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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ABFC3B it is the complementary color #5403C4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ABFC3B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ABFC3B shade: #B0FC36, #C1FF49, #D2FF5C, #E3FF6F and #F4FF82

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ABFC3B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ABFC3B shade: #ABFC3B, #9AEA28, #89D815, #78C602 and #67B400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ABFC3B shade: #ABFC3B, #DFFC3B, #FCE43B, #FCB03B and #FC7C3B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ABFC3B shade: #ABFC3B, #77FC3B, #42FC3B, #3BFC67 and #3BFC9B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ABFC3B shade matches the following richer shades: #ABFC3B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ABFC3B shade: #ABFC3B, #A8EB4B, #A5DB5B, #A3CB6B and #A0BB7B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ABFC3B shade: #FCE53B, #DFFC3B, #ABFC3B, #78FC3B and #44FC3B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ABFC3B shade: #84E103, #99FB12, #ABFC3B, #BCFC63 and #CDFD8C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ABFC3B shade: #ABFC3B, #3BFCB2 and #FC3BF8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ABFC3B shade: #ABFC3B, #3BABFC and #FC3BAB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ABFC3B shade: #ABFC3B, #3BFCB2, #8B3BFC and #FC3B85

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ABFC3B shade: #ABFC3B, #3BFCEB, #8B3BFC and #FC3B4B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 32 / 0 / 77 / 1

HEX #ABFC3B

RGB 171 252 59

HSL 85.18, 0.97%, 0.61%

LAB 91.05, -51.45, 77.84

 

Complementary color

CMYK 57 / 98 / 0 / 23

HEX #5403C4

RGB 84 3 196

HSL 265.18, 0.97%, 0.39%

LAB 29.25, 66.82, -78.96

 

CMYK 30 / 0 / 79 / 1

HEX #B0FC36

RGB 176 252 54

HSL 83.03, 0.97%, 0.6%

LAB 91.29, -49.92, 79.55

 

CMYK 24 / 0 / 71 / 0

HEX #C1FF49

RGB 193 255 73

HSL 80.44, 1%, 0.64%

LAB 93.16, -44.11, 75.9

 

CMYK 18 / 0 / 64 / 0

HEX #D2FF5C

RGB 210 255 92

HSL 76.56, 1%, 0.68%

LAB 94.31, -36.61, 70.5

 

CMYK 11 / 0 / 56 / 0

HEX #E3FF6F

RGB 227 255 111

HSL 71.67, 1%, 0.72%

LAB 95.58, -28.75, 64.43

 

CMYK 4 / 0 / 49 / 0

HEX #F4FF82

RGB 244 255 130

HSL 65.28, 1%, 0.75%

LAB 96.97, -20.63, 57.92

 

CMYK 32 / 0 / 77 / 1

HEX #ABFC3B

RGB 171 252 59

HSL 85.18, 0.97%, 0.61%

LAB 91.05, -51.45, 77.84

 

CMYK 34 / 0 / 83 / 8

HEX #9AEA28

RGB 154 234 40

HSL 84.74, 0.82%, 0.54%

LAB 84.93, -50.81, 76.95

 

CMYK 37 / 0 / 90 / 15

HEX #89D815

RGB 137 216 21

HSL 84.31, 0.82%, 0.46%

LAB 78.74, -49.97, 75.02

 

CMYK 39 / 0 / 99 / 22

HEX #78C602

RGB 120 198 2

HSL 83.88, 0.98%, 0.39%

LAB 72.49, -48.91, 71.87

 

CMYK 43 / 0 / 100 / 29

HEX #67B400

RGB 103 180 0

HSL 85.67, 1%, 0.35%

LAB 66.16, -47.52, 66.82

 

CMYK 32 / 0 / 77 / 1

HEX #ABFC3B

RGB 171 252 59

HSL 85.18, 0.97%, 0.61%

LAB 91.05, -51.45, 77.84

 

