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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AB994D it is the complementary color #5466B2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AB994D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AB994D shade: #B09948, #C1AB5B, #D2BD6E, #E3CF81 and #F4E194

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AB994D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AB994D shade: #AB994D, #9A873A, #897527, #786314 and #675101

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AB994D shade: #AC9A4D, #AC804D, #AC674D and #AC4D4D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AB994D shade: #AC9A4D, #A5AC4D, #8BAC4D, #71AC4D and #58AC4D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AB994D shade matches the following richer shades: #AC9A4D, #C0A639, #D4B325 and #E9BF10

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AB994D shade: #AC9A4D, #988D61, #838175, #6F748A and #5B689E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AB994D shade: #AC664D, #AC804D, #AC994D, #A6AC4D and #8CAC4D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AB994D shade: #736733, #8F8040, #AC9A4D, #BBAB67 and #C7BB84

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AB994D shade: #AB994D, #4DAC4D and #734DAC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AB994D shade: #AB994D, #4DAC99 and #994DAC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AB994D shade: #AB994D, #4DAC4D, #4D60AC and #AC4DAC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AB994D shade: #AB994D, #4DAC69, #4D60AC and #AC4D8F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 11 / 55 / 33

HEX #AB994D

RGB 171 153 77

HSL 48.51, 0.38%, 0.49%

LAB 63.32, -3.28, 41.85

 

Complementary color

CMYK 53 / 43 / 0 / 30

HEX #5466B2

RGB 84 102 178

HSL 228.51, 0.38%, 0.51%

LAB 45.08, 15.31, -42.63

 

CMYK 0 / 13 / 59 / 31

HEX #B09948

RGB 176 153 72

HSL 46.73, 0.42%, 0.49%

LAB 63.74, -1.51, 44.91

 

CMYK 0 / 11 / 53 / 24

HEX #C1AB5B

RGB 193 171 91

HSL 47.06, 0.45%, 0.56%

LAB 70.33, -2.34, 43.68

 

CMYK 0 / 10 / 48 / 18

HEX #D2BD6E

RGB 210 189 110

HSL 47.4, 0.53%, 0.63%

LAB 76.81, -3.02, 42.43

 

CMYK 0 / 9 / 43 / 11

HEX #E3CF81

RGB 227 207 129

HSL 47.76, 0.64%, 0.7%

LAB 83.2, -3.6, 41.2

 

CMYK 0 / 8 / 39 / 4

HEX #F4E194

RGB 244 225 148

HSL 48.13, 0.81%, 0.77%

LAB 89.5, -4.1, 40.01

 

CMYK 0 / 11 / 55 / 33

HEX #AB994D

RGB 171 153 77

HSL 48.51, 0.38%, 0.49%

LAB 63.32, -3.28, 41.85

 

CMYK 0 / 12 / 62 / 40

HEX #9A873A

RGB 154 135 58

HSL 48.13, 0.45%, 0.42%

LAB 56.59, -2.42, 43.05

 

CMYK 0 / 15 / 72 / 46

HEX #897527

RGB 137 117 39

HSL 47.76, 0.56%, 0.35%

LAB 49.72, -1.33, 44

 

CMYK 0 / 18 / 83 / 53

HEX #786314

RGB 120 99 20

HSL 47.4, 0.71%, 0.27%

LAB 42.71, 0.06, 44.28

 

CMYK 0 / 21 / 99 / 60

HEX #675101

RGB 103 81 1

HSL 47.06, 0.98%, 0.2%

LAB 35.54, 1.81, 43.49

 

CMYK 0 / 10 / 55 / 33

HEX #AC9A4D

RGB 172 154 77

HSL 48.63, 0.38%, 0.49%

LAB 63.69, -3.39, 42.3

 

CMYK 0 / 26 / 55 / 33

HEX #AC804D

RGB 172 128 77

HSL 32.21, 0.38%, 0.49%

LAB 56.83, 10.97, 34.07

 

