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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ABF8C0 it is the complementary color #54073F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ABF8C0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ABF8C0 shade: #B0F8BB, #C1FFCE, #D2FFE1, #E3FFF4 and #F4FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ABF8C0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ABF8C0 shade: #ABF8C0, #9AE6AD, #89D49A, #78C287 and #67B074

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ABF8C0 shade: #AAF8BF, #AAF8AA, #BEF8AA, #D3F8AA and #E8F8AA

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ABF8C0 shade: #AAF8BF, #AAF8D4, #AAF8E9, #AAF1F8 and #AADCF8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ABF8C0 shade matches the following richer shades: #AAF8BF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ABF8C0 shade: #AAF8BF, #B1F0C2, #B8E9C6, #C0E1C9 and #C7DACC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ABF8C0 shade: #BEF8AA, #AAF8AA, #AAF8BE, #AAF8D3 and #AAF8E8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ABF8C0 shade: #5DF186, #83F5A2, #AAF8BF, #D0FBDB and #F6FEF8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ABF8C0 shade: #ABF8C0, #AAD3F8 and #F8AAB4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ABF8C0 shade: #ABF8C0, #BEAAF8 and #F8BEAA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ABF8C0 shade: #ABF8C0, #AAD3F8, #F8AAE3 and #F8CEAA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ABF8C0 shade: #ABF8C0, #AABCF8, #F8AAE3 and #F8E5AA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 31 / 0 / 23 / 3

HEX #ABF8C0

RGB 171 248 192

HSL 136.36, 0.85%, 0.82%

LAB 91.5, -34.76, 19.51

 

Complementary color

CMYK 0 / 92 / 25 / 67

HEX #54073F

RGB 84 7 63

HSL 316.36, 0.85%, 0.18%

LAB 17.44, 38.46, -13.59

 

CMYK 29 / 0 / 25 / 3

HEX #B0F8BB

RGB 176 248 187

HSL 129.17, 0.84%, 0.83%

LAB 91.66, -34.1, 22.33

 

CMYK 24 / 0 / 19 / 0

HEX #C1FFCE

RGB 193 255 206

HSL 132.58, 1%, 0.88%

LAB 94.87, -28.75, 17.23

 

CMYK 18 / 0 / 12 / 0

HEX #D2FFE1

RGB 210 255 225

HSL 140, 1%, 0.91%

LAB 96.27, -19.98, 9.61

 

CMYK 11 / 0 / 4 / 0

HEX #E3FFF4

RGB 227 255 244

HSL 156.43, 1%, 0.95%

LAB 97.79, -11.07, 2.17

 

CMYK 4 / 0 / 0 / 0

HEX #F4FFFF

RGB 244 255 255

HSL 180, 1%, 0.98%

LAB 99.21, -3.59, -1.26

 

CMYK 31 / 0 / 23 / 3

HEX #ABF8C0

RGB 171 248 192

HSL 136.36, 0.85%, 0.82%

LAB 91.5, -34.76, 19.51

 

CMYK 33 / 0 / 25 / 10

HEX #9AE6AD

RGB 154 230 173

HSL 135, 0.6%, 0.75%

LAB 85.24, -35.01, 20.48

 

CMYK 35 / 0 / 27 / 17

HEX #89D49A

RGB 137 212 154

HSL 133.6, 0.47%, 0.68%

LAB 78.89, -35.28, 21.51

 

CMYK 38 / 0 / 30 / 24

HEX #78C287

RGB 120 194 135

HSL 132.16, 0.38%, 0.62%

LAB 72.45, -35.54, 22.61

 

CMYK 41 / 0 / 34 / 31

HEX #67B074

RGB 103 176 116

HSL 130.68, 0.32%, 0.55%

LAB 65.9, -35.8, 23.78

 

CMYK 31 / 0 / 23 / 3

HEX #AAF8BF

RGB 170 248 191

HSL 136.15, 0.85%, 0.82%

LAB 91.43, -35.24, 19.92

 

