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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AB912F it is the complementary color #546ED0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AB912F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AB912F shade: #B0912A, #C1A33D, #D2B550, #E3C763 and #F4D976

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AB912F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AB912F shade: #AB912F, #9A7F1C, #896D09, #785B00 and #674900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AB912F shade: #AC912F, #AC702F, #AC4E2F and #AC2F2F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AB912F shade: #AC912F, #A4AC2F, #82AC2F, #61AC2F and #3FAC2F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AB912F shade matches the following richer shades: #AC912F, #BD9C1D and #CFA60B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AB912F shade: #AC912F, #9A8740, #887D52, #767364 and #656876

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AB912F shade: #AC4E2F, #AC6F2F, #AC912F, #A5AC2F and #84AC2F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AB912F shade: #6B5B1D, #8B7626, #AC912F, #C9AB3B and #D2B95B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AB912F shade: #AB912F, #31AC2F and #5F2FAC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AB912F shade: #AB912F, #2FAC91 and #912FAC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AB912F shade: #AB912F, #31AC2F, #2F4AAC and #AA2FAC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AB912F shade: #AB912F, #2FAC52, #2F4AAC and #AC2F88

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 15 / 73 / 33

HEX #AB912F

RGB 171 145 47

HSL 47.42, 0.57%, 0.43%

LAB 60.88, -0.96, 52.96

 

Complementary color

CMYK 60 / 47 / 0 / 18

HEX #546ED0

RGB 84 110 208

HSL 227.42, 0.57%, 0.57%

LAB 49, 20.27, -53.69

 

CMYK 0 / 18 / 76 / 31

HEX #B0912A

RGB 176 145 42

HSL 46.12, 0.61%, 0.43%

LAB 61.35, 1.05, 55.54

 

CMYK 0 / 16 / 68 / 24

HEX #C1A33D

RGB 193 163 61

HSL 46.36, 0.52%, 0.5%

LAB 67.92, -0.21, 54.97

 

CMYK 0 / 14 / 62 / 18

HEX #D2B550

RGB 210 181 80

HSL 46.62, 0.59%, 0.57%

LAB 74.4, -1.26, 54.02

 

CMYK 0 / 12 / 56 / 11

HEX #E3C763

RGB 227 199 99

HSL 46.88, 0.7%, 0.64%

LAB 80.78, -2.15, 52.89

 

CMYK 0 / 11 / 52 / 4

HEX #F4D976

RGB 244 217 118

HSL 47.14, 0.85%, 0.71%

LAB 87.08, -2.91, 51.71

 

CMYK 0 / 15 / 73 / 33

HEX #AB912F

RGB 171 145 47

HSL 47.42, 0.57%, 0.43%

LAB 60.88, -0.96, 52.96

 

CMYK 0 / 18 / 82 / 40

HEX #9A7F1C

RGB 154 127 28

HSL 47.14, 0.69%, 0.36%

LAB 54.17, 0.43, 53.1

 

CMYK 0 / 20 / 93 / 46

HEX #896D09

RGB 137 109 9

HSL 46.88, 0.88%, 0.29%

LAB 47.33, 2.13, 51.86

 

CMYK 0 / 24 / 100 / 53

HEX #785B00

RGB 120 91 0

HSL 45.5, 1%, 0.24%

LAB 40.37, 4.23, 48.1

 

CMYK 0 / 29 / 100 / 60

HEX #674900

RGB 103 73 0

HSL 42.52, 1%, 0.2%

LAB 33.24, 6.66, 42.25

 

CMYK 0 / 16 / 73 / 33

HEX #AC912F

RGB 172 145 47

HSL 47.04, 0.57%, 0.43%

LAB 60.98, -0.51, 53.09

 

CMYK 0 / 35 / 73 / 33

HEX #AC702F

RGB 172 112 47

HSL 31.2, 0.57%, 0.43%

LAB 52.47, 17.89, 44.44

 

