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AB7C49 shade: #AB494B, #AB6149, #AB7C49, #AB9649 and #A6AB49

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AB7C49 shade: #715230, #8E673D, #AB7C49, #BB9062 and #C8A57F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AB7C49 shade: #AB7C49, #65AB49 and #5449AB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AB7C49 shade: #AB7C49, #49AB7C and #7C49AB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AB7C49 shade: #AB7C49, #65AB49, #4978AB and #8F49AB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AB7C49 shade: #AB7C49, #49AB4B, #4978AB and #AB49A9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 27 / 57 / 33

HEX #AB7C49

RGB 171 124 73

HSL 31.22, 0.4%, 0.48%

LAB 55.64, 12.44, 34.74

 

Complementary color

CMYK 54 / 28 / 0 / 29

HEX #5483B6

RGB 84 131 182

HSL 211.22, 0.4%, 0.52%

LAB 53.49, -1.05, -31.71

 

CMYK 0 / 30 / 61 / 31

HEX #B07C44

RGB 176 124 68

HSL 31.11, 0.44%, 0.48%

LAB 56.15, 14.23, 38.14

 

CMYK 0 / 26 / 55 / 24

HEX #C18E57

RGB 193 142 87

HSL 31.13, 0.46%, 0.55%

LAB 62.82, 13.04, 36.63

 

CMYK 0 / 24 / 50 / 18

HEX #D2A06A

RGB 210 160 106

HSL 31.15, 0.54%, 0.62%

LAB 69.39, 12.04, 35.2

 

CMYK 0 / 22 / 45 / 11

HEX #E3B27D

RGB 227 178 125

HSL 31.18, 0.65%, 0.69%

LAB 75.86, 11.17, 33.84

 

CMYK 0 / 20 / 41 / 4

HEX #F4C490

RGB 244 196 144

HSL 31.2, 0.82%, 0.76%

LAB 82.23, 10.41, 32.58

 

CMYK 0 / 27 / 57 / 33

HEX #AB7C49

RGB 171 124 73

HSL 31.22, 0.4%, 0.48%

LAB 55.64, 12.44, 34.74

 

CMYK 0 / 31 / 65 / 40

HEX #9A6A36

RGB 154 106 54

HSL 31.2, 0.48%, 0.41%

LAB 48.82, 13.73, 36.29

 

CMYK 0 / 36 / 74 / 46

HEX #895823

RGB 137 88 35

HSL 31.18, 0.59%, 0.34%

LAB 41.87, 15.29, 37.78

 

CMYK 0 / 42 / 87 / 53

HEX #784610

RGB 120 70 16

HSL 31.15, 0.76%, 0.27%

LAB 34.82, 17.2, 38.79

 

CMYK 0 / 50 / 100 / 60

HEX #673400

RGB 103 52 0

HSL 30.29, 1%, 0.2%

LAB 27.68, 19.51, 38.13

 

CMYK 0 / 27 / 57 / 33

HEX #AB7C49

RGB 171 124 73

HSL 31.22, 0.4%, 0.48%

LAB 55.64, 12.44, 34.74

 

CMYK 0 / 43 / 57 / 33

HEX #AB6149

RGB 171 97 73

HSL 14.69, 0.4%, 0.48%

LAB 49.12, 27.58, 26.65

 

CMYK 0 / 57 / 57 / 33

HEX #AB4949

RGB 171 73 73

HSL 0, 0.4%, 0.48%

LAB 44.1, 40.24, 20.15

 

CMYK 0 / 27 / 57 / 33

HEX #AB7C49

RGB 171 124 73

HSL 31.22, 0.4%, 0.48%

LAB 55.64, 12.44, 34.74

 

CMYK 0 / 12 / 57 / 33

HEX #AB9649

RGB 171 150 73

HSL 47.14, 0.4%, 0.48%

LAB 62.47, -1.99, 42.84

 

CMYK 4 / 0 / 57 / 33

HEX #A5AB49

RGB 165 171 73

HSL 63.67, 0.4%, 0.48%

LAB 67.73, -15.69, 48.7

 

CMYK 19 / 0 / 57 / 33

HEX #8BAB49

RGB 139 171 73

HSL 79.59, 0.4%, 0.48%

LAB 65.82, -26.4, 46.03

 

CMYK 35 / 0 / 57 / 33

HEX #70AB49

RGB 112 171 73

HSL 96.12, 0.4%, 0.48%

LAB 64.2, -36.64, 43.74

 

CMYK 0 / 27 / 57 / 33

HEX #AB7C49

RGB 171 124 73

HSL 31.22, 0.4%, 0.48%

LAB 55.64, 12.44, 34.74

 

CMYK 0 / 35 / 72 / 25

HEX #BF7D35

RGB 191 125 53

HSL 31.3, 0.57%, 0.48%

LAB 58.04, 19.26, 48.17

 

CMYK 0 / 40 / 84 / 18

HEX #D27E21

RGB 210 126 33

HSL 31.53, 0.73%, 0.48%

LAB 60.55, 26.09, 59.52

 

CMYK 0 / 45 / 94 / 10

HEX #E67E0E

RGB 230 126 14

HSL 31.11, 0.89%, 0.48%

LAB 63.16, 34.04, 67.68

 

CMYK 0 / 27 / 57 / 33

HEX #AB7C49

RGB 171 124 73

HSL 31.22, 0.4%, 0.48%

LAB 55.64, 12.44, 34.74

 

CMYK 0 / 19 / 38 / 41

HEX #977B5D

RGB 151 123 93

HSL 31.03, 0.24%, 0.48%

LAB 53.53, 6.46, 20.49

 

