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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ABF7D4 it is the complementary color #54082B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ABF7D4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ABF7D4 shade: #B0F7CF, #C1FFE2, #D2FFF5, #E3FFFF and #F4FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ABF7D4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ABF7D4 shade: #ABF7D4, #9AE5C1, #89D3AE, #78C19B and #67AF88

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ABF7D4 shade: #ABF7D4, #ABF7BF, #ABF7AB, #BFF7AB and #D4F7AB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ABF7D4 shade: #ABF7D4, #ABF7E8, #ABF1F7, #ABDCF7 and #ABC8F7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ABF7D4 shade matches the following richer shades: #ABF7D4 and #A3FED4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ABF7D4 shade: #ABF7D4, #B2EFD3, #B9E8D2, #C1E0D2 and #C8D9D1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ABF7D4 shade: #ABF7AB, #ABF7BF, #ABF7D3, #ABF7E7 and #ABF2F7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ABF7D4 shade: #5FF0AD, #85F3C0, #ABF7D4, #D0FAE7 and #F6FEFA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ABF7D4 shade: #ABF7D4, #ABBFF7 and #F7B5AB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ABF7D4 shade: #ABF7D4, #D3ABF7 and #F7D3AB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ABF7D4 shade: #ABF7D4, #ABBFF7, #F7ABCE and #F7E2AB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ABF7D4 shade: #ABF7D4, #ADABF7, #F7ABCE and #F4F7AB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 31 / 0 / 14 / 3

HEX #ABF7D4

RGB 171 247 212

HSL 152.37, 0.83%, 0.82%

LAB 91.65, -30.54, 9.41

 

Complementary color

CMYK 0 / 90 / 49 / 67

HEX #54082B

RGB 84 8 43

HSL 332.37, 0.83%, 0.18%

LAB 16.66, 35.68, -0.5

 

CMYK 29 / 0 / 16 / 3

HEX #B0F7CF

RGB 176 247 207

HSL 146.2, 0.82%, 0.83%

LAB 91.8, -30.03, 12.24

 

CMYK 24 / 0 / 11 / 0

HEX #C1FFE2

RGB 193 255 226

HSL 151.94, 1%, 0.88%

LAB 95.31, -25.08, 7.58

 

CMYK 18 / 0 / 4 / 0

HEX #D2FFF5

RGB 210 255 245

HSL 166.67, 1%, 0.91%

LAB 96.74, -16.21, 0.01

 

CMYK 11 / 0 / 0 / 0

HEX #E3FFFF

RGB 227 255 255

HSL 180, 1%, 0.95%

LAB 98.06, -9, -3.08

 

CMYK 4 / 0 / 0 / 0

HEX #F4FFFF

RGB 244 255 255

HSL 180, 1%, 0.98%

LAB 99.21, -3.59, -1.26

 

CMYK 31 / 0 / 14 / 3

HEX #ABF7D4

RGB 171 247 212

HSL 152.37, 0.83%, 0.82%

LAB 91.65, -30.54, 9.41

 

CMYK 33 / 0 / 16 / 10

HEX #9AE5C1

RGB 154 229 193

HSL 151.2, 0.59%, 0.75%

LAB 85.38, -30.77, 10.24

 

CMYK 35 / 0 / 18 / 17

HEX #89D3AE

RGB 137 211 174

HSL 150, 0.46%, 0.68%

LAB 79.02, -31.01, 11.11

 

CMYK 38 / 0 / 20 / 24

HEX #78C19B

RGB 120 193 155

HSL 148.77, 0.37%, 0.61%

LAB 72.56, -31.26, 12.04

 

CMYK 41 / 0 / 22 / 31

HEX #67AF88

RGB 103 175 136

HSL 147.5, 0.31%, 0.55%

LAB 66, -31.52, 13.03

 

CMYK 31 / 0 / 14 / 3

HEX #ABF7D4

RGB 171 247 212

HSL 152.37, 0.83%, 0.82%

LAB 91.65, -30.54, 9.41

 

