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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AB9B90 it is the complementary color #54646F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AB9B90. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AB9B90 shade: #B09B8B, #C1AD9E, #D2BFB1, #E3D1C4 and #F4E3D7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AB9B90. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AB9B90 shade: #AB9B90, #9A897D, #89776A, #786557 and #675344

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AB9B90 shade: #AB9B90, #AB9490 and #AB9090

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AB9B90 shade: #AB9B90, #ABA290, #ABAA90, #A5AB90 and #9EAB90

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AB9B90 shade matches the following richer shades: #AB9B90, #BB9880, #CB9571, #DA9261 and #EA8F51

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AB9B90 shade: #AB9B90, #9B9EA0, #8CA1AF, #7CA4BF and #6CA7CF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AB9B90 shade: #AB9094, #AB9490, #AB9B90, #ABA290 and #ABA990

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AB9B90 shade: #857164, #998679, #AB9B90, #BDB0A8 and #CFC5BF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AB9B90 shade: #AB9B90, #9BAB90 and #9090AB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AB9B90 shade: #AB9B90, #90AB9B and #9B90AB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AB9B90 shade: #AB9B90, #9BAB90, #90A0AB and #A090AB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AB9B90 shade: #AB9B90, #93AB90, #90A0AB and #A890AB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 9 / 16 / 33

HEX #AB9B90

RGB 171 155 144

HSL 24.44, 0.14%, 0.62%

LAB 65.05, 4, 7.89

 

Complementary color

CMYK 24 / 10 / 0 / 56

HEX #54646F

RGB 84 100 111

HSL 204.44, 0.14%, 0.38%

LAB 41.45, -3.35, -8.22

 

CMYK 0 / 12 / 21 / 31

HEX #B09B8B

RGB 176 155 139

HSL 25.95, 0.19%, 0.62%

LAB 65.39, 5.12, 11.22

 

CMYK 0 / 10 / 18 / 24

HEX #C1AD9E

RGB 193 173 158

HSL 25.71, 0.22%, 0.69%

LAB 72.02, 4.75, 10.33

 

CMYK 0 / 9 / 16 / 18

HEX #D2BFB1

RGB 210 191 177

HSL 25.45, 0.27%, 0.76%

LAB 78.54, 4.41, 9.49

 

CMYK 0 / 8 / 14 / 11

HEX #E3D1C4

RGB 227 209 196

HSL 25.16, 0.36%, 0.83%

LAB 84.95, 4.11, 8.69

 

CMYK 0 / 7 / 12 / 4

HEX #F4E3D7

RGB 244 227 215

HSL 24.83, 0.57%, 0.9%

LAB 91.27, 3.83, 7.93

 

CMYK 0 / 9 / 16 / 33

HEX #AB9B90

RGB 171 155 144

HSL 24.44, 0.14%, 0.62%

LAB 65.05, 4, 7.89

 

CMYK 0 / 11 / 19 / 40

HEX #9A897D

RGB 154 137 125

HSL 24.83, 0.13%, 0.55%

LAB 58.27, 4.35, 8.76

 

CMYK 0 / 13 / 23 / 46

HEX #89776A

RGB 137 119 106

HSL 25.16, 0.13%, 0.48%

LAB 51.33, 4.77, 9.71

 

CMYK 0 / 16 / 28 / 53

HEX #786557

RGB 120 101 87

HSL 25.45, 0.16%, 0.41%

LAB 44.22, 5.25, 10.75

 

CMYK 0 / 19 / 34 / 60

HEX #675344

RGB 103 83 68

HSL 25.71, 0.2%, 0.34%

LAB 36.91, 5.86, 11.92

 

CMYK 0 / 9 / 16 / 33

HEX #AB9B90

RGB 171 155 144

HSL 24.44, 0.14%, 0.62%

LAB 65.05, 4, 7.89

 

CMYK 0 / 13 / 16 / 33

HEX #AB9490

RGB 171 148 144

HSL 8.89, 0.14%, 0.62%

LAB 63.22, 7.88, 5.26

 

