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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AC0BAC it is the complementary color #53F453. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AC0BAC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AC0BAC shade: #B10BA7, #C21DBA, #D32FCD, #E441E0 and #F553F3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AC0BAC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AC0BAC shade: #AC0BAC, #9B0099, #8A0086, #790073 and #680060

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AC0BAC shade: #AC0BAC, #AC0B81, #AC0B55, #AC0B29 and #AC0B0B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AC0BAC shade: #AC0BAC, #810BAC, #550BAC, #290BAC and #0B0BAC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AC0BAC shade matches the following richer shades: #AC0BAC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AC0BAC shade: #AC0BAC, #9D199D, #8E288E, #803780 and #714671

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AC0BAC shade: #560BAC, #810BAC, #AC0BAC, #AC0B81 and #AC0B56

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AC0BAC shade: #5F065F, #850885, #AC0BAC, #D30DD3 and #F019F0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AC0BAC shade: #AC0BAC, #AC2B0B and #0BAC6B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AC0BAC shade: #AC0BAC, #ACAC0B and #0BACAC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AC0BAC shade: #AC0BAC, #AC2B0B, #0BAC0B and #0B8CAC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AC0BAC shade: #AC0BAC, #AC5B0B, #0BAC0B and #0B5BAC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 94 / 0 / 33

HEX #AC0BAC

RGB 172 11 172

HSL 300, 0.88%, 0.36%

LAB 41.2, 72.01, -44.68

 

Complementary color

CMYK 66 / 0 / 66 / 4

HEX #53F453

RGB 83 244 83

HSL 120, 0.88%, 0.64%

LAB 85.59, -71.22, 63.05

 

CMYK 0 / 94 / 6 / 31

HEX #B10BA7

RGB 177 11 167

HSL 303.61, 0.88%, 0.37%

LAB 41.81, 72.15, -40.67

 

CMYK 0 / 85 / 4 / 24

HEX #C21DBA

RGB 194 29 186

HSL 302.91, 0.74%, 0.44%

LAB 46.83, 75.36, -43.73

 

CMYK 0 / 78 / 3 / 17

HEX #D32FCD

RGB 211 47 205

HSL 302.2, 0.65%, 0.51%

LAB 52.16, 77.42, -46.1

 

CMYK 0 / 71 / 2 / 11

HEX #E441E0

RGB 228 65 224

HSL 301.47, 0.75%, 0.57%

LAB 57.71, 78.62, -47.94

 

CMYK 0 / 66 / 1 / 4

HEX #F553F3

RGB 245 83 243

HSL 300.74, 0.89%, 0.64%

LAB 63.4, 79.22, -49.39

 

CMYK 0 / 94 / 0 / 33

HEX #AC0BAC

RGB 172 11 172

HSL 300, 0.88%, 0.36%

LAB 41.2, 72.01, -44.68

 

CMYK 0 / 100 / 1 / 39

HEX #9B0099

RGB 155 0 153

HSL 300.77, 1%, 0.3%

LAB 36.5, 67.44, -40.93

 

CMYK 0 / 100 / 3 / 46

HEX #8A0086

RGB 138 0 134

HSL 301.74, 1%, 0.27%

LAB 32.09, 61.62, -36.46

 

CMYK 0 / 100 / 5 / 53

HEX #790073

RGB 121 0 115

HSL 302.98, 1%, 0.24%

LAB 27.58, 55.67, -31.84

 

CMYK 0 / 100 / 8 / 59

HEX #680060

RGB 104 0 96

HSL 304.62, 1%, 0.2%

LAB 22.96, 49.55, -27.06

 

CMYK 0 / 94 / 0 / 33

HEX #AC0BAC

RGB 172 11 172

HSL 300, 0.88%, 0.36%

LAB 41.2, 72.01, -44.68

 

