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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ABDADC it is the complementary color #542523. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ABDADC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ABDADC shade: #B0DAD7, #C1ECEA, #D2FEFD, #E3FFFF and #F4FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ABDADC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ABDADC shade: #ABDADC, #9AC8C9, #89B6B6, #78A4A3 and #679290

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ABDADC shade: #ACDADC, #ACCDDC, #ACC0DC, #ACB3DC and #B2ACDC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ABDADC shade: #ACDADC, #ACCDDC, #ACC0DC, #ACB3DC and #ACACDC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ABDADC shade matches the following richer shades: #ACDADC, #A2E3E5, #99EBEF and #8FF4F8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ABDADC shade: #ACDADC, #B5D1D2, #BFC9C9, #C8C0BF and #D2B7B6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ABDADC shade: #ACDCC4, #ACDCD1, #ACDADC, #ACCDDC and #ACC1DC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ABDADC shade: #72C0C4, #8FCDD0, #ACDADC, #C9E7E8 and #E6F4F4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ABDADC shade: #ABDADC, #B7ACDC and #DCCAAC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ABDADC shade: #ABDADC, #DCACDA and #DADCAC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ABDADC shade: #ABDADC, #B7ACDC, #DCADAC and #D1DCAC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ABDADC shade: #ABDADC, #C5ACDC, #DCADAC and #C2DCAC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 22 / 1 / 0 / 14

HEX #ABDADC

RGB 171 218 220

HSL 182.45, 0.41%, 0.77%

LAB 83.95, -14.7, -5.99

 

Complementary color

CMYK 0 / 56 / 58 / 67

HEX #542523

RGB 84 37 35

HSL 2.45, 0.41%, 0.23%

LAB 21.32, 21.64, 11.67

 

CMYK 19 / 0 / 1 / 15

HEX #B0DAD7

RGB 176 218 215

HSL 175.71, 0.36%, 0.77%

LAB 84.11, -14.25, -3.07

 

CMYK 18 / 0 / 1 / 7

HEX #C1ECEA

RGB 193 236 234

HSL 177.21, 0.53%, 0.84%

LAB 90.45, -14.18, -3.64

 

CMYK 17 / 0 / 0 / 0

HEX #D2FEFD

RGB 210 254 253

HSL 178.64, 0.96%, 0.91%

LAB 96.69, -14.13, -4.19

 

CMYK 11 / 0 / 0 / 0

HEX #E3FFFF

RGB 227 255 255

HSL 180, 1%, 0.95%

LAB 98.06, -9, -3.08

 

CMYK 4 / 0 / 0 / 0

HEX #F4FFFF

RGB 244 255 255

HSL 180, 1%, 0.98%

LAB 99.21, -3.59, -1.26

 

CMYK 22 / 1 / 0 / 14

HEX #ABDADC

RGB 171 218 220

HSL 182.45, 0.41%, 0.77%

LAB 83.95, -14.7, -5.99

 

CMYK 23 / 0 / 0 / 21

HEX #9AC8C9

RGB 154 200 201

HSL 181.28, 0.3%, 0.7%

LAB 77.52, -14.77, -5.44

 

CMYK 25 / 0 / 0 / 29

HEX #89B6B6

RGB 137 182 182

HSL 180, 0.24%, 0.63%

LAB 70.98, -14.85, -4.88

 

CMYK 27 / 0 / 1 / 36

HEX #78A4A3

RGB 120 164 163

HSL 178.64, 0.19%, 0.56%

LAB 64.31, -14.95, -4.29

 

CMYK 29 / 0 / 1 / 43

HEX #679290

RGB 103 146 144

HSL 177.21, 0.17%, 0.49%

LAB 57.52, -15.06, -3.67

 

CMYK 22 / 1 / 0 / 14

HEX #ACDADC

RGB 172 218 220

HSL 182.5, 0.41%, 0.77%

LAB 84.01, -14.4, -5.9

 

CMYK 22 / 7 / 0 / 14

HEX #ACCDDC

RGB 172 205 220

HSL 198.75, 0.41%, 0.77%

LAB 80.52, -7.7, -11.08

 

