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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ABDC9A it is the complementary color #542365. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ABDC9A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ABDC9A shade: #B0DC95, #C1EEA8, #D2FFBB, #E3FFCE and #F4FFE1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ABDC9A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ABDC9A shade: #ABDC9A, #9ACA87, #89B874, #78A661 and #67944E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ABDC9A shade: #A9DB98, #BBDB98, #CEDB98, #DBD798 and #DBC598

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ABDC9A shade: #A9DB98, #98DB99, #98DBAB, #98DBBD and #98DBCF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ABDC9A shade matches the following richer shades: #A9DB98, #A4E78D, #9EF282 and #99FD76

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ABDC9A shade: #A9DB98, #AFD0A3, #B4C5AE, #B9BAB9 and #BFAFC4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ABDC9A shade: #CEDB98, #BCDB98, #AADB98, #98DB98 and #98DBAA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ABDC9A shade: #76C65A, #90D179, #A9DB98, #C3E6B7 and #DCF0D5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ABDC9A shade: #ABDC9A, #98DBD7 and #DB98C5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ABDC9A shade: #ABDC9A, #98AADB and #DB98AA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ABDC9A shade: #ABDC9A, #98DBD7, #C998DB and #DB989C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ABDC9A shade: #ABDC9A, #98CCDB, #C998DB and #DBA898

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 22 / 0 / 30 / 14

HEX #ABDC9A

RGB 171 220 154

HSL 104.55, 0.49%, 0.73%

LAB 83.01, -27.98, 27.43

 

Complementary color

CMYK 17 / 65 / 0 / 60

HEX #542365

RGB 84 35 101

HSL 284.55, 0.49%, 0.27%

LAB 23.76, 34.2, -29.27

 

CMYK 20 / 0 / 32 / 14

HEX #B0DC95

RGB 176 220 149

HSL 97.18, 0.5%, 0.72%

LAB 83.22, -26.98, 30.34

 

CMYK 19 / 0 / 29 / 7

HEX #C1EEA8

RGB 193 238 168

HSL 98.57, 0.67%, 0.8%

LAB 89.54, -26.87, 29.29

 

CMYK 18 / 0 / 27 / 0

HEX #D2FFBB

RGB 210 255 187

HSL 99.71, 1%, 0.87%

LAB 95.5, -26.28, 27.91

 

CMYK 11 / 0 / 19 / 0

HEX #E3FFCE

RGB 227 255 206

HSL 94.29, 1%, 0.9%

LAB 96.95, -17.56, 20.44

 

CMYK 4 / 0 / 12 / 0

HEX #F4FFE1

RGB 244 255 225

HSL 82, 1%, 0.94%

LAB 98.51, -8.73, 13.1

 

CMYK 22 / 0 / 30 / 14

HEX #ABDC9A

RGB 171 220 154

HSL 104.55, 0.49%, 0.73%

LAB 83.01, -27.98, 27.43

 

CMYK 24 / 0 / 33 / 21

HEX #9ACA87

RGB 154 202 135

HSL 102.99, 0.39%, 0.66%

LAB 76.59, -28.14, 28.51

 

CMYK 26 / 0 / 37 / 28

HEX #89B874

RGB 137 184 116

HSL 101.47, 0.32%, 0.59%

LAB 70.08, -28.3, 29.65

 

CMYK 28 / 0 / 42 / 35

HEX #78A661

RGB 120 166 97

HSL 100, 0.28%, 0.52%

LAB 63.45, -28.46, 30.85

 

CMYK 30 / 0 / 47 / 42

HEX #67944E

RGB 103 148 78

HSL 98.57, 0.31%, 0.44%

LAB 56.7, -28.58, 32.1

 

CMYK 23 / 0 / 31 / 14

HEX #A9DB98

RGB 169 219 152

HSL 104.78, 0.48%, 0.73%

LAB 82.57, -28.49, 27.85

 

CMYK 15 / 0 / 31 / 14

HEX #BBDB98

RGB 187 219 152

HSL 88.66, 0.48%, 0.73%

LAB 83.7, -22.15, 29.56

 

