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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ABD247 it is the complementary color #542DB8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ABD247. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ABD247 shade: #B0D242, #C1E455, #D2F668, #E3FF7B and #F4FF8E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ABD247. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ABD247 shade: #ABD247, #9AC034, #89AE21, #789C0E and #678A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ABD247 shade: #AAD246, #D0D246, #D2AE46, #D28846 and #D26246

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ABD247 shade: #AAD246, #85D246, #5FD246, #46D252 and #46D278

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ABD247 shade matches the following richer shades: #AAD246, #B3E433 and #BBF721

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ABD247 shade: #AAD246, #A2BF58, #9AAD6B, #929A7D and #8A8790

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ABD247 shade: #D2AC46, #D2D246, #ACD246, #87D246 and #62D246

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ABD247 shade: #7D9F26, #97C02E, #AAD246, #BADA67 and #C9E288

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ABD247 shade: #ABD247, #46D287 and #BF46D2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ABD247 shade: #ABD247, #46ACD2 and #D246AC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ABD247 shade: #ABD247, #46D287, #6B46D2 and #D24690

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ABD247 shade: #ABD247, #46D2B1, #6B46D2 and #D24666

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 0 / 66 / 18

HEX #ABD247

RGB 171 210 71

HSL 76.83, 0.61%, 0.55%

LAB 79.16, -32.45, 62.04

 

Complementary color

CMYK 54 / 76 / 0 / 28

HEX #542DB8

RGB 84 45 184

HSL 256.83, 0.61%, 0.45%

LAB 32.31, 51.01, -66.83

 

CMYK 16 / 0 / 69 / 18

HEX #B0D242

RGB 176 210 66

HSL 74.17, 0.62%, 0.54%

LAB 79.45, -30.79, 64.36

 

CMYK 15 / 0 / 63 / 11

HEX #C1E455

RGB 193 228 85

HSL 74.69, 0.73%, 0.61%

LAB 85.75, -31.26, 63.84

 

CMYK 15 / 0 / 58 / 4

HEX #D2F668

RGB 210 246 104

HSL 75.21, 0.89%, 0.69%

LAB 91.96, -31.63, 63.04

 

CMYK 11 / 0 / 52 / 0

HEX #E3FF7B

RGB 227 255 123

HSL 72.73, 1%, 0.74%

LAB 95.7, -27.75, 59.29

 

CMYK 4 / 0 / 44 / 0

HEX #F4FF8E

RGB 244 255 142

HSL 65.84, 1%, 0.78%

LAB 97.11, -19.52, 52.52

 

CMYK 19 / 0 / 66 / 18

HEX #ABD247

RGB 171 210 71

HSL 76.83, 0.61%, 0.55%

LAB 79.16, -32.45, 62.04

 

CMYK 20 / 0 / 73 / 25

HEX #9AC034

RGB 154 192 52

HSL 76.29, 0.57%, 0.48%

LAB 72.77, -31.94, 62.31

 

CMYK 21 / 0 / 81 / 32

HEX #89AE21

RGB 137 174 33

HSL 75.74, 0.68%, 0.41%

LAB 66.29, -31.26, 61.86

 

CMYK 23 / 0 / 91 / 39

HEX #789C0E

RGB 120 156 14

HSL 75.21, 0.84%, 0.33%

LAB 59.71, -30.36, 60.16

 

CMYK 25 / 0 / 100 / 46

HEX #678A00

RGB 103 138 0

HSL 75.22, 1%, 0.27%

LAB 53.02, -29.2, 56.69

 

CMYK 19 / 0 / 67 / 18

HEX #AAD246

RGB 170 210 70

HSL 77.14, 0.61%, 0.55%

LAB 79.09, -32.9, 62.33

 

CMYK 1 / 0 / 67 / 18

HEX #D0D246

RGB 208 210 70

HSL 60.86, 0.61%, 0.55%

LAB 81.81, -17.52, 65.99

 