CMYK 0 / 55 / 73 / 33

HEX #AC4E2F

RGB 172 78 47

HSL 14.88, 0.57%, 0.43%

LAB 44.84, 36.41, 36.22

 

CMYK 0 / 73 / 73 / 33

HEX #AC2F2F

RGB 172 47 47

HSL 0, 0.57%, 0.43%

LAB 39.6, 50.35, 30.28

 

CMYK 0 / 16 / 73 / 33

HEX #AC912F

RGB 172 145 47

HSL 47.04, 0.57%, 0.43%

LAB 60.98, -0.51, 53.09

 

CMYK 5 / 0 / 73 / 33

HEX #A4AC2F

RGB 164 172 47

HSL 63.84, 0.57%, 0.43%

LAB 67.73, -18.3, 59.43

 

CMYK 24 / 0 / 73 / 33

HEX #82AC2F

RGB 130 172 47

HSL 80.16, 0.57%, 0.43%

LAB 65.32, -32.44, 56.27

 

CMYK 44 / 0 / 73 / 33

HEX #61AC2F

RGB 97 172 47

HSL 96, 0.57%, 0.43%

LAB 63.55, -44.53, 53.92

 

CMYK 63 / 0 / 73 / 33

HEX #3FAC2F

RGB 63 172 47

HSL 112.32, 0.57%, 0.43%

LAB 62.31, -54.1, 52.26

 

CMYK 0 / 16 / 73 / 33

HEX #AC912F

RGB 172 145 47

HSL 47.04, 0.57%, 0.43%

LAB 60.98, -0.51, 53.09

 

CMYK 0 / 17 / 85 / 26

HEX #BD9C1D

RGB 189 156 29

HSL 47.63, 0.73%, 0.43%

LAB 65.5, 0.46, 63.94

 

CMYK 0 / 20 / 95 / 19

HEX #CFA60B

RGB 207 166 11

HSL 47.45, 0.9%, 0.43%

LAB 69.87, 2.78, 71.66

 

CMYK 0 / 16 / 73 / 33

HEX #AC912F

RGB 172 145 47

HSL 47.04, 0.57%, 0.43%

LAB 60.98, -0.51, 53.09

 

CMYK 0 / 12 / 58 / 40

HEX #9A8740

RGB 154 135 64

HSL 47.33, 0.41%, 0.43%

LAB 56.65, -1.96, 40.17

 

CMYK 0 / 8 / 40 / 47

HEX #887D52

RGB 136 125 82

HSL 47.78, 0.25%, 0.43%

LAB 52.41, -2.46, 24.97

 

CMYK 0 / 3 / 15 / 54

HEX #767364

RGB 118 115 100

HSL 50, 0.08%, 0.43%

LAB 48.3, -1.65, 8.72

 

CMYK 14 / 12 / 0 / 54

HEX #656876

RGB 101 104 118

HSL 229.41, 0.08%, 0.43%

LAB 44.2, 1.96, -8.21

 

CMYK 0 / 55 / 73 / 33

HEX #AC4E2F

RGB 172 78 47

HSL 14.88, 0.57%, 0.43%

LAB 44.84, 36.41, 36.22

 

CMYK 0 / 35 / 73 / 33

HEX #AC6F2F

RGB 172 111 47

HSL 30.72, 0.57%, 0.43%

LAB 52.22, 18.45, 44.18

 

CMYK 0 / 16 / 73 / 33

HEX #AC912F

RGB 172 145 47

HSL 47.04, 0.57%, 0.43%

LAB 60.98, -0.51, 53.09

 

CMYK 4 / 0 / 73 / 33

HEX #A5AC2F

RGB 165 172 47

HSL 63.36, 0.57%, 0.43%

LAB 67.81, -17.87, 59.54

 

CMYK 23 / 0 / 73 / 33

HEX #84AC2F

RGB 132 172 47

HSL 79.2, 0.57%, 0.43%

LAB 65.45, -31.65, 56.44

 

