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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AC1DC5 it is the complementary color #53E23A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AC1DC5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AC1DC5 shade: #B11DC0, #C22FD3, #D341E6, #E453F9 and #F565FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AC1DC5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AC1DC5 shade: #AC1DC5, #9B0BB2, #8A009F, #79008C and #680079

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AC1DC5 shade: #AA1DC3, #C31DAF, #C31D82, #C31D55 and #C31D28

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AC1DC5 shade: #AA1DC3, #7D1DC3, #501DC3, #241DC3 and #1D1DC3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AC1DC5 shade matches the following richer shades: #AA1DC3 and #B70BD5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AC1DC5 shade: #AA1DC3, #9D2FB1, #91419E, #84538C and #77657A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AC1DC5 shade: #511DC3, #7E1DC3, #AA1DC3, #C31DAF and #C31D83

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AC1DC5 shade: #6B127B, #8B179F, #AA1DC3, #C42ADF and #CE4EE4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AC1DC5 shade: #AC1DC5, #C3251D and #1DC367

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AC1DC5 shade: #AC1DC5, #C3AA1D and #1DC3AA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AC1DC5 shade: #AC1DC5, #C3251D, #36C31D and #1DBAC3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AC1DC5 shade: #AC1DC5, #C3571D, #36C31D and #1D89C3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 13 / 85 / 0 / 23

HEX #AC1DC5

RGB 172 29 197

HSL 291.07, 0.74%, 0.44%

LAB 43.77, 73.19, -55.27

 

Complementary color

CMYK 63 / 0 / 74 / 11

HEX #53E23A

RGB 83 226 58

HSL 111.07, 0.74%, 0.56%

LAB 79.92, -67.33, 66.26

 

CMYK 8 / 85 / 0 / 25

HEX #B11DC0

RGB 177 29 192

HSL 294.48, 0.74%, 0.43%

LAB 44.28, 73.21, -51.49

 

CMYK 8 / 78 / 0 / 17

HEX #C22FD3

RGB 194 47 211

HSL 293.78, 0.65%, 0.51%

LAB 49.74, 75.08, -53.57

 

CMYK 8 / 72 / 0 / 10

HEX #D341E6

RGB 211 65 230

HSL 293.09, 0.77%, 0.58%

LAB 55.42, 76.09, -55.12

 

CMYK 8 / 67 / 0 / 2

HEX #E453F9

RGB 228 83 249

HSL 292.41, 0.93%, 0.65%

LAB 61.24, 76.51, -56.3

 

CMYK 4 / 60 / 0 / 0

HEX #F565FF

RGB 245 101 255

HSL 296.1, 1%, 0.7%

LAB 66.47, 74.28, -51.14

 

CMYK 13 / 85 / 0 / 23

HEX #AC1DC5

RGB 172 29 197

HSL 291.07, 0.74%, 0.44%

LAB 43.77, 73.19, -55.27

 

CMYK 13 / 94 / 0 / 30

HEX #9B0BB2

RGB 155 11 178

HSL 291.74, 0.88%, 0.37%

LAB 38.59, 70.17, -52.6

 

CMYK 13 / 100 / 0 / 38

HEX #8A009F

RGB 138 0 159

HSL 292.08, 1%, 0.31%

LAB 33.79, 65.66, -49.1

 

CMYK 14 / 100 / 0 / 45

HEX #79008C

RGB 121 0 140

HSL 291.86, 1%, 0.27%

LAB 29.31, 59.78, -44.83

 

CMYK 14 / 100 / 0 / 53

HEX #680079

RGB 104 0 121

HSL 291.57, 1%, 0.24%

LAB 24.71, 53.75, -40.46

 

CMYK 13 / 85 / 0 / 24

HEX #AA1DC3

RGB 170 29 195

HSL 290.96, 0.74%, 0.44%

LAB 43.31, 72.51, -54.87

 

CMYK 0 / 85 / 10 / 24

HEX #C31DAF

RGB 195 29 175

HSL 307.23, 0.74%, 0.44%

LAB 46.41, 73.97, -37.92

 

