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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AB963E it is the complementary color #5469C1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AB963E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AB963E shade: #B09639, #C1A84C, #D2BA5F, #E3CC72 and #F4DE85

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AB963E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AB963E shade: #AB963E, #9A842B, #897218, #786005 and #674E00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AB963E shade: #AC973E, #AC793E, #AC5B3E and #AC3E3E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AB963E shade: #AC973E, #A3AC3E, #86AC3E, #68AC3E and #4AAC3E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AB963E shade matches the following richer shades: #AC973E, #BFA22B, #D2AE18 and #E5BA05

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AB963E shade: #AC973E, #998B51, #867F64, #737477 and #60688A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AB963E shade: #AC5B3E, #AC783E, #AC963E, #A5AC3E and #87AC3E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AB963E shade: #6F6228, #8E7C33, #AC973E, #C0AB52 and #CBBA71

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AB963E shade: #AB963E, #3EAC3E and #6A3EAC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AB963E shade: #AB963E, #3EAC96 and #963EAC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AB963E shade: #AB963E, #3EAC3E, #3E54AC and #AC3EAC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AB963E shade: #AB963E, #3EAC5F, #3E54AC and #AC3E8B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 12 / 64 / 33

HEX #AB963E

RGB 171 150 62

HSL 48.44, 0.47%, 0.46%

LAB 62.35, -2.8, 47.97

 

Complementary color

CMYK 56 / 46 / 0 / 24

HEX #5469C1

RGB 84 105 193

HSL 228.44, 0.47%, 0.54%

LAB 46.76, 18.37, -48.66

 

CMYK 0 / 15 / 68 / 31

HEX #B09639

RGB 176 150 57

HSL 46.89, 0.51%, 0.46%

LAB 62.79, -0.9, 50.84

 

CMYK 0 / 13 / 61 / 24

HEX #C1A84C

RGB 193 168 76

HSL 47.18, 0.49%, 0.53%

LAB 69.37, -1.92, 49.82

 

CMYK 0 / 11 / 55 / 18

HEX #D2BA5F

RGB 210 186 95

HSL 47.48, 0.56%, 0.6%

LAB 75.85, -2.77, 48.65

 

CMYK 0 / 10 / 50 / 11

HEX #E3CC72

RGB 227 204 114

HSL 47.79, 0.67%, 0.67%

LAB 82.23, -3.49, 47.44

 

CMYK 0 / 9 / 45 / 4

HEX #F4DE85

RGB 244 222 133

HSL 48.11, 0.83%, 0.74%

LAB 88.53, -4.1, 46.22

 

CMYK 0 / 12 / 64 / 33

HEX #AB963E

RGB 171 150 62

HSL 48.44, 0.47%, 0.46%

LAB 62.35, -2.8, 47.97

 

CMYK 0 / 14 / 72 / 40

HEX #9A842B

RGB 154 132 43

HSL 48.11, 0.56%, 0.39%

LAB 55.63, -1.7, 48.82

 

CMYK 0 / 17 / 82 / 46

HEX #897218

RGB 137 114 24

HSL 47.79, 0.7%, 0.32%

LAB 48.78, -0.32, 48.98

 

CMYK 0 / 20 / 96 / 53

HEX #786005

RGB 120 96 5

HSL 47.48, 0.92%, 0.25%

LAB 41.8, 1.4, 47.77

 

CMYK 0 / 24 / 100 / 60

HEX #674E00

RGB 103 78 0

HSL 45.44, 1%, 0.2%

LAB 34.67, 3.6, 43.22

 

CMYK 0 / 12 / 64 / 33

HEX #AC973E

RGB 172 151 62

HSL 48.55, 0.47%, 0.46%

LAB 62.72, -2.9, 48.4

 

CMYK 0 / 30 / 64 / 33

HEX #AC793E

RGB 172 121 62

HSL 32.18, 0.47%, 0.46%

LAB 54.86, 13.73, 39.63

 