CMYK 12 / 0 / 77 / 1

HEX #DFFC3B

RGB 223 252 59

HSL 69.02, 0.97%, 0.61%

LAB 94.15, -31.96, 81.83

 

CMYK 0 / 10 / 77 / 1

HEX #FCE43B

RGB 252 228 59

HSL 52.54, 0.97%, 0.61%

LAB 90.09, -8.61, 78.97

 

CMYK 0 / 30 / 77 / 1

HEX #FCB03B

RGB 252 176 59

HSL 36.37, 0.97%, 0.61%

LAB 77.32, 18.08, 67.15

 

CMYK 0 / 51 / 77 / 1

HEX #FC7C3B

RGB 252 124 59

HSL 20.21, 0.97%, 0.61%

LAB 66.08, 44.77, 56.25

 

CMYK 32 / 0 / 77 / 1

HEX #ABFC3B

RGB 171 252 59

HSL 85.18, 0.97%, 0.61%

LAB 91.05, -51.45, 77.84

 

CMYK 53 / 0 / 77 / 1

HEX #77FC3B

RGB 119 252 59

HSL 101.35, 0.97%, 0.61%

LAB 88.86, -67.51, 74.99

 

CMYK 74 / 0 / 77 / 1

HEX #42FC3B

RGB 66 252 59

HSL 117.82, 0.97%, 0.61%

LAB 87.53, -78.41, 73.26

 

CMYK 77 / 0 / 59 / 1

HEX #3BFC67

RGB 59 252 103

HSL 133.68, 0.97%, 0.61%

LAB 87.74, -75.42, 57.09

 

CMYK 77 / 0 / 38 / 1

HEX #3BFC9B

RGB 59 252 155

HSL 149.84, 0.97%, 0.61%

LAB 88.41, -67.6, 33.46

 

CMYK 32 / 0 / 77 / 1

HEX #ABFC3B

RGB 171 252 59

HSL 85.18, 0.97%, 0.61%

LAB 91.05, -51.45, 77.84

 

CMYK 32 / 0 / 77 / 1

HEX #ABFC3B

RGB 171 252 59

HSL 85.18, 0.97%, 0.61%

LAB 91.05, -51.45, 77.84

 

CMYK 29 / 0 / 68 / 8

HEX #A8EB4B

RGB 168 235 75

HSL 85.13, 0.8%, 0.61%

LAB 86.13, -44.48, 67.67

 

CMYK 25 / 0 / 58 / 14

HEX #A5DB5B

RGB 165 219 91

HSL 85.31, 0.64%, 0.61%

LAB 81.52, -37.3, 56.15

 

CMYK 20 / 0 / 47 / 20

HEX #A3CB6B

RGB 163 203 107

HSL 85, 0.48%, 0.61%

LAB 77.02, -29.03, 43.37

 

CMYK 14 / 0 / 34 / 27

HEX #A0BB7B

RGB 160 187 123

HSL 85.31, 0.32%, 0.61%

LAB 72.52, -20.34, 29.46

 

CMYK 0 / 9 / 77 / 1

HEX #FCE53B

RGB 252 229 59

HSL 52.85, 0.97%, 0.61%

LAB 90.34, -9.11, 79.2

 

CMYK 12 / 0 / 77 / 1

HEX #DFFC3B

RGB 223 252 59

HSL 69.02, 0.97%, 0.61%

LAB 94.15, -31.96, 81.83

 

CMYK 32 / 0 / 77 / 1

HEX #ABFC3B

RGB 171 252 59

HSL 85.18, 0.97%, 0.61%

LAB 91.05, -51.45, 77.84

 

CMYK 52 / 0 / 77 / 1

HEX #78FC3B

RGB 120 252 59

HSL 101.04, 0.97%, 0.61%

LAB 88.89, -67.25, 75.03

 

CMYK 73 / 0 / 77 / 1

HEX #44FC3B

RGB 68 252 59

HSL 117.2, 0.97%, 0.61%

LAB 87.57, -78.11, 73.3

 

