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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ABBDE1 it is the complementary color #54421E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ABBDE1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ABBDE1 shade: #B0BDDC, #C1CFEF, #D2E1FF, #E3F3FF and #F4FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ABBDE1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ABBDE1 shade: #ABBDE1, #9AABCE, #8999BB, #7887A8 and #677595

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ABBDE1 shade: #ACBEE1, #ACAFE1, #B7ACE1, #C5ACE1 and #D3ACE1

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ABBDE1 shade: #ACBEE1, #ACAFE1 and #ACACE1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ABBDE1 shade matches the following richer shades: #ACBEE1, #A3BBEA, #9AB8F3 and #91B5FC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ABBDE1 shade: #ACBEE1, #B5C1D8, #BEC4CF, #C7C7C6 and #D0CABC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ABBDE1 shade: #ACDAE1, #ACCCE1, #ACBEE1, #ACB0E1 and #B7ACE1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ABBDE1 shade: #6F8ECB, #8EA6D6, #ACBEE1, #CAD5EC and #E9EDF7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ABBDE1 shade: #ABBDE1, #DAACE1 and #D3E1AC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ABBDE1 shade: #ABBDE1, #E1ACBE and #BEE1AC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ABBDE1 shade: #ABBDE1, #DAACE1, #E1CFAC and #B3E1AC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ABBDE1 shade: #ABBDE1, #E1ACD8, #E1CFAC and #ACE1B5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 24 / 16 / 0 / 12

HEX #ABBDE1

RGB 171 189 225

HSL 220, 0.47%, 0.78%

LAB 76.37, 1.64, -20.02

 

Complementary color

CMYK 0 / 21 / 64 / 67

HEX #54421E

RGB 84 66 30

HSL 40, 0.47%, 0.22%

LAB 29.09, 2.91, 24.5

 

CMYK 20 / 14 / 0 / 14

HEX #B0BDDC

RGB 176 189 220

HSL 222.27, 0.39%, 0.78%

LAB 76.55, 2.04, -17

 

CMYK 19 / 13 / 0 / 6

HEX #C1CFEF

RGB 193 207 239

HSL 221.74, 0.59%, 0.85%

LAB 83.02, 1.85, -17.33

 

CMYK 18 / 12 / 0 / 0

HEX #D2E1FF

RGB 210 225 255

HSL 220, 1%, 0.91%

LAB 89.29, 1.03, -16.23

 

CMYK 11 / 5 / 0 / 0

HEX #E3F3FF

RGB 227 243 255

HSL 205.71, 1%, 0.95%

LAB 95.01, -2.95, -7.57

 

CMYK 4 / 0 / 0 / 0

HEX #F4FFFF

RGB 244 255 255

HSL 180, 1%, 0.98%

LAB 99.21, -3.59, -1.26

 

CMYK 24 / 16 / 0 / 12

HEX #ABBDE1

RGB 171 189 225

HSL 220, 0.47%, 0.78%

LAB 76.37, 1.64, -20.02

 

CMYK 25 / 17 / 0 / 19

HEX #9AABCE

RGB 154 171 206

HSL 220.38, 0.35%, 0.71%

LAB 69.79, 1.85, -19.74

 

CMYK 27 / 18 / 0 / 27

HEX #8999BB

RGB 137 153 187

HSL 220.8, 0.27%, 0.64%

LAB 63.08, 2.09, -19.49

 

CMYK 29 / 20 / 0 / 34

HEX #7887A8

RGB 120 135 168

HSL 221.25, 0.22%, 0.56%

LAB 56.24, 2.36, -19.25

 

CMYK 31 / 21 / 0 / 42

HEX #677595

RGB 103 117 149

HSL 221.74, 0.18%, 0.49%

LAB 49.22, 2.66, -19.05

 

CMYK 24 / 16 / 0 / 12

HEX #ACBEE1

RGB 172 190 225

HSL 219.62, 0.47%, 0.78%

LAB 76.7, 1.4, -19.51

 

