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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AB9390 it is the complementary color #546C6F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AB9390. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AB9390 shade: #B0938B, #C1A59E, #D2B7B1, #E3C9C4 and #F4DBD7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AB9390. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AB9390 shade: #AB9390, #9A817D, #896F6A, #785D57 and #674B44

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AB9390 shade: #AB9390 and #AB9090

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AB9390 shade: #AB9390, #AB9A90, #ABA290, #ABA990 and #A6AB90

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AB9390 shade matches the following richer shades: #AB9390, #BB8780, #CB7B71, #DA6E61 and #EA6251

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AB9390 shade: #AB9390, #9B9FA0, #8CABAF, #7CB8BF and #6CC4CF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AB9390 shade: #AB909C, #AB9095, #AB9390, #AB9A90 and #ABA190

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AB9390 shade: #856864, #997C79, #AB9390, #BDAAA8 and #CFC1BF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AB9390 shade: #AB9390, #A3AB90 and #9098AB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AB9390 shade: #AB9390, #90AB93 and #9390AB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AB9390 shade: #AB9390, #A3AB90, #90A8AB and #9890AB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AB9390 shade: #AB9390, #9BAB90, #90A8AB and #A090AB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 14 / 16 / 33

HEX #AB9390

RGB 171 147 144

HSL 6.67, 0.14%, 0.62%

LAB 62.96, 8.44, 4.89

 

Complementary color

CMYK 24 / 3 / 0 / 56

HEX #546C6F

RGB 84 108 111

HSL 186.67, 0.14%, 0.38%

LAB 43.88, -8.07, -4.59

 

CMYK 0 / 16 / 21 / 31

HEX #B0938B

RGB 176 147 139

HSL 12.97, 0.19%, 0.62%

LAB 63.31, 9.56, 8.28

 

CMYK 0 / 15 / 18 / 24

HEX #C1A59E

RGB 193 165 158

HSL 12, 0.22%, 0.69%

LAB 69.98, 9.09, 7.41

 

CMYK 0 / 13 / 16 / 18

HEX #D2B7B1

RGB 210 183 177

HSL 10.91, 0.27%, 0.76%

LAB 76.52, 8.68, 6.59

 

CMYK 0 / 11 / 14 / 11

HEX #E3C9C4

RGB 227 201 196

HSL 9.68, 0.36%, 0.83%

LAB 82.96, 8.31, 5.83

 

CMYK 0 / 10 / 12 / 4

HEX #F4DBD7

RGB 244 219 215

HSL 8.28, 0.57%, 0.9%

LAB 89.3, 7.96, 5.1

 

CMYK 0 / 14 / 16 / 33

HEX #AB9390

RGB 171 147 144

HSL 6.67, 0.14%, 0.62%

LAB 62.96, 8.44, 4.89

 

CMYK 0 / 16 / 19 / 40

HEX #9A817D

RGB 154 129 125

HSL 8.28, 0.13%, 0.55%

LAB 56.14, 8.89, 5.73

 

CMYK 0 / 19 / 23 / 46

HEX #896F6A

RGB 137 111 106

HSL 9.68, 0.13%, 0.48%

LAB 49.16, 9.42, 6.64

 

CMYK 0 / 23 / 28 / 53

HEX #785D57

RGB 120 93 87

HSL 10.91, 0.16%, 0.41%

LAB 42.02, 10.04, 7.66

 

CMYK 0 / 27 / 34 / 60

HEX #674B44

RGB 103 75 68

HSL 12, 0.2%, 0.34%

LAB 34.67, 10.79, 8.81

 

CMYK 0 / 14 / 16 / 33

HEX #AB9390

RGB 171 147 144

HSL 6.67, 0.14%, 0.62%

LAB 62.96, 8.44, 4.89

 

CMYK 0 / 16 / 16 / 33

HEX #AB9090

RGB 171 144 144

HSL 0, 0.14%, 0.62%

LAB 62.18, 10.12, 3.77

 

