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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ABC6CF it is the complementary color #543930. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ABC6CF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ABC6CF shade: #B0C6CA, #C1D8DD, #D2EAF0, #E3FCFF and #F4FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ABC6CF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ABC6CF shade: #ABC6CF, #9AB4BC, #89A2A9, #789096 and #677E83

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ABC6CF shade: #AAC5CE, #AABBCE, #AAB2CE, #ACAACE and #B6AACE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ABC6CF shade: #AAC5CE, #AABBCE, #AAB2CE and #AAAACE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ABC6CF shade matches the following richer shades: #AAC5CE, #A0CBD9, #95D0E4, #8AD5EE and #7FDBF9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ABC6CF shade: #AAC5CE, #B5C0C3, #C0BAB9, #CAB5AE and #D5B0A3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ABC6CF shade: #AACEC4, #AACECE, #AAC5CE, #AABCCE and #AAB2CE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ABC6CF shade: #76A1B0, #90B3BF, #AAC5CE, #C4D7DD and #DFE9EC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ABC6CF shade: #ABC6CF, #BAAACE and #CEC9AA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ABC6CF shade: #ABC6CF, #CEAAC5 and #C5CEAA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ABC6CF shade: #ABC6CF, #BAAACE, #CEB3AA and #BECEAA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ABC6CF shade: #ABC6CF, #C5AACE, #CEB3AA and #B3CEAA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 17 / 4 / 0 / 19

HEX #ABC6CF

RGB 171 198 207

HSL 195, 0.27%, 0.74%

LAB 78.2, -7.17, -7.55

 

Complementary color

CMYK 0 / 32 / 43 / 67

HEX #543930

RGB 84 57 48

HSL 15, 0.27%, 0.26%

LAB 26.8, 10.67, 10.4

 

CMYK 13 / 2 / 0 / 21

HEX #B0C6CA

RGB 176 198 202

HSL 189.23, 0.2%, 0.74%

LAB 78.39, -6.61, -4.53

 

CMYK 13 / 2 / 0 / 13

HEX #C1D8DD

RGB 193 216 221

HSL 190.71, 0.29%, 0.81%

LAB 84.83, -6.64, -5.07

 

CMYK 13 / 3 / 0 / 6

HEX #D2EAF0

RGB 210 234 240

HSL 192, 0.5%, 0.88%

LAB 91.16, -6.68, -5.59

 

CMYK 11 / 1 / 0 / 0

HEX #E3FCFF

RGB 227 252 255

HSL 186.43, 1%, 0.95%

LAB 97.3, -7.5, -4.2

 

CMYK 4 / 0 / 0 / 0

HEX #F4FFFF

RGB 244 255 255

HSL 180, 1%, 0.98%

LAB 99.21, -3.59, -1.26

 

CMYK 17 / 4 / 0 / 19

HEX #ABC6CF

RGB 171 198 207

HSL 195, 0.27%, 0.74%

LAB 78.2, -7.17, -7.55

 

CMYK 18 / 4 / 0 / 26

HEX #9AB4BC

RGB 154 180 188

HSL 194.12, 0.2%, 0.67%

LAB 71.65, -7.14, -7.05

 

CMYK 19 / 4 / 0 / 34

HEX #89A2A9

RGB 137 162 169

HSL 193.13, 0.16%, 0.6%

LAB 64.98, -7.12, -6.54

 

CMYK 20 / 4 / 0 / 41

HEX #789096

RGB 120 144 150

HSL 192, 0.13%, 0.53%

LAB 58.17, -7.12, -6.02

 

CMYK 21 / 4 / 0 / 49

HEX #677E83

RGB 103 126 131

HSL 190.71, 0.12%, 0.46%

LAB 51.2, -7.12, -5.48

 

CMYK 17 / 4 / 0 / 19

HEX #AAC5CE

RGB 170 197 206

HSL 195, 0.27%, 0.74%

LAB 77.84, -7.17, -7.56

 

CMYK 17 / 9 / 0 / 19

HEX #AABBCE

RGB 170 187 206

HSL 211.67, 0.27%, 0.74%

LAB 75.17, -1.85, -11.53

 

