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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AB8834 it is the complementary color #5477CB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AB8834. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AB8834 shade: #B0882F, #C19A42, #D2AC55, #E3BE68 and #F4D07B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AB8834. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AB8834 shade: #AB8834, #9A7621, #89640E, #785200 and #674000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AB8834 shade: #AB8834, #AB6834, #AB4834 and #AB3434

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AB8834 shade: #AB8834, #ABA834, #8EAB34, #6EAB34 and #4EAB34

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AB8834 shade matches the following richer shades: #AB8834, #BD9022 and #CF9710

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AB8834 shade: #AB8834, #998146, #877959, #75726B and #636A7D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AB8834 shade: #AB4834, #AB6834, #AB8734, #ABA734 and #8FAB34

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AB8834 shade: #6C5621, #8C6F2B, #AB8834, #C59F44 and #CFAF63

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AB8834 shade: #AB8834, #40AB34 and #5834AB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AB8834 shade: #AB8834, #34AB87 and #8734AB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AB8834 shade: #AB8834, #40AB34, #3458AB and #9F34AB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AB8834 shade: #AB8834, #34AB4C, #3458AB and #AB3493

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 20 / 70 / 33

HEX #AB8834

RGB 171 136 52

HSL 42.35, 0.53%, 0.44%

LAB 58.52, 4.27, 48.42

 

Complementary color

CMYK 59 / 41 / 0 / 20

HEX #5477CB

RGB 84 119 203

HSL 222.35, 0.53%, 0.56%

LAB 51.14, 13.03, -47.42

 

CMYK 0 / 23 / 73 / 31

HEX #B0882F

RGB 176 136 47

HSL 41.4, 0.58%, 0.44%

LAB 59.01, 6.24, 51.27

 

CMYK 0 / 20 / 66 / 24

HEX #C19A42

RGB 193 154 66

HSL 41.57, 0.51%, 0.51%

LAB 65.63, 4.94, 50.32

 

CMYK 0 / 18 / 60 / 18

HEX #D2AC55

RGB 210 172 85

HSL 41.76, 0.58%, 0.58%

LAB 72.14, 3.85, 49.14

 

CMYK 0 / 16 / 54 / 11

HEX #E3BE68

RGB 227 190 104

HSL 41.95, 0.69%, 0.65%

LAB 78.55, 2.92, 47.88

 

CMYK 0 / 15 / 50 / 4

HEX #F4D07B

RGB 244 208 123

HSL 42.15, 0.85%, 0.72%

LAB 84.88, 2.13, 46.61

 

CMYK 0 / 20 / 70 / 33

HEX #AB8834

RGB 171 136 52

HSL 42.35, 0.53%, 0.44%

LAB 58.52, 4.27, 48.42

 

CMYK 0 / 23 / 79 / 40

HEX #9A7621

RGB 154 118 33

HSL 42.15, 0.65%, 0.37%

LAB 51.77, 5.7, 49.11

 

CMYK 0 / 27 / 90 / 46

HEX #89640E

RGB 137 100 14

HSL 41.95, 0.81%, 0.3%

LAB 44.89, 7.45, 48.76

 

CMYK 0 / 32 / 100 / 53

HEX #785200

RGB 120 82 0

HSL 41, 1%, 0.24%

LAB 37.89, 9.61, 46.42

 

CMYK 0 / 38 / 100 / 60

HEX #674000

RGB 103 64 0

HSL 37.28, 1%, 0.2%

LAB 30.76, 12.21, 40.55

 

CMYK 0 / 20 / 70 / 33

HEX #AB8834

RGB 171 136 52

HSL 42.35, 0.53%, 0.44%

LAB 58.52, 4.27, 48.42

 

CMYK 0 / 39 / 70 / 33

HEX #AB6834

RGB 171 104 52

HSL 26.22, 0.53%, 0.44%

LAB 50.46, 22.22, 39.77

 

