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Color name
HEX #ABFAC9

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ABFAC9 it is the complementary color #540536. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ABFAC9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ABFAC9 shade: #B0FAC4, #C1FFD7, #D2FFEA, #E3FFFD and #F4FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ABFAC9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ABFAC9 shade: #ABFAC9, #9AE8B6, #89D6A3, #78C490 and #67B27D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ABFAC9 shade: #ADFACA, #ADFAB5, #B9FAAD, #CEFAAD and #E3FAAD

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ABFAC9 shade: #ADFACA, #ADFADF, #ADFAF3, #ADEBFA and #ADD6FA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ABFAC9 shade matches the following richer shades: #ADFACA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ABFAC9 shade: #ADFACA, #B4F3CC, #BBECCD, #C2E5CF and #C9DED1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ABFAC9 shade: #B9FAAD, #ADFAB4, #ADFAC9, #ADFADD and #ADFAF2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ABFAC9 shade: #5FF598, #86F7B1, #ADFACA, #D4FCE3 and #FBFEFC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ABFAC9 shade: #ABFAC9, #ADCEFA and #FAADAF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ABFAC9 shade: #ABFAC9, #C9ADFA and #FAC9AD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ABFAC9 shade: #ABFAC9, #ADCEFA, #FAADDD and #FAD8AD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ABFAC9 shade: #ABFAC9, #ADB7FA, #FAADDD and #FAEFAD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 32 / 0 / 20 / 2

HEX #ABFAC9

RGB 171 250 201

HSL 142.78, 0.89%, 0.83%

LAB 92.24, -34.04, 15.92

 

Complementary color

CMYK 0 / 94 / 36 / 67

HEX #540536

RGB 84 5 54

HSL 322.78, 0.89%, 0.17%

LAB 16.8, 37.85, -8.21

 

CMYK 30 / 0 / 22 / 2

HEX #B0FAC4

RGB 176 250 196

HSL 136.22, 0.88%, 0.84%

LAB 92.39, -33.45, 18.74

 

CMYK 24 / 0 / 16 / 0

HEX #C1FFD7

RGB 193 255 215

HSL 141.29, 1%, 0.88%

LAB 95.06, -27.14, 12.88

 

CMYK 18 / 0 / 8 / 0

HEX #D2FFEA

RGB 210 255 234

HSL 152, 1%, 0.91%

LAB 96.48, -18.32, 5.28

 

CMYK 11 / 0 / 1 / 0

HEX #E3FFFD

RGB 227 255 253

HSL 175.71, 1%, 0.95%

LAB 98.01, -9.39, -2.12

 

CMYK 4 / 0 / 0 / 0

HEX #F4FFFF

RGB 244 255 255

HSL 180, 1%, 0.98%

LAB 99.21, -3.59, -1.26

 

CMYK 32 / 0 / 20 / 2

HEX #ABFAC9

RGB 171 250 201

HSL 142.78, 0.89%, 0.83%

LAB 92.24, -34.04, 15.92

 

CMYK 34 / 0 / 22 / 9

HEX #9AE8B6

RGB 154 232 182

HSL 141.54, 0.63%, 0.76%

LAB 85.99, -34.29, 16.84

 

CMYK 36 / 0 / 24 / 16

HEX #89D6A3

RGB 137 214 163

HSL 140.26, 0.48%, 0.69%

LAB 79.65, -34.55, 17.82

 

CMYK 39 / 0 / 27 / 23

HEX #78C490

RGB 120 196 144

HSL 138.95, 0.39%, 0.62%

LAB 73.21, -34.82, 18.86

 

CMYK 42 / 0 / 30 / 30

HEX #67B27D

RGB 103 178 125

HSL 137.6, 0.33%, 0.55%

LAB 66.68, -35.09, 19.98

 

CMYK 31 / 0 / 19 / 2

HEX #ADFACA

RGB 173 250 202

HSL 142.6, 0.89%, 0.83%

LAB 92.36, -33.26, 15.59

 

