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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ABB5A5 it is the complementary color #544A5A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ABB5A5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ABB5A5 shade: #B0B5A0, #C1C7B3, #D2D9C6, #E3EBD9 and #F4FDEC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ABB5A5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ABB5A5 shade: #ABB5A5, #9AA392, #89917F, #787F6C and #676D59

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ABB5A5 shade: #ABB5A5, #AFB5A5, #B4B5A5, #B5B2A5 and #B5AEA5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ABB5A5 shade: #ABB5A5, #A6B5A5, #A5B5A7, #A5B5AC and #A5B5B0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ABB5A5 shade matches the following richer shades: #ABB5A5, #A8C298, #A4CF8A, #A1DD7D and #9EEA70

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ABB5A5 shade: #ABB5A5, #AEA8B2, #B19BBF, #B58DCC and #B880DA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ABB5A5 shade: #B4B5A5, #AFB5A5, #ABB5A5, #A7B5A5 and #A5B5A7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ABB5A5 shade: #819077, #96A28E, #ABB5A5, #C0C8BB and #D5DAD2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ABB5A5 shade: #ABB5A5, #A5B5B2 and #B5A5B2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ABB5A5 shade: #ABB5A5, #A5ABB5 and #B5A5AB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ABB5A5 shade: #ABB5A5, #A5B5B2, #AFA5B5 and #B5A5A8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ABB5A5 shade: #ABB5A5, #A5B3B5, #AFA5B5 and #B5A7A5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 0 / 9 / 29

HEX #ABB5A5

RGB 171 181 165

HSL 97.5, 0.1%, 0.68%

LAB 72.51, -6.47, 6.95

 

Complementary color

CMYK 7 / 18 / 0 / 65

HEX #544A5A

RGB 84 74 90

HSL 277.5, 0.1%, 0.32%

LAB 32.96, 7.62, -7.89

 

CMYK 3 / 0 / 12 / 29

HEX #B0B5A0

RGB 176 181 160

HSL 74.29, 0.12%, 0.67%

LAB 72.77, -5.54, 10.1

 

CMYK 3 / 0 / 10 / 22

HEX #C1C7B3

RGB 193 199 179

HSL 78, 0.15%, 0.74%

LAB 79.29, -5.64, 9.3

 

CMYK 3 / 0 / 9 / 15

HEX #D2D9C6

RGB 210 217 198

HSL 82.11, 0.2%, 0.81%

LAB 85.71, -5.74, 8.53

 

CMYK 3 / 0 / 8 / 8

HEX #E3EBD9

RGB 227 235 217

HSL 86.67, 0.31%, 0.89%

LAB 92.02, -5.83, 7.8

 

CMYK 4 / 0 / 7 / 1

HEX #F4FDEC

RGB 244 253 236

HSL 91.76, 0.81%, 0.96%

LAB 98.25, -5.92, 7.1

 

CMYK 6 / 0 / 9 / 29

HEX #ABB5A5

RGB 171 181 165

HSL 97.5, 0.1%, 0.68%

LAB 72.51, -6.47, 6.95

 

CMYK 6 / 0 / 10 / 36

HEX #9AA392

RGB 154 163 146

HSL 91.76, 0.08%, 0.61%

LAB 65.86, -6.41, 7.73

 

CMYK 6 / 0 / 12 / 43

HEX #89917F

RGB 137 145 127

HSL 86.67, 0.08%, 0.53%

LAB 59.07, -6.35, 8.56

 

CMYK 6 / 0 / 15 / 50

HEX #787F6C

RGB 120 127 108

HSL 82.11, 0.08%, 0.46%

LAB 52.12, -6.28, 9.45

 

CMYK 6 / 0 / 18 / 57

HEX #676D59

RGB 103 109 89

HSL 78, 0.1%, 0.39%

LAB 45, -6.21, 10.42

 

CMYK 6 / 0 / 9 / 29

HEX #ABB5A5

RGB 171 181 165

HSL 97.5, 0.1%, 0.68%

LAB 72.51, -6.47, 6.95

 

CMYK 3 / 0 / 9 / 29

HEX #AFB5A5

RGB 175 181 165

HSL 82.5, 0.1%, 0.68%

LAB 72.81, -5.03, 7.42

 

