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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ABE05B it is the complementary color #541FA4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ABE05B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ABE05B shade: #B0E056, #C1F269, #D2FF7C, #E3FF8F and #F4FFA2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ABE05B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ABE05B shade: #ABE05B, #9ACE48, #89BC35, #78AA22 and #67980F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ABE05B shade: #ABDF5C, #CFDF5C, #DFCD5C, #DFA95C and #DF865C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ABE05B shade: #ABDF5C, #87DF5C, #64DF5C, #5CDF77 and #5CDF9B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ABE05B shade matches the following richer shades: #ABDF5C and #AEEF4C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ABE05B shade: #ABDF5C, #A8D06B, #A5C07B, #A1B08B and #9EA19A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ABE05B shade: #DFCC5C, #D0DF5C, #ADDF5C, #8ADF5C and #67DF5C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ABE05B shade: #84C425, #99D939, #ABDF5C, #BDE67E and #CFEDA1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ABE05B shade: #ABE05B, #5CDFA9 and #DD5CDF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ABE05B shade: #ABE05B, #5CADDF and #DF5CAD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ABE05B shade: #ABE05B, #5CDFA9, #8E5CDF and #DF5C93

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ABE05B shade: #ABE05B, #5CDFD0, #8E5CDF and #DF5C6B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 24 / 0 / 59 / 12

HEX #ABE05B

RGB 171 224 91

HSL 83.91, 0.68%, 0.62%

LAB 83.3, -37.33, 58.25

 

Complementary color

CMYK 49 / 81 / 0 / 36

HEX #541FA4

RGB 84 31 164

HSL 263.91, 0.68%, 0.38%

LAB 28.23, 51.86, -61.54

 

CMYK 21 / 0 / 62 / 12

HEX #B0E056

RGB 176 224 86

HSL 80.87, 0.69%, 0.61%

LAB 83.55, -35.87, 60.74

 

CMYK 20 / 0 / 57 / 5

HEX #C1F269

RGB 193 242 105

HSL 81.46, 0.84%, 0.68%

LAB 89.8, -36.11, 59.87

 

CMYK 18 / 0 / 51 / 0

HEX #D2FF7C

RGB 210 255 124

HSL 80.61, 1%, 0.74%

LAB 94.6, -34.02, 57.28

 

CMYK 11 / 0 / 44 / 0

HEX #E3FF8F

RGB 227 255 143

HSL 75, 1%, 0.78%

LAB 95.93, -25.82, 50.33

 

CMYK 4 / 0 / 36 / 0

HEX #F4FFA2

RGB 244 255 162

HSL 67.1, 1%, 0.82%

LAB 97.37, -17.4, 43.25

 

CMYK 24 / 0 / 59 / 12

HEX #ABE05B

RGB 171 224 91

HSL 83.91, 0.68%, 0.62%

LAB 83.3, -37.33, 58.25

 

CMYK 25 / 0 / 65 / 19

HEX #9ACE48

RGB 154 206 72

HSL 83.28, 0.58%, 0.55%

LAB 76.97, -37.07, 59.01

 

CMYK 27 / 0 / 72 / 26

HEX #89BC35

RGB 137 188 53

HSL 82.67, 0.56%, 0.47%

LAB 70.55, -36.69, 59.42

 

CMYK 29 / 0 / 80 / 33

HEX #78AA22

RGB 120 170 34

HSL 82.06, 0.67%, 0.4%

LAB 64.05, -36.14, 59.15

 

CMYK 32 / 0 / 90 / 40

HEX #67980F

RGB 103 152 15

HSL 81.46, 0.82%, 0.33%

LAB 57.44, -35.34, 57.68

 

CMYK 23 / 0 / 59 / 13

HEX #ABDF5C

RGB 171 223 92

HSL 83.82, 0.67%, 0.62%

LAB 83.02, -36.8, 57.51

 

CMYK 7 / 0 / 59 / 13

HEX #CFDF5C

RGB 207 223 92

HSL 67.33, 0.67%, 0.62%

LAB 85.41, -22.86, 60.83

 

