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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AB833F it is the complementary color #547CC0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AB833F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AB833F shade: #B0833A, #C1954D, #D2A760, #E3B973 and #F4CB86

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AB833F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AB833F shade: #AB833F, #9A712C, #895F19, #784D06 and #673B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AB833F shade: #AB833F, #AB663F, #AB493F and #AB3F3F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AB833F shade: #AB833F, #ABA03F, #99AB3F, #7BAB3F and #5EAB3F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AB833F shade matches the following richer shades: #AB833F, #BE882C, #D18D19 and #E49206

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AB833F shade: #AB833F, #987E52, #857965, #727478 and #5F6F8B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AB833F shade: #AB483F, #AB653F, #AB813F, #AB9E3F and #9BAB3F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AB833F shade: #6F5529, #8D6C34, #AB833F, #BF9754 and #CAAA72

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AB833F shade: #AB833F, #53AB3F and #563FAB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AB833F shade: #AB833F, #3FAB81 and #813FAB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AB833F shade: #AB833F, #53AB3F, #3F68AB and #973FAB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AB833F shade: #AB833F, #3FAB4B, #3F68AB and #AB3F9E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 23 / 63 / 33

HEX #AB833F

RGB 171 131 63

HSL 37.78, 0.46%, 0.46%

LAB 57.32, 7.75, 41.9

 

Complementary color

CMYK 56 / 35 / 0 / 25

HEX #547CC0

RGB 84 124 192

HSL 217.78, 0.46%, 0.54%

LAB 51.96, 6.34, -39.84

 

CMYK 0 / 26 / 67 / 31

HEX #B0833A

RGB 176 131 58

HSL 37.12, 0.5%, 0.46%

LAB 57.82, 9.63, 45.05

 

CMYK 0 / 23 / 60 / 24

HEX #C1954D

RGB 193 149 77

HSL 37.24, 0.48%, 0.53%

LAB 64.46, 8.41, 43.73

 

CMYK 0 / 20 / 54 / 18

HEX #D2A760

RGB 210 167 96

HSL 37.37, 0.56%, 0.6%

LAB 71, 7.38, 42.37

 

CMYK 0 / 19 / 49 / 11

HEX #E3B973

RGB 227 185 115

HSL 37.5, 0.67%, 0.67%

LAB 77.44, 6.5, 41.03

 

CMYK 0 / 17 / 45 / 4

HEX #F4CB86

RGB 244 203 134

HSL 37.64, 0.83%, 0.74%

LAB 83.79, 5.74, 39.74

 

CMYK 0 / 23 / 63 / 33

HEX #AB833F

RGB 171 131 63

HSL 37.78, 0.46%, 0.46%

LAB 57.32, 7.75, 41.9

 

CMYK 0 / 27 / 71 / 40

HEX #9A712C

RGB 154 113 44

HSL 37.64, 0.56%, 0.39%

LAB 50.53, 9.08, 43.15

 

CMYK 0 / 31 / 82 / 46

HEX #895F19

RGB 137 95 25

HSL 37.5, 0.69%, 0.32%

LAB 43.61, 10.72, 43.96

 

CMYK 0 / 36 / 95 / 53

HEX #784D06

RGB 120 77 6

HSL 37.37, 0.9%, 0.25%

LAB 36.58, 12.75, 43.58

 

CMYK 0 / 43 / 100 / 60

HEX #673B00

RGB 103 59 0

HSL 34.37, 1%, 0.2%

LAB 29.44, 15.28, 39.56

 

CMYK 0 / 23 / 63 / 33

HEX #AB833F

RGB 171 131 63

HSL 37.78, 0.46%, 0.46%

LAB 57.32, 7.75, 41.9

 

CMYK 0 / 40 / 63 / 33

HEX #AB663F

RGB 171 102 63

HSL 21.67, 0.46%, 0.46%

LAB 50.12, 24.04, 33.52

 

CMYK 0 / 57 / 63 / 33

HEX #AB493F

RGB 171 73 63

HSL 5.56, 0.46%, 0.46%

LAB 43.92, 39.49, 25.93

 

