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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ABC468 it is the complementary color #543B97. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ABC468. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ABC468 shade: #B0C463, #C1D676, #D2E889, #E3FA9C and #F4FFAF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ABC468. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ABC468 shade: #ABC468, #9AB255, #89A042, #788E2F and #677C1C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ABC468 shade: #ABC468, #C4C468, #C4AB68, #C49368 and #C47A68

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ABC468 shade: #ABC468, #92C468, #79C468, #68C46F and #68C488

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ABC468 shade matches the following richer shades: #ABC468, #B3D557, #BAE646 and #C2F735

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ABC468 shade: #ABC468, #A3B379, #9CA28A, #94919B and #8C80AC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ABC468 shade: #C4AB68, #C4C468, #ABC468, #93C468 and #7AC468

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ABC468 shade: #839D3D, #9AB84A, #ABC468, #BBD086 and #CCDBA3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ABC468 shade: #ABC468, #68C493 and #B868C4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ABC468 shade: #ABC468, #68ABC4 and #C468AB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ABC468 shade: #ABC468, #68C493, #8068C4 and #C46899

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ABC468 shade: #ABC468, #68C4AE, #8068C4 and #C4687D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 13 / 0 / 47 / 23

HEX #ABC468

RGB 171 196 104

HSL 76.3, 0.44%, 0.59%

LAB 75.54, -22.9, 43.15

 

Complementary color

CMYK 44 / 61 / 0 / 41

HEX #543B97

RGB 84 59 151

HSL 256.3, 0.44%, 0.41%

LAB 32.36, 33.76, -46.91

 

CMYK 10 / 0 / 49 / 23

HEX #B0C463

RGB 176 196 99

HSL 72.37, 0.45%, 0.58%

LAB 75.83, -21.45, 46.02

 

CMYK 10 / 0 / 45 / 16

HEX #C1D676

RGB 193 214 118

HSL 73.13, 0.54%, 0.65%

LAB 82.24, -21.68, 44.88

 

CMYK 9 / 0 / 41 / 9

HEX #D2E889

RGB 210 232 137

HSL 73.89, 0.67%, 0.72%

LAB 88.55, -21.86, 43.73

 

CMYK 9 / 0 / 38 / 2

HEX #E3FA9C

RGB 227 250 156

HSL 74.68, 0.9%, 0.8%

LAB 94.78, -22, 42.61

 

CMYK 4 / 0 / 31 / 0

HEX #F4FFAF

RGB 244 255 175

HSL 68.25, 1%, 0.84%

LAB 97.57, -15.86, 37.1

 

CMYK 13 / 0 / 47 / 23

HEX #ABC468

RGB 171 196 104

HSL 76.3, 0.44%, 0.59%

LAB 75.54, -22.9, 43.15

 

CMYK 13 / 0 / 52 / 30

HEX #9AB255

RGB 154 178 85

HSL 75.48, 0.38%, 0.52%

LAB 69.02, -22.7, 44.29

 

CMYK 14 / 0 / 59 / 37

HEX #89A042

RGB 137 160 66

HSL 74.68, 0.42%, 0.44%

LAB 62.38, -22.4, 45.36

 

CMYK 15 / 0 / 67 / 44

HEX #788E2F

RGB 120 142 47

HSL 73.89, 0.5%, 0.37%

LAB 55.63, -21.98, 46.19

 

CMYK 17 / 0 / 77 / 51

HEX #677C1C

RGB 103 124 28

HSL 73.13, 0.63%, 0.3%

LAB 48.74, -21.36, 46.44

 

CMYK 13 / 0 / 47 / 23

HEX #ABC468

RGB 171 196 104

HSL 76.3, 0.44%, 0.59%

LAB 75.54, -22.9, 43.15

 

CMYK 0 / 0 / 47 / 23

HEX #C4C468

RGB 196 196 104

HSL 60, 0.44%, 0.59%

LAB 77.41, -12.92, 45.86

 

CMYK 0 / 13 / 47 / 23

HEX #C4AB68

RGB 196 171 104

HSL 43.7, 0.44%, 0.59%

LAB 70.78, 0.12, 37.7

 