CMYK 0 / 47 / 64 / 33

HEX #AC5B3E

RGB 172 91 62

HSL 15.82, 0.47%, 0.46%

LAB 47.75, 30.44, 31.27

 

CMYK 0 / 64 / 64 / 33

HEX #AC3E3E

RGB 172 62 62

HSL 0, 0.47%, 0.46%

LAB 42.1, 45, 24.28

 

CMYK 0 / 12 / 64 / 33

HEX #AC973E

RGB 172 151 62

HSL 48.55, 0.47%, 0.46%

LAB 62.72, -2.9, 48.4

 

CMYK 5 / 0 / 64 / 33

HEX #A3AC3E

RGB 163 172 62

HSL 64.91, 0.47%, 0.46%

LAB 67.75, -17.85, 53.56

 

CMYK 22 / 0 / 64 / 33

HEX #86AC3E

RGB 134 172 62

HSL 80.73, 0.47%, 0.46%

LAB 65.69, -29.82, 50.74

 

CMYK 40 / 0 / 64 / 33

HEX #68AC3E

RGB 104 172 62

HSL 97.09, 0.47%, 0.46%

LAB 64, -40.96, 48.4

 

CMYK 57 / 0 / 64 / 33

HEX #4AAC3E

RGB 74 172 62

HSL 113.45, 0.47%, 0.46%

LAB 62.77, -50.03, 46.7

 

CMYK 0 / 12 / 64 / 33

HEX #AC973E

RGB 172 151 62

HSL 48.55, 0.47%, 0.46%

LAB 62.72, -2.9, 48.4

 

CMYK 0 / 15 / 77 / 25

HEX #BFA22B

RGB 191 162 43

HSL 48.24, 0.63%, 0.46%

LAB 67.35, -1.41, 61.32

 

CMYK 0 / 17 / 89 / 18

HEX #D2AE18

RGB 210 174 24

HSL 48.39, 0.79%, 0.46%

LAB 72.26, 0.06, 71.45

 

CMYK 0 / 19 / 98 / 10

HEX #E5BA05

RGB 229 186 5

HSL 48.48, 0.96%, 0.46%

LAB 77.15, 1.83, 78.59

 

CMYK 0 / 12 / 64 / 33

HEX #AC973E

RGB 172 151 62

HSL 48.55, 0.47%, 0.46%

LAB 62.72, -2.9, 48.4

 

CMYK 0 / 9 / 47 / 40

HEX #998B51

RGB 153 139 81

HSL 48.33, 0.31%, 0.46%

LAB 57.88, -3.04, 32.8

 

CMYK 0 / 5 / 25 / 47

HEX #867F64

RGB 134 127 100

HSL 47.65, 0.15%, 0.46%

LAB 53.13, -1.98, 15.66

 

CMYK 3 / 3 / 0 / 53

HEX #737477

RGB 115 116 119

HSL 225, 0.02%, 0.46%

LAB 48.84, 0.24, -1.79

 

CMYK 30 / 25 / 0 / 46

HEX #60688A

RGB 96 104 138

HSL 228.57, 0.18%, 0.46%

LAB 44.55, 5.32, -19.74

 

CMYK 0 / 47 / 64 / 33

HEX #AC5B3E

RGB 172 91 62

HSL 15.82, 0.47%, 0.46%

LAB 47.75, 30.44, 31.27

 

CMYK 0 / 30 / 64 / 33

HEX #AC783E

RGB 172 120 62

HSL 31.64, 0.47%, 0.46%

LAB 54.61, 14.3, 39.34

 

CMYK 0 / 13 / 64 / 33

HEX #AC963E

RGB 172 150 62

HSL 48, 0.47%, 0.46%

LAB 62.45, -2.36, 48.1

 

CMYK 4 / 0 / 64 / 33

HEX #A5AC3E

RGB 165 172 62

HSL 63.82, 0.47%, 0.46%

LAB 67.91, -17, 53.78

 

CMYK 22 / 0 / 64 / 33

HEX #87AC3E

RGB 135 172 62

HSL 80.18, 0.47%, 0.46%

LAB 65.75, -29.42, 50.82

 