CMYK 22 / 13 / 0 / 14

HEX #ACC0DC

RGB 172 192 220

HSL 215, 0.41%, 0.77%

LAB 77.06, -0.81, -16.26

 

CMYK 22 / 19 / 0 / 14

HEX #ACB3DC

RGB 172 179 220

HSL 231.25, 0.41%, 0.77%

LAB 73.66, 6.24, -21.41

 

CMYK 19 / 22 / 0 / 14

HEX #B2ACDC

RGB 178 172 220

HSL 247.5, 0.41%, 0.77%

LAB 72.32, 11.96, -23.41

 

CMYK 22 / 1 / 0 / 14

HEX #ACDADC

RGB 172 218 220

HSL 182.5, 0.41%, 0.77%

LAB 84.01, -14.4, -5.9

 

CMYK 22 / 7 / 0 / 14

HEX #ACCDDC

RGB 172 205 220

HSL 198.75, 0.41%, 0.77%

LAB 80.52, -7.7, -11.08

 

CMYK 22 / 13 / 0 / 14

HEX #ACC0DC

RGB 172 192 220

HSL 215, 0.41%, 0.77%

LAB 77.06, -0.81, -16.26

 

CMYK 22 / 19 / 0 / 14

HEX #ACB3DC

RGB 172 179 220

HSL 231.25, 0.41%, 0.77%

LAB 73.66, 6.24, -21.41

 

CMYK 22 / 22 / 0 / 14

HEX #ACACDC

RGB 172 172 220

HSL 240, 0.41%, 0.77%

LAB 71.85, 10.1, -24.16

 

CMYK 22 / 1 / 0 / 14

HEX #ACDADC

RGB 172 218 220

HSL 182.5, 0.41%, 0.77%

LAB 84.01, -14.4, -5.9

 

CMYK 29 / 1 / 0 / 10

HEX #A2E3E5

RGB 162 227 229

HSL 181.79, 0.56%, 0.77%

LAB 86.14, -19.84, -7.56

 

CMYK 36 / 2 / 0 / 6

HEX #99EBEF

RGB 153 235 239

HSL 182.79, 0.73%, 0.77%

LAB 88.17, -23.88, -9.86

 

CMYK 42 / 2 / 0 / 3

HEX #8FF4F8

RGB 143 244 248

HSL 182.29, 0.88%, 0.77%

LAB 90.47, -28.52, -11.19

 

CMYK 22 / 1 / 0 / 14

HEX #ACDADC

RGB 172 218 220

HSL 182.5, 0.41%, 0.77%

LAB 84.01, -14.4, -5.9

 

CMYK 14 / 0 / 0 / 18

HEX #B5D1D2

RGB 181 209 210

HSL 182.07, 0.24%, 0.77%

LAB 81.88, -9.09, -3.65

 

CMYK 5 / 0 / 0 / 21

HEX #BFC9C9

RGB 191 201 201

HSL 180, 0.08%, 0.77%

LAB 80.22, -3.41, -1.19

 

CMYK 0 / 4 / 5 / 22

HEX #C8C0BF

RGB 200 192 191

HSL 6.67, 0.08%, 0.77%

LAB 78.31, 2.62, 1.49

 

CMYK 0 / 13 / 13 / 18

HEX #D2B7B6

RGB 210 183 182

HSL 2.14, 0.24%, 0.77%

LAB 76.65, 9.48, 4.06

 

CMYK 22 / 0 / 11 / 14

HEX #ACDCC4

RGB 172 220 196

HSL 150, 0.41%, 0.77%

LAB 83.94, -20.33, 6.71

 

CMYK 22 / 0 / 5 / 14

HEX #ACDCD1

RGB 172 220 209

HSL 166.25, 0.41%, 0.77%

LAB 84.26, -17.73, 0.3

 

CMYK 22 / 1 / 0 / 14

HEX #ACDADC

RGB 172 218 220

HSL 182.5, 0.41%, 0.77%

LAB 84.01, -14.4, -5.9

 

CMYK 22 / 7 / 0 / 14

HEX #ACCDDC

RGB 172 205 220

HSL 198.75, 0.41%, 0.77%

LAB 80.52, -7.7, -11.08

 