CMYK 24 / 22 / 0 / 12

HEX #ACAFE1

RGB 172 175 225

HSL 236.6, 0.47%, 0.78%

LAB 72.8, 9.6, -25.44

 

CMYK 19 / 24 / 0 / 12

HEX #B7ACE1

RGB 183 172 225

HSL 252.45, 0.47%, 0.78%

LAB 72.9, 14.64, -25.22

 

CMYK 12 / 24 / 0 / 12

HEX #C5ACE1

RGB 197 172 225

HSL 268.3, 0.47%, 0.78%

LAB 74.07, 19.05, -23.33

 

CMYK 6 / 24 / 0 / 12

HEX #D3ACE1

RGB 211 172 225

HSL 284.15, 0.47%, 0.78%

LAB 75.32, 23.56, -21.31

 

CMYK 24 / 16 / 0 / 12

HEX #ACBEE1

RGB 172 190 225

HSL 219.62, 0.47%, 0.78%

LAB 76.7, 1.4, -19.51

 

CMYK 24 / 22 / 0 / 12

HEX #ACAFE1

RGB 172 175 225

HSL 236.6, 0.47%, 0.78%

LAB 72.8, 9.6, -25.44

 

CMYK 24 / 24 / 0 / 12

HEX #ACACE1

RGB 172 172 225

HSL 240, 0.47%, 0.78%

LAB 72.04, 11.26, -26.62

 

CMYK 24 / 16 / 0 / 12

HEX #ACBEE1

RGB 172 190 225

HSL 219.62, 0.47%, 0.78%

LAB 76.7, 1.4, -19.51

 

CMYK 30 / 20 / 0 / 8

HEX #A3BBEA

RGB 163 187 234

HSL 219.72, 0.63%, 0.78%

LAB 75.62, 2.51, -26.08

 

CMYK 37 / 24 / 0 / 5

HEX #9AB8F3

RGB 154 184 243

HSL 219.78, 0.79%, 0.78%

LAB 74.59, 3.93, -32.57

 

CMYK 42 / 28 / 0 / 1

HEX #91B5FC

RGB 145 181 252

HSL 219.81, 0.95%, 0.78%

LAB 73.61, 5.67, -38.99

 

CMYK 24 / 16 / 0 / 12

HEX #ACBEE1

RGB 172 190 225

HSL 219.62, 0.47%, 0.78%

LAB 76.7, 1.4, -19.51

 

CMYK 16 / 11 / 0 / 15

HEX #B5C1D8

RGB 181 193 216

HSL 219.43, 0.31%, 0.78%

LAB 77.83, 0.59, -12.89

 

CMYK 8 / 5 / 0 / 19

HEX #BEC4CF

RGB 190 196 207

HSL 218.82, 0.15%, 0.78%

LAB 79, 0.07, -6.21

 

CMYK 0 / 0 / 1 / 22

HEX #C7C7C6

RGB 199 199 198

HSL 60, 0.01%, 0.78%

LAB 80.22, -0.18, 0.49

 

CMYK 0 / 3 / 10 / 18

HEX #D0CABC

RGB 208 202 188

HSL 42, 0.18%, 0.78%

LAB 81.45, -0.34, 7.72

 

CMYK 24 / 3 / 0 / 12

HEX #ACDAE1

RGB 172 218 225

HSL 187.92, 0.47%, 0.78%

LAB 84.15, -13.32, -8.34

 

CMYK 24 / 9 / 0 / 12

HEX #ACCCE1

RGB 172 204 225

HSL 203.77, 0.47%, 0.78%

LAB 80.4, -6.06, -13.93

 

CMYK 24 / 16 / 0 / 12

HEX #ACBEE1

RGB 172 190 225

HSL 219.62, 0.47%, 0.78%

LAB 76.7, 1.4, -19.51

 

CMYK 24 / 22 / 0 / 12

HEX #ACB0E1

RGB 172 176 225

HSL 235.47, 0.47%, 0.78%

LAB 73.06, 9.05, -25.05

 

CMYK 19 / 24 / 0 / 12

HEX #B7ACE1

RGB 183 172 225

HSL 252.45, 0.47%, 0.78%

LAB 72.9, 14.64, -25.22

 