CMYK 0 / 58 / 70 / 33

HEX #AB4834

RGB 171 72 52

HSL 10.08, 0.53%, 0.44%

LAB 43.57, 39.31, 31.94

 

CMYK 0 / 70 / 70 / 33

HEX #AB3434

RGB 171 52 52

HSL 0, 0.53%, 0.44%

LAB 40.18, 48.34, 27.93

 

CMYK 0 / 20 / 70 / 33

HEX #AB8834

RGB 171 136 52

HSL 42.35, 0.53%, 0.44%

LAB 58.52, 4.27, 48.42

 

CMYK 0 / 2 / 70 / 33

HEX #ABA834

RGB 171 168 52

HSL 58.49, 0.53%, 0.44%

LAB 67.21, -12.95, 57.27

 

CMYK 17 / 0 / 70 / 33

HEX #8EAB34

RGB 142 171 52

HSL 74.62, 0.53%, 0.44%

LAB 65.85, -26.81, 55.17

 

CMYK 36 / 0 / 70 / 33

HEX #6EAB34

RGB 110 171 52

HSL 90.76, 0.53%, 0.44%

LAB 63.91, -39.25, 52.57

 

CMYK 54 / 0 / 70 / 33

HEX #4EAB34

RGB 78 171 52

HSL 106.89, 0.53%, 0.44%

LAB 62.5, -49.52, 50.67

 

CMYK 0 / 20 / 70 / 33

HEX #AB8834

RGB 171 136 52

HSL 42.35, 0.53%, 0.44%

LAB 58.52, 4.27, 48.42

 

CMYK 0 / 24 / 82 / 26

HEX #BD9022

RGB 189 144 34

HSL 42.58, 0.7%, 0.44%

LAB 62.41, 7.13, 59.82

 

CMYK 0 / 27 / 92 / 19

HEX #CF9710

RGB 207 151 16

HSL 42.41, 0.86%, 0.44%

LAB 66.09, 10.91, 68.11

 

CMYK 0 / 20 / 70 / 33

HEX #AB8834

RGB 171 136 52

HSL 42.35, 0.53%, 0.44%

LAB 58.52, 4.27, 48.42

 

CMYK 0 / 16 / 54 / 40

HEX #998146

RGB 153 129 70

HSL 42.65, 0.37%, 0.44%

LAB 54.98, 1.46, 35.1

 

CMYK 0 / 10 / 34 / 47

HEX #877959

RGB 135 121 89

HSL 41.74, 0.21%, 0.44%

LAB 51.32, 0.28, 19.54

 

CMYK 0 / 3 / 9 / 54

HEX #75726B

RGB 117 114 107

HSL 42, 0.04%, 0.44%

LAB 48.11, -0.2, 4.28

 

CMYK 21 / 15 / 0 / 51

HEX #636A7D

RGB 99 106 125

HSL 223.85, 0.12%, 0.44%

LAB 44.86, 1.74, -11.45

 

CMYK 0 / 58 / 70 / 33

HEX #AB4834

RGB 171 72 52

HSL 10.08, 0.53%, 0.44%

LAB 43.57, 39.31, 31.94

 

CMYK 0 / 39 / 70 / 33

HEX #AB6834

RGB 171 104 52

HSL 26.22, 0.53%, 0.44%

LAB 50.46, 22.22, 39.77

 

CMYK 0 / 21 / 70 / 33

HEX #AB8734

RGB 171 135 52

HSL 41.85, 0.53%, 0.44%

LAB 58.26, 4.82, 48.15

 

CMYK 0 / 2 / 70 / 33

HEX #ABA734

RGB 171 167 52

HSL 57.98, 0.53%, 0.44%

LAB 66.93, -12.44, 56.99

 

CMYK 16 / 0 / 70 / 33

HEX #8FAB34

RGB 143 171 52

HSL 74.12, 0.53%, 0.44%

LAB 65.91, -26.39, 55.26

 