CMYK 0 / 17 / 67 / 18

HEX #D2AE46

RGB 210 174 70

HSL 44.57, 0.61%, 0.55%

LAB 72.51, 1.81, 56.41

 

CMYK 0 / 35 / 67 / 18

HEX #D28846

RGB 210 136 70

HSL 28.29, 0.61%, 0.55%

LAB 63.14, 22.28, 46.21

 

CMYK 0 / 53 / 67 / 18

HEX #D26246

RGB 210 98 70

HSL 12, 0.61%, 0.55%

LAB 54.95, 42.21, 36.78

 

CMYK 19 / 0 / 67 / 18

HEX #AAD246

RGB 170 210 70

HSL 77.14, 0.61%, 0.55%

LAB 79.09, -32.9, 62.33

 

CMYK 37 / 0 / 67 / 18

HEX #85D246

RGB 133 210 70

HSL 93, 0.61%, 0.55%

LAB 76.99, -46.51, 59.49

 

CMYK 55 / 0 / 67 / 18

HEX #5FD246

RGB 95 210 70

HSL 109.29, 0.61%, 0.55%

LAB 75.43, -57.99, 57.36

 

CMYK 67 / 0 / 61 / 18

HEX #46D252

RGB 70 210 82

HSL 125.14, 0.61%, 0.55%

LAB 74.83, -62.43, 51.46

 

CMYK 67 / 0 / 43 / 18

HEX #46D278

RGB 70 210 120

HSL 141.43, 0.61%, 0.55%

LAB 75.3, -57.06, 33.88

 

CMYK 19 / 0 / 67 / 18

HEX #AAD246

RGB 170 210 70

HSL 77.14, 0.61%, 0.55%

LAB 79.09, -32.9, 62.33

 

CMYK 21 / 0 / 78 / 11

HEX #B3E433

RGB 179 228 51

HSL 76.61, 0.77%, 0.55%

LAB 84.64, -38.61, 74.38

 

CMYK 24 / 0 / 87 / 3

HEX #BBF721

RGB 187 247 33

HSL 76.82, 0.93%, 0.55%

LAB 90.41, -44.48, 83.76

 

CMYK 19 / 0 / 67 / 18

HEX #AAD246

RGB 170 210 70

HSL 77.14, 0.61%, 0.55%

LAB 79.09, -32.9, 62.33

 

CMYK 15 / 0 / 54 / 25

HEX #A2BF58

RGB 162 191 88

HSL 76.89, 0.45%, 0.55%

LAB 73.32, -25.61, 48.05

 

CMYK 11 / 0 / 38 / 32

HEX #9AAD6B

RGB 154 173 107

HSL 77.27, 0.29%, 0.55%

LAB 67.89, -17.69, 31.74

 

CMYK 5 / 0 / 19 / 40

HEX #929A7D

RGB 146 154 125

HSL 76.55, 0.13%, 0.55%

LAB 62.26, -8.18, 14.28

 

CMYK 4 / 6 / 0 / 44

HEX #8A8790

RGB 138 135 144

HSL 260, 0.04%, 0.55%

LAB 56.83, 2.91, -4.42

 

CMYK 0 / 18 / 67 / 18

HEX #D2AC46

RGB 210 172 70

HSL 43.71, 0.61%, 0.55%

LAB 71.99, 2.87, 55.87

 

CMYK 0 / 0 / 67 / 18

HEX #D2D246

RGB 210 210 70

HSL 60, 0.61%, 0.55%

LAB 81.97, -16.69, 66.2

 

CMYK 18 / 0 / 67 / 18

HEX #ACD246

RGB 172 210 70

HSL 76.29, 0.61%, 0.55%

LAB 79.22, -32.12, 62.51

 

CMYK 36 / 0 / 67 / 18

HEX #87D246

RGB 135 210 70

HSL 92.14, 0.61%, 0.55%

LAB 77.09, -45.83, 59.63

 

CMYK 53 / 0 / 67 / 18

HEX #62D246

RGB 98 210 70

HSL 108, 0.61%, 0.55%

LAB 75.53, -57.2, 57.5

 

