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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AB8016 it is the complementary color #547FE9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AB8016. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AB8016 shade: #B08011, #C19224, #D2A437, #E3B64A and #F4C85D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AB8016. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AB8016 shade: #AB8016, #9A6E03, #895C00, #784A00 and #673800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AB8016 shade: #AB8016, #AB5816, #AB2F16 and #AB1616

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AB8016 shade: #AB8016, #ABA816, #86AB16, #5DAB16 and #35AB16

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AB8016 shade matches the following richer shades: #AB8016 and #BB8706

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AB8016 shade: #AB8016, #9B7925, #8C7335, #7C6C45 and #6C6555

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AB8016 shade: #AB2F16, #AB5616, #AB7E16, #ABA616 and #88AB16

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AB8016 shade: #62490C, #866511, #AB8016, #D09B1B and #E4B030

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AB8016 shade: #AB8016, #25AB16 and #4316AB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AB8016 shade: #AB8016, #16AB7E and #7E16AB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AB8016 shade: #AB8016, #25AB16, #1643AB and #9C16AB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AB8016 shade: #AB8016, #16AB34, #1643AB and #AB168D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 25 / 87 / 33

HEX #AB8016

RGB 171 128 22

HSL 42.68, 0.77%, 0.38%

LAB 56.24, 7.51, 57.4

 

Complementary color

CMYK 64 / 45 / 0 / 9

HEX #547FE9

RGB 84 127 233

HSL 222.68, 0.77%, 0.62%

LAB 55.02, 18.27, -58.14

 

CMYK 0 / 27 / 90 / 31

HEX #B08011

RGB 176 128 17

HSL 41.89, 0.82%, 0.38%

LAB 56.79, 9.67, 59.33

 

CMYK 0 / 24 / 81 / 24

HEX #C19224

RGB 193 146 36

HSL 42.04, 0.69%, 0.45%

LAB 63.36, 7.88, 60.17

 

CMYK 0 / 22 / 74 / 18

HEX #D2A437

RGB 210 164 55

HSL 42.19, 0.63%, 0.52%

LAB 69.84, 6.37, 59.93

 

CMYK 0 / 20 / 67 / 11

HEX #E3B64A

RGB 227 182 74

HSL 42.35, 0.73%, 0.59%

LAB 76.24, 5.07, 59.14

 

CMYK 0 / 18 / 62 / 4

HEX #F4C85D

RGB 244 200 93

HSL 42.52, 0.87%, 0.66%

LAB 82.56, 3.96, 58.09

 

CMYK 0 / 25 / 87 / 33

HEX #AB8016

RGB 171 128 22

HSL 42.68, 0.77%, 0.38%

LAB 56.24, 7.51, 57.4

 

CMYK 0 / 29 / 98 / 40

HEX #9A6E03

RGB 154 110 3

HSL 42.52, 0.96%, 0.31%

LAB 49.53, 9.48, 55.62

 

CMYK 0 / 33 / 100 / 46

HEX #895C00

RGB 137 92 0

HSL 40.29, 1%, 0.27%

LAB 42.72, 11.85, 50.69

 

CMYK 0 / 38 / 100 / 53

HEX #784A00

RGB 120 74 0

HSL 37, 1%, 0.24%

LAB 35.77, 14.4, 45.02

 

CMYK 0 / 46 / 100 / 60

HEX #673800

RGB 103 56 0

HSL 32.62, 1%, 0.2%

LAB 28.67, 17.1, 38.95

 

CMYK 0 / 25 / 87 / 33

HEX #AB8016

RGB 171 128 22

HSL 42.68, 0.77%, 0.38%

LAB 56.24, 7.51, 57.4

 

CMYK 0 / 49 / 87 / 33

HEX #AB5816

RGB 171 88 22

HSL 26.58, 0.77%, 0.38%

LAB 46.57, 29.8, 49.48

 

CMYK 0 / 73 / 87 / 33

HEX #AB2F16

RGB 171 47 22

HSL 10.07, 0.77%, 0.38%

LAB 39.15, 49.16, 43.33

 

CMYK 0 / 87 / 87 / 33

HEX #AB1616

RGB 171 22 22

HSL 0, 0.77%, 0.38%

LAB 36.54, 56.51, 41.15

 

CMYK 0 / 25 / 87 / 33

HEX #AB8016

RGB 171 128 22

HSL 42.68, 0.77%, 0.38%

LAB 56.24, 7.51, 57.4

 

CMYK 0 / 2 / 87 / 33

HEX #ABA816

RGB 171 168 22

HSL 58.79, 0.77%, 0.38%

LAB 67.07, -14.09, 66.21

 

CMYK 22 / 0 / 87 / 33

HEX #86AB16

RGB 134 171 22

HSL 74.9, 0.77%, 0.38%

LAB 65.16, -31.46, 63.5

 

CMYK 46 / 0 / 87 / 33

HEX #5DAB16

RGB 93 171 22

HSL 91.41, 0.77%, 0.38%

LAB 62.94, -46.76, 60.72

 

CMYK 69 / 0 / 87 / 33

HEX #35AB16

RGB 53 171 22

HSL 107.52, 0.77%, 0.38%

LAB 61.6, -57.41, 59.04

 

CMYK 0 / 25 / 87 / 33

HEX #AB8016

RGB 171 128 22

HSL 42.68, 0.77%, 0.38%

LAB 56.24, 7.51, 57.4

 

CMYK 0 / 28 / 97 / 27

HEX #BB8706

RGB 187 135 6

HSL 42.76, 0.94%, 0.38%

LAB 59.8, 10.6, 64.1

 

CMYK 0 / 25 / 87 / 33

HEX #AB8016

RGB 171 128 22

HSL 42.68, 0.77%, 0.38%

LAB 56.24, 7.51, 57.4

 