CMYK 1 / 0 / 9 / 29

HEX #B4B5A5

RGB 180 181 165

HSL 63.75, 0.1%, 0.68%

LAB 73.2, -3.22, 8.03

 

CMYK 0 / 2 / 9 / 29

HEX #B5B2A5

RGB 181 178 165

HSL 48.75, 0.1%, 0.68%

LAB 72.48, -1.25, 7.01

 

CMYK 0 / 4 / 9 / 29

HEX #B5AEA5

RGB 181 174 165

HSL 33.75, 0.1%, 0.68%

LAB 71.43, 0.9, 5.5

 

CMYK 6 / 0 / 9 / 29

HEX #ABB5A5

RGB 171 181 165

HSL 97.5, 0.1%, 0.68%

LAB 72.51, -6.47, 6.95

 

CMYK 8 / 0 / 9 / 29

HEX #A6B5A5

RGB 166 181 165

HSL 116.25, 0.1%, 0.68%

LAB 72.14, -8.25, 6.37

 

CMYK 9 / 0 / 8 / 29

HEX #A5B5A7

RGB 165 181 167

HSL 127.5, 0.1%, 0.68%

LAB 72.12, -8.23, 5.24

 

CMYK 9 / 0 / 5 / 29

HEX #A5B5AC

RGB 165 181 172

HSL 146.25, 0.1%, 0.68%

LAB 72.25, -7.28, 2.68

 

CMYK 9 / 0 / 3 / 29

HEX #A5B5B0

RGB 165 181 176

HSL 161.25, 0.1%, 0.68%

LAB 72.35, -6.51, 0.64

 

CMYK 6 / 0 / 9 / 29

HEX #ABB5A5

RGB 171 181 165

HSL 97.5, 0.1%, 0.68%

LAB 72.51, -6.47, 6.95

 

CMYK 13 / 0 / 22 / 24

HEX #A8C298

RGB 168 194 152

HSL 97.14, 0.26%, 0.68%

LAB 75.56, -16.53, 18.26

 

CMYK 21 / 0 / 33 / 19

HEX #A4CF8A

RGB 164 207 138

HSL 97.39, 0.42%, 0.68%

LAB 78.67, -26.58, 29.82

 

CMYK 27 / 0 / 43 / 13

HEX #A1DD7D

RGB 161 221 125

HSL 97.5, 0.59%, 0.68%

LAB 82.26, -35.98, 41.02

 

CMYK 32 / 0 / 52 / 8

HEX #9EEA70

RGB 158 234 112

HSL 97.38, 0.74%, 0.68%

LAB 85.65, -44.3, 51.38

 

CMYK 6 / 0 / 9 / 29

HEX #ABB5A5

RGB 171 181 165

HSL 97.5, 0.1%, 0.68%

LAB 72.51, -6.47, 6.95

 

CMYK 2 / 6 / 0 / 30

HEX #AEA8B2

RGB 174 168 178

HSL 276, 0.06%, 0.68%

LAB 69.62, 4.04, -4.38

 

CMYK 7 / 19 / 0 / 25

HEX #B19BBF

RGB 177 155 191

HSL 276.67, 0.22%, 0.68%

LAB 66.94, 14.86, -15.58

 

CMYK 11 / 31 / 0 / 20

HEX #B58DCC

RGB 181 141 204

HSL 278.1, 0.38%, 0.68%

LAB 64.35, 26.73, -26.76

 

CMYK 16 / 41 / 0 / 15

HEX #B880DA

RGB 184 128 218

HSL 277.33, 0.55%, 0.68%

LAB 62.25, 37.87, -37.82

 

CMYK 1 / 0 / 9 / 29

HEX #B4B5A5

RGB 180 181 165

HSL 63.75, 0.1%, 0.68%

LAB 73.2, -3.22, 8.03

 

CMYK 3 / 0 / 9 / 29

HEX #AFB5A5

RGB 175 181 165

HSL 82.5, 0.1%, 0.68%

LAB 72.81, -5.03, 7.42

 

CMYK 6 / 0 / 9 / 29

HEX #ABB5A5

RGB 171 181 165

HSL 97.5, 0.1%, 0.68%

LAB 72.51, -6.47, 6.95

 

CMYK 8 / 0 / 9 / 29

HEX #A7B5A5

RGB 167 181 165

HSL 112.5, 0.1%, 0.68%

LAB 72.22, -7.89, 6.49

 