CMYK 0 / 16 / 16 / 33

HEX #AB9090

RGB 171 144 144

HSL 0, 0.14%, 0.62%

LAB 62.18, 10.12, 3.77

 

CMYK 0 / 9 / 16 / 33

HEX #AB9B90

RGB 171 155 144

HSL 24.44, 0.14%, 0.62%

LAB 65.05, 4, 7.89

 

CMYK 0 / 5 / 16 / 33

HEX #ABA290

RGB 171 162 144

HSL 40, 0.14%, 0.62%

LAB 66.91, 0.16, 10.53

 

CMYK 0 / 1 / 16 / 33

HEX #ABAA90

RGB 171 170 144

HSL 57.78, 0.14%, 0.62%

LAB 69.06, -4.17, 13.56

 

CMYK 4 / 0 / 16 / 33

HEX #A5AB90

RGB 165 171 144

HSL 73.33, 0.14%, 0.62%

LAB 68.85, -6.97, 13.2

 

CMYK 8 / 0 / 16 / 33

HEX #9EAB90

RGB 158 171 144

HSL 88.89, 0.14%, 0.62%

LAB 68.32, -9.57, 12.38

 

CMYK 0 / 9 / 16 / 33

HEX #AB9B90

RGB 171 155 144

HSL 24.44, 0.14%, 0.62%

LAB 65.05, 4, 7.89

 

CMYK 0 / 19 / 32 / 27

HEX #BB9880

RGB 187 152 128

HSL 24.41, 0.3%, 0.62%

LAB 65.42, 9.53, 17.55

 

CMYK 0 / 27 / 44 / 20

HEX #CB9571

RGB 203 149 113

HSL 24, 0.46%, 0.62%

LAB 66.05, 15.84, 26.96

 

CMYK 0 / 33 / 56 / 15

HEX #DA9261

RGB 218 146 97

HSL 24.3, 0.62%, 0.62%

LAB 66.77, 22.1, 36.85

 

CMYK 0 / 39 / 65 / 8

HEX #EA8F51

RGB 234 143 81

HSL 24.31, 0.78%, 0.62%

LAB 67.82, 29.08, 46.85

 

CMYK 0 / 9 / 16 / 33

HEX #AB9B90

RGB 171 155 144

HSL 24.44, 0.14%, 0.62%

LAB 65.05, 4, 7.89

 

CMYK 3 / 1 / 0 / 37

HEX #9B9EA0

RGB 155 158 160

HSL 204, 0.03%, 0.62%

LAB 64.93, -0.68, -1.42

 

CMYK 20 / 8 / 0 / 31

HEX #8CA1AF

RGB 140 161 175

HSL 204, 0.18%, 0.62%

LAB 65.09, -4.25, -9.72

 

CMYK 35 / 14 / 0 / 25

HEX #7CA4BF

RGB 124 164 191

HSL 204.18, 0.34%, 0.62%

LAB 65.43, -6.87, -18.23

 

CMYK 48 / 19 / 0 / 19

HEX #6CA7CF

RGB 108 167 207

HSL 204.24, 0.51%, 0.62%

LAB 66.01, -8.32, -26.32

 

CMYK 0 / 16 / 13 / 33

HEX #AB9094

RGB 171 144 148

HSL 351.11, 0.14%, 0.62%

LAB 62.29, 10.79, 1.65

 

CMYK 0 / 13 / 16 / 33

HEX #AB9490

RGB 171 148 144

HSL 8.89, 0.14%, 0.62%

LAB 63.22, 7.88, 5.26

 

CMYK 0 / 9 / 16 / 33

HEX #AB9B90

RGB 171 155 144

HSL 24.44, 0.14%, 0.62%

LAB 65.05, 4, 7.89

 

CMYK 0 / 5 / 16 / 33

HEX #ABA290

RGB 171 162 144

HSL 40, 0.14%, 0.62%

LAB 66.91, 0.16, 10.53

 

CMYK 0 / 1 / 16 / 33

HEX #ABA990

RGB 171 169 144

HSL 55.56, 0.14%, 0.62%

LAB 68.79, -3.64, 13.18

 