CMYK 31 / 0 / 28 / 2

HEX #ADFAB5

RGB 173 250 181

HSL 126.23, 0.89%, 0.83%

LAB 91.95, -36.96, 25.76

 

CMYK 26 / 0 / 31 / 2

HEX #B9FAAD

RGB 185 250 173

HSL 110.65, 0.89%, 0.83%

LAB 92.44, -34.41, 30.59

 

CMYK 18 / 0 / 31 / 2

HEX #CEFAAD

RGB 206 250 173

HSL 94.29, 0.89%, 0.83%

LAB 93.67, -27.33, 32.45

 

CMYK 9 / 0 / 31 / 2

HEX #E3FAAD

RGB 227 250 173

HSL 77.92, 0.89%, 0.83%

LAB 95.04, -19.89, 34.53

 

CMYK 31 / 0 / 19 / 2

HEX #ADFACA

RGB 173 250 202

HSL 142.6, 0.89%, 0.83%

LAB 92.36, -33.26, 15.59

 

CMYK 31 / 0 / 11 / 2

HEX #ADFADF

RGB 173 250 223

HSL 158.96, 0.89%, 0.83%

LAB 92.83, -29.18, 5.43

 

CMYK 31 / 0 / 3 / 2

HEX #ADFAF3

RGB 173 250 243

HSL 174.55, 0.89%, 0.83%

LAB 93.33, -24.95, -4.2

 

CMYK 31 / 6 / 0 / 2

HEX #ADEBFA

RGB 173 235 250

HSL 191.69, 0.89%, 0.83%

LAB 89.49, -15.99, -13.55

 

CMYK 31 / 14 / 0 / 2

HEX #ADD6FA

RGB 173 214 250

HSL 208.05, 0.89%, 0.83%

LAB 83.9, -5.22, -21.96

 

CMYK 31 / 0 / 19 / 2

HEX #ADFACA

RGB 173 250 202

HSL 142.6, 0.89%, 0.83%

LAB 92.36, -33.26, 15.59

 

CMYK 31 / 0 / 19 / 2

HEX #ADFACA

RGB 173 250 202

HSL 142.6, 0.89%, 0.83%

LAB 92.36, -33.26, 15.59

 

CMYK 26 / 0 / 16 / 5

HEX #B4F3CC

RGB 180 243 204

HSL 142.86, 0.72%, 0.83%

LAB 90.85, -27.48, 12.48

 

CMYK 21 / 0 / 13 / 7

HEX #BBECCD

RGB 187 236 205

HSL 142.04, 0.56%, 0.83%

LAB 89.38, -21.72, 9.91

 

CMYK 15 / 0 / 10 / 10

HEX #C2E5CF

RGB 194 229 207

HSL 142.29, 0.4%, 0.83%

LAB 87.97, -15.63, 6.91

 

CMYK 9 / 0 / 6 / 13

HEX #C9DED1

RGB 201 222 209

HSL 142.86, 0.24%, 0.83%

LAB 86.63, -9.42, 3.98

 

CMYK 26 / 0 / 31 / 2

HEX #B9FAAD

RGB 185 250 173

HSL 110.65, 0.89%, 0.83%

LAB 92.44, -34.41, 30.59

 

CMYK 31 / 0 / 28 / 2

HEX #ADFAB4

RGB 173 250 180

HSL 125.45, 0.89%, 0.83%

LAB 91.93, -37.12, 26.25

 

CMYK 31 / 0 / 20 / 2

HEX #ADFAC9

RGB 173 250 201

HSL 141.82, 0.89%, 0.83%

LAB 92.34, -33.45, 16.08

 

CMYK 31 / 0 / 12 / 2

HEX #ADFADD

RGB 173 250 221

HSL 157.4, 0.89%, 0.83%

LAB 92.78, -29.58, 6.39

 

CMYK 31 / 0 / 3 / 2

HEX #ADFAF2

RGB 173 250 242

HSL 173.77, 0.89%, 0.83%

LAB 93.31, -25.17, -3.72

 

