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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ABD688 it is the complementary color #542977. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ABD688. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ABD688 shade: #B0D683, #C1E896, #D2FAA9, #E3FFBC and #F4FFCF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ABD688. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ABD688 shade: #ABD688, #9AC475, #89B262, #78A04F and #678E3C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ABD688 shade: #ABD689, #C0D689, #D5D689, #D6C289 and #D6AD89

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ABD688 shade: #ABD689, #97D689, #89D690, #89D6A5 and #89D6BA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ABD688 shade matches the following richer shades: #ABD689, #AAE37C, #A9F06F and #A8FD62

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ABD688 shade: #ABD689, #ADC996, #AEBDA2, #AFB0AF and #B1A3BC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ABD688 shade: #D5D689, #C0D689, #ACD689, #97D689 and #89D68F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ABD688 shade: #80C14B, #96CC6A, #ABD689, #C1E1A7 and #D7EBC6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ABD688 shade: #ABD688, #89D6C3 and #D689CB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ABD688 shade: #ABD688, #89ACD6 and #D689AC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ABD688 shade: #ABD688, #89D6C3, #B389D6 and #D6899C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ABD688 shade: #ABD688, #89D2D6, #B389D6 and #D68D89

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 20 / 0 / 36 / 16

HEX #ABD688

RGB 171 214 136

HSL 93.08, 0.49%, 0.69%

LAB 81.03, -27.72, 34.04

 

Complementary color

CMYK 29 / 66 / 0 / 53

HEX #542977

RGB 84 41 119

HSL 273.08, 0.49%, 0.31%

LAB 26.16, 35.34, -37.01

 

CMYK 18 / 0 / 39 / 16

HEX #B0D683

RGB 176 214 131

HSL 87.47, 0.5%, 0.68%

LAB 81.27, -26.57, 36.95

 

CMYK 17 / 0 / 35 / 9

HEX #C1E896

RGB 193 232 150

HSL 88.54, 0.64%, 0.75%

LAB 87.61, -26.54, 35.83

 

CMYK 16 / 0 / 32 / 2

HEX #D2FAA9

RGB 210 250 169

HSL 89.63, 0.89%, 0.82%

LAB 93.86, -26.49, 34.75

 

CMYK 11 / 0 / 26 / 0

HEX #E3FFBC

RGB 227 255 188

HSL 85.07, 1%, 0.87%

LAB 96.61, -20.25, 29.1

 

CMYK 4 / 0 / 19 / 0

HEX #F4FFCF

RGB 244 255 207

HSL 73.75, 1%, 0.91%

LAB 98.14, -11.51, 21.76

 

CMYK 20 / 0 / 36 / 16

HEX #ABD688

RGB 171 214 136

HSL 93.08, 0.49%, 0.69%

LAB 81.03, -27.72, 34.04

 

CMYK 21 / 0 / 40 / 23

HEX #9AC475

RGB 154 196 117

HSL 91.9, 0.4%, 0.61%

LAB 74.59, -27.8, 35.2

 

CMYK 23 / 0 / 45 / 30

HEX #89B262

RGB 137 178 98

HSL 90.75, 0.34%, 0.54%

LAB 68.05, -27.86, 36.39

 

CMYK 25 / 0 / 51 / 37

HEX #78A04F

RGB 120 160 79

HSL 89.63, 0.34%, 0.47%

LAB 61.39, -27.87, 37.59

 

CMYK 27 / 0 / 58 / 44

HEX #678E3C

RGB 103 142 60

HSL 88.54, 0.41%, 0.4%

LAB 54.61, -27.81, 38.75

 

CMYK 20 / 0 / 36 / 16

HEX #ABD689

RGB 171 214 137

HSL 93.51, 0.48%, 0.69%

LAB 81.05, -27.58, 33.55

 

CMYK 10 / 0 / 36 / 16

HEX #C0D689

RGB 192 214 137

HSL 77.14, 0.48%, 0.69%

LAB 82.44, -19.86, 35.63

 

CMYK 0 / 0 / 36 / 16

HEX #D5D689

RGB 213 214 137

HSL 60.78, 0.48%, 0.69%

LAB 83.99, -11.82, 37.95

 

