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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ABFBA1 it is the complementary color #54045E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ABFBA1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ABFBA1 shade: #B0FB9C, #C1FFAF, #D2FFC2, #E3FFD5 and #F4FFE8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ABFBA1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ABFBA1 shade: #ABFBA1, #9AE98E, #89D77B, #78C568 and #67B355

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ABFBA1 shade: #ABFBA1, #C3FBA1, #DBFBA1, #F4FBA1 and #FBEAA1

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ABFBA1 shade: #ABFBA1, #A1FBB0, #A1FBC8, #A1FBE0 and #A1FBF8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ABFBA1 shade matches the following richer shades: #ABFBA1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ABFBA1 shade: #ABFBA1, #B1F3A9, #B8EBB1, #BEE3B9 and #C4DBC1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ABFBA1 shade: #DBFBA1, #C4FBA1, #ACFBA1, #A1FBAF and #A1FBC7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ABFBA1 shade: #65F752, #88F97A, #ABFBA1, #CFFCC9 and #F2FEF1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ABFBA1 shade: #ABFBA1, #A1F3FB and #FBA1D0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ABFBA1 shade: #ABFBA1, #A1ACFB and #FBA1AC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ABFBA1 shade: #ABFBA1, #A1F3FB, #F0A1FB and #FBA9A1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ABFBA1 shade: #ABFBA1, #A1D8FB, #F0A1FB and #FBC4A1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 32 / 0 / 36 / 2

HEX #ABFBA1

RGB 171 251 161

HSL 113.33, 0.92%, 0.81%

LAB 91.79, -41.17, 35.59

 

Complementary color

CMYK 11 / 96 / 0 / 63

HEX #54045E

RGB 84 4 94

HSL 293.33, 0.92%, 0.19%

LAB 19.14, 44.48, -32.07

 

CMYK 30 / 0 / 38 / 2

HEX #B0FB9C

RGB 176 251 156

HSL 107.37, 0.92%, 0.8%

LAB 91.96, -40.29, 38.35

 

CMYK 24 / 0 / 31 / 0

HEX #C1FFAF

RGB 193 255 175

HSL 106.5, 1%, 0.84%

LAB 94.29, -33.78, 32.15

 

CMYK 18 / 0 / 24 / 0

HEX #D2FFC2

RGB 210 255 194

HSL 104.26, 1%, 0.88%

LAB 95.63, -25.21, 24.55

 

CMYK 11 / 0 / 16 / 0

HEX #E3FFD5

RGB 227 255 213

HSL 100, 1%, 0.92%

LAB 97.09, -16.45, 17.06

 

CMYK 4 / 0 / 9 / 0

HEX #F4FFE8

RGB 244 255 232

HSL 88.7, 1%, 0.95%

LAB 98.66, -7.59, 9.74

 

CMYK 32 / 0 / 36 / 2

HEX #ABFBA1

RGB 171 251 161

HSL 113.33, 0.92%, 0.81%

LAB 91.79, -41.17, 35.59

 

CMYK 34 / 0 / 39 / 9

HEX #9AE98E

RGB 154 233 142

HSL 112.09, 0.67%, 0.74%

LAB 85.55, -41.38, 36.74

 

CMYK 36 / 0 / 43 / 16

HEX #89D77B

RGB 137 215 123

HSL 110.87, 0.53%, 0.66%

LAB 79.24, -41.56, 37.93

 

CMYK 39 / 0 / 47 / 23

HEX #78C568

RGB 120 197 104

HSL 109.68, 0.44%, 0.59%

LAB 72.84, -41.71, 39.16

 

CMYK 42 / 0 / 53 / 30

HEX #67B355

RGB 103 179 85

HSL 108.51, 0.38%, 0.52%

LAB 66.35, -41.8, 40.4

 

CMYK 32 / 0 / 36 / 2

HEX #ABFBA1

RGB 171 251 161

HSL 113.33, 0.92%, 0.81%

LAB 91.79, -41.17, 35.59

 