CMYK 0 / 22 / 76 / 39

HEX #9B7925

RGB 155 121 37

HSL 42.71, 0.61%, 0.38%

LAB 52.7, 4.63, 48.45

 

CMYK 0 / 18 / 62 / 45

HEX #8C7335

RGB 140 115 53

HSL 42.76, 0.45%, 0.38%

LAB 49.61, 2.13, 37.29

 

CMYK 0 / 13 / 44 / 51

HEX #7C6C45

RGB 124 108 69

HSL 42.55, 0.28%, 0.38%

LAB 46.23, 0.45, 24.11

 

CMYK 0 / 6 / 21 / 58

HEX #6C6555

RGB 108 101 85

HSL 41.74, 0.12%, 0.38%

LAB 42.99, -0.15, 10.07

 

CMYK 0 / 73 / 87 / 33

HEX #AB2F16

RGB 171 47 22

HSL 10.07, 0.77%, 0.38%

LAB 39.15, 49.16, 43.33

 

CMYK 0 / 50 / 87 / 33

HEX #AB5616

RGB 171 86 22

HSL 25.77, 0.77%, 0.38%

LAB 46.14, 30.87, 49.12

 

CMYK 0 / 26 / 87 / 33

HEX #AB7E16

RGB 171 126 22

HSL 41.88, 0.77%, 0.38%

LAB 55.72, 8.63, 56.98

 

CMYK 0 / 3 / 87 / 33

HEX #ABA616

RGB 171 166 22

HSL 57.99, 0.77%, 0.38%

LAB 66.51, -13.05, 65.76

 

CMYK 20 / 0 / 87 / 33

HEX #88AB16

RGB 136 171 22

HSL 74.09, 0.77%, 0.38%

LAB 65.29, -30.64, 63.67

 

CMYK 0 / 26 / 88 / 62

HEX #62490C

RGB 98 73 12

HSL 42.56, 0.78%, 0.22%

LAB 32.68, 4.52, 37.3

 

CMYK 0 / 25 / 87 / 47

HEX #866511

RGB 134 101 17

HSL 43.08, 0.77%, 0.3%

LAB 44.82, 5.52, 47.69

 

CMYK 0 / 25 / 87 / 33

HEX #AB8016

RGB 171 128 22

HSL 42.68, 0.77%, 0.38%

LAB 56.24, 7.51, 57.4

 

CMYK 0 / 25 / 87 / 18

HEX #D09B1B

RGB 208 155 27

HSL 42.43, 0.77%, 0.46%

LAB 67.23, 9.39, 66.69

 

CMYK 0 / 23 / 79 / 11

HEX #E4B030

RGB 228 176 48

HSL 42.67, 0.77%, 0.54%

LAB 74.67, 7.49, 67.68

 

CMYK 0 / 25 / 87 / 33

HEX #AB8016

RGB 171 128 22

HSL 42.68, 0.77%, 0.38%

LAB 56.24, 7.51, 57.4

 

CMYK 78 / 0 / 87 / 33

HEX #25AB16

RGB 37 171 22

HSL 113.96, 0.77%, 0.38%

LAB 61.29, -60.14, 58.65

 

CMYK 61 / 87 / 0 / 33

HEX #4316AB

RGB 67 22 171

HSL 258.12, 0.77%, 0.38%

LAB 25.88, 55.13, -69.71

 

CMYK 0 / 25 / 87 / 33

HEX #AB8016

RGB 171 128 22

HSL 42.68, 0.77%, 0.38%

LAB 56.24, 7.51, 57.4

 

CMYK 87 / 0 / 26 / 33

HEX #16AB7E

RGB 22 171 126

HSL 161.88, 0.77%, 0.38%

LAB 62.34, -47.08, 13.09

 

CMYK 26 / 87 / 0 / 33

HEX #7E16AB

RGB 126 22 171

HSL 281.88, 0.77%, 0.38%

LAB 33.88, 62.47, -56.29

 

CMYK 0 / 25 / 87 / 33

HEX #AB8016

RGB 171 128 22

HSL 42.68, 0.77%, 0.38%

LAB 56.24, 7.51, 57.4

 

CMYK 78 / 0 / 87 / 33

HEX #25AB16

RGB 37 171 22

HSL 113.96, 0.77%, 0.38%

LAB 61.29, -60.14, 58.65

 

CMYK 87 / 61 / 0 / 33

HEX #1643AB

RGB 22 67 171

HSL 221.88, 0.77%, 0.38%

LAB 32.09, 26.28, -59.6

 

CMYK 9 / 87 / 0 / 33

HEX #9C16AB

RGB 156 22 171

HSL 293.96, 0.77%, 0.38%

LAB 38.87, 67.43, -47.98

 

CMYK 0 / 25 / 87 / 33

HEX #AB8016

RGB 171 128 22

HSL 42.68, 0.77%, 0.38%

LAB 56.24, 7.51, 57.4

 

CMYK 87 / 0 / 70 / 33

HEX #16AB34

RGB 22 171 52

HSL 132.08, 0.77%, 0.38%

LAB 61.26, -59.76, 48.97

 

CMYK 87 / 61 / 0 / 33

HEX #1643AB

RGB 22 67 171

HSL 221.88, 0.77%, 0.38%

LAB 32.09, 26.28, -59.6

 

CMYK 0 / 87 / 18 / 33

HEX #AB168D

RGB 171 22 141

HSL 312.08, 0.77%, 0.38%

LAB 39.84, 65.79, -28.12

 

Description

Color code: HEX #AB8016 | qconv.com Color code: HEX #AB8016 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 171 red, 128 green and 22 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
171 128 22 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 25 magenta, 87 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 25% 87% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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