CMYK 31 / 0 / 23 / 3

HEX #ABF7BF

RGB 171 247 191

HSL 135.79, 0.83%, 0.82%

LAB 91.21, -34.48, 19.61

 

CMYK 31 / 0 / 31 / 3

HEX #ABF7AB

RGB 171 247 171

HSL 120, 0.83%, 0.82%

LAB 90.83, -37.85, 29.3

 

CMYK 23 / 0 / 31 / 3

HEX #BFF7AB

RGB 191 247 171

HSL 104.21, 0.83%, 0.82%

LAB 91.93, -31.34, 30.96

 

CMYK 14 / 0 / 31 / 3

HEX #D4F7AB

RGB 212 247 171

HSL 87.63, 0.83%, 0.82%

LAB 93.21, -24.08, 32.91

 

CMYK 31 / 0 / 14 / 3

HEX #ABF7D4

RGB 171 247 212

HSL 152.37, 0.83%, 0.82%

LAB 91.65, -30.54, 9.41

 

CMYK 31 / 0 / 6 / 3

HEX #ABF7E8

RGB 171 247 232

HSL 168.16, 0.83%, 0.82%

LAB 92.13, -26.44, -0.26

 

CMYK 31 / 2 / 0 / 3

HEX #ABF1F7

RGB 171 241 247

HSL 184.74, 0.83%, 0.82%

LAB 90.91, -20.21, -9.87

 

CMYK 31 / 11 / 0 / 3

HEX #ABDCF7

RGB 171 220 247

HSL 201.32, 0.83%, 0.82%

LAB 85.28, -9.61, -18.3

 

CMYK 31 / 19 / 0 / 3

HEX #ABC8F7

RGB 171 200 247

HSL 217.11, 0.83%, 0.82%

LAB 80, 0.93, -26.31

 

CMYK 31 / 0 / 14 / 3

HEX #ABF7D4

RGB 171 247 212

HSL 152.37, 0.83%, 0.82%

LAB 91.65, -30.54, 9.41

 

CMYK 36 / 0 / 17 / 0

HEX #A3FED4

RGB 163 254 212

HSL 152.31, 0.98%, 0.82%

LAB 93.2, -36.06, 11.57

 

CMYK 31 / 0 / 14 / 3

HEX #ABF7D4

RGB 171 247 212

HSL 152.37, 0.83%, 0.82%

LAB 91.65, -30.54, 9.41

 

CMYK 26 / 0 / 12 / 6

HEX #B2EFD3

RGB 178 239 211

HSL 152.46, 0.66%, 0.82%

LAB 89.81, -24.84, 7.34

 

CMYK 20 / 0 / 9 / 9

HEX #B9E8D2

RGB 185 232 210

HSL 151.91, 0.51%, 0.82%

LAB 88.3, -19.45, 5.73

 

CMYK 14 / 0 / 6 / 12

HEX #C1E0D2

RGB 193 224 210

HSL 152.9, 0.33%, 0.82%

LAB 86.65, -12.89, 3.42

 

CMYK 8 / 0 / 4 / 15

HEX #C8D9D1

RGB 200 217 209

HSL 151.76, 0.18%, 0.82%

LAB 85.26, -7.19, 1.97

 

CMYK 31 / 0 / 31 / 3

HEX #ABF7AB

RGB 171 247 171

HSL 120, 0.83%, 0.82%

LAB 90.83, -37.85, 29.3

 

CMYK 31 / 0 / 23 / 3

HEX #ABF7BF

RGB 171 247 191

HSL 135.79, 0.83%, 0.82%

LAB 91.21, -34.48, 19.61

 

CMYK 31 / 0 / 15 / 3

HEX #ABF7D3

RGB 171 247 211

HSL 151.58, 0.83%, 0.82%

LAB 91.63, -30.74, 9.9

 

CMYK 31 / 0 / 6 / 3

HEX #ABF7E7

RGB 171 247 231

HSL 167.37, 0.83%, 0.82%

LAB 92.11, -26.65, 0.22

 

CMYK 31 / 2 / 0 / 3

HEX #ABF2F7

RGB 171 242 247

HSL 183.95, 0.83%, 0.82%

LAB 91.18, -20.71, -9.47

 

