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Color name
HEX #AB7DF2

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AB7DF2 it is the complementary color #54820D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AB7DF2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AB7DF2 shade: #B07DED, #C18FFF, #D2A1FF, #E3B3FF and #F4C5FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AB7DF2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AB7DF2 shade: #AB7DF2, #9A6BDF, #8959CC, #7847B9 and #6735A6

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AB7DF2 shade: #AB7DF2, #CA7DF2, #EA7DF2, #F27DDA and #F27DBA

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AB7DF2 shade: #AB7DF2, #8B7DF2 and #7D7DF2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AB7DF2 shade matches the following richer shades: #AB7DF2 and #A871FD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AB7DF2 shade: #AB7DF2, #AD88E6, #B094DB, #B29FCF and #B4ABC3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AB7DF2 shade: #7D8EF2, #8A7DF2, #A97DF2, #C97DF2 and #E87DF2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AB7DF2 shade: #7A31EA, #9257EE, #AB7DF2, #C3A2F5 and #DBC8F9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AB7DF2 shade: #AB7DF2, #F27DAD and #7FF27D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AB7DF2 shade: #AB7DF2, #F2A97D and #7DF2A9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AB7DF2 shade: #AB7DF2, #F27DAD, #C5F27D and #7DF2C1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AB7DF2 shade: #AB7DF2, #F27D8A, #C5F27D and #7DF2E4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 29 / 48 / 0 / 5

HEX #AB7DF2

RGB 171 125 242

HSL 263.59, 0.82%, 0.72%

LAB 61.43, 41.45, -52.54

 

Complementary color

CMYK 35 / 0 / 90 / 49

HEX #54820D

RGB 84 130 13

HSL 83.59, 0.82%, 0.28%

LAB 49.35, -32.87, 50.86

 

CMYK 26 / 47 / 0 / 7

HEX #B07DED

RGB 176 125 237

HSL 267.32, 0.76%, 0.71%

LAB 61.66, 41.56, -49.36

 

CMYK 24 / 44 / 0 / 0

HEX #C18FFF

RGB 193 143 255

HSL 266.79, 1%, 0.78%

LAB 68.17, 40.46, -48.87

 

CMYK 18 / 37 / 0 / 0

HEX #D2A1FF

RGB 210 161 255

HSL 271.28, 1%, 0.82%

LAB 73.81, 35.45, -39.91

 

CMYK 11 / 30 / 0 / 0

HEX #E3B3FF

RGB 227 179 255

HSL 277.89, 1%, 0.85%

LAB 79.49, 30.81, -30.99

 

CMYK 4 / 23 / 0 / 0

HEX #F4C5FF

RGB 244 197 255

HSL 288.62, 1%, 0.89%

LAB 85.19, 26.53, -22.15

 

CMYK 29 / 48 / 0 / 5

HEX #AB7DF2

RGB 171 125 242

HSL 263.59, 0.82%, 0.72%

LAB 61.43, 41.45, -52.54

 

CMYK 31 / 52 / 0 / 13

HEX #9A6BDF

RGB 154 107 223

HSL 264.31, 0.64%, 0.65%

LAB 54.78, 42.42, -52.63

 

CMYK 33 / 56 / 0 / 20

HEX #8959CC

RGB 137 89 204

HSL 265.04, 0.53%, 0.57%

LAB 48.04, 43.43, -52.71

 

CMYK 35 / 62 / 0 / 27

HEX #7847B9

RGB 120 71 185

HSL 265.79, 0.45%, 0.5%

LAB 41.22, 44.46, -52.74

 

CMYK 38 / 68 / 0 / 35

HEX #6735A6

RGB 103 53 166

HSL 266.55, 0.52%, 0.43%

LAB 34.36, 45.4, -52.65

 

CMYK 29 / 48 / 0 / 5

HEX #AB7DF2

RGB 171 125 242

HSL 263.59, 0.82%, 0.72%

LAB 61.43, 41.45, -52.54

 