CMYK 0 / 63 / 63 / 33

HEX #AB3F3F

RGB 171 63 63

HSL 0, 0.46%, 0.46%

LAB 42.11, 44.26, 23.65

 

CMYK 0 / 23 / 63 / 33

HEX #AB833F

RGB 171 131 63

HSL 37.78, 0.46%, 0.46%

LAB 57.32, 7.75, 41.9

 

CMYK 0 / 6 / 63 / 33

HEX #ABA03F

RGB 171 160 63

HSL 53.89, 0.46%, 0.46%

LAB 65.09, -8.09, 50.48

 

CMYK 11 / 0 / 63 / 33

HEX #99AB3F

RGB 153 171 63

HSL 70, 0.46%, 0.46%

LAB 66.72, -21.49, 51.8

 

CMYK 28 / 0 / 63 / 33

HEX #7BAB3F

RGB 123 171 63

HSL 86.67, 0.46%, 0.46%

LAB 64.72, -33.54, 49.05

 

CMYK 45 / 0 / 63 / 33

HEX #5EAB3F

RGB 94 171 63

HSL 102.78, 0.46%, 0.46%

LAB 63.23, -43.74, 46.99

 

CMYK 0 / 23 / 63 / 33

HEX #AB833F

RGB 171 131 63

HSL 37.78, 0.46%, 0.46%

LAB 57.32, 7.75, 41.9

 

CMYK 0 / 28 / 77 / 25

HEX #BE882C

RGB 190 136 44

HSL 37.81, 0.62%, 0.46%

LAB 60.55, 12.34, 54.53

 

CMYK 0 / 33 / 88 / 18

HEX #D18D19

RGB 209 141 25

HSL 37.83, 0.79%, 0.46%

LAB 63.9, 17.36, 64.59

 

CMYK 0 / 36 / 97 / 11

HEX #E49206

RGB 228 146 6

HSL 37.84, 0.95%, 0.46%

LAB 67.33, 22.6, 71.59

 

CMYK 0 / 23 / 63 / 33

HEX #AB833F

RGB 171 131 63

HSL 37.78, 0.46%, 0.46%

LAB 57.32, 7.75, 41.9

 

CMYK 0 / 17 / 46 / 40

HEX #987E52

RGB 152 126 82

HSL 37.71, 0.3%, 0.46%

LAB 54.25, 3.9, 27.65

 

CMYK 0 / 9 / 24 / 48

HEX #857965

RGB 133 121 101

HSL 37.5, 0.14%, 0.46%

LAB 51.38, 1.19, 12.65

 

CMYK 5 / 3 / 0 / 53

HEX #727478

RGB 114 116 120

HSL 220, 0.03%, 0.46%

LAB 48.79, 0.08, -2.47

 

CMYK 32 / 20 / 0 / 45

HEX #5F6F8B

RGB 95 111 139

HSL 218.18, 0.19%, 0.46%

LAB 46.53, 1.05, -17.3

 

CMYK 0 / 58 / 63 / 33

HEX #AB483F

RGB 171 72 63

HSL 5, 0.46%, 0.46%

LAB 43.73, 39.99, 25.7

 

CMYK 0 / 41 / 63 / 33

HEX #AB653F

RGB 171 101 63

HSL 21.11, 0.46%, 0.46%

LAB 49.89, 24.6, 33.24

 

CMYK 0 / 25 / 63 / 33

HEX #AB813F

RGB 171 129 63

HSL 36.67, 0.46%, 0.46%

LAB 56.8, 8.87, 41.31

 

CMYK 0 / 8 / 63 / 33

HEX #AB9E3F

RGB 171 158 63

HSL 52.78, 0.46%, 0.46%

LAB 64.54, -7.03, 49.89

 

CMYK 9 / 0 / 63 / 33

HEX #9BAB3F

RGB 155 171 63

HSL 68.89, 0.46%, 0.46%

LAB 66.86, -20.66, 52

 

