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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ABF6BD it is the complementary color #540942. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ABF6BD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ABF6BD shade: #B0F6B8, #C1FFCB, #D2FFDE, #E3FFF1 and #F4FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ABF6BD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ABF6BD shade: #ABF6BD, #9AE4AA, #89D297, #78C084 and #67AE71

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ABF6BD shade: #ABF6BD, #AEF6AB, #C2F6AB, #D6F6AB and #EAF6AB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ABF6BD shade: #ABF6BD, #ABF6D1, #ABF6E5, #ABF2F6 and #ABDEF6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ABF6BD shade matches the following richer shades: #ABF6BD and #A4FDB9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ABF6BD shade: #ABF6BD, #B3EEC1, #BAE7C5, #C2DFC9 and #C9D8CD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ABF6BD shade: #C2F6AB, #AEF6AB, #ABF6BD, #ABF6D1 and #ABF6E4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ABF6BD shade: #61EE83, #86F2A0, #ABF6BD, #D1FADB and #F6FEF8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ABF6BD shade: #ABF6BD, #ABD6F6 and #F6ABB8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ABF6BD shade: #ABF6BD, #BDABF6 and #F6BDAB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ABF6BD shade: #ABF6BD, #ABD6F6, #F6ABE4 and #F6CCAB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ABF6BD shade: #ABF6BD, #ABBFF6, #F6ABE4 and #F6E2AB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 30 / 0 / 23 / 4

HEX #ABF6BD

RGB 171 246 189

HSL 134.4, 0.81%, 0.82%

LAB 90.89, -34.37, 20.2

 

Complementary color

CMYK 0 / 89 / 21 / 67

HEX #540942

RGB 84 9 66

HSL 314.4, 0.81%, 0.18%

LAB 17.8, 38.32, -15.13

 

CMYK 28 / 0 / 25 / 4

HEX #B0F6B8

RGB 176 246 184

HSL 126.86, 0.8%, 0.83%

LAB 91.05, -33.69, 23.03

 

CMYK 24 / 0 / 20 / 0

HEX #C1FFCB

RGB 193 255 203

HSL 129.68, 1%, 0.88%

LAB 94.81, -29.28, 18.67

 

CMYK 18 / 0 / 13 / 0

HEX #D2FFDE

RGB 210 255 222

HSL 136, 1%, 0.91%

LAB 96.2, -20.52, 11.05

 

CMYK 11 / 0 / 5 / 0

HEX #E3FFF1

RGB 227 255 241

HSL 150, 1%, 0.95%

LAB 97.71, -11.62, 3.61

 

CMYK 4 / 0 / 0 / 0

HEX #F4FFFF

RGB 244 255 255

HSL 180, 1%, 0.98%

LAB 99.21, -3.59, -1.26

 

CMYK 30 / 0 / 23 / 4

HEX #ABF6BD

RGB 171 246 189

HSL 134.4, 0.81%, 0.82%

LAB 90.89, -34.37, 20.2

 

CMYK 32 / 0 / 25 / 11

HEX #9AE4AA

RGB 154 228 170

HSL 132.97, 0.58%, 0.75%

LAB 84.62, -34.62, 21.18

 

CMYK 35 / 0 / 28 / 18

HEX #89D297

RGB 137 210 151

HSL 131.51, 0.45%, 0.68%

LAB 78.25, -34.89, 22.22

 

CMYK 38 / 0 / 31 / 25

HEX #78C084

RGB 120 192 132

HSL 130, 0.36%, 0.61%

LAB 71.8, -35.15, 23.32

 

CMYK 41 / 0 / 35 / 32

HEX #67AE71

RGB 103 174 113

HSL 128.45, 0.3%, 0.54%

LAB 65.24, -35.41, 24.51

 

CMYK 30 / 0 / 23 / 4

HEX #ABF6BD

RGB 171 246 189

HSL 134.4, 0.81%, 0.82%

LAB 90.89, -34.37, 20.2

 

CMYK 29 / 0 / 30 / 4

HEX #AEF6AB

RGB 174 246 171

HSL 117.6, 0.81%, 0.82%

LAB 90.71, -36.45, 29.16

 