CMYK 17 / 48 / 0 / 5

HEX #CA7DF2

RGB 202 125 242

HSL 279.49, 0.82%, 0.72%

LAB 64.67, 49.67, -47.19

 

CMYK 3 / 48 / 0 / 5

HEX #EA7DF2

RGB 234 125 242

HSL 295.9, 0.82%, 0.72%

LAB 68.44, 58.41, -41.01

 

CMYK 0 / 48 / 10 / 5

HEX #F27DDA

RGB 242 125 218

HSL 312.31, 0.82%, 0.72%

LAB 68.47, 56.6, -27.64

 

CMYK 0 / 48 / 23 / 5

HEX #F27DBA

RGB 242 125 186

HSL 328.72, 0.82%, 0.72%

LAB 67.34, 51.82, -11.45

 

CMYK 29 / 48 / 0 / 5

HEX #AB7DF2

RGB 171 125 242

HSL 263.59, 0.82%, 0.72%

LAB 61.43, 41.45, -52.54

 

CMYK 43 / 48 / 0 / 5

HEX #8B7DF2

RGB 139 125 242

HSL 247.18, 0.82%, 0.72%

LAB 58.57, 33.54, -57.26

 

CMYK 48 / 48 / 0 / 5

HEX #7D7DF2

RGB 125 125 242

HSL 240, 0.82%, 0.72%

LAB 57.5, 30.37, -59.03

 

CMYK 29 / 48 / 0 / 5

HEX #AB7DF2

RGB 171 125 242

HSL 263.59, 0.82%, 0.72%

LAB 61.43, 41.45, -52.54

 

CMYK 34 / 55 / 0 / 1

HEX #A871FD

RGB 168 113 253

HSL 263.57, 0.97%, 0.72%

LAB 59.18, 49.95, -62.21

 

CMYK 29 / 48 / 0 / 5

HEX #AB7DF2

RGB 171 125 242

HSL 263.59, 0.82%, 0.72%

LAB 61.43, 41.45, -52.54

 

CMYK 25 / 41 / 0 / 10

HEX #AD88E6

RGB 173 136 230

HSL 263.62, 0.65%, 0.72%

LAB 63.51, 32.97, -42.59

 

CMYK 20 / 32 / 0 / 14

HEX #B094DB

RGB 176 148 219

HSL 263.66, 0.5%, 0.72%

LAB 66.15, 24.54, -32.35

 

CMYK 14 / 23 / 0 / 19

HEX #B29FCF

RGB 178 159 207

HSL 263.75, 0.33%, 0.72%

LAB 68.58, 16.32, -21.96

 

CMYK 8 / 12 / 0 / 24

HEX #B4ABC3

RGB 180 171 195

HSL 262.5, 0.17%, 0.72%

LAB 71.4, 7.82, -11.07

 

CMYK 48 / 41 / 0 / 5

HEX #7D8EF2

RGB 125 142 242

HSL 231.28, 0.82%, 0.72%

LAB 61.75, 20.33, -52.25

 

CMYK 43 / 48 / 0 / 5

HEX #8A7DF2

RGB 138 125 242

HSL 246.67, 0.82%, 0.72%

LAB 58.49, 33.3, -57.39

 

CMYK 30 / 48 / 0 / 5

HEX #A97DF2

RGB 169 125 242

HSL 262.56, 0.82%, 0.72%

LAB 61.23, 40.93, -52.86

 

CMYK 17 / 48 / 0 / 5

HEX #C97DF2

RGB 201 125 242

HSL 278.97, 0.82%, 0.72%

LAB 64.56, 49.4, -47.38

 

CMYK 4 / 48 / 0 / 5

HEX #E87DF2

RGB 232 125 242

HSL 294.87, 0.82%, 0.72%

LAB 68.19, 57.86, -41.42

 

CMYK 48 / 79 / 0 / 8

HEX #7A31EA

RGB 122 49 234

HSL 263.68, 0.81%, 0.55%

LAB 41.65, 67.43, -80.28

 