CMYK 17 / 14 / 0 / 19

HEX #AAB2CE

RGB 170 178 206

HSL 226.67, 0.27%, 0.74%

LAB 72.79, 3.02, -15.1

 

CMYK 17 / 17 / 0 / 19

HEX #ACAACE

RGB 172 170 206

HSL 243.33, 0.27%, 0.74%

LAB 70.85, 8.06, -18.01

 

CMYK 12 / 17 / 0 / 19

HEX #B6AACE

RGB 182 170 206

HSL 260, 0.27%, 0.74%

LAB 71.66, 11.31, -16.71

 

CMYK 17 / 4 / 0 / 19

HEX #AAC5CE

RGB 170 197 206

HSL 195, 0.27%, 0.74%

LAB 77.84, -7.17, -7.56

 

CMYK 17 / 9 / 0 / 19

HEX #AABBCE

RGB 170 187 206

HSL 211.67, 0.27%, 0.74%

LAB 75.17, -1.85, -11.53

 

CMYK 17 / 14 / 0 / 19

HEX #AAB2CE

RGB 170 178 206

HSL 226.67, 0.27%, 0.74%

LAB 72.79, 3.02, -15.1

 

CMYK 17 / 17 / 0 / 19

HEX #AAAACE

RGB 170 170 206

HSL 240, 0.27%, 0.74%

LAB 70.7, 7.41, -18.26

 

CMYK 17 / 4 / 0 / 19

HEX #AAC5CE

RGB 170 197 206

HSL 195, 0.27%, 0.74%

LAB 77.84, -7.17, -7.56

 

CMYK 26 / 6 / 0 / 15

HEX #A0CBD9

RGB 160 203 217

HSL 194.74, 0.43%, 0.74%

LAB 79.15, -10.93, -11.58

 

CMYK 35 / 9 / 0 / 11

HEX #95D0E4

RGB 149 208 228

HSL 195.19, 0.59%, 0.74%

LAB 80.24, -14.02, -15.92

 

CMYK 42 / 11 / 0 / 7

HEX #8AD5EE

RGB 138 213 238

HSL 195, 0.75%, 0.74%

LAB 81.38, -16.91, -19.58

 

CMYK 49 / 12 / 0 / 2

HEX #7FDBF9

RGB 127 219 249

HSL 194.75, 0.91%, 0.74%

LAB 82.92, -19.6, -23.13

 

CMYK 17 / 4 / 0 / 19

HEX #AAC5CE

RGB 170 197 206

HSL 195, 0.27%, 0.74%

LAB 77.84, -7.17, -7.56

 

CMYK 7 / 2 / 0 / 24

HEX #B5C0C3

RGB 181 192 195

HSL 192.86, 0.1%, 0.74%

LAB 76.96, -3.19, -2.82

 

CMYK 0 / 3 / 4 / 25

HEX #C0BAB9

RGB 192 186 185

HSL 8.57, 0.05%, 0.74%

LAB 75.96, 1.93, 1.25

 

CMYK 0 / 10 / 14 / 21

HEX #CAB5AE

RGB 202 181 174

HSL 15, 0.21%, 0.74%

LAB 75.24, 6.33, 6.29

 

CMYK 0 / 17 / 23 / 16

HEX #D5B0A3

RGB 213 176 163

HSL 15.6, 0.37%, 0.74%

LAB 74.72, 11.43, 11.68

 

CMYK 17 / 0 / 5 / 19

HEX #AACEC4

RGB 170 206 196

HSL 163.33, 0.27%, 0.74%

LAB 80, -13.92, 1

 

CMYK 17 / 0 / 0 / 19

HEX #AACECE

RGB 170 206 206

HSL 180, 0.27%, 0.74%

LAB 80.26, -11.86, -3.97

 

CMYK 17 / 4 / 0 / 19

HEX #AAC5CE

RGB 170 197 206

HSL 195, 0.27%, 0.74%

LAB 77.84, -7.17, -7.56

 

CMYK 17 / 9 / 0 / 19

HEX #AABCCE

RGB 170 188 206

HSL 210, 0.27%, 0.74%

LAB 75.43, -2.39, -11.14

 