CMYK 22 / 0 / 36 / 2

HEX #C3FBA1

RGB 195 251 161

HSL 97.33, 0.92%, 0.81%

LAB 93.09, -33.26, 37.55

 

CMYK 13 / 0 / 36 / 2

HEX #DBFBA1

RGB 219 251 161

HSL 81.33, 0.92%, 0.81%

LAB 94.58, -24.8, 39.78

 

CMYK 3 / 0 / 36 / 2

HEX #F4FBA1

RGB 244 251 161

HSL 64.67, 0.92%, 0.81%

LAB 96.33, -15.58, 42.39

 

CMYK 0 / 7 / 36 / 2

HEX #FBEAA1

RGB 251 234 161

HSL 48.67, 0.92%, 0.81%

LAB 92.54, -4.51, 37.57

 

CMYK 32 / 0 / 36 / 2

HEX #ABFBA1

RGB 171 251 161

HSL 113.33, 0.92%, 0.81%

LAB 91.79, -41.17, 35.59

 

CMYK 36 / 0 / 30 / 2

HEX #A1FBB0

RGB 161 251 176

HSL 130, 0.92%, 0.81%

LAB 91.55, -41.86, 27.66

 

CMYK 36 / 0 / 20 / 2

HEX #A1FBC8

RGB 161 251 200

HSL 146, 0.92%, 0.81%

LAB 92.02, -37.58, 16.05

 

CMYK 36 / 0 / 11 / 2

HEX #A1FBE0

RGB 161 251 224

HSL 162, 0.92%, 0.81%

LAB 92.55, -32.76, 4.44

 

CMYK 36 / 0 / 1 / 2

HEX #A1FBF8

RGB 161 251 248

HSL 178, 0.92%, 0.81%

LAB 93.17, -27.47, -7.1

 

CMYK 32 / 0 / 36 / 2

HEX #ABFBA1

RGB 171 251 161

HSL 113.33, 0.92%, 0.81%

LAB 91.79, -41.17, 35.59

 

CMYK 32 / 0 / 36 / 2

HEX #ABFBA1

RGB 171 251 161

HSL 113.33, 0.92%, 0.81%

LAB 91.79, -41.17, 35.59

 

CMYK 27 / 0 / 30 / 5

HEX #B1F3A9

RGB 177 243 169

HSL 113.51, 0.76%, 0.81%

LAB 90, -34.42, 29.25

 

CMYK 22 / 0 / 25 / 8

HEX #B8EBB1

RGB 184 235 177

HSL 112.76, 0.59%, 0.81%

LAB 88.34, -27.1, 22.96

 

CMYK 16 / 0 / 19 / 11

HEX #BEE3B9

RGB 190 227 185

HSL 112.86, 0.43%, 0.81%

LAB 86.7, -19.87, 16.57

 

CMYK 11 / 0 / 12 / 14

HEX #C4DBC1

RGB 196 219 193

HSL 113.08, 0.27%, 0.81%

LAB 85.12, -12.46, 10.2

 

CMYK 13 / 0 / 36 / 2

HEX #DBFBA1

RGB 219 251 161

HSL 81.33, 0.92%, 0.81%

LAB 94.58, -24.8, 39.78

 

CMYK 22 / 0 / 36 / 2

HEX #C4FBA1

RGB 196 251 161

HSL 96.67, 0.92%, 0.81%

LAB 93.15, -32.91, 37.64

 

CMYK 31 / 0 / 36 / 2

HEX #ACFBA1

RGB 172 251 161

HSL 112.67, 0.92%, 0.81%

LAB 91.84, -40.85, 35.67

 

CMYK 36 / 0 / 30 / 2

HEX #A1FBAF

RGB 161 251 175

HSL 129.33, 0.92%, 0.81%

LAB 91.54, -42.03, 28.14

 

CMYK 36 / 0 / 21 / 2

HEX #A1FBC7

RGB 161 251 199

HSL 145.33, 0.92%, 0.81%

LAB 92, -37.77, 16.54

 