CMYK 39 / 63 / 0 / 7

HEX #9257EE

RGB 146 87 238

HSL 263.44, 0.82%, 0.64%

LAB 50.8, 55.09, -67.49

 

CMYK 29 / 48 / 0 / 5

HEX #AB7DF2

RGB 171 125 242

HSL 263.59, 0.82%, 0.72%

LAB 61.43, 41.45, -52.54

 

CMYK 20 / 34 / 0 / 4

HEX #C3A2F5

RGB 195 162 245

HSL 263.86, 0.81%, 0.8%

LAB 72.25, 28.3, -37.02

 

CMYK 12 / 20 / 0 / 2

HEX #DBC8F9

RGB 219 200 249

HSL 263.27, 0.8%, 0.88%

LAB 83.55, 15.81, -21.65

 

CMYK 29 / 48 / 0 / 5

HEX #AB7DF2

RGB 171 125 242

HSL 263.59, 0.82%, 0.72%

LAB 61.43, 41.45, -52.54

 

CMYK 0 / 48 / 29 / 5

HEX #F27DAD

RGB 242 125 173

HSL 335.38, 0.82%, 0.72%

LAB 66.95, 50.08, -4.72

 

CMYK 48 / 0 / 48 / 5

HEX #7FF27D

RGB 127 242 125

HSL 118.97, 0.82%, 0.72%

LAB 86.75, -55.49, 46.31

 

CMYK 29 / 48 / 0 / 5

HEX #AB7DF2

RGB 171 125 242

HSL 263.59, 0.82%, 0.72%

LAB 61.43, 41.45, -52.54

 

CMYK 0 / 30 / 48 / 5

HEX #F2A97D

RGB 242 169 125

HSL 22.56, 0.82%, 0.72%

LAB 75.29, 21.94, 33.41

 

CMYK 48 / 0 / 30 / 5

HEX #7DF2A9

RGB 125 242 169

HSL 142.56, 0.82%, 0.72%

LAB 87.35, -49.06, 25.25

 

CMYK 29 / 48 / 0 / 5

HEX #AB7DF2

RGB 171 125 242

HSL 263.59, 0.82%, 0.72%

LAB 61.43, 41.45, -52.54

 

CMYK 0 / 48 / 29 / 5

HEX #F27DAD

RGB 242 125 173

HSL 335.38, 0.82%, 0.72%

LAB 66.95, 50.08, -4.72

 

CMYK 19 / 0 / 48 / 5

HEX #C5F27D

RGB 197 242 125

HSL 83.08, 0.82%, 0.72%

LAB 90.25, -32.73, 51.41

 

CMYK 48 / 0 / 20 / 5

HEX #7DF2C1

RGB 125 242 193

HSL 154.87, 0.82%, 0.72%

LAB 87.83, -44.36, 13.55

 

CMYK 29 / 48 / 0 / 5

HEX #AB7DF2

RGB 171 125 242

HSL 263.59, 0.82%, 0.72%

LAB 61.43, 41.45, -52.54

 

CMYK 0 / 48 / 43 / 5

HEX #F27D8A

RGB 242 125 138

HSL 353.33, 0.82%, 0.72%

LAB 66.04, 46.02, 13.79

 

CMYK 19 / 0 / 48 / 5

HEX #C5F27D

RGB 197 242 125

HSL 83.08, 0.82%, 0.72%

LAB 90.25, -32.73, 51.41

 

CMYK 48 / 0 / 6 / 5

HEX #7DF2E4

RGB 125 242 228

HSL 172.82, 0.82%, 0.72%

LAB 88.67, -36.5, -3.49

 

Description

Color code: HEX #AB7DF2 | qconv.com Color code: HEX #AB7DF2 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 171 red, 125 green and 242 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
171 125 242 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 29 cyan, 48 magenta, none yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
29% 48% 0% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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