CMYK 60 / 0 / 28 / 6

HEX #5FF0AD

RGB 95 240 173

HSL 152.28, 0.83%, 0.66%

LAB 85.89, -54.1, 21.04

 

CMYK 45 / 0 / 21 / 5

HEX #85F3C0

RGB 133 243 192

HSL 152.18, 0.82%, 0.74%

LAB 88.4, -43.06, 14.91

 

CMYK 31 / 0 / 14 / 3

HEX #ABF7D4

RGB 171 247 212

HSL 152.37, 0.83%, 0.82%

LAB 91.65, -30.54, 9.41

 

CMYK 17 / 0 / 8 / 2

HEX #D0FAE7

RGB 208 250 231

HSL 152.86, 0.81%, 0.9%

LAB 94.97, -17.06, 4.63

 

CMYK 3 / 0 / 2 / 0

HEX #F6FEFA

RGB 246 254 250

HSL 150, 0.8%, 0.98%

LAB 98.98, -3.33, 0.98

 

CMYK 31 / 0 / 14 / 3

HEX #ABF7D4

RGB 171 247 212

HSL 152.37, 0.83%, 0.82%

LAB 91.65, -30.54, 9.41

 

CMYK 31 / 23 / 0 / 3

HEX #ABBFF7

RGB 171 191 247

HSL 224.21, 0.83%, 0.82%

LAB 77.66, 5.8, -29.9

 

CMYK 0 / 27 / 31 / 3

HEX #F7B5AB

RGB 247 181 171

HSL 7.89, 0.83%, 0.82%

LAB 79.48, 22.63, 14.53

 

CMYK 31 / 0 / 14 / 3

HEX #ABF7D4

RGB 171 247 212

HSL 152.37, 0.83%, 0.82%

LAB 91.65, -30.54, 9.41

 

CMYK 15 / 31 / 0 / 3

HEX #D3ABF7

RGB 211 171 247

HSL 271.58, 0.83%, 0.82%

LAB 75.88, 28.59, -32.38

 

CMYK 0 / 15 / 31 / 3

HEX #F7D3AB

RGB 247 211 171

HSL 31.58, 0.83%, 0.82%

LAB 86.65, 6.91, 24.49

 

CMYK 31 / 0 / 14 / 3

HEX #ABF7D4

RGB 171 247 212

HSL 152.37, 0.83%, 0.82%

LAB 91.65, -30.54, 9.41

 

CMYK 31 / 23 / 0 / 3

HEX #ABBFF7

RGB 171 191 247

HSL 224.21, 0.83%, 0.82%

LAB 77.66, 5.8, -29.9

 

CMYK 0 / 31 / 17 / 3

HEX #F7ABCE

RGB 247 171 206

HSL 332.37, 0.83%, 0.82%

LAB 78.08, 32.85, -6.46

 

CMYK 0 / 9 / 31 / 3

HEX #F7E2AB

RGB 247 226 171

HSL 43.42, 0.83%, 0.82%

LAB 90.37, -0.8, 29.54

 

CMYK 31 / 0 / 14 / 3

HEX #ABF7D4

RGB 171 247 212

HSL 152.37, 0.83%, 0.82%

LAB 91.65, -30.54, 9.41

 

CMYK 30 / 31 / 0 / 3

HEX #ADABF7

RGB 173 171 247

HSL 241.58, 0.83%, 0.82%

LAB 72.71, 17.41, -37.53

 

CMYK 0 / 31 / 17 / 3

HEX #F7ABCE

RGB 247 171 206

HSL 332.37, 0.83%, 0.82%

LAB 78.08, 32.85, -6.46

 

CMYK 1 / 0 / 31 / 3

HEX #F4F7AB

RGB 244 247 171

HSL 62.37, 0.83%, 0.82%

LAB 95.45, -12.44, 36.29

 

Description

Color code: HEX #ABF7D4 | qconv.com Color code: HEX #ABF7D4 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 171 red, 247 green and 212 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
171 247 212 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 31 cyan, none magenta, 14 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
31% 0% 14% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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