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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AB7D5D it is the complementary color #5482A2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AB7D5D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AB7D5D shade: #B07D58, #C18F6B, #D2A17E, #E3B391 and #F4C5A4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AB7D5D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AB7D5D shade: #AB7D5D, #9A6B4A, #895937, #784724 and #673511

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AB7D5D shade: #AB7D5D, #AB685D and #AB5D5D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AB7D5D shade: #AB7D5D, #AB925D, #ABA75D, #9AAB5D and #85AB5D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AB7D5D shade matches the following richer shades: #AB7D5D, #BF7A49, #D37635, #E77222 and #FA6F0E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AB7D5D shade: #AB7D5D, #978171, #848485, #708898 and #5C8BAC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AB7D5D shade: #AB5D67, #AB675D, #AB7C5D, #AB915D and #ABA65D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AB7D5D shade: #78563E, #93694C, #AB7D5D, #B99378 and #C7A993

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AB7D5D shade: #AB7D5D, #7CAB5D and #5D5DAB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AB7D5D shade: #AB7D5D, #5DAB7C and #7C5DAB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AB7D5D shade: #AB7D5D, #7CAB5D, #5D8CAB and #8C5DAB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AB7D5D shade: #AB7D5D, #65AB5D, #5D8CAB and #A35DAB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 27 / 46 / 33

HEX #AB7D5D

RGB 171 125 93

HSL 24.62, 0.32%, 0.52%

LAB 56.2, 13.79, 24.43

 

Complementary color

CMYK 48 / 20 / 0 / 36

HEX #5482A2

RGB 84 130 162

HSL 204.62, 0.32%, 0.48%

LAB 52.35, -6.64, -21.94

 

CMYK 0 / 29 / 50 / 31

HEX #B07D58

RGB 176 125 88

HSL 25.23, 0.36%, 0.52%

LAB 56.69, 15.38, 27.97

 

CMYK 0 / 26 / 45 / 24

HEX #C18F6B

RGB 193 143 107

HSL 25.12, 0.41%, 0.59%

LAB 63.38, 14.41, 26.53

 

CMYK 0 / 23 / 40 / 18

HEX #D2A17E

RGB 210 161 126

HSL 25, 0.48%, 0.66%

LAB 69.96, 13.57, 25.22

 

CMYK 0 / 21 / 36 / 11

HEX #E3B391

RGB 227 179 145

HSL 24.88, 0.59%, 0.73%

LAB 76.45, 12.84, 24.01

 

CMYK 0 / 19 / 33 / 4

HEX #F4C5A4

RGB 244 197 164

HSL 24.75, 0.78%, 0.8%

LAB 82.83, 12.19, 22.89

 

CMYK 0 / 27 / 46 / 33

HEX #AB7D5D

RGB 171 125 93

HSL 24.62, 0.32%, 0.52%

LAB 56.2, 13.79, 24.43

 

CMYK 0 / 31 / 52 / 40

HEX #9A6B4A

RGB 154 107 74

HSL 24.75, 0.35%, 0.45%

LAB 49.35, 14.82, 25.92

 

CMYK 0 / 35 / 60 / 46

HEX #895937

RGB 137 89 55

HSL 24.88, 0.43%, 0.38%

LAB 42.37, 16.06, 27.59

 

CMYK 0 / 41 / 70 / 53

HEX #784724

RGB 120 71 36

HSL 25, 0.54%, 0.31%

LAB 35.26, 17.58, 29.41

 

CMYK 0 / 49 / 83 / 60

HEX #673511

RGB 103 53 17

HSL 25.12, 0.72%, 0.24%

LAB 28.03, 19.46, 31.18

 

CMYK 0 / 27 / 46 / 33

HEX #AB7D5D

RGB 171 125 93

HSL 24.62, 0.32%, 0.52%

LAB 56.2, 13.79, 24.43

 

CMYK 0 / 39 / 46 / 33

HEX #AB685D

RGB 171 104 93

HSL 8.46, 0.32%, 0.52%

LAB 51.09, 25.61, 17.6

 