CMYK 21 / 0 / 30 / 4

HEX #C2F6AB

RGB 194 246 171

HSL 101.6, 0.81%, 0.82%

LAB 91.83, -29.86, 30.86

 

CMYK 13 / 0 / 30 / 4

HEX #D6F6AB

RGB 214 246 171

HSL 85.6, 0.81%, 0.82%

LAB 93.08, -22.89, 32.75

 

CMYK 5 / 0 / 30 / 4

HEX #EAF6AB

RGB 234 246 171

HSL 69.6, 0.81%, 0.82%

LAB 94.46, -15.65, 34.84

 

CMYK 30 / 0 / 23 / 4

HEX #ABF6BD

RGB 171 246 189

HSL 134.4, 0.81%, 0.82%

LAB 90.89, -34.37, 20.2

 

CMYK 30 / 0 / 15 / 4

HEX #ABF6D1

RGB 171 246 209

HSL 150.4, 0.81%, 0.82%

LAB 91.31, -30.66, 10.48

 

CMYK 30 / 0 / 7 / 4

HEX #ABF6E5

RGB 171 246 229

HSL 166.4, 0.81%, 0.82%

LAB 91.79, -26.6, 0.79

 

CMYK 30 / 2 / 0 / 4

HEX #ABF2F6

RGB 171 242 246

HSL 183.2, 0.81%, 0.82%

LAB 91.15, -20.93, -8.99

 

CMYK 30 / 10 / 0 / 4

HEX #ABDEF6

RGB 171 222 246

HSL 199.2, 0.81%, 0.82%

LAB 85.78, -10.88, -17.01

 

CMYK 30 / 0 / 23 / 4

HEX #ABF6BD

RGB 171 246 189

HSL 134.4, 0.81%, 0.82%

LAB 90.89, -34.37, 20.2

 

CMYK 35 / 0 / 27 / 1

HEX #A4FDB9

RGB 164 253 185

HSL 134.16, 0.96%, 0.82%

LAB 92.42, -40.34, 24.3

 

CMYK 30 / 0 / 23 / 4

HEX #ABF6BD

RGB 171 246 189

HSL 134.4, 0.81%, 0.82%

LAB 90.89, -34.37, 20.2

 

CMYK 25 / 0 / 19 / 7

HEX #B3EEC1

RGB 179 238 193

HSL 134.24, 0.63%, 0.82%

LAB 89.2, -27.42, 15.83

 

CMYK 19 / 0 / 15 / 9

HEX #BAE7C5

RGB 186 231 197

HSL 134.67, 0.48%, 0.82%

LAB 87.79, -21.07, 11.81

 

CMYK 13 / 0 / 10 / 13

HEX #C2DFC9

RGB 194 223 201

HSL 134.48, 0.31%, 0.82%

LAB 86.24, -13.72, 7.56

 

CMYK 7 / 0 / 5 / 15

HEX #C9D8CD

RGB 201 216 205

HSL 136, 0.16%, 0.82%

LAB 84.96, -7.08, 3.68

 

CMYK 21 / 0 / 30 / 4

HEX #C2F6AB

RGB 194 246 171

HSL 101.6, 0.81%, 0.82%

LAB 91.83, -29.86, 30.86

 

CMYK 29 / 0 / 30 / 4

HEX #AEF6AB

RGB 174 246 171

HSL 117.6, 0.81%, 0.82%

LAB 90.71, -36.45, 29.16

 

CMYK 30 / 0 / 23 / 4

HEX #ABF6BD

RGB 171 246 189

HSL 134.4, 0.81%, 0.82%

LAB 90.89, -34.37, 20.2

 

CMYK 30 / 0 / 15 / 4

HEX #ABF6D1

RGB 171 246 209

HSL 150.4, 0.81%, 0.82%

LAB 91.31, -30.66, 10.48

 

CMYK 30 / 0 / 7 / 4

HEX #ABF6E4

RGB 171 246 228

HSL 165.6, 0.81%, 0.82%

LAB 91.76, -26.81, 1.27

 