CMYK 0 / 85 / 33 / 24

HEX #C31D82

RGB 195 29 130

HSL 323.49, 0.74%, 0.44%

LAB 44.37, 68.38, -14.02

 

CMYK 0 / 85 / 56 / 24

HEX #C31D55

RGB 195 29 85

HSL 339.76, 0.74%, 0.44%

LAB 42.97, 64.4, 11.94

 

CMYK 0 / 85 / 79 / 24

HEX #C31D28

RGB 195 29 40

HSL 356.02, 0.74%, 0.44%

LAB 42.21, 62.16, 38.53

 

CMYK 13 / 85 / 0 / 24

HEX #AA1DC3

RGB 170 29 195

HSL 290.96, 0.74%, 0.44%

LAB 43.31, 72.51, -54.87

 

CMYK 36 / 85 / 0 / 24

HEX #7D1DC3

RGB 125 29 195

HSL 274.7, 0.74%, 0.44%

LAB 36.33, 65.51, -66.53

 

CMYK 59 / 85 / 0 / 24

HEX #501DC3

RGB 80 29 195

HSL 258.43, 0.74%, 0.44%

LAB 30.7, 60.22, -75.99

 

CMYK 82 / 85 / 0 / 24

HEX #241DC3

RGB 36 29 195

HSL 242.53, 0.74%, 0.44%

LAB 27.28, 57.24, -81.76

 

CMYK 85 / 85 / 0 / 24

HEX #1D1DC3

RGB 29 29 195

HSL 240, 0.74%, 0.44%

LAB 26.96, 56.97, -82.3

 

CMYK 13 / 85 / 0 / 24

HEX #AA1DC3

RGB 170 29 195

HSL 290.96, 0.74%, 0.44%

LAB 43.31, 72.51, -54.87

 

CMYK 14 / 95 / 0 / 16

HEX #B70BD5

RGB 183 11 213

HSL 291.09, 0.9%, 0.44%

LAB 45.79, 80.28, -61.18

 

CMYK 13 / 85 / 0 / 24

HEX #AA1DC3

RGB 170 29 195

HSL 290.96, 0.74%, 0.44%

LAB 43.31, 72.51, -54.87

 

CMYK 11 / 73 / 0 / 31

HEX #9D2FB1

RGB 157 47 177

HSL 290.77, 0.58%, 0.44%

LAB 41.81, 61.76, -46.82

 

CMYK 8 / 59 / 0 / 38

HEX #91419E

RGB 145 65 158

HSL 291.61, 0.42%, 0.44%

LAB 41.64, 47.65, -35.87

 

CMYK 6 / 41 / 0 / 45

HEX #84538C

RGB 132 83 140

HSL 291.58, 0.26%, 0.44%

LAB 42.74, 30.4, -23.44

 

CMYK 2 / 17 / 0 / 52

HEX #77657A

RGB 119 101 122

HSL 291.43, 0.09%, 0.44%

LAB 45.13, 11.28, -9.06

 

CMYK 58 / 85 / 0 / 24

HEX #511DC3

RGB 81 29 195

HSL 258.8, 0.74%, 0.44%

LAB 30.8, 60.31, -75.81

 

CMYK 35 / 85 / 0 / 24

HEX #7E1DC3

RGB 126 29 195

HSL 275.06, 0.74%, 0.44%

LAB 36.47, 65.65, -66.29

 

CMYK 13 / 85 / 0 / 24

HEX #AA1DC3

RGB 170 29 195

HSL 290.96, 0.74%, 0.44%

LAB 43.31, 72.51, -54.87

 

CMYK 0 / 85 / 10 / 24

HEX #C31DAF

RGB 195 29 175

HSL 307.23, 0.74%, 0.44%

LAB 46.41, 73.97, -37.92

 

CMYK 0 / 85 / 33 / 24

HEX #C31D83

RGB 195 29 131

HSL 323.13, 0.74%, 0.44%

LAB 44.4, 68.49, -14.57

 