CMYK 0 / 25 / 47 / 23

HEX #C49368

RGB 196 147 104

HSL 28.04, 0.44%, 0.59%

LAB 64.65, 13.13, 29.89

 

CMYK 0 / 38 / 47 / 23

HEX #C47A68

RGB 196 122 104

HSL 11.74, 0.44%, 0.59%

LAB 58.65, 26.86, 21.99

 

CMYK 13 / 0 / 47 / 23

HEX #ABC468

RGB 171 196 104

HSL 76.3, 0.44%, 0.59%

LAB 75.54, -22.9, 43.15

 

CMYK 26 / 0 / 47 / 23

HEX #92C468

RGB 146 196 104

HSL 92.61, 0.44%, 0.59%

LAB 73.93, -32.36, 40.81

 

CMYK 38 / 0 / 47 / 23

HEX #79C468

RGB 121 196 104

HSL 108.91, 0.44%, 0.59%

LAB 72.59, -40.96, 38.85

 

CMYK 47 / 0 / 43 / 23

HEX #68C46F

RGB 104 196 111

HSL 124.57, 0.44%, 0.59%

LAB 71.94, -45.11, 34.34

 

CMYK 47 / 0 / 31 / 23

HEX #68C488

RGB 104 196 136

HSL 140.87, 0.44%, 0.59%

LAB 72.36, -40.85, 21.85

 

CMYK 13 / 0 / 47 / 23

HEX #ABC468

RGB 171 196 104

HSL 76.3, 0.44%, 0.59%

LAB 75.54, -22.9, 43.15

 

CMYK 16 / 0 / 59 / 16

HEX #B3D557

RGB 179 213 87

HSL 76.19, 0.6%, 0.59%

LAB 80.66, -29.55, 57.18

 

CMYK 19 / 0 / 70 / 10

HEX #BAE646

RGB 186 230 70

HSL 76.5, 0.76%, 0.59%

LAB 85.74, -35.86, 69.44

 

CMYK 21 / 0 / 79 / 3

HEX #C2F735

RGB 194 247 53

HSL 76.39, 0.92%, 0.59%

LAB 90.89, -41.2, 79.84

 

CMYK 13 / 0 / 47 / 23

HEX #ABC468

RGB 171 196 104

HSL 76.3, 0.44%, 0.59%

LAB 75.54, -22.9, 43.15

 

CMYK 9 / 0 / 32 / 30

HEX #A3B379

RGB 163 179 121

HSL 76.55, 0.28%, 0.59%

LAB 70.46, -15.4, 27.83

 

CMYK 4 / 0 / 15 / 36

HEX #9CA28A

RGB 156 162 138

HSL 75, 0.11%, 0.59%

LAB 65.55, -6.52, 11.77

 

CMYK 5 / 6 / 0 / 39

HEX #94919B

RGB 148 145 155

HSL 258, 0.05%, 0.59%

LAB 60.7, 3.07, -4.89

 

CMYK 19 / 26 / 0 / 33

HEX #8C80AC

RGB 140 128 172

HSL 256.36, 0.21%, 0.59%

LAB 56.08, 13.8, -21.65

 

CMYK 0 / 13 / 47 / 23

HEX #C4AB68

RGB 196 171 104

HSL 43.7, 0.44%, 0.59%

LAB 70.78, 0.12, 37.7

 

CMYK 0 / 0 / 47 / 23

HEX #C4C468

RGB 196 196 104

HSL 60, 0.44%, 0.59%

LAB 77.41, -12.92, 45.86

 

CMYK 13 / 0 / 47 / 23

HEX #ABC468

RGB 171 196 104

HSL 76.3, 0.44%, 0.59%

LAB 75.54, -22.9, 43.15

 

CMYK 25 / 0 / 47 / 23

HEX #93C468

RGB 147 196 104

HSL 91.96, 0.44%, 0.59%

LAB 73.99, -31.99, 40.89

 

