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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ABEE4E it is the complementary color #5411B1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ABEE4E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ABEE4E shade: #B0EE49, #C1FF5C, #D2FF6F, #E3FF82 and #F4FF95

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ABEE4E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ABEE4E shade: #ABEE4E, #9ADC3B, #89CA28, #78B815 and #67A602

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ABEE4E shade: #AAED4E, #D5ED4E, #EDDA4E, #EDAF4E and #ED844E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ABEE4E shade: #AAED4E, #80ED4E, #55ED4E, #4EED72 and #4EED9D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ABEE4E shade matches the following richer shades: #AAED4E and #ADFD3E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ABEE4E shade: #AAED4E, #A8DD5E, #A5CE6D, #A3BE7D and #A0AE8D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ABEE4E shade: #EDDB4E, #D5ED4E, #ABED4E, #80ED4E and #56ED4E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ABEE4E shade: #84D415, #99E929, #AAED4E, #BCF174 and #CEF499

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ABEE4E shade: #ABEE4E, #4EEDB0 and #ED4EEA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ABEE4E shade: #ABEE4E, #4EABED and #ED4EAB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ABEE4E shade: #ABEE4E, #4EEDB0, #904EED and #ED4E8B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ABEE4E shade: #ABEE4E, #4EEDE0, #904EED and #ED4E5B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 28 / 0 / 67 / 7

HEX #ABEE4E

RGB 171 238 78

HSL 85.13, 0.82%, 0.62%

LAB 87.17, -44.49, 67.67

 

Complementary color

CMYK 53 / 90 / 0 / 31

HEX #5411B1

RGB 84 17 177

HSL 265.13, 0.82%, 0.38%

LAB 28.01, 59.69, -69.75

 

CMYK 26 / 0 / 69 / 7

HEX #B0EE49

RGB 176 238 73

HSL 82.55, 0.83%, 0.61%

LAB 87.42, -42.99, 69.85

 

CMYK 24 / 0 / 64 / 0

HEX #C1FF5C

RGB 193 255 92

HSL 82.82, 1%, 0.68%

LAB 93.29, -42.91, 69.11

 

CMYK 18 / 0 / 56 / 0

HEX #D2FF6F

RGB 210 255 111

HSL 78.75, 1%, 0.72%

LAB 94.47, -35.18, 62.87

 

CMYK 11 / 0 / 49 / 0

HEX #E3FF82

RGB 227 255 130

HSL 73.44, 1%, 0.75%

LAB 95.77, -27.11, 56.21

 

CMYK 4 / 0 / 42 / 0

HEX #F4FF95

RGB 244 255 149

HSL 66.23, 1%, 0.79%

LAB 97.2, -18.81, 49.31

 

CMYK 28 / 0 / 67 / 7

HEX #ABEE4E

RGB 171 238 78

HSL 85.13, 0.82%, 0.62%

LAB 87.17, -44.49, 67.67

 

CMYK 30 / 0 / 73 / 14

HEX #9ADC3B

RGB 154 220 59

HSL 84.6, 0.7%, 0.55%

LAB 80.95, -44.08, 67.88

 

CMYK 32 / 0 / 80 / 21

HEX #89CA28

RGB 137 202 40

HSL 84.07, 0.67%, 0.47%

LAB 74.64, -43.52, 67.45

 

CMYK 35 / 0 / 89 / 28

HEX #78B815

RGB 120 184 21

HSL 83.56, 0.8%, 0.4%

LAB 68.26, -42.75, 65.97

 

CMYK 38 / 0 / 99 / 35

HEX #67A602

RGB 103 166 2

HSL 83.05, 0.98%, 0.33%

LAB 61.79, -41.73, 63.16

 

CMYK 28 / 0 / 67 / 7

HEX #AAED4E

RGB 170 237 78

HSL 85.28, 0.82%, 0.62%

LAB 86.83, -44.42, 67.3

 

CMYK 10 / 0 / 67 / 7

HEX #D5ED4E

RGB 213 237 78

HSL 69.06, 0.82%, 0.62%

LAB 89.52, -28.05, 70.91

 