CMYK 0 / 20 / 69 / 58

HEX #6C5621

RGB 108 86 33

HSL 42.4, 0.53%, 0.28%

LAB 37.76, 2.63, 33.35

 

CMYK 0 / 21 / 69 / 45

HEX #8C6F2B

RGB 140 111 43

HSL 42.06, 0.53%, 0.36%

LAB 48.41, 3.73, 40.91

 

CMYK 0 / 20 / 70 / 33

HEX #AB8834

RGB 171 136 52

HSL 42.35, 0.53%, 0.44%

LAB 58.52, 4.27, 48.42

 

CMYK 0 / 19 / 65 / 23

HEX #C59F44

RGB 197 159 68

HSL 42.33, 0.53%, 0.52%

LAB 67.34, 4.1, 51.38

 

CMYK 0 / 15 / 52 / 19

HEX #CFAF63

RGB 207 175 99

HSL 42.22, 0.53%, 0.6%

LAB 72.78, 2.11, 42.95

 

CMYK 0 / 20 / 70 / 33

HEX #AB8834

RGB 171 136 52

HSL 42.35, 0.53%, 0.44%

LAB 58.52, 4.27, 48.42

 

CMYK 63 / 0 / 70 / 33

HEX #40AB34

RGB 64 171 52

HSL 113.95, 0.53%, 0.44%

LAB 62.05, -53.09, 50.05

 

CMYK 49 / 70 / 0 / 33

HEX #5834AB

RGB 88 52 171

HSL 258.15, 0.53%, 0.44%

LAB 32.86, 44.38, -58.17

 

CMYK 0 / 20 / 70 / 33

HEX #AB8834

RGB 171 136 52

HSL 42.35, 0.53%, 0.44%

LAB 58.52, 4.27, 48.42

 

CMYK 70 / 0 / 21 / 33

HEX #34AB87

RGB 52 171 135

HSL 161.85, 0.53%, 0.44%

LAB 63.02, -41.45, 9.13

 

CMYK 21 / 70 / 0 / 33

HEX #8734AB

RGB 135 52 171

HSL 281.85, 0.53%, 0.44%

LAB 38.81, 53.9, -48.25

 

CMYK 0 / 20 / 70 / 33

HEX #AB8834

RGB 171 136 52

HSL 42.35, 0.53%, 0.44%

LAB 58.52, 4.27, 48.42

 

CMYK 63 / 0 / 70 / 33

HEX #40AB34

RGB 64 171 52

HSL 113.95, 0.53%, 0.44%

LAB 62.05, -53.09, 50.05

 

CMYK 70 / 49 / 0 / 33

HEX #3458AB

RGB 52 88 171

HSL 221.85, 0.53%, 0.44%

LAB 38.98, 15.61, -48.36

 

CMYK 7 / 70 / 0 / 33

HEX #9F34AB

RGB 159 52 171

HSL 293.95, 0.53%, 0.44%

LAB 42.41, 59.25, -42.28

 

CMYK 0 / 20 / 70 / 33

HEX #AB8834

RGB 171 136 52

HSL 42.35, 0.53%, 0.44%

LAB 58.52, 4.27, 48.42

 

CMYK 70 / 0 / 56 / 33

HEX #34AB4C

RGB 52 171 76

HSL 132.1, 0.53%, 0.44%

LAB 61.98, -52.84, 39.12

 

CMYK 70 / 49 / 0 / 33

HEX #3458AB

RGB 52 88 171

HSL 221.85, 0.53%, 0.44%

LAB 38.98, 15.61, -48.36

 

CMYK 0 / 70 / 14 / 33

HEX #AB3493

RGB 171 52 147

HSL 312.1, 0.53%, 0.44%

LAB 43.09, 58.16, -26.69

 

Description

Color code: HEX #AB8834 | qconv.com Color code: HEX #AB8834 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 171 red, 136 green and 52 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
171 136 52 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 20 magenta, 70 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 20% 70% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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