CMYK 38 / 0 / 47 / 23

HEX #7AC468

RGB 122 196 104

HSL 108.26, 0.44%, 0.59%

LAB 72.64, -40.63, 38.92

 

CMYK 17 / 0 / 61 / 38

HEX #839D3D

RGB 131 157 61

HSL 76.25, 0.44%, 0.43%

LAB 61.02, -23.81, 46.03

 

CMYK 16 / 0 / 60 / 28

HEX #9AB84A

RGB 154 184 74

HSL 76.36, 0.44%, 0.51%

LAB 70.63, -26.63, 51.26

 

CMYK 13 / 0 / 47 / 23

HEX #ABC468

RGB 171 196 104

HSL 76.3, 0.44%, 0.59%

LAB 75.54, -22.9, 43.15

 

CMYK 10 / 0 / 36 / 18

HEX #BBD086

RGB 187 208 134

HSL 77.03, 0.44%, 0.67%

LAB 80.4, -19.16, 34.45

 

CMYK 7 / 0 / 26 / 14

HEX #CCDBA3

RGB 204 219 163

HSL 76.07, 0.44%, 0.75%

LAB 85.07, -14.39, 25.92

 

CMYK 13 / 0 / 47 / 23

HEX #ABC468

RGB 171 196 104

HSL 76.3, 0.44%, 0.59%

LAB 75.54, -22.9, 43.15

 

CMYK 47 / 0 / 25 / 23

HEX #68C493

RGB 104 196 147

HSL 148.04, 0.44%, 0.59%

LAB 72.58, -38.7, 16.27

 

CMYK 6 / 47 / 0 / 23

HEX #B868C4

RGB 184 104 196

HSL 292.17, 0.44%, 0.59%

LAB 56.16, 46.24, -34.9

 

CMYK 13 / 0 / 47 / 23

HEX #ABC468

RGB 171 196 104

HSL 76.3, 0.44%, 0.59%

LAB 75.54, -22.9, 43.15

 

CMYK 47 / 13 / 0 / 23

HEX #68ABC4

RGB 104 171 196

HSL 196.3, 0.44%, 0.59%

LAB 66.56, -14.55, -19.4

 

CMYK 0 / 47 / 13 / 23

HEX #C468AB

RGB 196 104 171

HSL 316.3, 0.44%, 0.59%

LAB 56.66, 45.42, -19.64

 

CMYK 13 / 0 / 47 / 23

HEX #ABC468

RGB 171 196 104

HSL 76.3, 0.44%, 0.59%

LAB 75.54, -22.9, 43.15

 

CMYK 47 / 0 / 25 / 23

HEX #68C493

RGB 104 196 147

HSL 148.04, 0.44%, 0.59%

LAB 72.58, -38.7, 16.27

 

CMYK 35 / 47 / 0 / 23

HEX #8068C4

RGB 128 104 196

HSL 255.65, 0.44%, 0.59%

LAB 50.07, 30.45, -44.92

 

CMYK 0 / 47 / 22 / 23

HEX #C46899

RGB 196 104 153

HSL 328.04, 0.44%, 0.59%

LAB 56.02, 42.62, -10.15

 

CMYK 13 / 0 / 47 / 23

HEX #ABC468

RGB 171 196 104

HSL 76.3, 0.44%, 0.59%

LAB 75.54, -22.9, 43.15

 

CMYK 47 / 0 / 11 / 23

HEX #68C4AE

RGB 104 196 174

HSL 165.65, 0.44%, 0.59%

LAB 73.21, -32.77, 2.57

 

CMYK 35 / 47 / 0 / 23

HEX #8068C4

RGB 128 104 196

HSL 255.65, 0.44%, 0.59%

LAB 50.07, 30.45, -44.92

 

CMYK 0 / 47 / 36 / 23

HEX #C4687D

RGB 196 104 125

HSL 346.3, 0.44%, 0.59%

LAB 55.19, 38.84, 5.02

 

Description

Color code: HEX #ABC468 | qconv.com Color code: HEX #ABC468 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 171 red, 196 green and 104 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
171 196 104 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 13 cyan, none magenta, 47 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
13% 0% 47% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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