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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AB99A1 it is the complementary color #54665E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AB99A1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AB99A1 shade: #B0999C, #C1ABAF, #D2BDC2, #E3CFD5 and #F4E1E8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AB99A1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AB99A1 shade: #AB99A1, #9A878E, #89757B, #786368 and #675155

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AB99A1 shade: #AC9AA2, #AC9A9D and #AC9A9A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AB99A1 shade: #AC9AA2, #AC9AA7, #AC9AAC, #A79AAC and #A29AAC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AB99A1 shade matches the following richer shades: #AC9AA2, #BB8BA0, #CA7C9E, #D86D9D and #E75E9B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AB99A1 shade: #AC9AA2, #9DA8A3, #8EB7A5, #7FC6A7 and #70D5A8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AB99A1 shade: #AC9AAC, #AC9AA7, #AC9AA2, #AC9A9D and #AC9B9A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AB99A1 shade: #866D78, #99838D, #AC9AA2, #BEB0B7 and #D1C7CB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AB99A1 shade: #AB99A1, #ACA79A and #9AA9AC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AB99A1 shade: #AB99A1, #A2AC9A and #9AA2AC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AB99A1 shade: #AB99A1, #ACA79A, #9AACA4 and #9A9EAC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AB99A1 shade: #AB99A1, #ABAC9A, #9AACA4 and #9A9AAC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 11 / 6 / 33

HEX #AB99A1

RGB 171 153 161

HSL 333.33, 0.1%, 0.64%

LAB 64.97, 8.05, -1.77

 

Complementary color

CMYK 18 / 0 / 8 / 60

HEX #54665E

RGB 84 102 94

HSL 153.33, 0.1%, 0.36%

LAB 41.53, -8.59, 2.25

 

CMYK 0 / 13 / 11 / 31

HEX #B0999C

RGB 176 153 156

HSL 352.17, 0.13%, 0.65%

LAB 65.29, 9.01, 1.56

 

CMYK 0 / 11 / 9 / 24

HEX #C1ABAF

RGB 193 171 175

HSL 349.09, 0.15%, 0.71%

LAB 71.93, 8.63, 0.85

 

CMYK 0 / 10 / 8 / 18

HEX #D2BDC2

RGB 210 189 194

HSL 345.71, 0.19%, 0.78%

LAB 78.46, 8.28, 0.19

 

CMYK 0 / 9 / 6 / 11

HEX #E3CFD5

RGB 227 207 213

HSL 342, 0.26%, 0.85%

LAB 84.87, 7.96, -0.45

 

CMYK 0 / 8 / 5 / 4

HEX #F4E1E8

RGB 244 225 232

HSL 337.89, 0.46%, 0.92%

LAB 91.19, 7.67, -1.07

 

CMYK 0 / 11 / 6 / 33

HEX #AB99A1

RGB 171 153 161

HSL 333.33, 0.1%, 0.64%

LAB 64.97, 8.05, -1.77

 

CMYK 0 / 12 / 8 / 40

HEX #9A878E

RGB 154 135 142

HSL 337.89, 0.09%, 0.57%

LAB 58.18, 8.43, -1.11

 

CMYK 0 / 15 / 10 / 46

HEX #89757B

RGB 137 117 123

HSL 342, 0.08%, 0.5%

LAB 51.23, 8.84, -0.42

 

CMYK 0 / 18 / 13 / 53

HEX #786368

RGB 120 99 104

HSL 345.71, 0.1%, 0.43%

LAB 44.11, 9.32, 0.33

 

CMYK 0 / 21 / 17 / 60

HEX #675155

RGB 103 81 85

HSL 349.09, 0.12%, 0.36%

LAB 36.79, 9.88, 1.15

 

CMYK 0 / 10 / 6 / 33

HEX #AC9AA2

RGB 172 154 162

HSL 333.33, 0.1%, 0.64%

LAB 65.35, 8.04, -1.77

 

CMYK 0 / 10 / 9 / 33

HEX #AC9A9D

RGB 172 154 157

HSL 350, 0.1%, 0.64%

LAB 65.21, 7.14, 0.84

 

