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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ABA8BE it is the complementary color #545741. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ABA8BE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ABA8BE shade: #B0A8B9, #C1BACC, #D2CCDF, #E3DEF2 and #F4F0FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ABA8BE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ABA8BE shade: #ABA8BE, #9A96AB, #898498, #787285 and #676072

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ABA8BE shade: #AAA7BD, #B0A7BD, #B6A7BD, #BCA7BD and #BDA7B8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ABA8BE shade: #AAA7BD and #A7A7BD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ABA8BE shade matches the following richer shades: #AAA7BD, #A19BC9, #988FD5, #8F82E2 and #8676EE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ABA8BE shade: #AAA7BD, #B3B4B0, #BCC0A4, #C5CC98 and #CED98B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ABA8BE shade: #A7B0BD, #A7AABD, #AAA7BD, #B0A7BD and #B6A7BD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ABA8BE shade: #7D7899, #9390AB, #AAA7BD, #C1BFCE and #D8D6E0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ABA8BE shade: #ABA8BE, #BDA7B6 and #ADBDA7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ABA8BE shade: #ABA8BE, #BDAAA7 and #A7BDAA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ABA8BE shade: #ABA8BE, #BDA7B6, #BABDA7 and #A7BDAE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ABA8BE shade: #ABA8BE, #BDA7AF, #BABDA7 and #A7BDB5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 10 / 12 / 0 / 25

HEX #ABA8BE

RGB 171 168 190

HSL 248.18, 0.14%, 0.7%

LAB 69.74, 5.41, -10.87

 

Complementary color

CMYK 3 / 0 / 25 / 66

HEX #545741

RGB 84 87 65

HSL 68.18, 0.14%, 0.3%

LAB 36.14, -5.46, 12.42

 

CMYK 5 / 9 / 0 / 27

HEX #B0A8B9

RGB 176 168 185

HSL 268.24, 0.11%, 0.69%

LAB 69.99, 6.1, -7.69

 

CMYK 5 / 9 / 0 / 20

HEX #C1BACC

RGB 193 186 204

HSL 263.33, 0.15%, 0.76%

LAB 76.57, 5.84, -8.18

 

CMYK 6 / 9 / 0 / 13

HEX #D2CCDF

RGB 210 204 223

HSL 258.95, 0.23%, 0.84%

LAB 83.03, 5.6, -8.66

 

CMYK 6 / 8 / 0 / 5

HEX #E3DEF2

RGB 227 222 242

HSL 255, 0.43%, 0.91%

LAB 89.39, 5.37, -9.13

 

CMYK 4 / 6 / 0 / 0

HEX #F4F0FF

RGB 244 240 255

HSL 256, 1%, 0.97%

LAB 95.49, 4.03, -6.74

 

CMYK 10 / 12 / 0 / 25

HEX #ABA8BE

RGB 171 168 190

HSL 248.18, 0.14%, 0.7%

LAB 69.74, 5.41, -10.87

 

CMYK 10 / 12 / 0 / 33

HEX #9A96AB

RGB 154 150 171

HSL 251.43, 0.11%, 0.63%

LAB 63.03, 5.67, -10.44

 

CMYK 10 / 13 / 0 / 40

HEX #898498

RGB 137 132 152

HSL 255, 0.09%, 0.56%

LAB 56.18, 5.96, -10.01

 

CMYK 10 / 14 / 0 / 48

HEX #787285

RGB 120 114 133

HSL 258.95, 0.08%, 0.48%

LAB 49.16, 6.27, -9.58

 

CMYK 10 / 16 / 0 / 55

HEX #676072

RGB 103 96 114

HSL 263.33, 0.09%, 0.41%

LAB 41.94, 6.62, -9.15

 

CMYK 10 / 12 / 0 / 26

HEX #AAA7BD

RGB 170 167 189

HSL 248.18, 0.14%, 0.7%

LAB 69.37, 5.42, -10.88

 

CMYK 7 / 12 / 0 / 26

HEX #B0A7BD

RGB 176 167 189

HSL 264.55, 0.14%, 0.7%

LAB 69.85, 7.45, -10.1

 

