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Color name
HEX #AC154B

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AC154B it is the complementary color #53EAB4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AC154B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AC154B shade: #B11546, #C22759, #D3396C, #E44B7F and #F55D92

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AC154B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AC154B shade: #AC154B, #9B0338, #8A0025, #790012 and #680000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AC154B shade: #AC154B, #AC1522 and #AC1515

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AC154B shade: #AC154B, #AC1574, #AC159C, #9315AC and #6A15AC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AC154B shade matches the following richer shades: #AC154B and #BC0546

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AC154B shade: #AC154B, #9C244F, #8D3454, #7D4458 and #6D545D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AC154B shade: #AC159D, #AC1575, #AC154C, #AC1524 and #AC2E15

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AC154B shade: #630C2B, #87103B, #AC154B, #D1195B and #E52F70

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AC154B shade: #AC154B, #AC9315 and #1589AC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AC154B shade: #AC154B, #4CAC15 and #154CAC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AC154B shade: #AC154B, #AC9315, #15AC75 and #152EAC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AC154B shade: #AC154B, #98AC15, #15AC75 and #2915AC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 88 / 56 / 33

HEX #AC154B

RGB 172 21 75

HSL 338.54, 0.78%, 0.38%

LAB 37.51, 59.4, 10.01

 

Complementary color

CMYK 65 / 0 / 23 / 8

HEX #53EAB4

RGB 83 234 180

HSL 158.54, 0.78%, 0.62%

LAB 83.96, -52.35, 14.66

 

CMYK 0 / 88 / 60 / 31

HEX #B11546

RGB 177 21 70

HSL 341.15, 0.79%, 0.39%

LAB 38.42, 60.35, 14.64

 

CMYK 0 / 80 / 54 / 24

HEX #C22759

RGB 194 39 89

HSL 340.65, 0.67%, 0.46%

LAB 43.71, 62.01, 10.44

 

CMYK 0 / 73 / 49 / 17

HEX #D3396C

RGB 211 57 108

HSL 340.13, 0.64%, 0.53%

LAB 49.32, 62.73, 7.09

 

CMYK 0 / 67 / 44 / 11

HEX #E44B7F

RGB 228 75 127

HSL 339.61, 0.74%, 0.59%

LAB 55.13, 62.84, 4.39

 

CMYK 0 / 62 / 40 / 4

HEX #F55D92

RGB 245 93 146

HSL 339.08, 0.88%, 0.66%

LAB 61.06, 62.56, 2.16

 

CMYK 0 / 88 / 56 / 33

HEX #AC154B

RGB 172 21 75

HSL 338.54, 0.78%, 0.38%

LAB 37.51, 59.4, 10.01

 

CMYK 0 / 98 / 64 / 39

HEX #9B0338

RGB 155 3 56

HSL 339.08, 0.96%, 0.31%

LAB 32.52, 56.56, 15.02

 

CMYK 0 / 100 / 73 / 46

HEX #8A0025

RGB 138 0 37

HSL 343.91, 1%, 0.27%

LAB 28.21, 51.72, 21.35

 

CMYK 0 / 100 / 85 / 53

HEX #790012

RGB 121 0 18

HSL 351.07, 1%, 0.24%

LAB 24.03, 46.54, 27.92

 

CMYK 0 / 100 / 100 / 59

HEX #680000

RGB 104 0 0

HSL 0, 1%, 0.2%

LAB 19.81, 41.44, 30.34

 

CMYK 0 / 88 / 56 / 33

HEX #AC154B

RGB 172 21 75

HSL 338.54, 0.78%, 0.38%

LAB 37.51, 59.4, 10.01

 

CMYK 0 / 88 / 80 / 33

HEX #AC1522

RGB 172 21 34

HSL 354.83, 0.78%, 0.38%

LAB 36.79, 57.3, 34.89

 

CMYK 0 / 88 / 88 / 33

HEX #AC1515

RGB 172 21 21

HSL 0, 0.78%, 0.38%

LAB 36.67, 56.97, 41.84

 

CMYK 0 / 88 / 56 / 33

HEX #AC154B

RGB 172 21 75

HSL 338.54, 0.78%, 0.38%

LAB 37.51, 59.4, 10.01

 

CMYK 0 / 88 / 33 / 33

HEX #AC1574

RGB 172 21 116

HSL 322.25, 0.78%, 0.38%

LAB 38.84, 63.14, -14.15

 

CMYK 0 / 88 / 9 / 33

HEX #AC159C

RGB 172 21 156

HSL 306.36, 0.78%, 0.38%

LAB 40.75, 68.25, -35.8

 

CMYK 15 / 88 / 0 / 33

HEX #9315AC

RGB 147 21 172

HSL 290.07, 0.78%, 0.38%

LAB 37.33, 66.26, -51.13

 

CMYK 38 / 88 / 0 / 33

HEX #6A15AC

RGB 106 21 172

HSL 273.77, 0.78%, 0.38%

LAB 30.83, 60.04, -62

 

CMYK 0 / 88 / 56 / 33

HEX #AC154B

RGB 172 21 75

HSL 338.54, 0.78%, 0.38%

LAB 37.51, 59.4, 10.01

 

CMYK 0 / 97 / 63 / 26

HEX #BC0546

RGB 188 5 70

HSL 338.69, 0.95%, 0.38%

LAB 39.99, 65.21, 17.14

 

CMYK 0 / 88 / 56 / 33

HEX #AC154B

RGB 172 21 75

HSL 338.54, 0.78%, 0.38%

LAB 37.51, 59.4, 10.01

 