CMYK 0 / 10 / 10 / 33

HEX #AC9A9A

RGB 172 154 154

HSL 0, 0.1%, 0.64%

LAB 65.13, 6.62, 2.41

 

CMYK 0 / 10 / 6 / 33

HEX #AC9AA2

RGB 172 154 162

HSL 333.33, 0.1%, 0.64%

LAB 65.35, 8.04, -1.77

 

CMYK 0 / 10 / 3 / 33

HEX #AC9AA7

RGB 172 154 167

HSL 316.67, 0.1%, 0.64%

LAB 65.49, 8.97, -4.36

 

CMYK 0 / 10 / 0 / 33

HEX #AC9AAC

RGB 172 154 172

HSL 300, 0.1%, 0.64%

LAB 65.64, 9.92, -6.95

 

CMYK 3 / 10 / 0 / 33

HEX #A79AAC

RGB 167 154 172

HSL 283.33, 0.1%, 0.64%

LAB 65.2, 8.15, -7.64

 

CMYK 6 / 10 / 0 / 33

HEX #A29AAC

RGB 162 154 172

HSL 266.67, 0.1%, 0.64%

LAB 64.78, 6.4, -8.32

 

CMYK 0 / 10 / 6 / 33

HEX #AC9AA2

RGB 172 154 162

HSL 333.33, 0.1%, 0.64%

LAB 65.35, 8.04, -1.77

 

CMYK 0 / 26 / 14 / 27

HEX #BB8BA0

RGB 187 139 160

HSL 333.75, 0.26%, 0.64%

LAB 62.98, 21.55, -3.95

 

CMYK 0 / 39 / 22 / 21

HEX #CA7C9E

RGB 202 124 158

HSL 333.85, 0.42%, 0.64%

LAB 61.17, 34.87, -5.3

 

CMYK 0 / 50 / 27 / 15

HEX #D86D9D

RGB 216 109 157

HSL 333.08, 0.58%, 0.64%

LAB 59.86, 47.31, -6.46

 

CMYK 0 / 59 / 33 / 9

HEX #E75E9B

RGB 231 94 155

HSL 333.28, 0.74%, 0.64%

LAB 59.31, 58.86, -5.89

 

CMYK 0 / 10 / 6 / 33

HEX #AC9AA2

RGB 172 154 162

HSL 333.33, 0.1%, 0.64%

LAB 65.35, 8.04, -1.77

 

CMYK 7 / 0 / 3 / 34

HEX #9DA8A3

RGB 157 168 163

HSL 152.73, 0.06%, 0.64%

LAB 67.89, -4.85, 1.24

 

CMYK 22 / 0 / 10 / 28

HEX #8EB7A5

RGB 142 183 165

HSL 153.66, 0.22%, 0.64%

LAB 71.1, -17.46, 4.67

 

CMYK 36 / 0 / 16 / 22

HEX #7FC6A7

RGB 127 198 167

HSL 153.8, 0.38%, 0.64%

LAB 74.63, -29.14, 8.54

 

CMYK 47 / 0 / 21 / 16

HEX #70D5A8

RGB 112 213 168

HSL 153.27, 0.55%, 0.64%

LAB 78.38, -39.95, 13.24

 

CMYK 0 / 10 / 0 / 33

HEX #AC9AAC

RGB 172 154 172

HSL 300, 0.1%, 0.64%

LAB 65.64, 9.92, -6.95

 

CMYK 0 / 10 / 3 / 33

HEX #AC9AA7

RGB 172 154 167

HSL 316.67, 0.1%, 0.64%

LAB 65.49, 8.97, -4.36

 

CMYK 0 / 10 / 6 / 33

HEX #AC9AA2

RGB 172 154 162

HSL 333.33, 0.1%, 0.64%

LAB 65.35, 8.04, -1.77

 

CMYK 0 / 10 / 9 / 33

HEX #AC9A9D

RGB 172 154 157

HSL 350, 0.1%, 0.64%

LAB 65.21, 7.14, 0.84

 