CMYK 61 / 0 / 38 / 4

HEX #5FF598

RGB 95 245 152

HSL 142.8, 0.88%, 0.67%

LAB 87, -60.01, 33.22

 

CMYK 46 / 0 / 28 / 3

HEX #86F7B1

RGB 134 247 177

HSL 142.83, 0.88%, 0.75%

LAB 89.28, -47.43, 23.86

 

CMYK 31 / 0 / 19 / 2

HEX #ADFACA

RGB 173 250 202

HSL 142.6, 0.89%, 0.83%

LAB 92.36, -33.26, 15.59

 

CMYK 16 / 0 / 10 / 1

HEX #D4FCE3

RGB 212 252 227

HSL 142.5, 0.87%, 0.91%

LAB 95.65, -17.52, 7.71

 

CMYK 1 / 0 / 1 / 0

HEX #FBFEFC

RGB 251 254 252

HSL 140, 0.6%, 0.99%

LAB 99.39, -1.33, 0.6

 

CMYK 32 / 0 / 20 / 2

HEX #ABFAC9

RGB 171 250 201

HSL 142.78, 0.89%, 0.83%

LAB 92.24, -34.04, 15.92

 

CMYK 31 / 18 / 0 / 2

HEX #ADCEFA

RGB 173 206 250

HSL 214.29, 0.89%, 0.83%

LAB 81.8, -0.99, -25.15

 

CMYK 0 / 31 / 30 / 2

HEX #FAADAF

RGB 250 173 175

HSL 358.44, 0.89%, 0.83%

LAB 78.06, 28.47, 10.4

 

CMYK 32 / 0 / 20 / 2

HEX #ABFAC9

RGB 171 250 201

HSL 142.78, 0.89%, 0.83%

LAB 92.24, -34.04, 15.92

 

CMYK 20 / 31 / 0 / 2

HEX #C9ADFA

RGB 201 173 250

HSL 261.82, 0.89%, 0.83%

LAB 75.58, 25.14, -34.53

 

CMYK 0 / 20 / 31 / 2

HEX #FAC9AD

RGB 250 201 173

HSL 21.82, 0.89%, 0.83%

LAB 84.54, 13.5, 20.58

 

CMYK 32 / 0 / 20 / 2

HEX #ABFAC9

RGB 171 250 201

HSL 142.78, 0.89%, 0.83%

LAB 92.24, -34.04, 15.92

 

CMYK 31 / 18 / 0 / 2

HEX #ADCEFA

RGB 173 206 250

HSL 214.29, 0.89%, 0.83%

LAB 81.8, -0.99, -25.15

 

CMYK 0 / 31 / 12 / 2

HEX #FAADDD

RGB 250 173 221

HSL 322.6, 0.89%, 0.83%

LAB 79.29, 35.18, -12.77

 

CMYK 0 / 14 / 31 / 2

HEX #FAD8AD

RGB 250 216 173

HSL 33.51, 0.89%, 0.83%

LAB 88.19, 5.71, 25.59

 

CMYK 32 / 0 / 20 / 2

HEX #ABFAC9

RGB 171 250 201

HSL 142.78, 0.89%, 0.83%

LAB 92.24, -34.04, 15.92

 

CMYK 31 / 27 / 0 / 2

HEX #ADB7FA

RGB 173 183 250

HSL 232.21, 0.89%, 0.83%

LAB 75.86, 11.49, -34.28

 

CMYK 0 / 31 / 12 / 2

HEX #FAADDD

RGB 250 173 221

HSL 322.6, 0.89%, 0.83%

LAB 79.29, 35.18, -12.77

 

CMYK 0 / 4 / 31 / 2

HEX #FAEFAD

RGB 250 239 173

HSL 51.43, 0.89%, 0.83%

LAB 93.92, -5.99, 33.32

 

Description

Color code: HEX #ABFAC9 | qconv.com Color code: HEX #ABFAC9 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 171 red, 250 green and 201 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
171 250 201 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 32 cyan, none magenta, 20 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
32% 0% 20% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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