CMYK 0 / 9 / 36 / 16

HEX #D6C289

RGB 214 194 137

HSL 44.42, 0.48%, 0.69%

LAB 78.86, -1.15, 31.27

 

CMYK 0 / 19 / 36 / 16

HEX #D6AD89

RGB 214 173 137

HSL 28.05, 0.48%, 0.69%

LAB 73.54, 9.98, 24.15

 

CMYK 20 / 0 / 36 / 16

HEX #ABD689

RGB 171 214 137

HSL 93.51, 0.48%, 0.69%

LAB 81.05, -27.58, 33.55

 

CMYK 29 / 0 / 36 / 16

HEX #97D689

RGB 151 214 137

HSL 109.09, 0.48%, 0.69%

LAB 79.89, -34.51, 31.81

 

CMYK 36 / 0 / 33 / 16

HEX #89D690

RGB 137 214 144

HSL 125.45, 0.48%, 0.69%

LAB 79.29, -37.91, 27.27

 

CMYK 36 / 0 / 23 / 16

HEX #89D6A5

RGB 137 214 165

HSL 141.82, 0.48%, 0.69%

LAB 79.69, -34.18, 16.82

 

CMYK 36 / 0 / 13 / 16

HEX #89D6BA

RGB 137 214 186

HSL 158.18, 0.48%, 0.69%

LAB 80.16, -29.95, 6.34

 

CMYK 20 / 0 / 36 / 16

HEX #ABD689

RGB 171 214 137

HSL 93.51, 0.48%, 0.69%

LAB 81.05, -27.58, 33.55

 

CMYK 25 / 0 / 45 / 11

HEX #AAE37C

RGB 170 227 124

HSL 93.2, 0.65%, 0.69%

LAB 84.45, -35.69, 44.38

 

CMYK 30 / 0 / 54 / 6

HEX #A9F06F

RGB 169 240 111

HSL 93.02, 0.81%, 0.69%

LAB 87.92, -43.26, 54.68

 

CMYK 34 / 0 / 61 / 1

HEX #A8FD62

RGB 168 253 98

HSL 92.9, 0.97%, 0.69%

LAB 91.44, -50.33, 64.31

 

CMYK 20 / 0 / 36 / 16

HEX #ABD689

RGB 171 214 137

HSL 93.51, 0.48%, 0.69%

LAB 81.05, -27.58, 33.55

 

CMYK 14 / 0 / 25 / 21

HEX #ADC996

RGB 173 201 150

HSL 92.94, 0.32%, 0.69%

LAB 77.79, -18.59, 22.45

 

CMYK 8 / 0 / 14 / 26

HEX #AEBDA2

RGB 174 189 162

HSL 93.33, 0.17%, 0.69%

LAB 74.83, -10.13, 11.91

 

CMYK 1 / 0 / 1 / 31

HEX #AFB0AF

RGB 175 176 175

HSL 120, 0.01%, 0.69%

LAB 71.73, -0.54, 0.38

 

CMYK 6 / 13 / 0 / 26

HEX #B1A3BC

RGB 177 163 188

HSL 273.6, 0.16%, 0.69%

LAB 68.88, 9.8, -11

 

CMYK 0 / 0 / 36 / 16

HEX #D5D689

RGB 213 214 137

HSL 60.78, 0.48%, 0.69%

LAB 83.99, -11.82, 37.95

 

CMYK 10 / 0 / 36 / 16

HEX #C0D689

RGB 192 214 137

HSL 77.14, 0.48%, 0.69%

LAB 82.44, -19.86, 35.63

 

CMYK 20 / 0 / 36 / 16

HEX #ACD689

RGB 172 214 137

HSL 92.73, 0.48%, 0.69%

LAB 81.11, -27.23, 33.65

 

CMYK 29 / 0 / 36 / 16

HEX #97D689

RGB 151 214 137

HSL 109.09, 0.48%, 0.69%

LAB 79.89, -34.51, 31.81

 