CMYK 0 / 14 / 16 / 33

HEX #AB9390

RGB 171 147 144

HSL 6.67, 0.14%, 0.62%

LAB 62.96, 8.44, 4.89

 

CMYK 0 / 10 / 16 / 33

HEX #AB9A90

RGB 171 154 144

HSL 22.22, 0.14%, 0.62%

LAB 64.79, 4.55, 7.51

 

CMYK 0 / 5 / 16 / 33

HEX #ABA290

RGB 171 162 144

HSL 40, 0.14%, 0.62%

LAB 66.91, 0.16, 10.53

 

CMYK 0 / 1 / 16 / 33

HEX #ABA990

RGB 171 169 144

HSL 55.56, 0.14%, 0.62%

LAB 68.79, -3.64, 13.18

 

CMYK 3 / 0 / 16 / 33

HEX #A6AB90

RGB 166 171 144

HSL 71.11, 0.14%, 0.62%

LAB 68.93, -6.59, 13.32

 

CMYK 0 / 14 / 16 / 33

HEX #AB9390

RGB 171 147 144

HSL 6.67, 0.14%, 0.62%

LAB 62.96, 8.44, 4.89

 

CMYK 0 / 28 / 32 / 27

HEX #BB8780

RGB 187 135 128

HSL 7.12, 0.3%, 0.62%

LAB 61.18, 18.95, 11.64

 

CMYK 0 / 39 / 44 / 20

HEX #CB7B71

RGB 203 123 113

HSL 6.67, 0.46%, 0.62%

LAB 59.94, 30.01, 18.76

 

CMYK 0 / 50 / 56 / 15

HEX #DA6E61

RGB 218 110 97

HSL 6.45, 0.62%, 0.62%

LAB 58.9, 41.07, 26.83

 

CMYK 0 / 58 / 65 / 8

HEX #EA6251

RGB 234 98 81

HSL 6.67, 0.78%, 0.62%

LAB 58.81, 51.57, 36.22

 

CMYK 0 / 14 / 16 / 33

HEX #AB9390

RGB 171 147 144

HSL 6.67, 0.14%, 0.62%

LAB 62.96, 8.44, 4.89

 

CMYK 3 / 1 / 0 / 37

HEX #9B9FA0

RGB 155 159 160

HSL 192, 0.03%, 0.62%

LAB 65.2, -1.23, -1.03

 

CMYK 20 / 2 / 0 / 31

HEX #8CABAF

RGB 140 171 175

HSL 186.86, 0.18%, 0.62%

LAB 67.87, -9.68, -5.58

 

CMYK 35 / 4 / 0 / 25

HEX #7CB8BF

RGB 124 184 191

HSL 186.27, 0.34%, 0.62%

LAB 71.1, -17.52, -9.71

 

CMYK 48 / 5 / 0 / 19

HEX #6CC4CF

RGB 108 196 207

HSL 186.67, 0.51%, 0.62%

LAB 74.3, -23.53, -13.72

 

CMYK 0 / 16 / 9 / 33

HEX #AB909C

RGB 171 144 156

HSL 333.33, 0.14%, 0.62%

LAB 62.51, 12.19, -2.56

 

CMYK 0 / 16 / 13 / 33

HEX #AB9095

RGB 171 144 149

HSL 348.89, 0.14%, 0.62%

LAB 62.32, 10.96, 1.13

 

CMYK 0 / 14 / 16 / 33

HEX #AB9390

RGB 171 147 144

HSL 6.67, 0.14%, 0.62%

LAB 62.96, 8.44, 4.89

 

CMYK 0 / 10 / 16 / 33

HEX #AB9A90

RGB 171 154 144

HSL 22.22, 0.14%, 0.62%

LAB 64.79, 4.55, 7.51

 

CMYK 0 / 6 / 16 / 33

HEX #ABA190

RGB 171 161 144

HSL 37.78, 0.14%, 0.62%

LAB 66.64, 0.7, 10.15

 