CMYK 59 / 0 / 67 / 3

HEX #65F752

RGB 101 247 82

HSL 113.09, 0.91%, 0.65%

LAB 86.95, -68.57, 65.03

 

CMYK 45 / 0 / 51 / 2

HEX #88F97A

RGB 136 249 122

HSL 113.39, 0.91%, 0.73%

LAB 89.11, -56.15, 50.69

 

CMYK 32 / 0 / 36 / 2

HEX #ABFBA1

RGB 171 251 161

HSL 113.33, 0.92%, 0.81%

LAB 91.79, -41.17, 35.59

 

CMYK 18 / 0 / 20 / 1

HEX #CFFCC9

RGB 207 252 201

HSL 112.94, 0.89%, 0.89%

LAB 94.78, -23.65, 19.78

 

CMYK 5 / 0 / 5 / 0

HEX #F2FEF1

RGB 242 254 241

HSL 115.38, 0.87%, 0.97%

LAB 98.48, -6.23, 4.84

 

CMYK 32 / 0 / 36 / 2

HEX #ABFBA1

RGB 171 251 161

HSL 113.33, 0.92%, 0.81%

LAB 91.79, -41.17, 35.59

 

CMYK 36 / 3 / 0 / 2

HEX #A1F3FB

RGB 161 243 251

HSL 185.33, 0.92%, 0.81%

LAB 91.07, -22.91, -11.76

 

CMYK 0 / 36 / 17 / 2

HEX #FBA1D0

RGB 251 161 208

HSL 328.67, 0.92%, 0.81%

LAB 76.41, 39.74, -9.99

 

CMYK 32 / 0 / 36 / 2

HEX #ABFBA1

RGB 171 251 161

HSL 113.33, 0.92%, 0.81%

LAB 91.79, -41.17, 35.59

 

CMYK 36 / 31 / 0 / 2

HEX #A1ACFB

RGB 161 172 251

HSL 232.67, 0.92%, 0.81%

LAB 72.26, 14.57, -40.47

 

CMYK 0 / 36 / 31 / 2

HEX #FBA1AC

RGB 251 161 172

HSL 352.67, 0.92%, 0.81%

LAB 75.44, 34.73, 8.32

 

CMYK 32 / 0 / 36 / 2

HEX #ABFBA1

RGB 171 251 161

HSL 113.33, 0.92%, 0.81%

LAB 91.79, -41.17, 35.59

 

CMYK 36 / 3 / 0 / 2

HEX #A1F3FB

RGB 161 243 251

HSL 185.33, 0.92%, 0.81%

LAB 91.07, -22.91, -11.76

 

CMYK 4 / 36 / 0 / 2

HEX #F0A1FB

RGB 240 161 251

HSL 292.67, 0.92%, 0.81%

LAB 76.67, 43.54, -33.08

 

CMYK 0 / 33 / 36 / 2

HEX #FBA9A1

RGB 251 169 161

HSL 5.33, 0.92%, 0.81%

LAB 76.96, 29.21, 16.47

 

CMYK 32 / 0 / 36 / 2

HEX #ABFBA1

RGB 171 251 161

HSL 113.33, 0.92%, 0.81%

LAB 91.79, -41.17, 35.59

 

CMYK 36 / 14 / 0 / 2

HEX #A1D8FB

RGB 161 216 251

HSL 203.33, 0.92%, 0.81%

LAB 83.79, -9.29, -22.73

 

CMYK 4 / 36 / 0 / 2

HEX #F0A1FB

RGB 240 161 251

HSL 292.67, 0.92%, 0.81%

LAB 76.67, 43.54, -33.08

 

CMYK 0 / 22 / 36 / 2

HEX #FBC4A1

RGB 251 196 161

HSL 23.33, 0.92%, 0.81%

LAB 83.21, 15.03, 25.1

 

Description

Color code: HEX #ABFBA1 | qconv.com Color code: HEX #ABFBA1 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 171 red, 251 green and 161 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
171 251 161 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 32 cyan, none magenta, 36 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
32% 0% 36% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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