CMYK 0 / 8 / 67 / 7

HEX #EDDA4E

RGB 237 218 78

HSL 52.83, 0.82%, 0.62%

LAB 86.35, -9.02, 68.29

 

CMYK 0 / 26 / 67 / 7

HEX #EDAF4E

RGB 237 175 78

HSL 36.6, 0.82%, 0.62%

LAB 75.58, 13.21, 56.99

 

CMYK 0 / 44 / 67 / 7

HEX #ED844E

RGB 237 132 78

HSL 20.38, 0.82%, 0.62%

LAB 65.79, 35.84, 46.14

 

CMYK 28 / 0 / 67 / 7

HEX #AAED4E

RGB 170 237 78

HSL 85.28, 0.82%, 0.62%

LAB 86.83, -44.42, 67.3

 

CMYK 46 / 0 / 67 / 7

HEX #80ED4E

RGB 128 237 78

HSL 101.13, 0.82%, 0.62%

LAB 84.85, -58.25, 64.61

 

CMYK 64 / 0 / 67 / 7

HEX #55ED4E

RGB 85 237 78

HSL 117.36, 0.82%, 0.62%

LAB 83.47, -68.98, 62.73

 

CMYK 67 / 0 / 52 / 7

HEX #4EED72

RGB 78 237 114

HSL 133.58, 0.82%, 0.62%

LAB 83.65, -66.23, 47.36

 

CMYK 67 / 0 / 34 / 7

HEX #4EED9D

RGB 78 237 157

HSL 149.81, 0.82%, 0.62%

LAB 84.29, -59.12, 26.99

 

CMYK 28 / 0 / 67 / 7

HEX #AAED4E

RGB 170 237 78

HSL 85.28, 0.82%, 0.62%

LAB 86.83, -44.42, 67.3

 

CMYK 32 / 0 / 75 / 1

HEX #ADFD3E

RGB 173 253 62

HSL 85.13, 0.98%, 0.62%

LAB 91.45, -51.02, 77.37

 

CMYK 28 / 0 / 67 / 7

HEX #AAED4E

RGB 170 237 78

HSL 85.28, 0.82%, 0.62%

LAB 86.83, -44.42, 67.3

 

CMYK 24 / 0 / 57 / 13

HEX #A8DD5E

RGB 168 221 94

HSL 85.04, 0.65%, 0.62%

LAB 82.3, -36.83, 55.76

 

CMYK 20 / 0 / 47 / 19

HEX #A5CE6D

RGB 165 206 109

HSL 85.36, 0.5%, 0.62%

LAB 78.02, -29.48, 43.65

 

CMYK 14 / 0 / 34 / 25

HEX #A3BE7D

RGB 163 190 125

HSL 84.92, 0.33%, 0.62%

LAB 73.61, -20.43, 29.88

 

CMYK 8 / 0 / 19 / 32

HEX #A0AE8D

RGB 160 174 141

HSL 85.45, 0.17%, 0.62%

LAB 69.23, -10.92, 15.32

 

CMYK 0 / 8 / 67 / 7

HEX #EDDB4E

RGB 237 219 78

HSL 53.21, 0.82%, 0.62%

LAB 86.61, -9.52, 68.55

 

CMYK 10 / 0 / 67 / 7

HEX #D5ED4E

RGB 213 237 78

HSL 69.06, 0.82%, 0.62%

LAB 89.52, -28.05, 70.91

 

CMYK 28 / 0 / 67 / 7

HEX #ABED4E

RGB 171 237 78

HSL 84.91, 0.82%, 0.62%

LAB 86.89, -44.06, 67.38

 

CMYK 46 / 0 / 67 / 7

HEX #80ED4E

RGB 128 237 78

HSL 101.13, 0.82%, 0.62%

LAB 84.85, -58.25, 64.61

 

CMYK 64 / 0 / 67 / 7

HEX #56ED4E

RGB 86 237 78

HSL 116.98, 0.82%, 0.62%

LAB 83.49, -68.78, 62.77

 

