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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ABEF85 it is the complementary color #54107A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ABEF85. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ABEF85 shade: #B0EF80, #C1FF93, #D2FFA6, #E3FFB9 and #F4FFCC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ABEF85. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ABEF85 shade: #ABEF85, #9ADD72, #89CB5F, #78B94C and #67A739

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ABEF85 shade: #ABEF85, #C7EF85, #E4EF85, #EFDD85 and #EFC085

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ABEF85 shade: #ABEF85, #8EEF85, #85EF98, #85EFB4 and #85EFD1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ABEF85 shade matches the following richer shades: #ABEF85 and #A7FA79

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ABEF85 shade: #ABEF85, #AEE490, #B1D89B, #B4CDA6 and #B7C2B1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ABEF85 shade: #E4EF85, #C8EF85, #ACEF85, #8FEF85 and #85EF96

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ABEF85 shade: #78E53C, #92EA60, #ABEF85, #C4F3A9 and #DDF8CE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ABEF85 shade: #ABEF85, #85EFDD and #EF85D6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ABEF85 shade: #ABEF85, #85ACEF and #EF85AC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ABEF85 shade: #ABEF85, #85EFDD, #C885EF and #EF8596

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ABEF85 shade: #ABEF85, #85E1EF, #C885EF and #EF9385

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 28 / 0 / 44 / 6

HEX #ABEF85

RGB 171 239 133

HSL 98.49, 0.77%, 0.73%

LAB 88.01, -39.65, 44.48

 

Complementary color

CMYK 31 / 87 / 0 / 52

HEX #54107A

RGB 84 16 122

HSL 278.49, 0.77%, 0.27%

LAB 22.52, 47.04, -44.83

 

CMYK 26 / 0 / 46 / 6

HEX #B0EF80

RGB 176 239 128

HSL 94.05, 0.78%, 0.72%

LAB 88.22, -38.54, 47.21

 

CMYK 24 / 0 / 42 / 0

HEX #C1FF93

RGB 193 255 147

HSL 94.44, 1%, 0.79%

LAB 93.87, -37.57, 45.38

 

CMYK 18 / 0 / 35 / 0

HEX #D2FFA6

RGB 210 255 166

HSL 90.34, 1%, 0.83%

LAB 95.15, -29.24, 37.95

 

CMYK 11 / 0 / 27 / 0

HEX #E3FFB9

RGB 227 255 185

HSL 84, 1%, 0.86%

LAB 96.56, -20.67, 30.53

 

CMYK 4 / 0 / 20 / 0

HEX #F4FFCC

RGB 244 255 204

HSL 72.94, 1%, 0.9%

LAB 98.08, -11.95, 23.21

 

CMYK 28 / 0 / 44 / 6

HEX #ABEF85

RGB 171 239 133

HSL 98.49, 0.77%, 0.73%

LAB 88.01, -39.65, 44.48

 

CMYK 30 / 0 / 48 / 13

HEX #9ADD72

RGB 154 221 114

HSL 97.57, 0.61%, 0.66%

LAB 81.73, -39.74, 45.64

 

CMYK 33 / 0 / 53 / 20

HEX #89CB5F

RGB 137 203 95

HSL 96.67, 0.51%, 0.58%

LAB 75.36, -39.78, 46.79

 

CMYK 35 / 0 / 59 / 27

HEX #78B94C

RGB 120 185 76

HSL 95.78, 0.44%, 0.51%

LAB 68.91, -39.74, 47.87

 

CMYK 38 / 0 / 66 / 35

HEX #67A739

RGB 103 167 57

HSL 94.91, 0.49%, 0.44%

LAB 62.35, -39.59, 48.76

 

CMYK 28 / 0 / 44 / 6

HEX #ABEF85

RGB 171 239 133

HSL 98.49, 0.77%, 0.73%

LAB 88.01, -39.65, 44.48

 

CMYK 17 / 0 / 44 / 6

HEX #C7EF85

RGB 199 239 133

HSL 82.64, 0.77%, 0.73%

LAB 89.66, -29.74, 46.9

 