CMYK 13 / 85 / 0 / 52

HEX #6B127B

RGB 107 18 123

HSL 290.86, 0.74%, 0.28%

LAB 26.7, 50.84, -38.49

 

CMYK 13 / 86 / 0 / 38

HEX #8B179F

RGB 139 23 159

HSL 291.18, 0.75%, 0.36%

LAB 35.21, 62.14, -46.79

 

CMYK 13 / 85 / 0 / 24

HEX #AA1DC3

RGB 170 29 195

HSL 290.96, 0.74%, 0.44%

LAB 43.31, 72.51, -54.87

 

CMYK 12 / 81 / 0 / 13

HEX #C42ADF

RGB 196 42 223

HSL 291.05, 0.74%, 0.52%

LAB 50.36, 78.77, -59.41

 

CMYK 10 / 66 / 0 / 11

HEX #CE4EE4

RGB 206 78 228

HSL 291.2, 0.74%, 0.6%

LAB 56.26, 69.92, -52.7

 

CMYK 13 / 85 / 0 / 23

HEX #AC1DC5

RGB 172 29 197

HSL 291.07, 0.74%, 0.44%

LAB 43.77, 73.19, -55.27

 

CMYK 0 / 81 / 85 / 24

HEX #C3251D

RGB 195 37 29

HSL 2.89, 0.74%, 0.44%

LAB 42.78, 59.94, 44.95

 

CMYK 85 / 0 / 47 / 24

HEX #1DC367

RGB 29 195 103

HSL 146.75, 0.74%, 0.44%

LAB 69.66, -60.07, 35.11

 

CMYK 13 / 85 / 0 / 23

HEX #AC1DC5

RGB 172 29 197

HSL 291.07, 0.74%, 0.44%

LAB 43.77, 73.19, -55.27

 

CMYK 0 / 13 / 85 / 24

HEX #C3AA1D

RGB 195 170 29

HSL 50.96, 0.74%, 0.44%

LAB 69.78, -4.33, 67.73

 

CMYK 85 / 0 / 13 / 24

HEX #1DC3AA

RGB 29 195 170

HSL 170.96, 0.74%, 0.44%

LAB 71, -45.21, 1.32

 

CMYK 13 / 85 / 0 / 23

HEX #AC1DC5

RGB 172 29 197

HSL 291.07, 0.74%, 0.44%

LAB 43.77, 73.19, -55.27

 

CMYK 0 / 81 / 85 / 24

HEX #C3251D

RGB 195 37 29

HSL 2.89, 0.74%, 0.44%

LAB 42.78, 59.94, 44.95

 

CMYK 72 / 0 / 85 / 24

HEX #36C31D

RGB 54 195 29

HSL 110.96, 0.74%, 0.44%

LAB 69.4, -64.6, 64.38

 

CMYK 85 / 5 / 0 / 24

HEX #1DBAC3

RGB 29 186 195

HSL 183.25, 0.74%, 0.44%

LAB 68.98, -33.94, -15.37

 

CMYK 13 / 85 / 0 / 23

HEX #AC1DC5

RGB 172 29 197

HSL 291.07, 0.74%, 0.44%

LAB 43.77, 73.19, -55.27

 

CMYK 0 / 55 / 85 / 24

HEX #C3571D

RGB 195 87 29

HSL 20.96, 0.74%, 0.44%

LAB 50.11, 40.2, 51.26

 

CMYK 72 / 0 / 85 / 24

HEX #36C31D

RGB 54 195 29

HSL 110.96, 0.74%, 0.44%

LAB 69.4, -64.6, 64.38

 

CMYK 85 / 30 / 0 / 24

HEX #1D89C3

RGB 29 137 195

HSL 200.96, 0.74%, 0.44%

LAB 54.13, -8.37, -38.26

 

Description

Color code: HEX #AC1DC5 | qconv.com Color code: HEX #AC1DC5 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 29 green and 197 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 29 197 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 13 cyan, 85 magenta, none yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
13% 85% 0% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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