CMYK 0 / 46 / 46 / 33

HEX #AB5D5D

RGB 171 93 93

HSL 0, 0.32%, 0.52%

LAB 48.61, 31.67, 14.2

 

CMYK 0 / 27 / 46 / 33

HEX #AB7D5D

RGB 171 125 93

HSL 24.62, 0.32%, 0.52%

LAB 56.2, 13.79, 24.43

 

CMYK 0 / 15 / 46 / 33

HEX #AB925D

RGB 171 146 93

HSL 40.77, 0.32%, 0.52%

LAB 61.66, 2.06, 31.49

 

CMYK 0 / 2 / 46 / 33

HEX #ABA75D

RGB 171 167 93

HSL 56.92, 0.32%, 0.52%

LAB 67.34, -9.27, 38.6

 

CMYK 10 / 0 / 46 / 33

HEX #9AAB5D

RGB 154 171 93

HSL 73.08, 0.32%, 0.52%

LAB 67.12, -18.34, 38.02

 

CMYK 22 / 0 / 46 / 33

HEX #85AB5D

RGB 133 171 93

HSL 89.23, 0.32%, 0.52%

LAB 65.67, -26.59, 35.91

 

CMYK 0 / 27 / 46 / 33

HEX #AB7D5D

RGB 171 125 93

HSL 24.62, 0.32%, 0.52%

LAB 56.2, 13.79, 24.43

 

CMYK 0 / 36 / 62 / 25

HEX #BF7A49

RGB 191 122 73

HSL 24.92, 0.48%, 0.52%

LAB 57.54, 22.13, 37.59

 

CMYK 0 / 44 / 75 / 17

HEX #D37635

RGB 211 118 53

HSL 24.68, 0.64%, 0.52%

LAB 59.03, 31.47, 50.01

 

CMYK 0 / 51 / 85 / 9

HEX #E77222

RGB 231 114 34

HSL 24.37, 0.8%, 0.52%

LAB 60.9, 40.89, 60.65

 

CMYK 0 / 56 / 94 / 2

HEX #FA6F0E

RGB 250 111 14

HSL 24.66, 0.96%, 0.52%

LAB 63.11, 49.23, 69.06

 

CMYK 0 / 27 / 46 / 33

HEX #AB7D5D

RGB 171 125 93

HSL 24.62, 0.32%, 0.52%

LAB 56.2, 13.79, 24.43

 

CMYK 0 / 15 / 25 / 41

HEX #978171

RGB 151 129 113

HSL 25.26, 0.15%, 0.52%

LAB 55.56, 5.81, 11.79

 

CMYK 1 / 1 / 0 / 48

HEX #848485

RGB 132 132 133

HSL 240, 0%, 0.52%

LAB 55.18, 0.2, -0.54

 

CMYK 26 / 11 / 0 / 40

HEX #708898

RGB 112 136 152

HSL 204, 0.16%, 0.52%

LAB 55.4, -4.75, -11.36

 

CMYK 47 / 19 / 0 / 33

HEX #5C8BAC

RGB 92 139 172

HSL 204.75, 0.33%, 0.52%

LAB 55.81, -6.79, -22.36

 

CMYK 0 / 46 / 40 / 33

HEX #AB5D67

RGB 171 93 103

HSL 352.31, 0.32%, 0.52%

LAB 48.84, 32.8, 8.54

 

CMYK 0 / 40 / 46 / 33

HEX #AB675D

RGB 171 103 93

HSL 7.69, 0.32%, 0.52%

LAB 50.86, 26.16, 17.28

 

CMYK 0 / 27 / 46 / 33

HEX #AB7C5D

RGB 171 124 93

HSL 23.85, 0.32%, 0.52%

LAB 55.95, 14.35, 24.1

 

CMYK 0 / 15 / 46 / 33

HEX #AB915D

RGB 171 145 93

HSL 40, 0.32%, 0.52%

LAB 61.39, 2.61, 31.15

 

CMYK 0 / 3 / 46 / 33

HEX #ABA65D

RGB 171 166 93

HSL 56.15, 0.32%, 0.52%

LAB 67.07, -8.74, 38.26

 

