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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AC19CF it is the complementary color #53E630. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AC19CF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AC19CF shade: #B119CA, #C22BDD, #D33DF0, #E44FFF and #F561FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AC19CF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AC19CF shade: #AC19CF, #9B07BC, #8A00A9, #790096 and #680083

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AC19CF shade: #A919CC, #CC19BE, #CC198E, #CC195D and #CC192D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AC19CF shade: #A919CC, #7919CC, #4919CC and #1919CC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AC19CF shade matches the following richer shades: #A919CC and #B506DE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AC19CF shade: #A919CC, #9E2BB9, #923EA7, #875094 and #7C6381

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AC19CF shade: #4819CC, #7819CC, #A819CC, #CC19C0 and #CC1990

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AC19CF shade: #6C1082, #8B14A7, #A919CC, #C02AE4 and #CB4EE9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AC19CF shade: #AC19CF, #CC1919 and #19CC60

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AC19CF shade: #AC19CF, #CCA819 and #19CCA8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AC19CF shade: #AC19CF, #CC1919, #3DCC19 and #19CCCC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AC19CF shade: #AC19CF, #CC4E19, #3DCC19 and #1996CC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 17 / 88 / 0 / 19

HEX #AC19CF

RGB 172 25 207

HSL 288.46, 0.78%, 0.45%

LAB 44.19, 75.7, -60.39

 

Complementary color

CMYK 64 / 0 / 79 / 10

HEX #53E630

RGB 83 230 48

HSL 108.46, 0.78%, 0.55%

LAB 81.1, -69.25, 70.44

 

CMYK 12 / 88 / 0 / 21

HEX #B119CA

RGB 177 25 202

HSL 291.53, 0.78%, 0.45%

LAB 44.67, 75.64, -56.68

 

CMYK 12 / 81 / 0 / 13

HEX #C22BDD

RGB 194 43 221

HSL 290.9, 0.72%, 0.52%

LAB 50, 77.83, -58.87

 

CMYK 12 / 75 / 0 / 6

HEX #D33DF0

RGB 211 61 240

HSL 290.28, 0.86%, 0.59%

LAB 55.56, 79.1, -60.51

 

CMYK 11 / 69 / 0 / 0

HEX #E44FFF

RGB 228 79 255

HSL 290.8, 1%, 0.65%

LAB 61.05, 79.02, -59.91

 

CMYK 4 / 62 / 0 / 0

HEX #F561FF

RGB 245 97 255

HSL 296.2, 1%, 0.69%

LAB 65.89, 75.9, -52.07

 

CMYK 17 / 88 / 0 / 19

HEX #AC19CF

RGB 172 25 207

HSL 288.46, 0.78%, 0.45%

LAB 44.19, 75.7, -60.39

 

CMYK 18 / 96 / 0 / 26

HEX #9B07BC

RGB 155 7 188

HSL 289.06, 0.93%, 0.38%

LAB 39.16, 72.33, -57.6

 

CMYK 18 / 100 / 0 / 34

HEX #8A00A9

RGB 138 0 169

HSL 288.99, 1%, 0.33%

LAB 34.53, 67.4, -53.93

 

CMYK 19 / 100 / 0 / 41

HEX #790096

RGB 121 0 150

HSL 288.4, 1%, 0.29%

LAB 30.08, 61.56, -49.77

 

CMYK 21 / 100 / 0 / 49

HEX #680083

RGB 104 0 131

HSL 287.63, 1%, 0.26%

LAB 25.51, 55.59, -45.51

 

CMYK 17 / 88 / 0 / 20

HEX #A919CC

RGB 169 25 204

HSL 288.27, 0.78%, 0.45%

LAB 43.49, 74.7, -59.81

 

CMYK 0 / 88 / 7 / 20

HEX #CC19BE

RGB 204 25 190

HSL 304.69, 0.78%, 0.45%

LAB 48.57, 78.48, -43.2

 

CMYK 0 / 88 / 30 / 20

HEX #CC198E

RGB 204 25 142

HSL 320.78, 0.78%, 0.45%

LAB 46.29, 72.43, -18.24

 

CMYK 0 / 88 / 54 / 20

HEX #CC195D

RGB 204 25 93

HSL 337.21, 0.78%, 0.45%

LAB 44.69, 67.99, 9.6

 

CMYK 0 / 88 / 78 / 20

HEX #CC192D

RGB 204 25 45

HSL 353.3, 0.78%, 0.45%

LAB 43.83, 65.52, 37.94

 

CMYK 17 / 88 / 0 / 20

HEX #A919CC

RGB 169 25 204

HSL 288.27, 0.78%, 0.45%

LAB 43.49, 74.7, -59.81

 

CMYK 41 / 88 / 0 / 20

HEX #7919CC

RGB 121 25 204

HSL 272.18, 0.78%, 0.45%

LAB 36.21, 67.97, -71.99

 

CMYK 64 / 88 / 0 / 20

HEX #4919CC

RGB 73 25 204

HSL 256.09, 0.78%, 0.45%

LAB 30.57, 63.28, -81.49

 

CMYK 88 / 88 / 0 / 20

HEX #1919CC

RGB 25 25 204

HSL 240, 0.78%, 0.45%

LAB 27.47, 60.99, -86.74

 

CMYK 17 / 88 / 0 / 20

HEX #A919CC

RGB 169 25 204

HSL 288.27, 0.78%, 0.45%

LAB 43.49, 74.7, -59.81

 

CMYK 18 / 97 / 0 / 13

HEX #B506DE

RGB 181 6 222

HSL 288.61, 0.95%, 0.45%

LAB 45.94, 81.94, -66.09

 

CMYK 17 / 88 / 0 / 20

HEX #A919CC

RGB 169 25 204

HSL 288.27, 0.78%, 0.45%

LAB 43.49, 74.7, -59.81

 