CMYK 0 / 12 / 64 / 56

HEX #6F6228

RGB 111 98 40

HSL 49.01, 0.47%, 0.3%

LAB 41.64, -2.54, 34.14

 

CMYK 0 / 13 / 64 / 44

HEX #8E7C33

RGB 142 124 51

HSL 48.13, 0.47%, 0.38%

LAB 52.29, -2.21, 41.34

 

CMYK 0 / 12 / 64 / 33

HEX #AC973E

RGB 172 151 62

HSL 48.55, 0.47%, 0.46%

LAB 62.72, -2.9, 48.4

 

CMYK 0 / 11 / 57 / 25

HEX #C0AB52

RGB 192 171 82

HSL 48.55, 0.47%, 0.54%

LAB 70.13, -3.5, 47.82

 

CMYK 0 / 8 / 44 / 20

HEX #CBBA71

RGB 203 186 113

HSL 48.67, 0.46%, 0.62%

LAB 75.46, -4.02, 39.09

 

CMYK 0 / 12 / 64 / 33

HEX #AB963E

RGB 171 150 62

HSL 48.44, 0.47%, 0.46%

LAB 62.35, -2.8, 47.97

 

CMYK 64 / 0 / 64 / 33

HEX #3EAC3E

RGB 62 172 62

HSL 120, 0.47%, 0.46%

LAB 62.4, -52.91, 46.2

 

CMYK 38 / 64 / 0 / 33

HEX #6A3EAC

RGB 106 62 172

HSL 264, 0.47%, 0.46%

LAB 36.91, 42.83, -52.1

 

CMYK 0 / 12 / 64 / 33

HEX #AB963E

RGB 171 150 62

HSL 48.44, 0.47%, 0.46%

LAB 62.35, -2.8, 47.97

 

CMYK 64 / 0 / 13 / 33

HEX #3EAC96

RGB 62 172 150

HSL 168, 0.47%, 0.46%

LAB 63.94, -36.45, 2.15

 

CMYK 13 / 64 / 0 / 33

HEX #963EAC

RGB 150 62 172

HSL 288, 0.47%, 0.46%

LAB 42.62, 53.12, -42.61

 

CMYK 0 / 12 / 64 / 33

HEX #AB963E

RGB 171 150 62

HSL 48.44, 0.47%, 0.46%

LAB 62.35, -2.8, 47.97

 

CMYK 64 / 0 / 64 / 33

HEX #3EAC3E

RGB 62 172 62

HSL 120, 0.47%, 0.46%

LAB 62.4, -52.91, 46.2

 

CMYK 64 / 51 / 0 / 33

HEX #3E54AC

RGB 62 84 172

HSL 228, 0.47%, 0.46%

LAB 38.45, 20.26, -49.79

 

CMYK 0 / 64 / 0 / 33

HEX #AC3EAC

RGB 172 62 172

HSL 300, 0.47%, 0.46%

LAB 45.9, 58.52, -37.21

 

CMYK 0 / 12 / 64 / 33

HEX #AB963E

RGB 171 150 62

HSL 48.44, 0.47%, 0.46%

LAB 62.35, -2.8, 47.97

 

CMYK 64 / 0 / 45 / 33

HEX #3EAC5F

RGB 62 172 95

HSL 138, 0.47%, 0.46%

LAB 62.81, -48.33, 30.58

 

CMYK 64 / 51 / 0 / 33

HEX #3E54AC

RGB 62 84 172

HSL 228, 0.47%, 0.46%

LAB 38.45, 20.26, -49.79

 

CMYK 0 / 64 / 19 / 33

HEX #AC3E8B

RGB 172 62 139

HSL 318, 0.47%, 0.46%

LAB 44.35, 53.24, -19.89

 

Description

Color code: HEX #AB963E | qconv.com Color code: HEX #AB963E | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 171 red, 150 green and 62 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
171 150 62 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 12 magenta, 64 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 12% 64% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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