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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ABA53F it is the complementary color #545AC0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ABA53F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ABA53F shade: #B0A53A, #C1B74D, #D2C960, #E3DB73 and #F4ED86

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ABA53F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ABA53F shade: #ABA53F, #9A932C, #898119, #786F06 and #675D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ABA53F shade: #ABA53F, #AB883F, #AB6B3F, #AB4D3F and #AB3F3F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ABA53F shade: #ABA53F, #94AB3F, #77AB3F, #59AB3F and #3FAB41

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ABA53F shade matches the following richer shades: #ABA53F, #BEB62C, #D1C719 and #E4D706

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ABA53F shade: #ABA53F, #989452, #858365, #727278 and #5F618B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ABA53F shade: #AB6A3F, #AB873F, #ABA43F, #95AB3F and #78AB3F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ABA53F shade: #6F6B29, #8D8834, #ABA53F, #BFB954 and #CAC572

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ABA53F shade: #ABA53F, #3FAB4D and #783FAB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ABA53F shade: #ABA53F, #3FABA4 and #A43FAB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ABA53F shade: #ABA53F, #3FAB4D, #3F46AB and #AB3F9C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ABA53F shade: #ABA53F, #3FAB6E, #3F46AB and #AB3F7C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 4 / 63 / 33

HEX #ABA53F

RGB 171 165 63

HSL 56.67, 0.46%, 0.46%

LAB 66.46, -10.73, 51.96

 

Complementary color

CMYK 56 / 53 / 0 / 25

HEX #545AC0

RGB 84 90 192

HSL 236.67, 0.46%, 0.54%

LAB 42.77, 27.44, -54.5

 

CMYK 0 / 6 / 67 / 31

HEX #B0A53A

RGB 176 165 58

HSL 54.41, 0.5%, 0.46%

LAB 66.86, -8.87, 54.64

 

CMYK 0 / 5 / 60 / 24

HEX #C1B74D

RGB 193 183 77

HSL 54.83, 0.48%, 0.53%

LAB 73.38, -9.72, 53.81

 

CMYK 0 / 4 / 54 / 18

HEX #D2C960

RGB 210 201 96

HSL 55.26, 0.56%, 0.6%

LAB 79.8, -10.43, 52.77

 

CMYK 0 / 4 / 49 / 11

HEX #E3DB73

RGB 227 219 115

HSL 55.71, 0.67%, 0.67%

LAB 86.12, -11.01, 51.64

 

CMYK 0 / 3 / 45 / 4

HEX #F4ED86

RGB 244 237 134

HSL 56.18, 0.83%, 0.74%

LAB 92.36, -11.51, 50.49

 

CMYK 0 / 4 / 63 / 33

HEX #ABA53F

RGB 171 165 63

HSL 56.67, 0.46%, 0.46%

LAB 66.46, -10.73, 51.96

 

CMYK 0 / 5 / 71 / 40

HEX #9A932C

RGB 154 147 44

HSL 56.18, 0.56%, 0.39%

LAB 59.82, -9.82, 52.57

 

CMYK 0 / 6 / 82 / 46

HEX #898119

RGB 137 129 25

HSL 55.71, 0.69%, 0.32%

LAB 53.05, -8.68, 52.43

 

CMYK 0 / 8 / 95 / 53

HEX #786F06

RGB 120 111 6

HSL 55.26, 0.9%, 0.25%

LAB 46.14, -7.22, 50.83

 

CMYK 0 / 10 / 100 / 60

HEX #675D00

RGB 103 93 0

HSL 54.17, 1%, 0.2%

LAB 39.09, -5.36, 46.34

 

CMYK 0 / 4 / 63 / 33

HEX #ABA53F

RGB 171 165 63

HSL 56.67, 0.46%, 0.46%

LAB 66.46, -10.73, 51.96

 

CMYK 0 / 20 / 63 / 33

HEX #AB883F

RGB 171 136 63

HSL 40.56, 0.46%, 0.46%

LAB 58.63, 4.96, 43.37

 

CMYK 0 / 37 / 63 / 33

HEX #AB6B3F

RGB 171 107 63

HSL 24.44, 0.46%, 0.46%

LAB 51.3, 21.25, 34.93

 

