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Color name
HEX #AC109C

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AC109C it is the complementary color #53EF63. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AC109C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AC109C shade: #B11097, #C222AA, #D334BD, #E446D0 and #F558E3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AC109C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AC109C shade: #AC109C, #9B0089, #8A0076, #790063 and #680050

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AC109C shade: #AC109C, #AC1072, #AC1048, #AC101D and #AC1010

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AC109C shade: #AC109C, #9210AC, #6810AC, #3E10AC and #1310AC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AC109C shade matches the following richer shades: #AC109C and #BB00A8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AC109C shade: #AC109C, #9D1F90, #8E2E84, #7E3D78 and #6F4D6C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AC109C shade: #6810AC, #9210AC, #AC109C, #AC1073 and #AC1049

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AC109C shade: #610958, #860C7A, #AC109C, #D213BE and #EA24D6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AC109C shade: #AC109C, #AC3F10 and #10AC7D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AC109C shade: #AC109C, #9CAC10 and #109CAC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AC109C shade: #AC109C, #AC3F10, #10AC1F and #107DAC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AC109C shade: #AC109C, #AC6E10, #10AC1F and #104EAC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 91 / 9 / 33

HEX #AC109C

RGB 172 16 156

HSL 306.15, 0.83%, 0.37%

LAB 40.48, 69.04, -36.23

 

Complementary color

CMYK 65 / 0 / 59 / 6

HEX #53EF63

RGB 83 239 99

HSL 126.15, 0.83%, 0.63%

LAB 84.21, -67.9, 54.86

 

CMYK 0 / 91 / 15 / 31

HEX #B11097

RGB 177 16 151

HSL 309.69, 0.83%, 0.38%

LAB 41.14, 69.31, -32.09

 

CMYK 0 / 82 / 12 / 24

HEX #C222AA

RGB 194 34 170

HSL 309, 0.7%, 0.45%

LAB 46.33, 72.04, -35.1

 

CMYK 0 / 75 / 10 / 17

HEX #D334BD

RGB 211 52 189

HSL 308.3, 0.64%, 0.52%

LAB 51.81, 73.69, -37.42

 

CMYK 0 / 69 / 9 / 11

HEX #E446D0

RGB 228 70 208

HSL 307.59, 0.75%, 0.58%

LAB 57.49, 74.57, -39.22

 

CMYK 0 / 64 / 7 / 4

HEX #F558E3

RGB 245 88 227

HSL 306.88, 0.89%, 0.65%

LAB 63.29, 74.91, -40.65

 

CMYK 0 / 91 / 9 / 33

HEX #AC109C

RGB 172 16 156

HSL 306.15, 0.83%, 0.37%

LAB 40.48, 69.04, -36.23

 

CMYK 0 / 100 / 12 / 39

HEX #9B0089

RGB 155 0 137

HSL 306.97, 1%, 0.3%

LAB 35.55, 65.12, -32.62

 

CMYK 0 / 100 / 14 / 46

HEX #8A0076

RGB 138 0 118

HSL 308.7, 1%, 0.27%

LAB 31.14, 59.29, -27.9

 

CMYK 0 / 100 / 18 / 53

HEX #790063

RGB 121 0 99

HSL 310.91, 1%, 0.24%

LAB 26.64, 53.34, -22.98

 

CMYK 0 / 100 / 23 / 59

HEX #680050

RGB 104 0 80

HSL 313.85, 1%, 0.2%

LAB 22.02, 47.24, -17.83

 

CMYK 0 / 91 / 9 / 33

HEX #AC109C

RGB 172 16 156

HSL 306.15, 0.83%, 0.37%

LAB 40.48, 69.04, -36.23

 

CMYK 0 / 91 / 34 / 33

HEX #AC1072

RGB 172 16 114

HSL 322.31, 0.83%, 0.37%

LAB 38.47, 63.76, -13.46

 