CMYK 0 / 8 / 59 / 13

HEX #DFCD5C

RGB 223 205 92

HSL 51.76, 0.67%, 0.62%

LAB 81.91, -7.39, 57.29

 

CMYK 0 / 24 / 59 / 13

HEX #DFA95C

RGB 223 169 92

HSL 35.27, 0.67%, 0.62%

LAB 72.78, 11.43, 46.82

 

CMYK 0 / 40 / 59 / 13

HEX #DF865C

RGB 223 134 92

HSL 19.24, 0.67%, 0.62%

LAB 64.57, 30.15, 36.93

 

CMYK 23 / 0 / 59 / 13

HEX #ABDF5C

RGB 171 223 92

HSL 83.82, 0.67%, 0.62%

LAB 83.02, -36.8, 57.51

 

CMYK 39 / 0 / 59 / 13

HEX #87DF5C

RGB 135 223 92

HSL 100.31, 0.67%, 0.62%

LAB 81.13, -49.3, 54.85

 

CMYK 55 / 0 / 59 / 13

HEX #64DF5C

RGB 100 223 92

HSL 116.34, 0.67%, 0.62%

LAB 79.76, -59.31, 52.92

 

CMYK 59 / 0 / 47 / 13

HEX #5CDF77

RGB 92 223 119

HSL 132.37, 0.67%, 0.62%

LAB 79.83, -57.67, 40.3

 

CMYK 59 / 0 / 30 / 13

HEX #5CDF9B

RGB 92 223 155

HSL 148.85, 0.67%, 0.62%

LAB 80.41, -51.42, 22.8

 

CMYK 23 / 0 / 59 / 13

HEX #ABDF5C

RGB 171 223 92

HSL 83.82, 0.67%, 0.62%

LAB 83.02, -36.8, 57.51

 

CMYK 27 / 0 / 68 / 6

HEX #AEEF4C

RGB 174 239 76

HSL 83.93, 0.84%, 0.62%

LAB 87.61, -43.97, 68.92

 

CMYK 23 / 0 / 59 / 13

HEX #ABDF5C

RGB 171 223 92

HSL 83.82, 0.67%, 0.62%

LAB 83.02, -36.8, 57.51

 

CMYK 19 / 0 / 49 / 18

HEX #A8D06B

RGB 168 208 107

HSL 83.76, 0.52%, 0.62%

LAB 78.75, -29.52, 45.56

 

CMYK 14 / 0 / 36 / 25

HEX #A5C07B

RGB 165 192 123

HSL 83.48, 0.35%, 0.62%

LAB 74.27, -20.95, 31.82

 

CMYK 9 / 0 / 21 / 31

HEX #A1B08B

RGB 161 176 139

HSL 84.32, 0.19%, 0.62%

LAB 69.82, -11.92, 17.24

 

CMYK 2 / 0 / 4 / 37

HEX #9EA19A

RGB 158 161 154

HSL 85.71, 0.04%, 0.62%

LAB 65.82, -2.4, 3.26

 

CMYK 0 / 9 / 59 / 13

HEX #DFCC5C

RGB 223 204 92

HSL 51.3, 0.67%, 0.62%

LAB 81.65, -6.88, 57

 

CMYK 7 / 0 / 59 / 13

HEX #D0DF5C

RGB 208 223 92

HSL 66.87, 0.67%, 0.62%

LAB 85.48, -22.46, 60.93

 

CMYK 22 / 0 / 59 / 13

HEX #ADDF5C

RGB 173 223 92

HSL 82.9, 0.67%, 0.62%

LAB 83.14, -36.05, 57.67

 

CMYK 38 / 0 / 59 / 13

HEX #8ADF5C

RGB 138 223 92

HSL 98.93, 0.67%, 0.62%

LAB 81.26, -48.33, 55.04

 

CMYK 54 / 0 / 59 / 13

HEX #67DF5C

RGB 103 223 92

HSL 114.96, 0.67%, 0.62%

LAB 79.86, -58.55, 53.06

 