CMYK 0 / 77 / 49 / 39

HEX #9C244F

RGB 156 36 79

HSL 338.5, 0.63%, 0.38%

LAB 35.78, 51.46, 4.53

 

CMYK 0 / 63 / 40 / 45

HEX #8D3454

RGB 141 52 84

HSL 338.43, 0.46%, 0.38%

LAB 35.52, 40.83, 0.58

 

CMYK 0 / 46 / 30 / 51

HEX #7D4458

RGB 125 68 88

HSL 338.95, 0.3%, 0.38%

LAB 36.36, 27.1, -1.02

 

CMYK 0 / 23 / 15 / 57

HEX #6D545D

RGB 109 84 93

HSL 338.4, 0.13%, 0.38%

LAB 38.52, 11.96, -1.24

 

CMYK 0 / 88 / 9 / 33

HEX #AC159D

RGB 172 21 157

HSL 305.96, 0.78%, 0.38%

LAB 40.8, 68.39, -36.32

 

CMYK 0 / 88 / 32 / 33

HEX #AC1575

RGB 172 21 117

HSL 321.85, 0.78%, 0.38%

LAB 38.88, 63.25, -14.72

 

CMYK 0 / 88 / 56 / 33

HEX #AC154C

RGB 172 21 76

HSL 338.15, 0.78%, 0.38%

LAB 37.53, 59.47, 9.4

 

CMYK 0 / 88 / 79 / 33

HEX #AC1524

RGB 172 21 36

HSL 354.04, 0.78%, 0.38%

LAB 36.81, 57.37, 33.73

 

CMYK 0 / 73 / 88 / 33

HEX #AC2E15

RGB 172 46 21

HSL 9.93, 0.78%, 0.38%

LAB 39.21, 49.84, 43.91

 

CMYK 0 / 88 / 57 / 61

HEX #630C2B

RGB 99 12 43

HSL 338.62, 0.78%, 0.22%

LAB 20.4, 38.96, 5.31

 

CMYK 0 / 88 / 56 / 47

HEX #87103B

RGB 135 16 59

HSL 338.32, 0.79%, 0.3%

LAB 29, 49.46, 7.49

 

CMYK 0 / 88 / 56 / 33

HEX #AC154B

RGB 172 21 75

HSL 338.54, 0.78%, 0.38%

LAB 37.51, 59.4, 10.01

 

CMYK 0 / 88 / 56 / 18

HEX #D1195B

RGB 209 25 91

HSL 338.48, 0.79%, 0.46%

LAB 45.64, 69.08, 12.32

 

CMYK 0 / 79 / 51 / 10

HEX #E52F70

RGB 229 47 112

HSL 338.57, 0.78%, 0.54%

LAB 51.68, 70.89, 8.47

 

CMYK 0 / 88 / 56 / 33

HEX #AC154B

RGB 172 21 75

HSL 338.54, 0.78%, 0.38%

LAB 37.51, 59.4, 10.01

 

CMYK 0 / 15 / 88 / 33

HEX #AC9315

RGB 172 147 21

HSL 50.07, 0.78%, 0.38%

LAB 61.39, -2.54, 61.87

 

CMYK 88 / 20 / 0 / 33

HEX #1589AC

RGB 21 137 172

HSL 193.91, 0.78%, 0.38%

LAB 52.98, -17.28, -26.9

 

CMYK 0 / 88 / 56 / 33

HEX #AC154B

RGB 172 21 75

HSL 338.54, 0.78%, 0.38%

LAB 37.51, 59.4, 10.01

 

CMYK 56 / 0 / 88 / 33

HEX #4CAC15

RGB 76 172 21

HSL 98.15, 0.78%, 0.38%

LAB 62.59, -52.31, 60.38

 

CMYK 88 / 56 / 0 / 33

HEX #154CAC

RGB 21 76 172

HSL 218.15, 0.78%, 0.38%

LAB 34.61, 20.53, -56.08

 

CMYK 0 / 88 / 56 / 33

HEX #AC154B

RGB 172 21 75

HSL 338.54, 0.78%, 0.38%

LAB 37.51, 59.4, 10.01

 

CMYK 0 / 15 / 88 / 33

HEX #AC9315

RGB 172 147 21

HSL 50.07, 0.78%, 0.38%

LAB 61.39, -2.54, 61.87

 

CMYK 88 / 0 / 32 / 33

HEX #15AC75

RGB 21 172 117

HSL 158.15, 0.78%, 0.38%

LAB 62.46, -49.63, 18.21

 

CMYK 88 / 73 / 0 / 33

HEX #152EAC

RGB 21 46 172

HSL 230.07, 0.78%, 0.38%

LAB 27, 40.29, -68.57

 

CMYK 0 / 88 / 56 / 33

HEX #AC154B

RGB 172 21 75

HSL 338.54, 0.78%, 0.38%

LAB 37.51, 59.4, 10.01

 

CMYK 12 / 0 / 88 / 33

HEX #98AC15

RGB 152 172 21

HSL 67.95, 0.78%, 0.38%

LAB 66.7, -24.42, 65.49

 

CMYK 88 / 0 / 32 / 33

HEX #15AC75

RGB 21 172 117

HSL 158.15, 0.78%, 0.38%

LAB 62.46, -49.63, 18.21

 

CMYK 76 / 88 / 0 / 33

HEX #2915AC

RGB 41 21 172

HSL 247.95, 0.78%, 0.38%

LAB 23.63, 53.92, -74.13

 

Description

Color code: HEX #AC154B | qconv.com Color code: HEX #AC154B | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 21 green and 75 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 21 75 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 88 magenta, 56 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 88% 56% 33% C M Y K

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Provide designers and agencies with accurate color values.

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