CMYK 36 / 0 / 33 / 16

HEX #89D68F

RGB 137 214 143

HSL 124.68, 0.48%, 0.69%

LAB 79.27, -38.08, 27.77

 

CMYK 34 / 0 / 61 / 24

HEX #80C14B

RGB 128 193 75

HSL 93.05, 0.49%, 0.53%

LAB 71.72, -40.54, 51.6

 

CMYK 26 / 0 / 48 / 20

HEX #96CC6A

RGB 150 204 106

HSL 93.06, 0.49%, 0.61%

LAB 76.5, -34.39, 43.05

 

CMYK 20 / 0 / 36 / 16

HEX #ABD689

RGB 171 214 137

HSL 93.51, 0.48%, 0.69%

LAB 81.05, -27.58, 33.55

 

CMYK 14 / 0 / 26 / 12

HEX #C1E1A7

RGB 193 225 167

HSL 93.1, 0.49%, 0.77%

LAB 86, -20.74, 24.99

 

CMYK 9 / 0 / 16 / 8

HEX #D7EBC6

RGB 215 235 198

HSL 92.43, 0.48%, 0.85%

LAB 90.75, -13.11, 15.75

 

CMYK 20 / 0 / 36 / 16

HEX #ABD688

RGB 171 214 136

HSL 93.08, 0.49%, 0.69%

LAB 81.03, -27.72, 34.04

 

CMYK 36 / 0 / 9 / 16

HEX #89D6C3

RGB 137 214 195

HSL 165.19, 0.48%, 0.69%

LAB 80.38, -28, 1.86

 

CMYK 0 / 36 / 5 / 16

HEX #D689CB

RGB 214 137 203

HSL 308.57, 0.48%, 0.69%

LAB 66.9, 39.34, -21.98

 

CMYK 20 / 0 / 36 / 16

HEX #ABD688

RGB 171 214 136

HSL 93.08, 0.49%, 0.69%

LAB 81.03, -27.72, 34.04

 

CMYK 36 / 20 / 0 / 16

HEX #89ACD6

RGB 137 172 214

HSL 212.73, 0.48%, 0.69%

LAB 69.24, -1.65, -25.08

 

CMYK 0 / 36 / 20 / 16

HEX #D689AC

RGB 214 137 172

HSL 332.73, 0.48%, 0.69%

LAB 65.88, 34.23, -6.12

 

CMYK 20 / 0 / 36 / 16

HEX #ABD688

RGB 171 214 136

HSL 93.08, 0.49%, 0.69%

LAB 81.03, -27.72, 34.04

 

CMYK 36 / 0 / 9 / 16

HEX #89D6C3

RGB 137 214 195

HSL 165.19, 0.48%, 0.69%

LAB 80.38, -28, 1.86

 

CMYK 16 / 36 / 0 / 16

HEX #B389D6

RGB 179 137 214

HSL 272.73, 0.48%, 0.69%

LAB 63.61, 30.51, -33.49

 

CMYK 0 / 36 / 27 / 16

HEX #D6899C

RGB 214 137 156

HSL 345.19, 0.48%, 0.69%

LAB 65.43, 31.9, 2.25

 

CMYK 20 / 0 / 36 / 16

HEX #ABD688

RGB 171 214 136

HSL 93.08, 0.49%, 0.69%

LAB 81.03, -27.72, 34.04

 

CMYK 36 / 2 / 0 / 16

HEX #89D2D6

RGB 137 210 214

HSL 183.12, 0.48%, 0.69%

LAB 79.77, -21.64, -9.2

 

CMYK 16 / 36 / 0 / 16

HEX #B389D6

RGB 179 137 214

HSL 272.73, 0.48%, 0.69%

LAB 63.61, 30.51, -33.49

 

CMYK 0 / 34 / 36 / 16

HEX #D68D89

RGB 214 141 137

HSL 3.12, 0.48%, 0.69%

LAB 65.87, 27.27, 13.59

 

Description

Color code: HEX #ABD688 | qconv.com Color code: HEX #ABD688 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 171 red, 214 green and 136 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
171 214 136 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 20 cyan, none magenta, 36 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
20% 0% 36% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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