CMYK 5 / 0 / 44 / 6

HEX #E4EF85

RGB 228 239 133

HSL 66.23, 0.77%, 0.73%

LAB 91.65, -18.81, 49.81

 

CMYK 0 / 8 / 44 / 6

HEX #EFDD85

RGB 239 221 133

HSL 49.81, 0.77%, 0.73%

LAB 87.85, -5.57, 45.29

 

CMYK 0 / 20 / 44 / 6

HEX #EFC085

RGB 239 192 133

HSL 33.4, 0.77%, 0.73%

LAB 80.6, 9.39, 36.05

 

CMYK 28 / 0 / 44 / 6

HEX #ABEF85

RGB 171 239 133

HSL 98.49, 0.77%, 0.73%

LAB 88.01, -39.65, 44.48

 

CMYK 41 / 0 / 44 / 6

HEX #8EEF85

RGB 142 239 133

HSL 114.91, 0.77%, 0.73%

LAB 86.59, -48.92, 42.4

 

CMYK 44 / 0 / 36 / 6

HEX #85EF98

RGB 133 239 152

HSL 130.75, 0.77%, 0.73%

LAB 86.5, -48.65, 32.78

 

CMYK 44 / 0 / 25 / 6

HEX #85EFB4

RGB 133 239 180

HSL 146.6, 0.77%, 0.73%

LAB 87, -43.67, 19.16

 

CMYK 44 / 0 / 13 / 6

HEX #85EFD1

RGB 133 239 209

HSL 163.02, 0.77%, 0.73%

LAB 87.64, -37.67, 4.98

 

CMYK 28 / 0 / 44 / 6

HEX #ABEF85

RGB 171 239 133

HSL 98.49, 0.77%, 0.73%

LAB 88.01, -39.65, 44.48

 

CMYK 33 / 0 / 52 / 2

HEX #A7FA79

RGB 167 250 121

HSL 98.6, 0.93%, 0.73%

LAB 90.76, -47.17, 53.48

 

CMYK 28 / 0 / 44 / 6

HEX #ABEF85

RGB 171 239 133

HSL 98.49, 0.77%, 0.73%

LAB 88.01, -39.65, 44.48

 

CMYK 24 / 0 / 37 / 11

HEX #AEE490

RGB 174 228 144

HSL 98.57, 0.61%, 0.73%

LAB 85.25, -32.17, 35.54

 

CMYK 18 / 0 / 28 / 15

HEX #B1D89B

RGB 177 216 155

HSL 98.36, 0.44%, 0.73%

LAB 82.28, -23.81, 25.99

 

CMYK 12 / 0 / 19 / 20

HEX #B4CDA6

RGB 180 205 166

HSL 98.46, 0.28%, 0.73%

LAB 79.68, -15.53, 16.65

 

CMYK 6 / 0 / 9 / 24

HEX #B7C2B1

RGB 183 194 177

HSL 98.82, 0.12%, 0.73%

LAB 77.18, -6.92, 7.24

 

CMYK 5 / 0 / 44 / 6

HEX #E4EF85

RGB 228 239 133

HSL 66.23, 0.77%, 0.73%

LAB 91.65, -18.81, 49.81

 

CMYK 16 / 0 / 44 / 6

HEX #C8EF85

RGB 200 239 133

HSL 82.08, 0.77%, 0.73%

LAB 89.72, -29.37, 47

 

CMYK 28 / 0 / 44 / 6

HEX #ACEF85

RGB 172 239 133

HSL 97.92, 0.77%, 0.73%

LAB 88.06, -39.31, 44.56

 

CMYK 40 / 0 / 44 / 6

HEX #8FEF85

RGB 143 239 133

HSL 114.34, 0.77%, 0.73%

LAB 86.64, -48.62, 42.46

 

CMYK 44 / 0 / 37 / 6

HEX #85EF96

RGB 133 239 150

HSL 129.62, 0.77%, 0.73%

LAB 86.47, -48.97, 33.75

 