CMYK 31 / 0 / 31 / 3

HEX #AAF8AA

RGB 170 248 170

HSL 120, 0.85%, 0.82%

LAB 91.05, -38.77, 30.08

 

CMYK 23 / 0 / 31 / 3

HEX #BEF8AA

RGB 190 248 170

HSL 104.62, 0.85%, 0.82%

LAB 92.12, -32.29, 31.72

 

CMYK 15 / 0 / 31 / 3

HEX #D3F8AA

RGB 211 248 170

HSL 88.46, 0.85%, 0.82%

LAB 93.4, -25.05, 33.65

 

CMYK 6 / 0 / 31 / 3

HEX #E8F8AA

RGB 232 248 170

HSL 72.31, 0.85%, 0.82%

LAB 94.82, -17.49, 35.79

 

CMYK 31 / 0 / 23 / 3

HEX #AAF8BF

RGB 170 248 191

HSL 136.15, 0.85%, 0.82%

LAB 91.43, -35.24, 19.92

 

CMYK 31 / 0 / 15 / 3

HEX #AAF8D4

RGB 170 248 212

HSL 152.31, 0.85%, 0.82%

LAB 91.88, -31.3, 9.73

 

CMYK 31 / 0 / 6 / 3

HEX #AAF8E9

RGB 170 248 233

HSL 168.46, 0.85%, 0.82%

LAB 92.38, -26.98, -0.42

 

CMYK 31 / 3 / 0 / 3

HEX #AAF1F8

RGB 170 241 248

HSL 185.38, 0.85%, 0.82%

LAB 90.89, -20.26, -10.43

 

CMYK 31 / 11 / 0 / 3

HEX #AADCF8

RGB 170 220 248

HSL 201.54, 0.85%, 0.82%

LAB 85.26, -9.65, -18.87

 

CMYK 31 / 0 / 23 / 3

HEX #AAF8BF

RGB 170 248 191

HSL 136.15, 0.85%, 0.82%

LAB 91.43, -35.24, 19.92

 

CMYK 31 / 0 / 23 / 3

HEX #AAF8BF

RGB 170 248 191

HSL 136.15, 0.85%, 0.82%

LAB 91.43, -35.24, 19.92

 

CMYK 26 / 0 / 19 / 6

HEX #B1F0C2

RGB 177 240 194

HSL 136.19, 0.68%, 0.82%

LAB 89.66, -28.82, 15.94

 

CMYK 21 / 0 / 15 / 9

HEX #B8E9C6

RGB 184 233 198

HSL 137.14, 0.53%, 0.82%

LAB 88.23, -22.51, 11.9

 

CMYK 15 / 0 / 11 / 12

HEX #C0E1C9

RGB 192 225 201

HSL 136.36, 0.35%, 0.82%

LAB 86.64, -15.39, 8.12

 

CMYK 9 / 0 / 6 / 15

HEX #C7DACC

RGB 199 218 204

HSL 135.79, 0.2%, 0.82%

LAB 85.32, -8.96, 4.71

 

CMYK 23 / 0 / 31 / 3

HEX #BEF8AA

RGB 190 248 170

HSL 104.62, 0.85%, 0.82%

LAB 92.12, -32.29, 31.72

 

CMYK 31 / 0 / 31 / 3

HEX #AAF8AA

RGB 170 248 170

HSL 120, 0.85%, 0.82%

LAB 91.05, -38.77, 30.08

 

CMYK 31 / 0 / 23 / 3

HEX #AAF8BE

RGB 170 248 190

HSL 135.38, 0.85%, 0.82%

LAB 91.41, -35.42, 20.41

 

CMYK 31 / 0 / 15 / 3

HEX #AAF8D3

RGB 170 248 211

HSL 151.54, 0.85%, 0.82%

LAB 91.86, -31.5, 10.21

 

CMYK 31 / 0 / 6 / 3

HEX #AAF8E8

RGB 170 248 232

HSL 167.69, 0.85%, 0.82%

LAB 92.36, -27.19, 0.06

 