CMYK 6 / 0 / 31 / 14

HEX #CEDB98

RGB 206 219 152

HSL 71.64, 0.48%, 0.73%

LAB 85.02, -15.15, 31.56

 

CMYK 0 / 2 / 31 / 14

HEX #DBD798

RGB 219 215 152

HSL 56.42, 0.48%, 0.73%

LAB 84.96, -8.21, 31.65

 

CMYK 0 / 10 / 31 / 14

HEX #DBC598

RGB 219 197 152

HSL 40.3, 0.48%, 0.73%

LAB 80.33, 1.07, 25.43

 

CMYK 23 / 0 / 31 / 14

HEX #A9DB98

RGB 169 219 152

HSL 104.78, 0.48%, 0.73%

LAB 82.57, -28.49, 27.85

 

CMYK 31 / 0 / 30 / 14

HEX #98DB99

RGB 152 219 153

HSL 120.9, 0.48%, 0.73%

LAB 81.64, -33.99, 25.91

 

CMYK 31 / 0 / 22 / 14

HEX #98DBAB

RGB 152 219 171

HSL 137.01, 0.48%, 0.73%

LAB 81.99, -30.86, 16.99

 

CMYK 31 / 0 / 14 / 14

HEX #98DBBD

RGB 152 219 189

HSL 153.13, 0.48%, 0.73%

LAB 82.39, -27.39, 8.05

 

CMYK 31 / 0 / 5 / 14

HEX #98DBCF

RGB 152 219 207

HSL 169.25, 0.48%, 0.73%

LAB 82.83, -23.6, -0.86

 

CMYK 23 / 0 / 31 / 14

HEX #A9DB98

RGB 169 219 152

HSL 104.78, 0.48%, 0.73%

LAB 82.57, -28.49, 27.85

 

CMYK 29 / 0 / 39 / 9

HEX #A4E78D

RGB 164 231 141

HSL 104.67, 0.65%, 0.73%

LAB 85.49, -37.37, 37.25

 

CMYK 35 / 0 / 46 / 5

HEX #9EF282

RGB 158 242 130

HSL 105, 0.81%, 0.73%

LAB 88.15, -45.63, 45.97

 

CMYK 40 / 0 / 53 / 1

HEX #99FD76

RGB 153 253 118

HSL 104.44, 0.97%, 0.73%

LAB 90.93, -53.2, 54.89

 

CMYK 23 / 0 / 31 / 14

HEX #A9DB98

RGB 169 219 152

HSL 104.78, 0.48%, 0.73%

LAB 82.57, -28.49, 27.85

 

CMYK 16 / 0 / 22 / 18

HEX #AFD0A3

RGB 175 208 163

HSL 104, 0.32%, 0.73%

LAB 80.11, -19.3, 18.79

 

CMYK 9 / 0 / 12 / 23

HEX #B4C5AE

RGB 180 197 174

HSL 104.35, 0.17%, 0.73%

LAB 77.69, -10.07, 9.57

 

CMYK 1 / 0 / 1 / 27

HEX #B9BAB9

RGB 185 186 185

HSL 120, 0.01%, 0.73%

LAB 75.41, -0.53, 0.37

 

CMYK 3 / 11 / 0 / 23

HEX #BFAFC4

RGB 191 175 196

HSL 285.71, 0.15%, 0.73%

LAB 73.36, 9.58, -8.59

 

CMYK 6 / 0 / 31 / 14

HEX #CEDB98

RGB 206 219 152

HSL 71.64, 0.48%, 0.73%

LAB 85.02, -15.15, 31.56

 

CMYK 14 / 0 / 31 / 14

HEX #BCDB98

RGB 188 219 152

HSL 87.76, 0.48%, 0.73%

LAB 83.77, -21.78, 29.66

 

CMYK 22 / 0 / 31 / 14

HEX #AADB98

RGB 170 219 152

HSL 103.88, 0.48%, 0.73%

LAB 82.63, -28.15, 27.94

 

CMYK 31 / 0 / 31 / 14

HEX #98DB98

RGB 152 219 152

HSL 120, 0.48%, 0.73%

LAB 81.62, -34.15, 26.41

 