CMYK 0 / 22 / 25 / 48

HEX #856864

RGB 133 104 100

HSL 7.27, 0.14%, 0.46%

LAB 46.72, 10.94, 6.68

 

CMYK 0 / 19 / 21 / 40

HEX #997C79

RGB 153 124 121

HSL 5.63, 0.14%, 0.54%

LAB 54.62, 10.71, 5.86

 

CMYK 0 / 14 / 16 / 33

HEX #AB9390

RGB 171 147 144

HSL 6.67, 0.14%, 0.62%

LAB 62.96, 8.44, 4.89

 

CMYK 0 / 10 / 11 / 26

HEX #BDAAA8

RGB 189 170 168

HSL 5.71, 0.14%, 0.7%

LAB 71.14, 6.51, 3.52

 

CMYK 0 / 7 / 8 / 19

HEX #CFC1BF

RGB 207 193 191

HSL 7.5, 0.14%, 0.78%

LAB 79.14, 4.57, 2.76

 

CMYK 0 / 14 / 16 / 33

HEX #AB9390

RGB 171 147 144

HSL 6.67, 0.14%, 0.62%

LAB 62.96, 8.44, 4.89

 

CMYK 5 / 0 / 16 / 33

HEX #A3AB90

RGB 163 171 144

HSL 77.78, 0.14%, 0.62%

LAB 68.7, -7.72, 12.96

 

CMYK 16 / 11 / 0 / 33

HEX #9098AB

RGB 144 152 171

HSL 222.22, 0.14%, 0.62%

LAB 62.78, 1.16, -10.89

 

CMYK 0 / 14 / 16 / 33

HEX #AB9390

RGB 171 147 144

HSL 6.67, 0.14%, 0.62%

LAB 62.96, 8.44, 4.89

 

CMYK 16 / 0 / 14 / 33

HEX #90AB93

RGB 144 171 147

HSL 126.67, 0.14%, 0.62%

LAB 67.4, -14.08, 9.28

 

CMYK 14 / 16 / 0 / 33

HEX #9390AB

RGB 147 144 171

HSL 246.67, 0.14%, 0.62%

LAB 60.86, 6.68, -13.75

 

CMYK 0 / 14 / 16 / 33

HEX #AB9390

RGB 171 147 144

HSL 6.67, 0.14%, 0.62%

LAB 62.96, 8.44, 4.89

 

CMYK 5 / 0 / 16 / 33

HEX #A3AB90

RGB 163 171 144

HSL 77.78, 0.14%, 0.62%

LAB 68.7, -7.72, 12.96

 

CMYK 16 / 2 / 0 / 33

HEX #90A8AB

RGB 144 168 171

HSL 186.67, 0.14%, 0.62%

LAB 67.18, -7.64, -4.35

 

CMYK 11 / 16 / 0 / 33

HEX #9890AB

RGB 152 144 171

HSL 257.78, 0.14%, 0.62%

LAB 61.27, 8.38, -13.09

 

CMYK 0 / 14 / 16 / 33

HEX #AB9390

RGB 171 147 144

HSL 6.67, 0.14%, 0.62%

LAB 62.96, 8.44, 4.89

 

CMYK 9 / 0 / 16 / 33

HEX #9BAB90

RGB 155 171 144

HSL 95.56, 0.14%, 0.62%

LAB 68.1, -10.67, 12.03

 

CMYK 16 / 2 / 0 / 33

HEX #90A8AB

RGB 144 168 171

HSL 186.67, 0.14%, 0.62%

LAB 67.18, -7.64, -4.35

 

CMYK 6 / 16 / 0 / 33

HEX #A090AB

RGB 160 144 171

HSL 275.56, 0.14%, 0.62%

LAB 61.96, 11.13, -11.98

 

Description

Color code: HEX #AB9390 | qconv.com Color code: HEX #AB9390 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 171 red, 147 green and 144 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
171 147 144 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 14 magenta, 16 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 14% 16% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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