CMYK 33 / 0 / 81 / 23

HEX #84C425

RGB 132 196 37

HSL 84.15, 0.68%, 0.46%

LAB 72.57, -42.91, 66.3

 

CMYK 29 / 0 / 74 / 15

HEX #99D939

RGB 153 217 57

HSL 84, 0.68%, 0.54%

LAB 80.01, -43.27, 67.62

 

CMYK 23 / 0 / 59 / 13

HEX #ABDF5C

RGB 171 223 92

HSL 83.82, 0.67%, 0.62%

LAB 83.02, -36.8, 57.51

 

CMYK 18 / 0 / 45 / 10

HEX #BDE67E

RGB 189 230 126

HSL 83.65, 0.68%, 0.7%

LAB 86.46, -29.98, 46.17

 

CMYK 13 / 0 / 32 / 7

HEX #CFEDA1

RGB 207 237 161

HSL 83.68, 0.68%, 0.78%

LAB 90.05, -22.43, 33.67

 

CMYK 24 / 0 / 59 / 12

HEX #ABE05B

RGB 171 224 91

HSL 83.91, 0.68%, 0.62%

LAB 83.3, -37.33, 58.25

 

CMYK 59 / 0 / 24 / 13

HEX #5CDFA9

RGB 92 223 169

HSL 155.27, 0.67%, 0.62%

LAB 80.69, -48.55, 15.87

 

CMYK 1 / 59 / 0 / 13

HEX #DD5CDF

RGB 221 92 223

HSL 299.08, 0.67%, 0.62%

LAB 60.21, 66.81, -43.5

 

CMYK 24 / 0 / 59 / 12

HEX #ABE05B

RGB 171 224 91

HSL 83.91, 0.68%, 0.62%

LAB 83.3, -37.33, 58.25

 

CMYK 59 / 22 / 0 / 13

HEX #5CADDF

RGB 92 173 223

HSL 202.9, 0.67%, 0.62%

LAB 67.64, -10.26, -32.67

 

CMYK 0 / 59 / 22 / 13

HEX #DF5CAD

RGB 223 92 173

HSL 322.9, 0.67%, 0.62%

LAB 58.38, 59.65, -17.84

 

CMYK 24 / 0 / 59 / 12

HEX #ABE05B

RGB 171 224 91

HSL 83.91, 0.68%, 0.62%

LAB 83.3, -37.33, 58.25

 

CMYK 59 / 0 / 24 / 13

HEX #5CDFA9

RGB 92 223 169

HSL 155.27, 0.67%, 0.62%

LAB 80.69, -48.55, 15.87

 

CMYK 36 / 59 / 0 / 13

HEX #8E5CDF

RGB 142 92 223

HSL 262.9, 0.67%, 0.62%

LAB 50.37, 47.79, -59.75

 

CMYK 0 / 59 / 34 / 13

HEX #DF5C93

RGB 223 92 147

HSL 334.81, 0.67%, 0.62%

LAB 57.51, 56.35, -4.02

 

CMYK 24 / 0 / 59 / 12

HEX #ABE05B

RGB 171 224 91

HSL 83.91, 0.68%, 0.62%

LAB 83.3, -37.33, 58.25

 

CMYK 59 / 0 / 7 / 13

HEX #5CDFD0

RGB 92 223 208

HSL 173.13, 0.67%, 0.62%

LAB 81.62, -39.39, -3.44

 

CMYK 36 / 59 / 0 / 13

HEX #8E5CDF

RGB 142 92 223

HSL 262.9, 0.67%, 0.62%

LAB 50.37, 47.79, -59.75

 

CMYK 0 / 59 / 52 / 13

HEX #DF5C6B

RGB 223 92 107

HSL 353.13, 0.67%, 0.62%

LAB 56.49, 52.34, 17.98

 

Description

Color code: HEX #ABE05B | qconv.com Color code: HEX #ABE05B | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 171 red, 224 green and 91 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
171 224 91 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 24 cyan, none magenta, 59 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
24% 0% 59% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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