CMYK 0 / 10 / 10 / 33

HEX #AC9B9A

RGB 172 155 154

HSL 3.33, 0.1%, 0.64%

LAB 65.39, 6.06, 2.79

 

CMYK 0 / 19 / 10 / 47

HEX #866D78

RGB 134 109 120

HSL 333.6, 0.1%, 0.48%

LAB 48.71, 11.82, -2.37

 

CMYK 0 / 14 / 8 / 40

HEX #99838D

RGB 153 131 141

HSL 332.73, 0.1%, 0.56%

LAB 57.01, 10.15, -2.27

 

CMYK 0 / 10 / 6 / 33

HEX #AC9AA2

RGB 172 154 162

HSL 333.33, 0.1%, 0.64%

LAB 65.35, 8.04, -1.77

 

CMYK 0 / 7 / 4 / 25

HEX #BEB0B7

RGB 190 176 183

HSL 330, 0.1%, 0.72%

LAB 73.17, 6.25, -1.77

 

CMYK 0 / 5 / 3 / 18

HEX #D1C7CB

RGB 209 199 203

HSL 336, 0.1%, 0.8%

LAB 81.13, 4.19, -0.76

 

CMYK 0 / 11 / 6 / 33

HEX #AB99A1

RGB 171 153 161

HSL 333.33, 0.1%, 0.64%

LAB 64.97, 8.05, -1.77

 

CMYK 0 / 3 / 10 / 33

HEX #ACA79A

RGB 172 167 154

HSL 43.33, 0.1%, 0.64%

LAB 68.56, -0.52, 7.35

 

CMYK 10 / 2 / 0 / 33

HEX #9AA9AC

RGB 154 169 172

HSL 190, 0.1%, 0.64%

LAB 68.19, -4.62, -3.35

 

CMYK 0 / 11 / 6 / 33

HEX #AB99A1

RGB 171 153 161

HSL 333.33, 0.1%, 0.64%

LAB 64.97, 8.05, -1.77

 

CMYK 6 / 0 / 10 / 33

HEX #A2AC9A

RGB 162 172 154

HSL 93.33, 0.1%, 0.64%

LAB 69.13, -6.89, 8.05

 

CMYK 10 / 6 / 0 / 33

HEX #9AA2AC

RGB 154 162 172

HSL 213.33, 0.1%, 0.64%

LAB 66.28, -0.8, -6.16

 

CMYK 0 / 11 / 6 / 33

HEX #AB99A1

RGB 171 153 161

HSL 333.33, 0.1%, 0.64%

LAB 64.97, 8.05, -1.77

 

CMYK 0 / 3 / 10 / 33

HEX #ACA79A

RGB 172 167 154

HSL 43.33, 0.1%, 0.64%

LAB 68.56, -0.52, 7.35

 

CMYK 10 / 0 / 5 / 33

HEX #9AACA4

RGB 154 172 164

HSL 153.33, 0.1%, 0.64%

LAB 68.79, -7.85, 1.97

 

CMYK 10 / 8 / 0 / 33

HEX #9A9EAC

RGB 154 158 172

HSL 226.67, 0.1%, 0.64%

LAB 65.2, 1.41, -7.76

 

CMYK 0 / 11 / 6 / 33

HEX #AB99A1

RGB 171 153 161

HSL 333.33, 0.1%, 0.64%

LAB 64.97, 8.05, -1.77

 

CMYK 1 / 0 / 10 / 33

HEX #ABAC9A

RGB 171 172 154

HSL 63.33, 0.1%, 0.64%

LAB 69.82, -3.59, 9.14

 

CMYK 10 / 0 / 5 / 33

HEX #9AACA4

RGB 154 172 164

HSL 153.33, 0.1%, 0.64%

LAB 68.79, -7.85, 1.97

 

CMYK 10 / 10 / 0 / 33

HEX #9A9AAC

RGB 154 154 172

HSL 240, 0.1%, 0.64%

LAB 64.13, 3.64, -9.36

 

Description

Color code: HEX #AB99A1 | qconv.com Color code: HEX #AB99A1 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 171 red, 153 green and 161 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
171 153 161 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 11 magenta, 6 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 11% 6% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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