CMYK 15 / 77 / 0 / 27

HEX #9E2BB9

RGB 158 43 185

HSL 288.59, 0.62%, 0.45%

LAB 42, 64.8, -51.22

 

CMYK 13 / 63 / 0 / 35

HEX #923EA7

RGB 146 62 167

HSL 288, 0.46%, 0.45%

LAB 41.76, 51.13, -41.05

 

CMYK 9 / 46 / 0 / 42

HEX #875094

RGB 135 80 148

HSL 288.53, 0.3%, 0.45%

LAB 42.8, 34.76, -28.14

 

CMYK 4 / 23 / 0 / 49

HEX #7C6381

RGB 124 99 129

HSL 290, 0.13%, 0.45%

LAB 45.35, 15.81, -12.89

 

CMYK 65 / 88 / 0 / 20

HEX #4819CC

RGB 72 25 204

HSL 255.75, 0.78%, 0.45%

LAB 30.48, 63.21, -81.65

 

CMYK 41 / 88 / 0 / 20

HEX #7819CC

RGB 120 25 204

HSL 271.84, 0.78%, 0.45%

LAB 36.08, 67.85, -72.22

 

CMYK 18 / 88 / 0 / 20

HEX #A819CC

RGB 168 25 204

HSL 287.93, 0.78%, 0.45%

LAB 43.33, 74.55, -60.08

 

CMYK 0 / 88 / 6 / 20

HEX #CC19C0

RGB 204 25 192

HSL 304.02, 0.78%, 0.45%

LAB 48.68, 78.77, -44.19

 

CMYK 0 / 88 / 29 / 20

HEX #CC1990

RGB 204 25 144

HSL 320.11, 0.78%, 0.45%

LAB 46.37, 72.65, -19.32

 

CMYK 17 / 88 / 0 / 49

HEX #6C1082

RGB 108 16 130

HSL 288.42, 0.78%, 0.29%

LAB 27.21, 52.87, -42.08

 

CMYK 17 / 88 / 0 / 35

HEX #8B14A7

RGB 139 20 167

HSL 288.57, 0.79%, 0.37%

LAB 35.56, 64.23, -51.07

 

CMYK 17 / 88 / 0 / 20

HEX #A919CC

RGB 169 25 204

HSL 288.27, 0.78%, 0.45%

LAB 43.49, 74.7, -59.81

 

CMYK 16 / 82 / 0 / 11

HEX #C02AE4

RGB 192 42 228

HSL 288.39, 0.78%, 0.53%

LAB 50.05, 78.95, -62.77

 

CMYK 13 / 67 / 0 / 9

HEX #CB4EE9

RGB 203 78 233

HSL 288.39, 0.78%, 0.61%

LAB 56.12, 70.18, -55.76

 

CMYK 17 / 88 / 0 / 19

HEX #AC19CF

RGB 172 25 207

HSL 288.46, 0.78%, 0.45%

LAB 44.19, 75.7, -60.39

 

CMYK 0 / 88 / 88 / 20

HEX #CC1919

RGB 204 25 25

HSL 0, 0.78%, 0.45%

LAB 43.66, 65.02, 48.34

 

CMYK 88 / 0 / 53 / 20

HEX #19CC60

RGB 25 204 96

HSL 143.8, 0.78%, 0.45%

LAB 72.39, -64.49, 41.95

 

CMYK 17 / 88 / 0 / 19

HEX #AC19CF

RGB 172 25 207

HSL 288.46, 0.78%, 0.45%

LAB 44.19, 75.7, -60.39

 

CMYK 0 / 18 / 88 / 20

HEX #CCA819

RGB 204 168 25

HSL 47.93, 0.78%, 0.45%

LAB 70.11, 0.61, 69.29

 

CMYK 88 / 0 / 18 / 20

HEX #19CCA8

RGB 25 204 168

HSL 167.93, 0.78%, 0.45%

LAB 73.69, -49.74, 6.28

 

CMYK 17 / 88 / 0 / 19

HEX #AC19CF

RGB 172 25 207

HSL 288.46, 0.78%, 0.45%

LAB 44.19, 75.7, -60.39

 

CMYK 0 / 88 / 88 / 20

HEX #CC1919

RGB 204 25 25

HSL 0, 0.78%, 0.45%

LAB 43.66, 65.02, 48.34

 

CMYK 70 / 0 / 88 / 20

HEX #3DCC19

RGB 61 204 25

HSL 107.93, 0.78%, 0.45%

LAB 72.39, -66.33, 67.9

 

CMYK 88 / 0 / 0 / 20

HEX #19CCCC

RGB 25 204 204

HSL 180, 0.78%, 0.45%

LAB 74.67, -39.77, -11.74

 

CMYK 17 / 88 / 0 / 19

HEX #AC19CF

RGB 172 25 207

HSL 288.46, 0.78%, 0.45%

LAB 44.19, 75.7, -60.39

 

CMYK 0 / 62 / 88 / 20

HEX #CC4E19

RGB 204 78 25

HSL 17.77, 0.78%, 0.45%

LAB 49.93, 47.74, 53.27

 

CMYK 70 / 0 / 88 / 20

HEX #3DCC19

RGB 61 204 25

HSL 107.93, 0.78%, 0.45%

LAB 72.39, -66.33, 67.9

 

CMYK 88 / 26 / 0 / 20

HEX #1996CC

RGB 25 150 204

HSL 198.1, 0.78%, 0.45%

LAB 58.4, -12.72, -36.65

 

Description

Color code: HEX #AC19CF | qconv.com Color code: HEX #AC19CF | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 25 green and 207 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 25 207 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 17 cyan, 88 magenta, none yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
17% 88% 0% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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