CMYK 21 / 0 / 76 / 38

HEX #7D9F26

RGB 125 159 38

HSL 76.86, 0.61%, 0.39%

LAB 61.04, -28.82, 55.19

 

CMYK 21 / 0 / 76 / 25

HEX #97C02E

RGB 151 192 46

HSL 76.85, 0.61%, 0.47%

LAB 72.55, -33.44, 64.03

 

CMYK 19 / 0 / 67 / 18

HEX #AAD246

RGB 170 210 70

HSL 77.14, 0.61%, 0.55%

LAB 79.09, -32.9, 62.33

 

CMYK 15 / 0 / 53 / 15

HEX #BADA67

RGB 186 218 103

HSL 76.7, 0.61%, 0.63%

LAB 82.68, -27.81, 52.43

 

CMYK 11 / 0 / 40 / 11

HEX #C9E288

RGB 201 226 136

HSL 76.67, 0.61%, 0.71%

LAB 86.3, -22.46, 41.23

 

CMYK 19 / 0 / 66 / 18

HEX #ABD247

RGB 171 210 71

HSL 76.83, 0.61%, 0.55%

LAB 79.16, -32.45, 62.04

 

CMYK 67 / 0 / 36 / 18

HEX #46D287

RGB 70 210 135

HSL 147.86, 0.61%, 0.55%

LAB 75.54, -54.35, 26.5

 

CMYK 9 / 67 / 0 / 18

HEX #BF46D2

RGB 191 70 210

HSL 291.86, 0.61%, 0.55%

LAB 51.96, 66.5, -49.48

 

CMYK 19 / 0 / 66 / 18

HEX #ABD247

RGB 171 210 71

HSL 76.83, 0.61%, 0.55%

LAB 79.16, -32.45, 62.04

 

CMYK 67 / 18 / 0 / 18

HEX #46ACD2

RGB 70 172 210

HSL 196.29, 0.61%, 0.55%

LAB 66.11, -17.64, -27.95

 

CMYK 0 / 67 / 18 / 18

HEX #D246AC

RGB 210 70 172

HSL 316.29, 0.61%, 0.55%

LAB 53.02, 65, -25.65

 

CMYK 19 / 0 / 66 / 18

HEX #ABD247

RGB 171 210 71

HSL 76.83, 0.61%, 0.55%

LAB 79.16, -32.45, 62.04

 

CMYK 67 / 0 / 36 / 18

HEX #46D287

RGB 70 210 135

HSL 147.86, 0.61%, 0.55%

LAB 75.54, -54.35, 26.5

 

CMYK 49 / 67 / 0 / 18

HEX #6B46D2

RGB 107 70 210

HSL 255.86, 0.61%, 0.55%

LAB 41.47, 49.12, -66.93

 

CMYK 0 / 67 / 31 / 18

HEX #D24690

RGB 210 70 144

HSL 328.29, 0.61%, 0.55%

LAB 51.95, 61.38, -10.76

 

CMYK 19 / 0 / 66 / 18

HEX #ABD247

RGB 171 210 71

HSL 76.83, 0.61%, 0.55%

LAB 79.16, -32.45, 62.04

 

CMYK 67 / 0 / 16 / 18

HEX #46D2B1

RGB 70 210 177

HSL 165.86, 0.61%, 0.55%

LAB 76.42, -45.14, 5.46

 

CMYK 49 / 67 / 0 / 18

HEX #6B46D2

RGB 107 70 210

HSL 255.86, 0.61%, 0.55%

LAB 41.47, 49.12, -66.93

 

CMYK 0 / 67 / 51 / 18

HEX #D24666

RGB 210 70 102

HSL 346.29, 0.61%, 0.55%

LAB 50.74, 57.14, 12.69

 

Description

Color code: HEX #ABD247 | qconv.com Color code: HEX #ABD247 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 171 red, 210 green and 71 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
171 210 71 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, none magenta, 66 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 0% 66% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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