CMYK 9 / 0 / 8 / 29

HEX #A5B5A7

RGB 165 181 167

HSL 127.5, 0.1%, 0.68%

LAB 72.12, -8.23, 5.24

 

CMYK 10 / 0 / 17 / 44

HEX #819077

RGB 129 144 119

HSL 96, 0.1%, 0.52%

LAB 57.99, -10.26, 11.49

 

CMYK 7 / 0 / 12 / 36

HEX #96A28E

RGB 150 162 142

HSL 96, 0.1%, 0.6%

LAB 65.18, -8.06, 8.96

 

CMYK 6 / 0 / 9 / 29

HEX #ABB5A5

RGB 171 181 165

HSL 97.5, 0.1%, 0.68%

LAB 72.51, -6.47, 6.95

 

CMYK 4 / 0 / 7 / 22

HEX #C0C8BB

RGB 192 200 187

HSL 96.92, 0.11%, 0.76%

LAB 79.67, -5.12, 5.54

 

CMYK 2 / 0 / 4 / 15

HEX #D5DAD2

RGB 213 218 210

HSL 97.5, 0.1%, 0.84%

LAB 86.48, -3.13, 3.33

 

CMYK 6 / 0 / 9 / 29

HEX #ABB5A5

RGB 171 181 165

HSL 97.5, 0.1%, 0.68%

LAB 72.51, -6.47, 6.95

 

CMYK 9 / 0 / 2 / 29

HEX #A5B5B2

RGB 165 181 178

HSL 168.75, 0.1%, 0.68%

LAB 72.4, -6.11, -0.38

 

CMYK 0 / 9 / 2 / 29

HEX #B5A5B2

RGB 181 165 178

HSL 311.25, 0.1%, 0.68%

LAB 69.43, 8.15, -4.59

 

CMYK 6 / 0 / 9 / 29

HEX #ABB5A5

RGB 171 181 165

HSL 97.5, 0.1%, 0.68%

LAB 72.51, -6.47, 6.95

 

CMYK 9 / 6 / 0 / 29

HEX #A5ABB5

RGB 165 171 181

HSL 217.5, 0.1%, 0.68%

LAB 69.8, -0.12, -5.86

 

CMYK 0 / 9 / 6 / 29

HEX #B5A5AB

RGB 181 165 171

HSL 337.5, 0.1%, 0.68%

LAB 69.24, 6.86, -1

 

CMYK 6 / 0 / 9 / 29

HEX #ABB5A5

RGB 171 181 165

HSL 97.5, 0.1%, 0.68%

LAB 72.51, -6.47, 6.95

 

CMYK 9 / 0 / 2 / 29

HEX #A5B5B2

RGB 165 181 178

HSL 168.75, 0.1%, 0.68%

LAB 72.4, -6.11, -0.38

 

CMYK 3 / 9 / 0 / 29

HEX #AFA5B5

RGB 175 165 181

HSL 277.5, 0.1%, 0.68%

LAB 69.01, 6.62, -6.94

 

CMYK 0 / 9 / 7 / 29

HEX #B5A5A8

RGB 181 165 168

HSL 348.75, 0.1%, 0.68%

LAB 69.16, 6.32, 0.55

 

CMYK 6 / 0 / 9 / 29

HEX #ABB5A5

RGB 171 181 165

HSL 97.5, 0.1%, 0.68%

LAB 72.51, -6.47, 6.95

 

CMYK 9 / 1 / 0 / 29

HEX #A5B3B5

RGB 165 179 181

HSL 187.5, 0.1%, 0.68%

LAB 71.94, -4.44, -2.69

 

CMYK 3 / 9 / 0 / 29

HEX #AFA5B5

RGB 175 165 181

HSL 277.5, 0.1%, 0.68%

LAB 69.01, 6.62, -6.94

 

CMYK 0 / 8 / 9 / 29

HEX #B5A7A5

RGB 181 167 165

HSL 7.5, 0.1%, 0.68%

LAB 69.6, 4.7, 2.85

 

Description

Color code: HEX #ABB5A5 | qconv.com Color code: HEX #ABB5A5 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 171 red, 181 green and 165 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
171 181 165 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, none magenta, 9 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 0% 9% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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