CMYK 59 / 0 / 45 / 7

HEX #61EE83

RGB 97 238 131

HSL 134.47, 0.81%, 0.66%

LAB 84.65, -60.4, 40.57

 

CMYK 45 / 0 / 34 / 5

HEX #86F2A0

RGB 134 242 160

HSL 134.44, 0.81%, 0.74%

LAB 87.54, -48.31, 30.14

 

CMYK 30 / 0 / 23 / 4

HEX #ABF6BD

RGB 171 246 189

HSL 134.4, 0.81%, 0.82%

LAB 90.89, -34.37, 20.2

 

CMYK 16 / 0 / 12 / 2

HEX #D1FADB

RGB 209 250 219

HSL 134.63, 0.8%, 0.9%

LAB 94.76, -18.95, 10.52

 

CMYK 3 / 0 / 2 / 0

HEX #F6FEF8

RGB 246 254 248

HSL 135, 0.8%, 0.98%

LAB 98.93, -3.68, 1.94

 

CMYK 30 / 0 / 23 / 4

HEX #ABF6BD

RGB 171 246 189

HSL 134.4, 0.81%, 0.82%

LAB 90.89, -34.37, 20.2

 

CMYK 30 / 13 / 0 / 4

HEX #ABD6F6

RGB 171 214 246

HSL 205.6, 0.81%, 0.82%

LAB 83.65, -6.73, -20.22

 

CMYK 0 / 30 / 25 / 4

HEX #F6ABB8

RGB 246 171 184

HSL 349.6, 0.81%, 0.82%

LAB 77.39, 29.27, 4.49

 

CMYK 30 / 0 / 23 / 4

HEX #ABF6BD

RGB 171 246 189

HSL 134.4, 0.81%, 0.82%

LAB 90.89, -34.37, 20.2

 

CMYK 23 / 30 / 0 / 4

HEX #BDABF6

RGB 189 171 246

HSL 254.4, 0.81%, 0.82%

LAB 73.93, 21.78, -35

 

CMYK 0 / 23 / 30 / 4

HEX #F6BDAB

RGB 246 189 171

HSL 14.4, 0.81%, 0.82%

LAB 81.25, 18.04, 17.01

 

CMYK 30 / 0 / 23 / 4

HEX #ABF6BD

RGB 171 246 189

HSL 134.4, 0.81%, 0.82%

LAB 90.89, -34.37, 20.2

 

CMYK 30 / 13 / 0 / 4

HEX #ABD6F6

RGB 171 214 246

HSL 205.6, 0.81%, 0.82%

LAB 83.65, -6.73, -20.22

 

CMYK 0 / 30 / 7 / 4

HEX #F6ABE4

RGB 246 171 228

HSL 314.4, 0.81%, 0.82%

LAB 78.65, 36.07, -17.57

 

CMYK 0 / 17 / 30 / 4

HEX #F6CCAB

RGB 246 204 171

HSL 26.4, 0.81%, 0.82%

LAB 84.85, 10.17, 22

 

CMYK 30 / 0 / 23 / 4

HEX #ABF6BD

RGB 171 246 189

HSL 134.4, 0.81%, 0.82%

LAB 90.89, -34.37, 20.2

 

CMYK 30 / 22 / 0 / 4

HEX #ABBFF6

RGB 171 191 246

HSL 224, 0.81%, 0.82%

LAB 77.62, 5.55, -29.42

 

CMYK 0 / 30 / 7 / 4

HEX #F6ABE4

RGB 246 171 228

HSL 314.4, 0.81%, 0.82%

LAB 78.65, 36.07, -17.57

 

CMYK 0 / 8 / 30 / 4

HEX #F6E2AB

RGB 246 226 171

HSL 44, 0.81%, 0.82%

LAB 90.29, -1.18, 29.42

 

Description

Color code: HEX #ABF6BD | qconv.com Color code: HEX #ABF6BD | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 171 red, 246 green and 189 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
171 246 189 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 30 cyan, none magenta, 23 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
30% 0% 23% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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