CMYK 31 / 0 / 22 / 14

HEX #98DBAA

RGB 152 219 170

HSL 136.12, 0.48%, 0.73%

LAB 81.97, -31.04, 17.49

 

CMYK 40 / 0 / 55 / 22

HEX #76C65A

RGB 118 198 90

HSL 104.44, 0.49%, 0.56%

LAB 72.88, -44.52, 45.97

 

CMYK 31 / 0 / 42 / 18

HEX #90D179

RGB 144 209 121

HSL 104.32, 0.49%, 0.65%

LAB 77.82, -36.86, 37.19

 

CMYK 23 / 0 / 31 / 14

HEX #A9DB98

RGB 169 219 152

HSL 104.78, 0.48%, 0.73%

LAB 82.57, -28.49, 27.85

 

CMYK 15 / 0 / 20 / 10

HEX #C3E6B7

RGB 195 230 183

HSL 104.68, 0.48%, 0.81%

LAB 87.78, -19.98, 19.18

 

CMYK 8 / 0 / 11 / 6

HEX #DCF0D5

RGB 220 240 213

HSL 104.44, 0.47%, 0.89%

LAB 92.72, -11.41, 10.82

 

CMYK 22 / 0 / 30 / 14

HEX #ABDC9A

RGB 171 220 154

HSL 104.55, 0.49%, 0.73%

LAB 83.01, -27.98, 27.43

 

CMYK 31 / 0 / 2 / 14

HEX #98DBD7

RGB 152 219 215

HSL 176.42, 0.48%, 0.73%

LAB 83.04, -21.82, -4.79

 

CMYK 0 / 31 / 10 / 14

HEX #DB98C5

RGB 219 152 197

HSL 319.7, 0.48%, 0.73%

LAB 70.56, 31.93, -13.06

 

CMYK 22 / 0 / 30 / 14

HEX #ABDC9A

RGB 171 220 154

HSL 104.55, 0.49%, 0.73%

LAB 83.01, -27.98, 27.43

 

CMYK 31 / 22 / 0 / 14

HEX #98AADB

RGB 152 170 219

HSL 223.88, 0.48%, 0.73%

LAB 69.85, 4.99, -26.81

 

CMYK 0 / 31 / 22 / 14

HEX #DB98AA

RGB 219 152 170

HSL 343.88, 0.48%, 0.73%

LAB 69.77, 27.65, 0.78

 

CMYK 22 / 0 / 30 / 14

HEX #ABDC9A

RGB 171 220 154

HSL 104.55, 0.49%, 0.73%

LAB 83.01, -27.98, 27.43

 

CMYK 31 / 0 / 2 / 14

HEX #98DBD7

RGB 152 219 215

HSL 176.42, 0.48%, 0.73%

LAB 83.04, -21.82, -4.79

 

CMYK 8 / 31 / 0 / 14

HEX #C998DB

RGB 201 152 219

HSL 283.88, 0.48%, 0.73%

LAB 69.46, 30.09, -27.06

 

CMYK 0 / 31 / 29 / 14

HEX #DB989C

RGB 219 152 156

HSL 356.42, 0.48%, 0.73%

LAB 69.41, 25.67, 8.06

 

CMYK 22 / 0 / 30 / 14

HEX #ABDC9A

RGB 171 220 154

HSL 104.55, 0.49%, 0.73%

LAB 83.01, -27.98, 27.43

 

CMYK 31 / 7 / 0 / 14

HEX #98CCDB

RGB 152 204 219

HSL 193.43, 0.48%, 0.73%

LAB 79.03, -13.29, -12.9

 

CMYK 8 / 31 / 0 / 14

HEX #C998DB

RGB 201 152 219

HSL 283.88, 0.48%, 0.73%

LAB 69.46, 30.09, -27.06

 

CMYK 0 / 23 / 31 / 14

HEX #DBA898

RGB 219 168 152

HSL 14.33, 0.48%, 0.73%

LAB 73.11, 16.5, 15.5

 

Description

Color code: HEX #ABDC9A | qconv.com Color code: HEX #ABDC9A | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 171 red, 220 green and 154 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
171 220 154 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 22 cyan, none magenta, 30 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
22% 0% 30% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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