CMYK 0 / 91 / 58 / 33

HEX #AC1048

RGB 172 16 72

HSL 338.46, 0.83%, 0.37%

LAB 37.13, 60.06, 11.42

 

CMYK 0 / 91 / 83 / 33

HEX #AC101D

RGB 172 16 29

HSL 355, 0.83%, 0.37%

LAB 36.42, 58.05, 37.39

 

CMYK 0 / 91 / 91 / 33

HEX #AC1010

RGB 172 16 16

HSL 0, 0.83%, 0.37%

LAB 36.33, 57.77, 43.92

 

CMYK 0 / 91 / 9 / 33

HEX #AC109C

RGB 172 16 156

HSL 306.15, 0.83%, 0.37%

LAB 40.48, 69.04, -36.23

 

CMYK 15 / 91 / 0 / 33

HEX #9210AC

RGB 146 16 172

HSL 290, 0.83%, 0.37%

LAB 36.86, 67, -51.9

 

CMYK 40 / 91 / 0 / 33

HEX #6810AC

RGB 104 16 172

HSL 273.85, 0.83%, 0.37%

LAB 30.14, 60.98, -63.14

 

CMYK 64 / 91 / 0 / 33

HEX #3E10AC

RGB 62 16 172

HSL 257.69, 0.83%, 0.37%

LAB 24.87, 56.84, -72.02

 

CMYK 89 / 91 / 0 / 33

HEX #1310AC

RGB 19 16 172

HSL 241.15, 0.83%, 0.37%

LAB 21.9, 54.85, -77.04

 

CMYK 0 / 91 / 9 / 33

HEX #AC109C

RGB 172 16 156

HSL 306.15, 0.83%, 0.37%

LAB 40.48, 69.04, -36.23

 

CMYK 0 / 100 / 10 / 27

HEX #BB00A8

RGB 187 0 168

HSL 306.1, 1%, 0.37%

LAB 43.35, 75.14, -38.71

 

CMYK 0 / 91 / 9 / 33

HEX #AC109C

RGB 172 16 156

HSL 306.15, 0.83%, 0.37%

LAB 40.48, 69.04, -36.23

 

CMYK 0 / 80 / 8 / 38

HEX #9D1F90

RGB 157 31 144

HSL 306.19, 0.67%, 0.37%

LAB 38.13, 61.21, -32.82

 

CMYK 0 / 68 / 7 / 44

HEX #8E2E84

RGB 142 46 132

HSL 306.25, 0.51%, 0.37%

LAB 36.69, 50.67, -27.89

 

CMYK 0 / 52 / 5 / 51

HEX #7E3D78

RGB 126 61 120

HSL 305.54, 0.35%, 0.37%

LAB 36.23, 36.79, -21.34

 

CMYK 0 / 31 / 3 / 56

HEX #6F4D6C

RGB 111 77 108

HSL 305.29, 0.18%, 0.37%

LAB 37.43, 19.96, -12.19

 

CMYK 40 / 91 / 0 / 33

HEX #6810AC

RGB 104 16 172

HSL 273.85, 0.83%, 0.37%

LAB 30.14, 60.98, -63.14

 

CMYK 15 / 91 / 0 / 33

HEX #9210AC

RGB 146 16 172

HSL 290, 0.83%, 0.37%

LAB 36.86, 67, -51.9

 

CMYK 0 / 91 / 9 / 33

HEX #AC109C

RGB 172 16 156

HSL 306.15, 0.83%, 0.37%

LAB 40.48, 69.04, -36.23

 

CMYK 0 / 91 / 33 / 33

HEX #AC1073

RGB 172 16 115

HSL 321.92, 0.83%, 0.37%

LAB 38.51, 63.87, -14.03

 

CMYK 0 / 91 / 58 / 33

HEX #AC1049

RGB 172 16 73

HSL 338.08, 0.83%, 0.37%

LAB 37.16, 60.13, 10.81

 