CMYK 0 / 55 / 63 / 33

HEX #AB4D3F

RGB 171 77 63

HSL 7.78, 0.46%, 0.46%

LAB 44.69, 37.48, 26.9

 

CMYK 0 / 63 / 63 / 33

HEX #AB3F3F

RGB 171 63 63

HSL 0, 0.46%, 0.46%

LAB 42.11, 44.26, 23.65

 

CMYK 0 / 4 / 63 / 33

HEX #ABA53F

RGB 171 165 63

HSL 56.67, 0.46%, 0.46%

LAB 66.46, -10.73, 51.96

 

CMYK 13 / 0 / 63 / 33

HEX #94AB3F

RGB 148 171 63

HSL 72.78, 0.46%, 0.46%

LAB 66.35, -23.57, 51.3

 

CMYK 30 / 0 / 63 / 33

HEX #77AB3F

RGB 119 171 63

HSL 88.89, 0.46%, 0.46%

LAB 64.49, -35.05, 48.73

 

CMYK 48 / 0 / 63 / 33

HEX #59AB3F

RGB 89 171 63

HSL 105.56, 0.46%, 0.46%

LAB 63.02, -45.3, 46.69

 

CMYK 63 / 0 / 62 / 33

HEX #3FAB41

RGB 63 171 65

HSL 121.11, 0.46%, 0.46%

LAB 62.14, -51.99, 44.56

 

CMYK 0 / 4 / 63 / 33

HEX #ABA53F

RGB 171 165 63

HSL 56.67, 0.46%, 0.46%

LAB 66.46, -10.73, 51.96

 

CMYK 0 / 4 / 77 / 25

HEX #BEB62C

RGB 190 182 44

HSL 56.71, 0.62%, 0.46%

LAB 72.62, -12.29, 65.78

 

CMYK 0 / 5 / 88 / 18

HEX #D1C719

RGB 209 199 25

HSL 56.74, 0.79%, 0.46%

LAB 78.74, -13.26, 76.34

 

CMYK 0 / 6 / 97 / 11

HEX #E4D706

RGB 228 215 6

HSL 56.49, 0.95%, 0.46%

LAB 84.54, -13.38, 83.8

 

CMYK 0 / 4 / 63 / 33

HEX #ABA53F

RGB 171 165 63

HSL 56.67, 0.46%, 0.46%

LAB 66.46, -10.73, 51.96

 

CMYK 0 / 3 / 46 / 40

HEX #989452

RGB 152 148 82

HSL 56.57, 0.3%, 0.46%

LAB 60.31, -8.28, 35.26

 

CMYK 0 / 2 / 24 / 48

HEX #858365

RGB 133 131 101

HSL 56.25, 0.14%, 0.46%

LAB 54.2, -4.49, 16.54

 

CMYK 5 / 5 / 0 / 53

HEX #727278

RGB 114 114 120

HSL 240, 0.03%, 0.46%

LAB 48.22, 1.25, -3.31

 

CMYK 32 / 30 / 0 / 45

HEX #5F618B

RGB 95 97 139

HSL 237.27, 0.19%, 0.46%

LAB 42.53, 9.58, -23.46

 

CMYK 0 / 38 / 63 / 33

HEX #AB6A3F

RGB 171 106 63

HSL 23.89, 0.46%, 0.46%

LAB 51.07, 21.81, 34.65

 

CMYK 0 / 21 / 63 / 33

HEX #AB873F

RGB 171 135 63

HSL 40, 0.46%, 0.46%

LAB 58.36, 5.52, 43.08

 

CMYK 0 / 4 / 63 / 33

HEX #ABA43F

RGB 171 164 63

HSL 56.11, 0.46%, 0.46%

LAB 66.19, -10.21, 51.66

 

CMYK 13 / 0 / 63 / 33

HEX #95AB3F

RGB 149 171 63

HSL 72.22, 0.46%, 0.46%

LAB 66.42, -23.16, 51.4

 