CMYK 0 / 15 / 25 / 48

HEX #857164

RGB 133 113 100

HSL 23.64, 0.14%, 0.46%

LAB 49.15, 5.66, 10.12

 

CMYK 0 / 12 / 21 / 40

HEX #998679

RGB 153 134 121

HSL 24.38, 0.14%, 0.54%

LAB 57.27, 5.01, 9.63

 

CMYK 0 / 9 / 16 / 33

HEX #AB9B90

RGB 171 155 144

HSL 24.44, 0.14%, 0.62%

LAB 65.05, 4, 7.89

 

CMYK 0 / 7 / 11 / 26

HEX #BDB0A8

RGB 189 176 168

HSL 22.86, 0.14%, 0.7%

LAB 72.69, 3.26, 5.76

 

CMYK 0 / 5 / 8 / 19

HEX #CFC5BF

RGB 207 197 191

HSL 22.5, 0.14%, 0.78%

LAB 80.16, 2.45, 4.24

 

CMYK 0 / 9 / 16 / 33

HEX #AB9B90

RGB 171 155 144

HSL 24.44, 0.14%, 0.62%

LAB 65.05, 4, 7.89

 

CMYK 9 / 0 / 16 / 33

HEX #9BAB90

RGB 155 171 144

HSL 95.56, 0.14%, 0.62%

LAB 68.1, -10.67, 12.03

 

CMYK 16 / 16 / 0 / 33

HEX #9090AB

RGB 144 144 171

HSL 240, 0.14%, 0.62%

LAB 60.62, 5.68, -14.14

 

CMYK 0 / 9 / 16 / 33

HEX #AB9B90

RGB 171 155 144

HSL 24.44, 0.14%, 0.62%

LAB 65.05, 4, 7.89

 

CMYK 16 / 0 / 9 / 33

HEX #90AB9B

RGB 144 171 155

HSL 144.44, 0.14%, 0.62%

LAB 67.59, -12.54, 5.13

 

CMYK 9 / 16 / 0 / 33

HEX #9B90AB

RGB 155 144 171

HSL 264.44, 0.14%, 0.62%

LAB 61.53, 9.41, -12.68

 

CMYK 0 / 9 / 16 / 33

HEX #AB9B90

RGB 171 155 144

HSL 24.44, 0.14%, 0.62%

LAB 65.05, 4, 7.89

 

CMYK 9 / 0 / 16 / 33

HEX #9BAB90

RGB 155 171 144

HSL 95.56, 0.14%, 0.62%

LAB 68.1, -10.67, 12.03

 

CMYK 16 / 6 / 0 / 33

HEX #90A0AB

RGB 144 160 171

HSL 204.44, 0.14%, 0.62%

LAB 64.97, -3.28, -7.62

 

CMYK 6 / 16 / 0 / 33

HEX #A090AB

RGB 160 144 171

HSL 275.56, 0.14%, 0.62%

LAB 61.96, 11.13, -11.98

 

CMYK 0 / 9 / 16 / 33

HEX #AB9B90

RGB 171 155 144

HSL 24.44, 0.14%, 0.62%

LAB 65.05, 4, 7.89

 

CMYK 14 / 0 / 16 / 33

HEX #93AB90

RGB 147 171 144

HSL 113.33, 0.14%, 0.62%

LAB 67.53, -13.57, 11.15

 

CMYK 16 / 6 / 0 / 33

HEX #90A0AB

RGB 144 160 171

HSL 204.44, 0.14%, 0.62%

LAB 64.97, -3.28, -7.62

 

CMYK 2 / 16 / 0 / 33

HEX #A890AB

RGB 168 144 171

HSL 293.33, 0.14%, 0.62%

LAB 62.69, 13.93, -10.83

 

Description

Color code: HEX #AB9B90 | qconv.com Color code: HEX #AB9B90 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 171 red, 155 green and 144 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
171 155 144 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 9 magenta, 16 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 9% 16% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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