CMYK 45 / 30 / 0 / 20

HEX #6F8ECB

RGB 111 142 203

HSL 219.78, 0.47%, 0.62%

LAB 59.01, 5.4, -34.91

 

CMYK 34 / 22 / 0 / 16

HEX #8EA6D6

RGB 142 166 214

HSL 220, 0.47%, 0.7%

LAB 67.93, 3.08, -27.07

 

CMYK 24 / 16 / 0 / 12

HEX #ACBEE1

RGB 172 190 225

HSL 219.62, 0.47%, 0.78%

LAB 76.7, 1.4, -19.51

 

CMYK 14 / 10 / 0 / 7

HEX #CAD5EC

RGB 202 213 236

HSL 220.59, 0.47%, 0.86%

LAB 85.1, 0.85, -12.55

 

CMYK 6 / 4 / 0 / 3

HEX #E9EDF7

RGB 233 237 247

HSL 222.86, 0.47%, 0.94%

LAB 93.71, 0.51, -5.29

 

CMYK 24 / 16 / 0 / 12

HEX #ABBDE1

RGB 171 189 225

HSL 220, 0.47%, 0.78%

LAB 76.37, 1.64, -20.02

 

CMYK 3 / 24 / 0 / 12

HEX #DAACE1

RGB 218 172 225

HSL 292.08, 0.47%, 0.78%

LAB 75.98, 25.83, -20.25

 

CMYK 6 / 0 / 24 / 12

HEX #D3E1AC

RGB 211 225 172

HSL 75.85, 0.47%, 0.78%

LAB 87.33, -13.54, 24.43

 

CMYK 24 / 16 / 0 / 12

HEX #ABBDE1

RGB 171 189 225

HSL 220, 0.47%, 0.78%

LAB 76.37, 1.64, -20.02

 

CMYK 0 / 24 / 16 / 12

HEX #E1ACBE

RGB 225 172 190

HSL 339.62, 0.47%, 0.78%

LAB 75.59, 22.1, -1.66

 

CMYK 16 / 0 / 24 / 12

HEX #BEE1AC

RGB 190 225 172

HSL 99.62, 0.47%, 0.78%

LAB 85.89, -21.02, 22.23

 

CMYK 24 / 16 / 0 / 12

HEX #ABBDE1

RGB 171 189 225

HSL 220, 0.47%, 0.78%

LAB 76.37, 1.64, -20.02

 

CMYK 3 / 24 / 0 / 12

HEX #DAACE1

RGB 218 172 225

HSL 292.08, 0.47%, 0.78%

LAB 75.98, 25.83, -20.25

 

CMYK 0 / 8 / 24 / 12

HEX #E1CFAC

RGB 225 207 172

HSL 39.62, 0.47%, 0.78%

LAB 83.76, 0.83, 19.68

 

CMYK 20 / 0 / 24 / 12

HEX #B3E1AC

RGB 179 225 172

HSL 112.08, 0.47%, 0.78%

LAB 85.21, -24.79, 21.17

 

CMYK 24 / 16 / 0 / 12

HEX #ABBDE1

RGB 171 189 225

HSL 220, 0.47%, 0.78%

LAB 76.37, 1.64, -20.02

 

CMYK 0 / 24 / 4 / 12

HEX #E1ACD8

RGB 225 172 216

HSL 310.19, 0.47%, 0.78%

LAB 76.36, 26.49, -14.72

 

CMYK 0 / 8 / 24 / 12

HEX #E1CFAC

RGB 225 207 172

HSL 39.62, 0.47%, 0.78%

LAB 83.76, 0.83, 19.68

 

CMYK 24 / 0 / 20 / 12

HEX #ACE1B5

RGB 172 225 181

HSL 130.19, 0.47%, 0.78%

LAB 84.97, -25.57, 16.09

 

Description

Color code: HEX #ABBDE1 | qconv.com Color code: HEX #ABBDE1 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 171 red, 189 green and 225 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
171 189 225 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 24 cyan, 16 magenta, none yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
24% 16% 0% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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