CMYK 41 / 0 / 99 / 12

HEX #84E103

RGB 132 225 3

HSL 85.14, 0.97%, 0.45%

LAB 81.16, -55.51, 78.79

 

CMYK 39 / 0 / 93 / 2

HEX #99FB12

RGB 153 251 18

HSL 85.24, 0.97%, 0.53%

LAB 89.77, -58.45, 84.67

 

CMYK 32 / 0 / 77 / 1

HEX #ABFC3B

RGB 171 252 59

HSL 85.18, 0.97%, 0.61%

LAB 91.05, -51.45, 77.84

 

CMYK 25 / 0 / 61 / 1

HEX #BCFC63

RGB 188 252 99

HSL 85.1, 0.96%, 0.69%

LAB 92.23, -42.88, 65.06

 

CMYK 19 / 0 / 45 / 1

HEX #CDFD8C

RGB 205 253 140

HSL 85.49, 0.97%, 0.77%

LAB 93.94, -33.27, 48.96

 

CMYK 32 / 0 / 77 / 1

HEX #ABFC3B

RGB 171 252 59

HSL 85.18, 0.97%, 0.61%

LAB 91.05, -51.45, 77.84

 

CMYK 77 / 0 / 29 / 1

HEX #3BFCB2

RGB 59 252 178

HSL 156.99, 0.97%, 0.61%

LAB 88.81, -63.09, 22.4

 

CMYK 0 / 77 / 2 / 1

HEX #FC3BF8

RGB 252 59 248

HSL 301.24, 0.97%, 0.61%

LAB 62.17, 88.75, -54.04

 

CMYK 32 / 0 / 77 / 1

HEX #ABFC3B

RGB 171 252 59

HSL 85.18, 0.97%, 0.61%

LAB 91.05, -51.45, 77.84

 

CMYK 77 / 32 / 0 / 1

HEX #3BABFC

RGB 59 171 252

HSL 205.18, 0.97%, 0.61%

LAB 67.34, -4.51, -49.06

 

CMYK 0 / 77 / 32 / 1

HEX #FC3BAB

RGB 252 59 171

HSL 325.18, 0.97%, 0.61%

LAB 58.75, 78.86, -15.66

 

CMYK 32 / 0 / 77 / 1

HEX #ABFC3B

RGB 171 252 59

HSL 85.18, 0.97%, 0.61%

LAB 91.05, -51.45, 77.84

 

CMYK 77 / 0 / 29 / 1

HEX #3BFCB2

RGB 59 252 178

HSL 156.99, 0.97%, 0.61%

LAB 88.81, -63.09, 22.4

 

CMYK 45 / 77 / 0 / 1

HEX #8B3BFC

RGB 139 59 252

HSL 264.87, 0.97%, 0.61%

LAB 46.51, 70.19, -82.36

 

CMYK 0 / 77 / 47 / 1

HEX #FC3B85

RGB 252 59 133

HSL 336.99, 0.97%, 0.61%

LAB 57.58, 75.26, 4.89

 

CMYK 32 / 0 / 77 / 1

HEX #ABFC3B

RGB 171 252 59

HSL 85.18, 0.97%, 0.61%

LAB 91.05, -51.45, 77.84

 

CMYK 77 / 0 / 7 / 1

HEX #3BFCEB

RGB 59 252 235

HSL 174.72, 0.97%, 0.61%

LAB 90.11, -49.47, -5.2

 

CMYK 45 / 77 / 0 / 1

HEX #8B3BFC

RGB 139 59 252

HSL 264.87, 0.97%, 0.61%

LAB 46.51, 70.19, -82.36

 

CMYK 0 / 77 / 70 / 1

HEX #FC3B4B

RGB 252 59 75

HSL 355.03, 0.97%, 0.61%

LAB 56.42, 71.63, 37.46

 

Description

Color code: HEX #ABFC3B | qconv.com Color code: HEX #ABFC3B | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 171 red, 252 green and 59 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
171 252 59 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 32 cyan, none magenta, 77 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
32% 0% 77% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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