CMYK 48 / 0 / 74 / 10

HEX #78E53C

RGB 120 229 60

HSL 98.7, 0.76%, 0.57%

LAB 82.03, -58.86, 68.08

 

CMYK 38 / 0 / 59 / 8

HEX #92EA60

RGB 146 234 96

HSL 98.26, 0.77%, 0.65%

LAB 84.89, -49.9, 57.53

 

CMYK 28 / 0 / 44 / 6

HEX #ABEF85

RGB 171 239 133

HSL 98.49, 0.77%, 0.73%

LAB 88.01, -39.65, 44.48

 

CMYK 19 / 0 / 30 / 5

HEX #C4F3A9

RGB 196 243 169

HSL 98.11, 0.76%, 0.81%

LAB 91.1, -28.06, 30.91

 

CMYK 11 / 0 / 17 / 3

HEX #DDF8CE

RGB 221 248 206

HSL 98.57, 0.75%, 0.89%

LAB 94.72, -16.19, 17.27

 

CMYK 28 / 0 / 44 / 6

HEX #ABEF85

RGB 171 239 133

HSL 98.49, 0.77%, 0.73%

LAB 88.01, -39.65, 44.48

 

CMYK 44 / 0 / 8 / 6

HEX #85EFDD

RGB 133 239 221

HSL 169.81, 0.77%, 0.73%

LAB 87.94, -34.95, -0.86

 

CMYK 0 / 44 / 10 / 6

HEX #EF85D6

RGB 239 133 214

HSL 314.15, 0.77%, 0.73%

LAB 69.46, 51.13, -23.93

 

CMYK 28 / 0 / 44 / 6

HEX #ABEF85

RGB 171 239 133

HSL 98.49, 0.77%, 0.73%

LAB 88.01, -39.65, 44.48

 

CMYK 44 / 28 / 0 / 6

HEX #85ACEF

RGB 133 172 239

HSL 217.92, 0.77%, 0.73%

LAB 69.98, 4.1, -37.64

 

CMYK 0 / 44 / 28 / 6

HEX #EF85AC

RGB 239 133 172

HSL 337.92, 0.77%, 0.73%

LAB 68.1, 44.95, -2.5

 

CMYK 28 / 0 / 44 / 6

HEX #ABEF85

RGB 171 239 133

HSL 98.49, 0.77%, 0.73%

LAB 88.01, -39.65, 44.48

 

CMYK 44 / 0 / 8 / 6

HEX #85EFDD

RGB 133 239 221

HSL 169.81, 0.77%, 0.73%

LAB 87.94, -34.95, -0.86

 

CMYK 16 / 44 / 0 / 6

HEX #C885EF

RGB 200 133 239

HSL 277.92, 0.77%, 0.73%

LAB 65.97, 44.26, -43.51

 

CMYK 0 / 44 / 37 / 6

HEX #EF8596

RGB 239 133 150

HSL 350.38, 0.77%, 0.73%

LAB 67.52, 42.24, 9.05

 

CMYK 28 / 0 / 44 / 6

HEX #ABEF85

RGB 171 239 133

HSL 98.49, 0.77%, 0.73%

LAB 88.01, -39.65, 44.48

 

CMYK 44 / 6 / 0 / 6

HEX #85E1EF

RGB 133 225 239

HSL 187.92, 0.77%, 0.73%

LAB 84.52, -23.87, -15.4

 

CMYK 16 / 44 / 0 / 6

HEX #C885EF

RGB 200 133 239

HSL 277.92, 0.77%, 0.73%

LAB 65.97, 44.26, -43.51

 

CMYK 0 / 38 / 44 / 6

HEX #EF9385

RGB 239 147 133

HSL 7.92, 0.77%, 0.73%

LAB 70.11, 33.16, 22.15

 

Description

Color code: HEX #ABEF85 | qconv.com Color code: HEX #ABEF85 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 171 red, 239 green and 133 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
171 239 133 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 28 cyan, none magenta, 44 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
28% 0% 44% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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