CMYK 0 / 7 / 14 / 49

HEX #837A71

RGB 131 122 113

HSL 30, 0.07%, 0.48%

LAB 51.77, 1.79, 6.16

 

CMYK 16 / 8 / 0 / 48

HEX #6F7984

RGB 111 121 132

HSL 211.43, 0.09%, 0.48%

LAB 50.36, -1.27, -7.26

 

CMYK 39 / 20 / 0 / 40

HEX #5C7998

RGB 92 121 152

HSL 211, 0.25%, 0.48%

LAB 49.76, -2.18, -20.05

 

CMYK 0 / 57 / 56 / 33

HEX #AB494B

RGB 171 73 75

HSL 358.78, 0.4%, 0.48%

LAB 44.13, 40.4, 18.99

 

CMYK 0 / 43 / 57 / 33

HEX #AB6149

RGB 171 97 73

HSL 14.69, 0.4%, 0.48%

LAB 49.12, 27.58, 26.65

 

CMYK 0 / 27 / 57 / 33

HEX #AB7C49

RGB 171 124 73

HSL 31.22, 0.4%, 0.48%

LAB 55.64, 12.44, 34.74

 

CMYK 0 / 12 / 57 / 33

HEX #AB9649

RGB 171 150 73

HSL 47.14, 0.4%, 0.48%

LAB 62.47, -1.99, 42.84

 

CMYK 3 / 0 / 57 / 33

HEX #A6AB49

RGB 166 171 73

HSL 63.06, 0.4%, 0.48%

LAB 67.81, -15.26, 48.81

 

CMYK 0 / 27 / 58 / 56

HEX #715230

RGB 113 82 48

HSL 31.38, 0.4%, 0.32%

LAB 37.41, 8.65, 24.86

 

CMYK 0 / 27 / 57 / 44

HEX #8E673D

RGB 142 103 61

HSL 31.11, 0.4%, 0.4%

LAB 46.7, 10.63, 29.63

 

CMYK 0 / 27 / 57 / 33

HEX #AB7C49

RGB 171 124 73

HSL 31.22, 0.4%, 0.48%

LAB 55.64, 12.44, 34.74

 

CMYK 0 / 23 / 48 / 27

HEX #BB9062

RGB 187 144 98

HSL 31.01, 0.4%, 0.56%

LAB 62.84, 10.43, 30.62

 

CMYK 0 / 18 / 37 / 22

HEX #C8A57F

RGB 200 165 127

HSL 31.23, 0.4%, 0.64%

LAB 69.98, 7.51, 24.53

 

CMYK 0 / 27 / 57 / 33

HEX #AB7C49

RGB 171 124 73

HSL 31.22, 0.4%, 0.48%

LAB 55.64, 12.44, 34.74

 

CMYK 41 / 0 / 57 / 33

HEX #65AB49

RGB 101 171 73

HSL 102.86, 0.4%, 0.48%

LAB 63.65, -40.42, 42.96

 

CMYK 51 / 57 / 0 / 33

HEX #5449AB

RGB 84 73 171

HSL 246.73, 0.4%, 0.48%

LAB 37.1, 31.3, -51.3

 

CMYK 0 / 27 / 57 / 33

HEX #AB7C49

RGB 171 124 73

HSL 31.22, 0.4%, 0.48%

LAB 55.64, 12.44, 34.74

 

CMYK 57 / 0 / 27 / 33

HEX #49AB7C

RGB 73 171 124

HSL 151.22, 0.4%, 0.48%

LAB 63.34, -39.96, 15.75

 

CMYK 27 / 57 / 0 / 33

HEX #7C49AB

RGB 124 73 171

HSL 271.22, 0.4%, 0.48%

LAB 41.2, 40.82, -44.49

 

CMYK 0 / 27 / 57 / 33

HEX #AB7C49

RGB 171 124 73

HSL 31.22, 0.4%, 0.48%

LAB 55.64, 12.44, 34.74

 

CMYK 41 / 0 / 57 / 33

HEX #65AB49

RGB 101 171 73

HSL 102.86, 0.4%, 0.48%

LAB 63.65, -40.42, 42.96

 

CMYK 57 / 30 / 0 / 33

HEX #4978AB

RGB 73 120 171

HSL 211.22, 0.4%, 0.48%

LAB 49.24, -0.52, -32.03

 

CMYK 16 / 57 / 0 / 33

HEX #8F49AB

RGB 143 73 171

HSL 282.86, 0.4%, 0.48%

LAB 43.57, 45.78, -40.57

 

CMYK 0 / 27 / 57 / 33

HEX #AB7C49

RGB 171 124 73

HSL 31.22, 0.4%, 0.48%

LAB 55.64, 12.44, 34.74

 

CMYK 57 / 0 / 56 / 33

HEX #49AB4B

RGB 73 171 75

HSL 121.22, 0.4%, 0.48%

LAB 62.55, -48.39, 40.43

 

CMYK 57 / 30 / 0 / 33

HEX #4978AB

RGB 73 120 171

HSL 211.22, 0.4%, 0.48%

LAB 49.24, -0.52, -32.03

 

CMYK 0 / 57 / 1 / 33

HEX #AB49A9

RGB 171 73 169

HSL 301.22, 0.4%, 0.48%

LAB 47.35, 52.92, -33.17

 

Description

Color code: HEX #AB7C49 | qconv.com Color code: HEX #AB7C49 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 171 red, 124 green and 73 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
171 124 73 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 27 magenta, 57 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 27% 57% 33% C M Y K

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Provide designers and agencies with accurate color values.

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