CMYK 0 / 91 / 9 / 62

HEX #610958

RGB 97 9 88

HSL 306.14, 0.83%, 0.21%

LAB 21.73, 44.82, -23.77

 

CMYK 0 / 91 / 9 / 47

HEX #860C7A

RGB 134 12 122

HSL 305.9, 0.84%, 0.29%

LAB 31.2, 57.28, -30.39

 

CMYK 0 / 91 / 9 / 33

HEX #AC109C

RGB 172 16 156

HSL 306.15, 0.83%, 0.37%

LAB 40.48, 69.04, -36.23

 

CMYK 0 / 91 / 10 / 18

HEX #D213BE

RGB 210 19 190

HSL 306.28, 0.83%, 0.45%

LAB 49.36, 80.41, -41.89

 

CMYK 0 / 85 / 9 / 8

HEX #EA24D6

RGB 234 36 214

HSL 306.06, 0.83%, 0.53%

LAB 55.69, 85.52, -45.41

 

CMYK 0 / 91 / 9 / 33

HEX #AC109C

RGB 172 16 156

HSL 306.15, 0.83%, 0.37%

LAB 40.48, 69.04, -36.23

 

CMYK 0 / 63 / 91 / 33

HEX #AC3F10

RGB 172 63 16

HSL 18.08, 0.83%, 0.37%

LAB 41.79, 42.68, 47.93

 

CMYK 91 / 0 / 27 / 33

HEX #10AC7D

RGB 16 172 125

HSL 161.92, 0.83%, 0.37%

LAB 62.59, -48.1, 13.98

 

CMYK 0 / 91 / 9 / 33

HEX #AC109C

RGB 172 16 156

HSL 306.15, 0.83%, 0.37%

LAB 40.48, 69.04, -36.23

 

CMYK 9 / 0 / 91 / 33

HEX #9CAC10

RGB 156 172 16

HSL 66.15, 0.83%, 0.37%

LAB 66.98, -22.81, 66.75

 

CMYK 91 / 9 / 0 / 33

HEX #109CAC

RGB 16 156 172

HSL 186.15, 0.83%, 0.37%

LAB 58.85, -27.49, -17.89

 

CMYK 0 / 91 / 9 / 33

HEX #AC109C

RGB 172 16 156

HSL 306.15, 0.83%, 0.37%

LAB 40.48, 69.04, -36.23

 

CMYK 0 / 63 / 91 / 33

HEX #AC3F10

RGB 172 63 16

HSL 18.08, 0.83%, 0.37%

LAB 41.79, 42.68, 47.93

 

CMYK 91 / 0 / 82 / 33

HEX #10AC1F

RGB 16 172 31

HSL 125.77, 0.83%, 0.37%

LAB 61.41, -62.17, 56.39

 

CMYK 91 / 27 / 0 / 33

HEX #107DAC

RGB 16 125 172

HSL 198.08, 0.83%, 0.37%

LAB 49.2, -10.87, -32.79

 

CMYK 0 / 91 / 9 / 33

HEX #AC109C

RGB 172 16 156

HSL 306.15, 0.83%, 0.37%

LAB 40.48, 69.04, -36.23

 

CMYK 0 / 36 / 91 / 33

HEX #AC6E10

RGB 172 110 16

HSL 36.15, 0.83%, 0.37%

LAB 51.79, 17.93, 55.5

 

CMYK 91 / 0 / 82 / 33

HEX #10AC1F

RGB 16 172 31

HSL 125.77, 0.83%, 0.37%

LAB 61.41, -62.17, 56.39

 

CMYK 91 / 55 / 0 / 33

HEX #104EAC

RGB 16 78 172

HSL 216.15, 0.83%, 0.37%

LAB 35.08, 18.87, -55.33

 

Description

Color code: HEX #AC109C | qconv.com Color code: HEX #AC109C | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 16 green and 156 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 16 156 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 91 magenta, 9 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 91% 9% 33% C M Y K

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Provide designers and agencies with accurate color values.

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