CMYK 0 / 40 / 55 / 33

HEX #AC674D

RGB 172 103 77

HSL 16.42, 0.38%, 0.49%

LAB 50.7, 25.01, 26.39

 

CMYK 0 / 55 / 55 / 33

HEX #AC4D4D

RGB 172 77 77

HSL 0, 0.38%, 0.49%

LAB 45.1, 38.94, 19.09

 

CMYK 0 / 10 / 55 / 33

HEX #AC9A4D

RGB 172 154 77

HSL 48.63, 0.38%, 0.49%

LAB 63.69, -3.39, 42.3

 

CMYK 4 / 0 / 55 / 33

HEX #A5AC4D

RGB 165 172 77

HSL 64.42, 0.38%, 0.49%

LAB 68.05, -15.87, 47.2

 

CMYK 19 / 0 / 55 / 33

HEX #8BAC4D

RGB 139 172 77

HSL 80.84, 0.38%, 0.49%

LAB 66.16, -26.51, 44.53

 

CMYK 34 / 0 / 55 / 33

HEX #71AC4D

RGB 113 172 77

HSL 97.26, 0.38%, 0.49%

LAB 64.61, -36.3, 42.32

 

CMYK 49 / 0 / 55 / 33

HEX #58AC4D

RGB 88 172 77

HSL 113.05, 0.38%, 0.49%

LAB 63.44, -44.43, 40.65

 

CMYK 0 / 10 / 55 / 33

HEX #AC9A4D

RGB 172 154 77

HSL 48.63, 0.38%, 0.49%

LAB 63.69, -3.39, 42.3

 

CMYK 0 / 14 / 70 / 25

HEX #C0A639

RGB 192 166 57

HSL 48.44, 0.54%, 0.49%

LAB 68.59, -2.46, 57.29

 

CMYK 0 / 16 / 83 / 17

HEX #D4B325

RGB 212 179 37

HSL 48.69, 0.7%, 0.49%

LAB 73.79, -1.38, 69.65

 

CMYK 0 / 18 / 93 / 9

HEX #E9BF10

RGB 233 191 16

HSL 48.39, 0.87%, 0.49%

LAB 78.82, 1.08, 78.77

 

CMYK 0 / 10 / 55 / 33

HEX #AC9A4D

RGB 172 154 77

HSL 48.63, 0.38%, 0.49%

LAB 63.69, -3.39, 42.3

 

CMYK 0 / 7 / 36 / 40

HEX #988D61

RGB 152 141 97

HSL 48, 0.22%, 0.49%

LAB 58.59, -2.74, 24.98

 

CMYK 0 / 2 / 11 / 49

HEX #838175

RGB 131 129 117

HSL 51.43, 0.06%, 0.49%

LAB 53.83, -1.5, 6.77

 

CMYK 20 / 16 / 0 / 46

HEX #6F748A

RGB 111 116 138

HSL 228.89, 0.11%, 0.49%

LAB 49.14, 3.08, -12.64

 

CMYK 42 / 34 / 0 / 38

HEX #5B689E

RGB 91 104 158

HSL 228.36, 0.27%, 0.49%

LAB 45.07, 9.55, -30.85

 

CMYK 0 / 41 / 55 / 33

HEX #AC664D

RGB 172 102 77

HSL 15.79, 0.38%, 0.49%

LAB 50.46, 25.57, 26.09

 

CMYK 0 / 26 / 55 / 33

HEX #AC804D

RGB 172 128 77

HSL 32.21, 0.38%, 0.49%

LAB 56.83, 10.97, 34.07

 

CMYK 0 / 11 / 55 / 33

HEX #AC994D

RGB 172 153 77

HSL 48, 0.38%, 0.49%

LAB 63.42, -2.85, 41.98

 

CMYK 3 / 0 / 55 / 33

HEX #A6AC4D

RGB 166 172 77

HSL 63.79, 0.38%, 0.49%

LAB 68.13, -15.45, 47.31

 

CMYK 19 / 0 / 55 / 33

HEX #8CAC4D

RGB 140 172 77

HSL 80.21, 0.38%, 0.49%

LAB 66.23, -26.11, 44.62

 