CMYK 61 / 0 / 44 / 5

HEX #5DF186

RGB 93 241 134

HSL 136.62, 0.84%, 0.65%

LAB 85.48, -61.88, 40.15

 

CMYK 47 / 0 / 34 / 4

HEX #83F5A2

RGB 131 245 162

HSL 136.32, 0.85%, 0.74%

LAB 88.32, -50.02, 30.16

 

CMYK 31 / 0 / 23 / 3

HEX #AAF8BF

RGB 170 248 191

HSL 136.15, 0.85%, 0.82%

LAB 91.43, -35.24, 19.92

 

CMYK 17 / 0 / 13 / 2

HEX #D0FBDB

RGB 208 251 219

HSL 135.35, 0.84%, 0.9%

LAB 94.96, -19.76, 10.8

 

CMYK 3 / 0 / 2 / 0

HEX #F6FEF8

RGB 246 254 248

HSL 135, 0.8%, 0.98%

LAB 98.93, -3.68, 1.94

 

CMYK 31 / 0 / 23 / 3

HEX #ABF8C0

RGB 171 248 192

HSL 136.36, 0.85%, 0.82%

LAB 91.5, -34.76, 19.51

 

CMYK 31 / 15 / 0 / 3

HEX #AAD3F8

RGB 170 211 248

HSL 208.46, 0.85%, 0.82%

LAB 82.87, -4.96, -22.49

 

CMYK 0 / 31 / 27 / 3

HEX #F8AAB4

RGB 248 170 180

HSL 352.31, 0.85%, 0.82%

LAB 77.28, 29.98, 6.55

 

CMYK 31 / 0 / 23 / 3

HEX #ABF8C0

RGB 171 248 192

HSL 136.36, 0.85%, 0.82%

LAB 91.5, -34.76, 19.51

 

CMYK 23 / 31 / 0 / 3

HEX #BEAAF8

RGB 190 170 248

HSL 255.38, 0.85%, 0.82%

LAB 73.85, 23.09, -36.2

 

CMYK 0 / 23 / 31 / 3

HEX #F8BEAA

RGB 248 190 170

HSL 15.38, 0.85%, 0.82%

LAB 81.67, 18.13, 18.15

 

CMYK 31 / 0 / 23 / 3

HEX #ABF8C0

RGB 171 248 192

HSL 136.36, 0.85%, 0.82%

LAB 91.5, -34.76, 19.51

 

CMYK 31 / 15 / 0 / 3

HEX #AAD3F8

RGB 170 211 248

HSL 208.46, 0.85%, 0.82%

LAB 82.87, -4.96, -22.49

 

CMYK 0 / 31 / 8 / 3

HEX #F8AAE3

RGB 248 170 227

HSL 316.15, 0.85%, 0.82%

LAB 78.61, 37.09, -17.06

 

CMYK 0 / 17 / 31 / 3

HEX #F8CEAA

RGB 248 206 170

HSL 27.69, 0.85%, 0.82%

LAB 85.5, 9.76, 23.45

 

CMYK 31 / 0 / 23 / 3

HEX #ABF8C0

RGB 171 248 192

HSL 136.36, 0.85%, 0.82%

LAB 91.5, -34.76, 19.51

 

CMYK 31 / 24 / 0 / 3

HEX #AABCF8

RGB 170 188 248

HSL 226.15, 0.85%, 0.82%

LAB 76.85, 7.4, -31.68

 

CMYK 0 / 31 / 8 / 3

HEX #F8AAE3

RGB 248 170 227

HSL 316.15, 0.85%, 0.82%

LAB 78.61, 37.09, -17.06

 

CMYK 0 / 8 / 31 / 3

HEX #F8E5AA

RGB 248 229 170

HSL 45.38, 0.85%, 0.82%

LAB 91.19, -2.07, 31.17

 

Description

Color code: HEX #ABF8C0 | qconv.com Color code: HEX #ABF8C0 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 171 red, 248 green and 192 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
171 248 192 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 31 cyan, none magenta, 23 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
31% 0% 23% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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