CMYK 38 / 0 / 90 / 17

HEX #84D415

RGB 132 212 21

HSL 85.13, 0.82%, 0.46%

LAB 77.31, -50.08, 73.74

 

CMYK 34 / 0 / 82 / 9

HEX #99E929

RGB 153 233 41

HSL 85, 0.81%, 0.54%

LAB 84.59, -50.72, 76.4

 

CMYK 28 / 0 / 67 / 7

HEX #AAED4E

RGB 170 237 78

HSL 85.28, 0.82%, 0.62%

LAB 86.83, -44.42, 67.3

 

CMYK 22 / 0 / 52 / 5

HEX #BCF174

RGB 188 241 116

HSL 85.44, 0.82%, 0.7%

LAB 89.33, -36.47, 54.33

 

CMYK 16 / 0 / 37 / 4

HEX #CEF499

RGB 206 244 153

HSL 85.05, 0.81%, 0.78%

LAB 91.74, -27.17, 39.88

 

CMYK 28 / 0 / 67 / 7

HEX #ABEE4E

RGB 171 238 78

HSL 85.13, 0.82%, 0.62%

LAB 87.17, -44.49, 67.67

 

CMYK 67 / 0 / 26 / 7

HEX #4EEDB0

RGB 78 237 176

HSL 156.98, 0.82%, 0.62%

LAB 84.65, -55.24, 17.7

 

CMYK 0 / 67 / 1 / 7

HEX #ED4EEA

RGB 237 78 234

HSL 301.13, 0.82%, 0.62%

LAB 61.13, 77.8, -48.05

 

CMYK 28 / 0 / 67 / 7

HEX #ABEE4E

RGB 171 238 78

HSL 85.13, 0.82%, 0.62%

LAB 87.17, -44.49, 67.67

 

CMYK 67 / 28 / 0 / 7

HEX #4EABED

RGB 78 171 237

HSL 204.91, 0.82%, 0.62%

LAB 67.17, -7.11, -41.11

 

CMYK 0 / 67 / 28 / 7

HEX #ED4EAB

RGB 237 78 171

HSL 324.91, 0.82%, 0.62%

LAB 58.41, 68.97, -16.43

 

CMYK 28 / 0 / 67 / 7

HEX #ABEE4E

RGB 171 238 78

HSL 85.13, 0.82%, 0.62%

LAB 87.17, -44.49, 67.67

 

CMYK 67 / 0 / 26 / 7

HEX #4EEDB0

RGB 78 237 176

HSL 156.98, 0.82%, 0.62%

LAB 84.65, -55.24, 17.7

 

CMYK 39 / 67 / 0 / 7

HEX #904EED

RGB 144 78 237

HSL 264.91, 0.82%, 0.62%

LAB 48.87, 58.94, -70.07

 

CMYK 0 / 67 / 41 / 7

HEX #ED4E8B

RGB 237 78 139

HSL 336.98, 0.82%, 0.62%

LAB 57.38, 65.46, 0.74

 

CMYK 28 / 0 / 67 / 7

HEX #ABEE4E

RGB 171 238 78

HSL 85.13, 0.82%, 0.62%

LAB 87.17, -44.49, 67.67

 

CMYK 67 / 0 / 5 / 7

HEX #4EEDE0

RGB 78 237 224

HSL 175.09, 0.82%, 0.62%

LAB 85.79, -43.7, -5.79

 

CMYK 39 / 67 / 0 / 7

HEX #904EED

RGB 144 78 237

HSL 264.91, 0.82%, 0.62%

LAB 48.87, 58.94, -70.07

 

CMYK 0 / 67 / 62 / 7

HEX #ED4E5B

RGB 237 78 91

HSL 355.09, 0.82%, 0.62%

LAB 56.3, 61.62, 27.48

 

Description

Color code: HEX #ABEE4E | qconv.com Color code: HEX #ABEE4E | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 171 red, 238 green and 78 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
171 238 78 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 28 cyan, none magenta, 67 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
28% 0% 67% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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