CMYK 0 / 10 / 56 / 55

HEX #736733

RGB 115 103 51

HSL 48.75, 0.39%, 0.33%

LAB 43.63, -2.64, 30.74

 

CMYK 0 / 10 / 55 / 44

HEX #8F8040

RGB 143 128 64

HSL 48.61, 0.38%, 0.41%

LAB 53.65, -2.97, 36.4

 

CMYK 0 / 10 / 55 / 33

HEX #AC9A4D

RGB 172 154 77

HSL 48.63, 0.38%, 0.49%

LAB 63.69, -3.39, 42.3

 

CMYK 0 / 9 / 45 / 27

HEX #BBAB67

RGB 187 171 103

HSL 48.57, 0.38%, 0.57%

LAB 69.94, -3.71, 37

 

CMYK 0 / 6 / 34 / 22

HEX #C7BB84

RGB 199 187 132

HSL 49.25, 0.37%, 0.65%

LAB 75.67, -4.02, 29.43

 

CMYK 0 / 11 / 55 / 33

HEX #AB994D

RGB 171 153 77

HSL 48.51, 0.38%, 0.49%

LAB 63.32, -3.28, 41.85

 

CMYK 55 / 0 / 55 / 33

HEX #4DAC4D

RGB 77 172 77

HSL 120, 0.38%, 0.49%

LAB 63.03, -47.5, 40.06

 

CMYK 33 / 55 / 0 / 33

HEX #734DAC

RGB 115 77 172

HSL 264, 0.38%, 0.49%

LAB 41.11, 36.5, -45.29

 

CMYK 0 / 11 / 55 / 33

HEX #AB994D

RGB 171 153 77

HSL 48.51, 0.38%, 0.49%

LAB 63.32, -3.28, 41.85

 

CMYK 55 / 0 / 11 / 33

HEX #4DAC99

RGB 77 172 153

HSL 168, 0.38%, 0.49%

LAB 64.47, -32.75, 1.3

 

CMYK 11 / 55 / 0 / 33

HEX #994DAC

RGB 153 77 172

HSL 288, 0.38%, 0.49%

LAB 45.71, 46.63, -37.68

 

CMYK 0 / 11 / 55 / 33

HEX #AB994D

RGB 171 153 77

HSL 48.51, 0.38%, 0.49%

LAB 63.32, -3.28, 41.85

 

CMYK 55 / 0 / 55 / 33

HEX #4DAC4D

RGB 77 172 77

HSL 120, 0.38%, 0.49%

LAB 63.03, -47.5, 40.06

 

CMYK 55 / 44 / 0 / 33

HEX #4D60AC

RGB 77 96 172

HSL 228, 0.38%, 0.49%

LAB 42.65, 15.54, -43.02

 

CMYK 0 / 55 / 0 / 33

HEX #AC4DAC

RGB 172 77 172

HSL 300, 0.38%, 0.49%

LAB 48.33, 51.85, -33.38

 

CMYK 0 / 11 / 55 / 33

HEX #AB994D

RGB 171 153 77

HSL 48.51, 0.38%, 0.49%

LAB 63.32, -3.28, 41.85

 

CMYK 55 / 0 / 39 / 33

HEX #4DAC69

RGB 77 172 105

HSL 137.68, 0.38%, 0.49%

LAB 63.43, -43.18, 26.2

 

CMYK 55 / 44 / 0 / 33

HEX #4D60AC

RGB 77 96 172

HSL 228, 0.38%, 0.49%

LAB 42.65, 15.54, -43.02

 

CMYK 0 / 55 / 17 / 33

HEX #AC4D8F

RGB 172 77 143

HSL 318.32, 0.38%, 0.49%

LAB 47.06, 46.96, -18.15

 

Description

Color code: HEX #AB994D | qconv.com Color code: HEX #AB994D | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 171 red, 153 green and 77 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
171 153 77 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 11 magenta, 55 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 11% 55% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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