CMYK 4 / 12 / 0 / 26

HEX #B6A7BD

RGB 182 167 189

HSL 280.91, 0.14%, 0.7%

LAB 70.36, 9.51, -9.3

 

CMYK 1 / 12 / 0 / 26

HEX #BCA7BD

RGB 188 167 189

HSL 297.27, 0.14%, 0.7%

LAB 70.87, 11.58, -8.48

 

CMYK 0 / 12 / 3 / 26

HEX #BDA7B8

RGB 189 167 184

HSL 313.64, 0.14%, 0.7%

LAB 70.81, 10.99, -5.79

 

CMYK 10 / 12 / 0 / 26

HEX #AAA7BD

RGB 170 167 189

HSL 248.18, 0.14%, 0.7%

LAB 69.37, 5.42, -10.88

 

CMYK 12 / 12 / 0 / 26

HEX #A7A7BD

RGB 167 167 189

HSL 240, 0.14%, 0.7%

LAB 69.13, 4.41, -11.26

 

CMYK 10 / 12 / 0 / 26

HEX #AAA7BD

RGB 170 167 189

HSL 248.18, 0.14%, 0.7%

LAB 69.37, 5.42, -10.88

 

CMYK 20 / 23 / 0 / 21

HEX #A19BC9

RGB 161 155 201

HSL 247.83, 0.3%, 0.7%

LAB 65.93, 11.8, -22.81

 

CMYK 29 / 33 / 0 / 16

HEX #988FD5

RGB 152 143 213

HSL 247.71, 0.45%, 0.7%

LAB 62.61, 18.79, -34.68

 

CMYK 37 / 42 / 0 / 11

HEX #8F82E2

RGB 143 130 226

HSL 248.13, 0.62%, 0.7%

LAB 59.25, 27.21, -47.27

 

CMYK 44 / 50 / 0 / 7

HEX #8676EE

RGB 134 118 238

HSL 248, 0.78%, 0.7%

LAB 56.29, 35.32, -58.72

 

CMYK 10 / 12 / 0 / 26

HEX #AAA7BD

RGB 170 167 189

HSL 248.18, 0.14%, 0.7%

LAB 69.37, 5.42, -10.88

 

CMYK 1 / 0 / 2 / 29

HEX #B3B4B0

RGB 179 180 176

HSL 75, 0.03%, 0.7%

LAB 73.13, -1.09, 1.9

 

CMYK 2 / 0 / 15 / 25

HEX #BCC0A4

RGB 188 192 164

HSL 68.57, 0.18%, 0.7%

LAB 76.72, -6.28, 13.66

 

CMYK 3 / 0 / 25 / 20

HEX #C5CC98

RGB 197 204 152

HSL 68.08, 0.34%, 0.7%

LAB 80.36, -10.95, 25.18

 

CMYK 5 / 0 / 36 / 15

HEX #CED98B

RGB 206 217 139

HSL 68.46, 0.51%, 0.7%

LAB 84.28, -15.78, 37.21

 

CMYK 12 / 7 / 0 / 26

HEX #A7B0BD

RGB 167 176 189

HSL 215.45, 0.14%, 0.7%

LAB 71.51, -0.51, -7.71

 

CMYK 12 / 10 / 0 / 26

HEX #A7AABD

RGB 167 170 189

HSL 231.82, 0.14%, 0.7%

LAB 69.92, 2.76, -10.08

 

CMYK 10 / 12 / 0 / 26

HEX #AAA7BD

RGB 170 167 189

HSL 248.18, 0.14%, 0.7%

LAB 69.37, 5.42, -10.88

 

CMYK 7 / 12 / 0 / 26

HEX #B0A7BD

RGB 176 167 189

HSL 264.55, 0.14%, 0.7%

LAB 69.85, 7.45, -10.1

 

CMYK 4 / 12 / 0 / 26

HEX #B6A7BD

RGB 182 167 189

HSL 280.91, 0.14%, 0.7%

LAB 70.36, 9.51, -9.3

 