CMYK 30 / 0 / 63 / 33

HEX #78AB3F

RGB 120 171 63

HSL 88.33, 0.46%, 0.46%

LAB 64.55, -34.68, 48.81

 

CMYK 0 / 4 / 63 / 56

HEX #6F6B29

RGB 111 107 41

HSL 56.57, 0.46%, 0.3%

LAB 44.31, -7.65, 36.59

 

CMYK 0 / 4 / 63 / 45

HEX #8D8834

RGB 141 136 52

HSL 56.63, 0.46%, 0.38%

LAB 55.6, -9.23, 44.44

 

CMYK 0 / 4 / 63 / 33

HEX #ABA53F

RGB 171 165 63

HSL 56.67, 0.46%, 0.46%

LAB 66.46, -10.73, 51.96

 

CMYK 0 / 3 / 56 / 25

HEX #BFB954

RGB 191 185 84

HSL 56.64, 0.46%, 0.54%

LAB 73.81, -11.08, 51.07

 

CMYK 0 / 2 / 44 / 21

HEX #CAC572

RGB 202 197 114

HSL 56.59, 0.45%, 0.62%

LAB 78.29, -10.02, 42.11

 

CMYK 0 / 4 / 63 / 33

HEX #ABA53F

RGB 171 165 63

HSL 56.67, 0.46%, 0.46%

LAB 66.46, -10.73, 51.96

 

CMYK 63 / 0 / 55 / 33

HEX #3FAB4D

RGB 63 171 77

HSL 127.78, 0.46%, 0.46%

LAB 62.27, -50.49, 39.05

 

CMYK 30 / 63 / 0 / 33

HEX #783FAB

RGB 120 63 171

HSL 271.67, 0.46%, 0.46%

LAB 38.71, 45.22, -48.52

 

CMYK 0 / 4 / 63 / 33

HEX #ABA53F

RGB 171 165 63

HSL 56.67, 0.46%, 0.46%

LAB 66.46, -10.73, 51.96

 

CMYK 63 / 0 / 4 / 33

HEX #3FABA4

RGB 63 171 164

HSL 176.11, 0.46%, 0.46%

LAB 64.05, -32.05, -5.5

 

CMYK 4 / 63 / 0 / 33

HEX #A43FAB

RGB 164 63 171

HSL 296.11, 0.46%, 0.46%

LAB 44.78, 55.94, -38.46

 

CMYK 0 / 4 / 63 / 33

HEX #ABA53F

RGB 171 165 63

HSL 56.67, 0.46%, 0.46%

LAB 66.46, -10.73, 51.96

 

CMYK 63 / 0 / 55 / 33

HEX #3FAB4D

RGB 63 171 77

HSL 127.78, 0.46%, 0.46%

LAB 62.27, -50.49, 39.05

 

CMYK 63 / 59 / 0 / 33

HEX #3F46AB

RGB 63 70 171

HSL 236.11, 0.46%, 0.46%

LAB 34.76, 29.17, -55.17

 

CMYK 0 / 63 / 9 / 33

HEX #AB3F9C

RGB 171 63 156

HSL 308.33, 0.46%, 0.46%

LAB 45.1, 55.16, -28.97

 

CMYK 0 / 4 / 63 / 33

HEX #ABA53F

RGB 171 165 63

HSL 56.67, 0.46%, 0.46%

LAB 66.46, -10.73, 51.96

 

CMYK 63 / 0 / 36 / 33

HEX #3FAB6E

RGB 63 171 110

HSL 146.11, 0.46%, 0.46%

LAB 62.77, -44.98, 22.55

 

CMYK 63 / 59 / 0 / 33

HEX #3F46AB

RGB 63 70 171

HSL 236.11, 0.46%, 0.46%

LAB 34.76, 29.17, -55.17

 

CMYK 0 / 63 / 27 / 33

HEX #AB3F7C

RGB 171 63 124

HSL 326.11, 0.46%, 0.46%

LAB 43.75, 50.41, -11.67

 

Description

Color code: HEX #ABA53F | qconv.com Color code: HEX #ABA53F | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 171 red, 165 green and 63 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
171 165 63 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 4 magenta, 63 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 4% 63% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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