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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ABAFF1 it is the complementary color #54500E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ABAFF1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ABAFF1 shade: #B0AFEC, #C1C1FF, #D2D3FF, #E3E5FF and #F4F7FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ABAFF1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ABAFF1 shade: #ABAFF1, #9A9DDE, #898BCB, #7879B8 and #6767A5

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ABAFF1 shade: #ACB0F0, #BAACF0, #CDACF0, #DFACF0 and #F0ACEF

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ABAFF1 shade: #ACB0F0 and #ACACF0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ABAFF1 shade matches the following richer shades: #ACB0F0 and #A4A9F8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ABAFF1 shade: #ACB0F0, #B3B7E9, #BBBDE1, #C3C4D9 and #CBCBD1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ABAFF1 shade: #ACD5F0, #ACC3F0, #ACB0F0, #B9ACF0 and #CCACF0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ABAFF1 shade: #656CE4, #888EEA, #ACB0F0, #CFD1F6 and #F2F3FC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ABAFF1 shade: #ABAFF1, #F0ACE7 and #CCF0AC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ABAFF1 shade: #ABAFF1, #F0ACB0 and #B0F0AC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ABAFF1 shade: #ABAFF1, #F0ACE7, #F0ECAC and #ACF0B5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ABAFF1 shade: #ABAFF1, #F0ACD3, #F0ECAC and #ACF0C9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 29 / 27 / 0 / 5

HEX #ABAFF1

RGB 171 175 241

HSL 236.57, 0.71%, 0.81%

LAB 73.33, 13.13, -33.33

 

Complementary color

CMYK 0 / 5 / 83 / 67

HEX #54500E

RGB 84 80 14

HSL 56.57, 0.71%, 0.19%

LAB 33.25, -6.74, 36.5

 

CMYK 25 / 26 / 0 / 7

HEX #B0AFEC

RGB 176 175 236

HSL 240.98, 0.62%, 0.81%

LAB 73.51, 13.38, -30.31

 

CMYK 24 / 24 / 0 / 0

HEX #C1C1FF

RGB 193 193 255

HSL 240, 1%, 0.88%

LAB 80.01, 12.96, -30.44

 

CMYK 18 / 17 / 0 / 0

HEX #D2D3FF

RGB 210 211 255

HSL 238.67, 1%, 0.91%

LAB 85.76, 8.4, -21.55

 

CMYK 11 / 10 / 0 / 0

HEX #E3E5FF

RGB 227 229 255

HSL 235.71, 1%, 0.95%

LAB 91.5, 4.25, -12.79

 

CMYK 4 / 3 / 0 / 0

HEX #F4F7FF

RGB 244 247 255

HSL 223.64, 1%, 0.98%

LAB 97.22, 0.46, -4.18

 

CMYK 29 / 27 / 0 / 5

HEX #ABAFF1

RGB 171 175 241

HSL 236.57, 0.71%, 0.81%

LAB 73.33, 13.13, -33.33

 

CMYK 31 / 29 / 0 / 13

HEX #9A9DDE

RGB 154 157 222

HSL 237.35, 0.51%, 0.74%

LAB 66.72, 13.63, -33.28

 

CMYK 33 / 32 / 0 / 20

HEX #898BCB

RGB 137 139 203

HSL 238.18, 0.39%, 0.67%

LAB 59.97, 14.19, -33.27

 

CMYK 35 / 34 / 0 / 28

HEX #7879B8

RGB 120 121 184

HSL 239.06, 0.31%, 0.6%

LAB 53.09, 14.83, -33.31

 

CMYK 38 / 38 / 0 / 35

HEX #6767A5

RGB 103 103 165

HSL 240, 0.26%, 0.53%

LAB 46.04, 15.58, -33.4

 

CMYK 28 / 27 / 0 / 6

HEX #ACB0F0

RGB 172 176 240

HSL 236.47, 0.69%, 0.81%

LAB 73.62, 12.62, -32.34

 

CMYK 23 / 28 / 0 / 6

HEX #BAACF0

RGB 186 172 240

HSL 252.35, 0.69%, 0.81%

LAB 73.7, 18.95, -32.13

 

CMYK 15 / 28 / 0 / 6

HEX #CDACF0

RGB 205 172 240

HSL 269.12, 0.69%, 0.81%

LAB 75.31, 24.73, -29.51

 

CMYK 7 / 28 / 0 / 6

HEX #DFACF0

RGB 223 172 240

HSL 285, 0.69%, 0.81%

LAB 76.97, 30.34, -26.82

 

CMYK 0 / 28 / 0 / 6

HEX #F0ACEF

RGB 240 172 239

HSL 300.88, 0.69%, 0.81%

LAB 78.61, 35.54, -23.62

 

CMYK 28 / 27 / 0 / 6

HEX #ACB0F0

RGB 172 176 240

HSL 236.47, 0.69%, 0.81%

LAB 73.62, 12.62, -32.34

 

CMYK 28 / 28 / 0 / 6

HEX #ACACF0

RGB 172 172 240

HSL 240, 0.69%, 0.81%

LAB 72.61, 14.85, -33.91

 

CMYK 28 / 27 / 0 / 6

HEX #ACB0F0

RGB 172 176 240

HSL 236.47, 0.69%, 0.81%

LAB 73.62, 12.62, -32.34

 

CMYK 34 / 32 / 0 / 3

HEX #A4A9F8

RGB 164 169 248

HSL 236.43, 0.86%, 0.81%

LAB 71.59, 16.29, -39.88

 

CMYK 28 / 27 / 0 / 6

HEX #ACB0F0

RGB 172 176 240

HSL 236.47, 0.69%, 0.81%

LAB 73.62, 12.62, -32.34

 