CMYK 0 / 28 / 48 / 53

HEX #78563E

RGB 120 86 62

HSL 24.83, 0.32%, 0.36%

LAB 39.57, 10.89, 19.5

 

CMYK 0 / 29 / 48 / 42

HEX #93694C

RGB 147 105 76

HSL 24.51, 0.32%, 0.44%

LAB 48.04, 13.14, 22.92

 

CMYK 0 / 27 / 46 / 33

HEX #AB7D5D

RGB 171 125 93

HSL 24.62, 0.32%, 0.52%

LAB 56.2, 13.79, 24.43

 

CMYK 0 / 21 / 35 / 27

HEX #B99378

RGB 185 147 120

HSL 24.92, 0.32%, 0.6%

LAB 63.78, 10.45, 19.73

 

CMYK 0 / 15 / 26 / 22

HEX #C7A993

RGB 199 169 147

HSL 25.38, 0.32%, 0.68%

LAB 71.3, 7.57, 15.41

 

CMYK 0 / 27 / 46 / 33

HEX #AB7D5D

RGB 171 125 93

HSL 24.62, 0.32%, 0.52%

LAB 56.2, 13.79, 24.43

 

CMYK 27 / 0 / 46 / 33

HEX #7CAB5D

RGB 124 171 93

HSL 96.15, 0.32%, 0.52%

LAB 65.12, -29.94, 35.11

 

CMYK 46 / 46 / 0 / 33

HEX #5D5DAB

RGB 93 93 171

HSL 240, 0.32%, 0.52%

LAB 42.91, 20.89, -41.94

 

CMYK 0 / 27 / 46 / 33

HEX #AB7D5D

RGB 171 125 93

HSL 24.62, 0.32%, 0.52%

LAB 56.2, 13.79, 24.43

 

CMYK 46 / 0 / 27 / 33

HEX #5DAB7C

RGB 93 171 124

HSL 143.85, 0.32%, 0.52%

LAB 64.09, -34.91, 16.89

 

CMYK 27 / 46 / 0 / 33

HEX #7C5DAB

RGB 124 93 171

HSL 263.85, 0.32%, 0.52%

LAB 45.71, 29.3, -37.32

 

CMYK 0 / 27 / 46 / 33

HEX #AB7D5D

RGB 171 125 93

HSL 24.62, 0.32%, 0.52%

LAB 56.2, 13.79, 24.43

 

CMYK 27 / 0 / 46 / 33

HEX #7CAB5D

RGB 124 171 93

HSL 96.15, 0.32%, 0.52%

LAB 65.12, -29.94, 35.11

 

CMYK 46 / 18 / 0 / 33

HEX #5D8CAB

RGB 93 140 171

HSL 203.85, 0.32%, 0.52%

LAB 56.11, -7.39, -21.31

 

CMYK 18 / 46 / 0 / 33

HEX #8C5DAB

RGB 140 93 171

HSL 276.15, 0.32%, 0.52%

LAB 47.42, 33.99, -34.51

 

CMYK 0 / 27 / 46 / 33

HEX #AB7D5D

RGB 171 125 93

HSL 24.62, 0.32%, 0.52%

LAB 56.2, 13.79, 24.43

 

CMYK 41 / 0 / 46 / 33

HEX #65AB5D

RGB 101 171 93

HSL 113.85, 0.32%, 0.52%

LAB 63.9, -37.86, 33.31

 

CMYK 46 / 18 / 0 / 33

HEX #5D8CAB

RGB 93 140 171

HSL 203.85, 0.32%, 0.52%

LAB 56.11, -7.39, -21.31

 

CMYK 5 / 46 / 0 / 33

HEX #A35DAB

RGB 163 93 171

HSL 293.85, 0.32%, 0.52%

LAB 50.16, 40.92, -30.02

 

Description

Color code: HEX #AB7D5D | qconv.com Color code: HEX #AB7D5D | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 171 red, 125 green and 93 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
171 125 93 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 27 magenta, 46 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 27% 46% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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