CMYK 18 / 22 / 0 / 40

HEX #7D7899

RGB 125 120 153

HSL 249.09, 0.14%, 0.54%

LAB 51.94, 9.05, -17.08

 

CMYK 14 / 16 / 0 / 33

HEX #9390AB

RGB 147 144 171

HSL 246.67, 0.14%, 0.62%

LAB 60.86, 6.68, -13.75

 

CMYK 10 / 12 / 0 / 26

HEX #AAA7BD

RGB 170 167 189

HSL 248.18, 0.14%, 0.7%

LAB 69.37, 5.42, -10.88

 

CMYK 6 / 7 / 0 / 19

HEX #C1BFCE

RGB 193 191 206

HSL 248, 0.13%, 0.78%

LAB 77.91, 3.54, -7.27

 

CMYK 4 / 4 / 0 / 12

HEX #D8D6E0

RGB 216 214 224

HSL 252, 0.14%, 0.86%

LAB 86.04, 2.52, -4.68

 

CMYK 10 / 12 / 0 / 25

HEX #ABA8BE

RGB 171 168 190

HSL 248.18, 0.14%, 0.7%

LAB 69.74, 5.41, -10.87

 

CMYK 0 / 12 / 4 / 26

HEX #BDA7B6

RGB 189 167 182

HSL 319.09, 0.14%, 0.7%

LAB 70.76, 10.63, -4.77

 

CMYK 8 / 0 / 12 / 26

HEX #ADBDA7

RGB 173 189 167

HSL 103.64, 0.14%, 0.7%

LAB 74.87, -9.61, 9.25

 

CMYK 10 / 12 / 0 / 25

HEX #ABA8BE

RGB 171 168 190

HSL 248.18, 0.14%, 0.7%

LAB 69.74, 5.41, -10.87

 

CMYK 0 / 10 / 12 / 26

HEX #BDAAA7

RGB 189 170 167

HSL 8.18, 0.14%, 0.7%

LAB 71.12, 6.35, 4.03

 

CMYK 12 / 0 / 10 / 26

HEX #A7BDAA

RGB 167 189 170

HSL 128.18, 0.14%, 0.7%

LAB 74.52, -11.17, 7.07

 

CMYK 10 / 12 / 0 / 25

HEX #ABA8BE

RGB 171 168 190

HSL 248.18, 0.14%, 0.7%

LAB 69.74, 5.41, -10.87

 

CMYK 0 / 12 / 4 / 26

HEX #BDA7B6

RGB 189 167 182

HSL 319.09, 0.14%, 0.7%

LAB 70.76, 10.63, -4.77

 

CMYK 2 / 0 / 12 / 26

HEX #BABDA7

RGB 186 189 167

HSL 68.18, 0.14%, 0.7%

LAB 75.84, -4.94, 10.77

 

CMYK 12 / 0 / 8 / 26

HEX #A7BDAE

RGB 167 189 174

HSL 139.09, 0.14%, 0.7%

LAB 74.61, -10.42, 5.03

 

CMYK 10 / 12 / 0 / 25

HEX #ABA8BE

RGB 171 168 190

HSL 248.18, 0.14%, 0.7%

LAB 69.74, 5.41, -10.87

 

CMYK 0 / 12 / 7 / 26

HEX #BDA7AF

RGB 189 167 175

HSL 338.18, 0.14%, 0.7%

LAB 70.56, 9.37, -1.19

 

CMYK 2 / 0 / 12 / 26

HEX #BABDA7

RGB 186 189 167

HSL 68.18, 0.14%, 0.7%

LAB 75.84, -4.94, 10.77

 

CMYK 12 / 0 / 4 / 26

HEX #A7BDB5

RGB 167 189 181

HSL 158.18, 0.14%, 0.7%

LAB 74.79, -9.08, 1.49

 

Description

Color code: HEX #ABA8BE | qconv.com Color code: HEX #ABA8BE | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 171 red, 168 green and 190 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
171 168 190 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 10 cyan, 12 magenta, none yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
10% 12% 0% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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