CMYK 0 / 15 / 73 / 58

HEX #6B5B1D

RGB 107 91 29

HSL 47.69, 0.57%, 0.27%

LAB 39.06, -1.1, 36.63

 

CMYK 0 / 15 / 73 / 45

HEX #8B7626

RGB 139 118 38

HSL 47.52, 0.57%, 0.35%

LAB 50.2, -1.02, 44.99

 

CMYK 0 / 16 / 73 / 33

HEX #AC912F

RGB 172 145 47

HSL 47.04, 0.57%, 0.43%

LAB 60.98, -0.51, 53.09

 

CMYK 0 / 15 / 71 / 21

HEX #C9AB3B

RGB 201 171 59

HSL 47.32, 0.57%, 0.51%

LAB 70.77, -1.09, 58.96

 

CMYK 0 / 12 / 57 / 18

HEX #D2B95B

RGB 210 185 91

HSL 47.39, 0.57%, 0.59%

LAB 75.55, -2.56, 50.21

 

CMYK 0 / 15 / 73 / 33

HEX #AB912F

RGB 171 145 47

HSL 47.42, 0.57%, 0.43%

LAB 60.88, -0.96, 52.96

 

CMYK 72 / 0 / 73 / 33

HEX #31AC2F

RGB 49 172 47

HSL 119.04, 0.57%, 0.43%

LAB 61.97, -56.96, 51.79

 

CMYK 45 / 73 / 0 / 33

HEX #5F2FAC

RGB 95 47 172

HSL 263.04, 0.57%, 0.43%

LAB 32.8, 48.48, -58.83

 

CMYK 0 / 15 / 73 / 33

HEX #AB912F

RGB 171 145 47

HSL 47.42, 0.57%, 0.43%

LAB 60.88, -0.96, 52.96

 

CMYK 73 / 0 / 16 / 33

HEX #2FAC91

RGB 47 172 145

HSL 167.04, 0.57%, 0.43%

LAB 63.47, -40.1, 4.2

 

CMYK 16 / 73 / 0 / 33

HEX #912FAC

RGB 145 47 172

HSL 287.04, 0.57%, 0.43%

LAB 39.63, 58.29, -47.44

 

CMYK 0 / 15 / 73 / 33

HEX #AB912F

RGB 171 145 47

HSL 47.42, 0.57%, 0.43%

LAB 60.88, -0.96, 52.96

 

CMYK 72 / 0 / 73 / 33

HEX #31AC2F

RGB 49 172 47

HSL 119.04, 0.57%, 0.43%

LAB 61.97, -56.96, 51.79

 

CMYK 73 / 57 / 0 / 33

HEX #2F4AAC

RGB 47 74 172

HSL 227.04, 0.57%, 0.43%

LAB 34.96, 24.49, -55.47

 

CMYK 1 / 73 / 0 / 33

HEX #AA2FAC

RGB 170 47 172

HSL 299.04, 0.57%, 0.43%

LAB 43.59, 63.67, -40.88

 

CMYK 0 / 15 / 73 / 33

HEX #AB912F

RGB 171 145 47

HSL 47.42, 0.57%, 0.43%

LAB 60.88, -0.96, 52.96

 

CMYK 73 / 0 / 52 / 33

HEX #2FAC52

RGB 47 172 82

HSL 136.8, 0.57%, 0.43%

LAB 62.27, -53.2, 36.48

 

CMYK 73 / 57 / 0 / 33

HEX #2F4AAC

RGB 47 74 172

HSL 227.04, 0.57%, 0.43%

LAB 34.96, 24.49, -55.47

 

CMYK 0 / 73 / 21 / 33

HEX #AC2F88

RGB 172 47 136

HSL 317.28, 0.57%, 0.43%

LAB 42.13, 58.64, -21.49

 

Description

Color code: HEX #AB912F | qconv.com Color code: HEX #AB912F | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 171 red, 145 green and 47 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
171 145 47 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 15 magenta, 73 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 15% 73% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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