CMYK 23 / 21 / 0 / 9

HEX #B3B7E9

RGB 179 183 233

HSL 235.56, 0.55%, 0.81%

LAB 75.66, 9.17, -25.37

 

CMYK 17 / 16 / 0 / 12

HEX #BBBDE1

RGB 187 189 225

HSL 236.84, 0.39%, 0.81%

LAB 77.52, 6.58, -18.17

 

CMYK 10 / 10 / 0 / 15

HEX #C3C4D9

RGB 195 196 217

HSL 237.27, 0.22%, 0.81%

LAB 79.67, 3.72, -10.57

 

CMYK 3 / 3 / 0 / 18

HEX #CBCBD1

RGB 203 203 209

HSL 240, 0.06%, 0.81%

LAB 81.84, 1.12, -2.99

 

CMYK 28 / 11 / 0 / 6

HEX #ACD5F0

RGB 172 213 240

HSL 203.82, 0.69%, 0.81%

LAB 83.26, -7.34, -17.63

 

CMYK 28 / 19 / 0 / 6

HEX #ACC3F0

RGB 172 195 240

HSL 219.71, 0.69%, 0.81%

LAB 78.52, 2.22, -24.83

 

CMYK 28 / 27 / 0 / 6

HEX #ACB0F0

RGB 172 176 240

HSL 236.47, 0.69%, 0.81%

LAB 73.62, 12.62, -32.34

 

CMYK 23 / 28 / 0 / 6

HEX #B9ACF0

RGB 185 172 240

HSL 251.47, 0.69%, 0.81%

LAB 73.62, 18.66, -32.26

 

CMYK 15 / 28 / 0 / 6

HEX #CCACF0

RGB 204 172 240

HSL 268.24, 0.69%, 0.81%

LAB 75.22, 24.42, -29.65

 

CMYK 56 / 53 / 0 / 11

HEX #656CE4

RGB 101 108 228

HSL 236.69, 0.7%, 0.65%

LAB 50.8, 31.3, -62.07

 

CMYK 42 / 39 / 0 / 8

HEX #888EEA

RGB 136 142 234

HSL 236.33, 0.7%, 0.73%

LAB 62.1, 20.64, -47.24

 

CMYK 28 / 27 / 0 / 6

HEX #ACB0F0

RGB 172 176 240

HSL 236.47, 0.69%, 0.81%

LAB 73.62, 12.62, -32.34

 

CMYK 16 / 15 / 0 / 4

HEX #CFD1F6

RGB 207 209 246

HSL 236.92, 0.68%, 0.89%

LAB 84.75, 6.62, -18.34

 

CMYK 4 / 4 / 0 / 1

HEX #F2F3FC

RGB 242 243 252

HSL 234, 0.63%, 0.97%

LAB 96, 1.3, -4.44

 

CMYK 29 / 27 / 0 / 5

HEX #ABAFF1

RGB 171 175 241

HSL 236.57, 0.71%, 0.81%

LAB 73.33, 13.13, -33.33

 

CMYK 0 / 28 / 4 / 6

HEX #F0ACE7

RGB 240 172 231

HSL 307.94, 0.69%, 0.81%

LAB 78.34, 34.11, -19.71

 

CMYK 15 / 0 / 28 / 6

HEX #CCF0AC

RGB 204 240 172

HSL 91.76, 0.69%, 0.81%

LAB 90.84, -23.41, 29.13

 

CMYK 29 / 27 / 0 / 5

HEX #ABAFF1

RGB 171 175 241

HSL 236.57, 0.71%, 0.81%

LAB 73.33, 13.13, -33.33

 

CMYK 0 / 28 / 27 / 6

HEX #F0ACB0

RGB 240 172 176

HSL 356.47, 0.69%, 0.81%

LAB 76.78, 25.46, 7.89

 

CMYK 27 / 0 / 28 / 6

HEX #B0F0AC

RGB 176 240 172

HSL 116.47, 0.69%, 0.81%

LAB 89.17, -32.89, 26.58

 

CMYK 29 / 27 / 0 / 5

HEX #ABAFF1

RGB 171 175 241

HSL 236.57, 0.71%, 0.81%

LAB 73.33, 13.13, -33.33

 

CMYK 0 / 28 / 4 / 6

HEX #F0ACE7

RGB 240 172 231

HSL 307.94, 0.69%, 0.81%

LAB 78.34, 34.11, -19.71

 

CMYK 0 / 2 / 28 / 6

HEX #F0ECAC

RGB 240 236 172

HSL 56.47, 0.69%, 0.81%

LAB 92.35, -8.35, 31.6

 

CMYK 28 / 0 / 25 / 6

HEX #ACF0B5

RGB 172 240 181

HSL 127.94, 0.69%, 0.81%

LAB 89.12, -32.68, 21.87

 

CMYK 29 / 27 / 0 / 5

HEX #ABAFF1

RGB 171 175 241

HSL 236.57, 0.71%, 0.81%

LAB 73.33, 13.13, -33.33

 

CMYK 0 / 28 / 12 / 6

HEX #F0ACD3

RGB 240 172 211

HSL 325.59, 0.69%, 0.81%

LAB 77.72, 30.71, -9.8

 

CMYK 0 / 2 / 28 / 6

HEX #F0ECAC

RGB 240 236 172

HSL 56.47, 0.69%, 0.81%

LAB 92.35, -8.35, 31.6

 

CMYK 28 / 0 / 16 / 6

HEX #ACF0C9

RGB 172 240 201

HSL 145.59, 0.69%, 0.81%

LAB 89.54, -29.06, 12.1

 

Description

Color code: HEX #ABAFF1 | qconv.com Color code: HEX #ABAFF1 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 171 red, 175 green and 241 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
171 175 241 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 29 cyan, 27 magenta, none yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
29% 27% 0% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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