CMYK 0 / 94 / 25 / 33

HEX #AC0B81

RGB 172 11 129

HSL 316.02, 0.88%, 0.36%

LAB 38.89, 66.13, -22.19

 

CMYK 0 / 94 / 51 / 33

HEX #AC0B55

RGB 172 11 85

HSL 332.42, 0.88%, 0.36%

LAB 37.24, 61.72, 3.17

 

CMYK 0 / 94 / 76 / 33

HEX #AC0B29

RGB 172 11 41

HSL 348.82, 0.88%, 0.36%

LAB 36.31, 59.15, 30.16

 

CMYK 0 / 94 / 94 / 33

HEX #AC0B0B

RGB 172 11 11

HSL 0, 0.88%, 0.36%

LAB 36.05, 58.42, 45.81

 

CMYK 0 / 94 / 0 / 33

HEX #AC0BAC

RGB 172 11 172

HSL 300, 0.88%, 0.36%

LAB 41.2, 72.01, -44.68

 

CMYK 25 / 94 / 0 / 33

HEX #810BAC

RGB 129 11 172

HSL 283.98, 0.88%, 0.36%

LAB 33.74, 65.19, -57.09

 

CMYK 51 / 94 / 0 / 33

HEX #550BAC

RGB 85 11 172

HSL 267.58, 0.88%, 0.36%

LAB 27.16, 59.93, -68.15

 

CMYK 76 / 94 / 0 / 33

HEX #290BAC

RGB 41 11 172

HSL 251.18, 0.88%, 0.36%

LAB 22.62, 56.97, -75.81

 

CMYK 94 / 94 / 0 / 33

HEX #0B0BAC

RGB 11 11 172

HSL 240, 0.88%, 0.36%

LAB 21.17, 56.19, -78.27

 

CMYK 0 / 94 / 0 / 33

HEX #AC0BAC

RGB 172 11 172

HSL 300, 0.88%, 0.36%

LAB 41.2, 72.01, -44.68

 

CMYK 0 / 94 / 0 / 33

HEX #AC0BAC

RGB 172 11 172

HSL 300, 0.88%, 0.36%

LAB 41.2, 72.01, -44.68

 

CMYK 0 / 84 / 0 / 38

HEX #9D199D

RGB 157 25 157

HSL 300, 0.73%, 0.36%

LAB 38.37, 64.7, -40.35

 

CMYK 0 / 72 / 0 / 44

HEX #8E288E

RGB 142 40 142

HSL 300, 0.56%, 0.36%

LAB 36.41, 54.69, -34.49

 

CMYK 0 / 57 / 0 / 50

HEX #803780

RGB 128 55 128

HSL 300, 0.4%, 0.36%

LAB 35.75, 42.02, -27.04

 

CMYK 0 / 38 / 0 / 56

HEX #714671

RGB 113 70 113

HSL 300, 0.23%, 0.36%

LAB 36.14, 25.94, -17.25

 

CMYK 50 / 94 / 0 / 33

HEX #560BAC

RGB 86 11 172

HSL 267.95, 0.88%, 0.36%

LAB 27.29, 60.03, -67.93

 

CMYK 25 / 94 / 0 / 33

HEX #810BAC

RGB 129 11 172

HSL 283.98, 0.88%, 0.36%

LAB 33.74, 65.19, -57.09

 

CMYK 0 / 94 / 0 / 33

HEX #AC0BAC

RGB 172 11 172

HSL 300, 0.88%, 0.36%

LAB 41.2, 72.01, -44.68

 

CMYK 0 / 94 / 25 / 33

HEX #AC0B81

RGB 172 11 129

HSL 316.02, 0.88%, 0.36%

LAB 38.89, 66.13, -22.19

 

CMYK 0 / 94 / 50 / 33

HEX #AC0B56

RGB 172 11 86

HSL 332.05, 0.88%, 0.36%

LAB 37.27, 61.8, 2.57

 