CMYK 0 / 23 / 63 / 56

HEX #6F5529

RGB 111 85 41

HSL 37.71, 0.46%, 0.3%

LAB 37.91, 5.28, 29.37

 

CMYK 0 / 23 / 63 / 45

HEX #8D6C34

RGB 141 108 52

HSL 37.75, 0.46%, 0.38%

LAB 47.8, 6.54, 35.77

 

CMYK 0 / 23 / 63 / 33

HEX #AB833F

RGB 171 131 63

HSL 37.78, 0.46%, 0.46%

LAB 57.32, 7.75, 41.9

 

CMYK 0 / 21 / 56 / 25

HEX #BF9754

RGB 191 151 84

HSL 37.57, 0.46%, 0.54%

LAB 64.84, 7.01, 40.6

 

CMYK 0 / 16 / 44 / 21

HEX #CAAA72

RGB 202 170 114

HSL 38.18, 0.45%, 0.62%

LAB 71.23, 4.15, 33.17

 

CMYK 0 / 23 / 63 / 33

HEX #AB833F

RGB 171 131 63

HSL 37.78, 0.46%, 0.46%

LAB 57.32, 7.75, 41.9

 

CMYK 51 / 0 / 63 / 33

HEX #53AB3F

RGB 83 171 63

HSL 108.89, 0.46%, 0.46%

LAB 62.78, -47.07, 46.36

 

CMYK 50 / 63 / 0 / 33

HEX #563FAB

RGB 86 63 171

HSL 252.78, 0.46%, 0.46%

LAB 34.95, 37.78, -54.77

 

CMYK 0 / 23 / 63 / 33

HEX #AB833F

RGB 171 131 63

HSL 37.78, 0.46%, 0.46%

LAB 57.32, 7.75, 41.9

 

CMYK 63 / 0 / 25 / 33

HEX #3FAB81

RGB 63 171 129

HSL 156.67, 0.46%, 0.46%

LAB 63.15, -40.95, 12.68

 

CMYK 25 / 63 / 0 / 33

HEX #813FAB

RGB 129 63 171

HSL 276.67, 0.46%, 0.46%

LAB 39.85, 47.35, -46.61

 

CMYK 0 / 23 / 63 / 33

HEX #AB833F

RGB 171 131 63

HSL 37.78, 0.46%, 0.46%

LAB 57.32, 7.75, 41.9

 

CMYK 51 / 0 / 63 / 33

HEX #53AB3F

RGB 83 171 63

HSL 108.89, 0.46%, 0.46%

LAB 62.78, -47.07, 46.36

 

CMYK 63 / 39 / 0 / 33

HEX #3F68AB

RGB 63 104 171

HSL 217.22, 0.46%, 0.46%

LAB 44.09, 7.26, -40.18

 

CMYK 12 / 63 / 0 / 33

HEX #973FAB

RGB 151 63 171

HSL 288.89, 0.46%, 0.46%

LAB 42.88, 52.71, -41.61

 

CMYK 0 / 23 / 63 / 33

HEX #AB833F

RGB 171 131 63

HSL 37.78, 0.46%, 0.46%

LAB 57.32, 7.75, 41.9

 

CMYK 63 / 0 / 56 / 33

HEX #3FAB4B

RGB 63 171 75

HSL 126.67, 0.46%, 0.46%

LAB 62.25, -50.76, 39.99

 

CMYK 63 / 39 / 0 / 33

HEX #3F68AB

RGB 63 104 171

HSL 217.22, 0.46%, 0.46%

LAB 44.09, 7.26, -40.18

 

CMYK 0 / 63 / 8 / 33

HEX #AB3F9E

RGB 171 63 158

HSL 307.22, 0.46%, 0.46%

LAB 45.19, 55.49, -30.01

 

Description

Color code: HEX #AB833F | qconv.com Color code: HEX #AB833F | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 171 red, 131 green and 63 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
171 131 63 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 23 magenta, 63 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 23% 63% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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