CMYK 17 / 14 / 0 / 19

HEX #AAB2CE

RGB 170 178 206

HSL 226.67, 0.27%, 0.74%

LAB 72.79, 3.02, -15.1

 

CMYK 33 / 9 / 0 / 31

HEX #76A1B0

RGB 118 161 176

HSL 195.52, 0.27%, 0.58%

LAB 63.73, -10.78, -12.45

 

CMYK 25 / 6 / 0 / 25

HEX #90B3BF

RGB 144 179 191

HSL 195.32, 0.27%, 0.66%

LAB 70.82, -9.07, -10

 

CMYK 17 / 4 / 0 / 19

HEX #AAC5CE

RGB 170 197 206

HSL 195, 0.27%, 0.74%

LAB 77.84, -7.17, -7.56

 

CMYK 11 / 3 / 0 / 13

HEX #C4D7DD

RGB 196 215 221

HSL 194.4, 0.27%, 0.82%

LAB 84.77, -5.16, -5.13

 

CMYK 6 / 1 / 0 / 7

HEX #DFE9EC

RGB 223 233 236

HSL 193.85, 0.25%, 0.9%

LAB 91.69, -2.76, -2.62

 

CMYK 17 / 4 / 0 / 19

HEX #ABC6CF

RGB 171 198 207

HSL 195, 0.27%, 0.74%

LAB 78.2, -7.17, -7.55

 

CMYK 10 / 17 / 0 / 19

HEX #BAAACE

RGB 186 170 206

HSL 266.67, 0.27%, 0.74%

LAB 71.99, 12.62, -16.18

 

CMYK 0 / 2 / 17 / 19

HEX #CEC9AA

RGB 206 201 170

HSL 51.67, 0.27%, 0.74%

LAB 80.63, -3.41, 16.13

 

CMYK 17 / 4 / 0 / 19

HEX #ABC6CF

RGB 171 198 207

HSL 195, 0.27%, 0.74%

LAB 78.2, -7.17, -7.55

 

CMYK 0 / 17 / 4 / 19

HEX #CEAAC5

RGB 206 170 197

HSL 315, 0.27%, 0.74%

LAB 73.48, 17.68, -8.82

 

CMYK 4 / 0 / 17 / 19

HEX #C5CEAA

RGB 197 206 170

HSL 75, 0.27%, 0.74%

LAB 81.24, -9.3, 16.9

 

CMYK 17 / 4 / 0 / 19

HEX #ABC6CF

RGB 171 198 207

HSL 195, 0.27%, 0.74%

LAB 78.2, -7.17, -7.55

 

CMYK 10 / 17 / 0 / 19

HEX #BAAACE

RGB 186 170 206

HSL 266.67, 0.27%, 0.74%

LAB 71.99, 12.62, -16.18

 

CMYK 0 / 13 / 17 / 19

HEX #CEB3AA

RGB 206 179 170

HSL 15, 0.27%, 0.74%

LAB 74.99, 8.25, 8.16

 

CMYK 8 / 0 / 17 / 19

HEX #BECEAA

RGB 190 206 170

HSL 86.67, 0.27%, 0.74%

LAB 80.73, -11.82, 16.11

 

CMYK 17 / 4 / 0 / 19

HEX #ABC6CF

RGB 171 198 207

HSL 195, 0.27%, 0.74%

LAB 78.2, -7.17, -7.55

 

CMYK 4 / 17 / 0 / 19

HEX #C5AACE

RGB 197 170 206

HSL 285, 0.27%, 0.74%

LAB 72.94, 16.29, -14.65

 

CMYK 0 / 13 / 17 / 19

HEX #CEB3AA

RGB 206 179 170

HSL 15, 0.27%, 0.74%

LAB 74.99, 8.25, 8.16

 

CMYK 13 / 0 / 17 / 19

HEX #B3CEAA

RGB 179 206 170

HSL 105, 0.27%, 0.74%

LAB 79.97, -15.72, 14.92

 

Description

Color code: HEX #ABC6CF | qconv.com Color code: HEX #ABC6CF | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 171 red, 198 green and 207 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
171 198 207 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 17 cyan, 4 magenta, none yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
17% 4% 0% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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