CMYK 0 / 94 / 0 / 63

HEX #5F065F

RGB 95 6 95

HSL 300, 0.88%, 0.2%

LAB 21.54, 46.26, -28.76

 

CMYK 0 / 94 / 0 / 48

HEX #850885

RGB 133 8 133

HSL 300, 0.89%, 0.28%

LAB 31.47, 59.4, -36.88

 

CMYK 0 / 94 / 0 / 33

HEX #AC0BAC

RGB 172 11 172

HSL 300, 0.88%, 0.36%

LAB 41.2, 72.01, -44.68

 

CMYK 0 / 94 / 0 / 17

HEX #D30DD3

RGB 211 13 211

HSL 300, 0.88%, 0.44%

LAB 50.5, 84.17, -52.2

 

CMYK 0 / 90 / 0 / 6

HEX #F019F0

RGB 240 25 240

HSL 300, 0.88%, 0.52%

LAB 57.57, 91.85, -57.03

 

CMYK 0 / 94 / 0 / 33

HEX #AC0BAC

RGB 172 11 172

HSL 300, 0.88%, 0.36%

LAB 41.2, 72.01, -44.68

 

CMYK 0 / 75 / 94 / 33

HEX #AC2B0B

RGB 172 43 11

HSL 11.93, 0.88%, 0.36%

LAB 38.76, 50.75, 47.54

 

CMYK 94 / 0 / 38 / 33

HEX #0BAC6B

RGB 11 172 107

HSL 155.78, 0.88%, 0.36%

LAB 62.2, -52.38, 23.27

 

CMYK 0 / 94 / 0 / 33

HEX #AC0BAC

RGB 172 11 172

HSL 300, 0.88%, 0.36%

LAB 41.2, 72.01, -44.68

 

CMYK 0 / 0 / 94 / 33

HEX #ACAC0B

RGB 172 172 11

HSL 60, 0.88%, 0.36%

LAB 68.24, -15.9, 69

 

CMYK 94 / 0 / 0 / 33

HEX #0BACAC

RGB 11 172 172

HSL 180, 0.88%, 0.36%

LAB 63.8, -35.41, -10.43

 

CMYK 0 / 94 / 0 / 33

HEX #AC0BAC

RGB 172 11 172

HSL 300, 0.88%, 0.36%

LAB 41.2, 72.01, -44.68

 

CMYK 0 / 75 / 94 / 33

HEX #AC2B0B

RGB 172 43 11

HSL 11.93, 0.88%, 0.36%

LAB 38.76, 50.75, 47.54

 

CMYK 94 / 0 / 94 / 33

HEX #0BAC0B

RGB 11 172 11

HSL 120, 0.88%, 0.36%

LAB 61.31, -63.32, 60.53

 

CMYK 94 / 19 / 0 / 33

HEX #0B8CAC

RGB 11 140 172

HSL 191.93, 0.88%, 0.36%

LAB 53.82, -19.44, -25.61

 

CMYK 0 / 94 / 0 / 33

HEX #AC0BAC

RGB 172 11 172

HSL 300, 0.88%, 0.36%

LAB 41.2, 72.01, -44.68

 

CMYK 0 / 47 / 94 / 33

HEX #AC5B0B

RGB 172 91 11

HSL 29.81, 0.88%, 0.36%

LAB 47.34, 28.38, 53.43

 

CMYK 94 / 0 / 94 / 33

HEX #0BAC0B

RGB 11 172 11

HSL 120, 0.88%, 0.36%

LAB 61.31, -63.32, 60.53

 

CMYK 94 / 47 / 0 / 33

HEX #0B5BAC

RGB 11 91 172

HSL 210.19, 0.88%, 0.36%

LAB 38.78, 9.92, -49.34

 

Description

Color code: HEX #AC0BAC | qconv.com Color code: HEX #AC0BAC | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 11 green and 172 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 11 172 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 94 magenta, none yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 94% 0% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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