CMYK 22 / 12 / 0 / 14

HEX #ACC1DC

RGB 172 193 220

HSL 213.75, 0.41%, 0.77%

LAB 77.33, -1.35, -15.86

 

CMYK 42 / 2 / 0 / 23

HEX #72C0C4

RGB 114 192 196

HSL 182.93, 0.41%, 0.61%

LAB 73.06, -22.96, -9.56

 

CMYK 31 / 1 / 0 / 18

HEX #8FCDD0

RGB 143 205 208

HSL 182.77, 0.41%, 0.69%

LAB 78.49, -18.93, -7.83

 

CMYK 22 / 1 / 0 / 14

HEX #ACDADC

RGB 172 218 220

HSL 182.5, 0.41%, 0.77%

LAB 84.01, -14.4, -5.9

 

CMYK 13 / 0 / 0 / 9

HEX #C9E7E8

RGB 201 231 232

HSL 181.94, 0.4%, 0.85%

LAB 89.58, -9.58, -3.81

 

CMYK 6 / 0 / 0 / 4

HEX #E6F4F4

RGB 230 244 244

HSL 180, 0.39%, 0.93%

LAB 95.18, -4.59, -1.6

 

CMYK 22 / 1 / 0 / 14

HEX #ABDADC

RGB 171 218 220

HSL 182.45, 0.41%, 0.77%

LAB 83.95, -14.7, -5.99

 

CMYK 17 / 22 / 0 / 14

HEX #B7ACDC

RGB 183 172 220

HSL 253.75, 0.41%, 0.77%

LAB 72.72, 13.53, -22.76

 

CMYK 0 / 8 / 22 / 14

HEX #DCCAAC

RGB 220 202 172

HSL 37.5, 0.41%, 0.77%

LAB 82.07, 1.56, 17.27

 

CMYK 22 / 1 / 0 / 14

HEX #ABDADC

RGB 171 218 220

HSL 182.45, 0.41%, 0.77%

LAB 83.95, -14.7, -5.99

 

CMYK 0 / 22 / 1 / 14

HEX #DCACDA

RGB 220 172 218

HSL 302.5, 0.41%, 0.77%

LAB 75.94, 25.18, -16.49

 

CMYK 1 / 0 / 22 / 14

HEX #DADCAC

RGB 218 220 172

HSL 62.5, 0.41%, 0.77%

LAB 86.54, -8.46, 23.43

 

CMYK 22 / 1 / 0 / 14

HEX #ABDADC

RGB 171 218 220

HSL 182.45, 0.41%, 0.77%

LAB 83.95, -14.7, -5.99

 

CMYK 17 / 22 / 0 / 14

HEX #B7ACDC

RGB 183 172 220

HSL 253.75, 0.41%, 0.77%

LAB 72.72, 13.53, -22.76

 

CMYK 0 / 21 / 22 / 14

HEX #DCADAC

RGB 220 173 172

HSL 1.25, 0.41%, 0.77%

LAB 74.88, 16.98, 7.08

 

CMYK 5 / 0 / 22 / 14

HEX #D1DCAC

RGB 209 220 172

HSL 73.75, 0.41%, 0.77%

LAB 85.87, -11.75, 22.39

 

CMYK 22 / 1 / 0 / 14

HEX #ABDADC

RGB 171 218 220

HSL 182.45, 0.41%, 0.77%

LAB 83.95, -14.7, -5.99

 

CMYK 10 / 22 / 0 / 14

HEX #C5ACDC

RGB 197 172 220

HSL 271.25, 0.41%, 0.77%

LAB 73.9, 18.01, -20.86

 

CMYK 0 / 21 / 22 / 14

HEX #DCADAC

RGB 220 173 172

HSL 1.25, 0.41%, 0.77%

LAB 74.88, 16.98, 7.08

 

CMYK 12 / 0 / 22 / 14

HEX #C2DCAC

RGB 194 220 172

HSL 92.5, 0.41%, 0.77%

LAB 84.81, -17.14, 20.77

 

Description

Color code: HEX #ABDADC | qconv.com Color code: HEX #ABDADC | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 171 red, 218 green and 220 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
171 218 220 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 22 cyan, 1 magenta, none yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
22% 1% 0% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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