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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AC1F66 it is the complementary color #53E099. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AC1F66. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AC1F66 shade: #B11F61, #C23174, #D34387, #E4559A and #F567AD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AC1F66. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AC1F66 shade: #AC1F66, #9B0D53, #8A0040, #79002D and #68001A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AC1F66 shade: #AC1F66, #AC1F40 and #AC1F1F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AC1F66 shade: #AC1F66, #AC1F8C, #A61FAC, #801FAC and #5A1FAC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AC1F66 shade matches the following richer shades: #AC1F66 and #BC0F66

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AC1F66 shade: #AC1F66, #9B3066, #8B4066, #7A5166 and #6A6166

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AC1F66 shade: #A51FAC, #AC1F8D, #AC1F68, #AC1F42 and #AC211F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AC1F66 shade: #66123D, #891951, #AC1F66, #CF267B and #DC428F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AC1F66 shade: #AC1F66, #AC7F1F and #1FA0AC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AC1F66 shade: #AC1F66, #68AC1F and #1F68AC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AC1F66 shade: #AC1F66, #AC7F1F, #1FAC63 and #1F4CAC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AC1F66 shade: #AC1F66, #ACAA1F, #1FAC63 and #1F21AC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 82 / 41 / 33

HEX #AC1F66

RGB 172 31 102

HSL 329.79, 0.69%, 0.4%

LAB 39.09, 59.46, -4.97

 

Complementary color

CMYK 63 / 0 / 32 / 12

HEX #53E099

RGB 83 224 153

HSL 149.79, 0.69%, 0.6%

LAB 80.43, -53.98, 23.83

 

CMYK 0 / 82 / 45 / 31

HEX #B11F61

RGB 177 31 97

HSL 332.88, 0.7%, 0.41%

LAB 39.9, 60.26, -0.5

 

CMYK 0 / 75 / 40 / 24

HEX #C23174

RGB 194 49 116

HSL 332.28, 0.6%, 0.48%

LAB 45.53, 61.41, -3.69

 

CMYK 0 / 68 / 36 / 17

HEX #D34387

RGB 211 67 135

HSL 331.67, 0.62%, 0.55%

LAB 51.4, 61.79, -6.19

 

CMYK 0 / 63 / 32 / 11

HEX #E4559A

RGB 228 85 154

HSL 331.05, 0.73%, 0.61%

LAB 57.39, 61.69, -8.21

 

CMYK 0 / 58 / 29 / 4

HEX #F567AD

RGB 245 103 173

HSL 330.42, 0.88%, 0.68%

LAB 63.45, 61.3, -9.86

 

CMYK 0 / 82 / 41 / 33

HEX #AC1F66

RGB 172 31 102

HSL 329.79, 0.69%, 0.4%

LAB 39.09, 59.46, -4.97

 

CMYK 0 / 92 / 46 / 39

HEX #9B0D53

RGB 155 13 83

HSL 330.42, 0.85%, 0.33%

LAB 33.73, 57.16, -1.06

 

CMYK 0 / 100 / 54 / 46

HEX #8A0040

RGB 138 0 64

HSL 332.17, 1%, 0.27%

LAB 28.83, 53.38, 3.98

 

CMYK 0 / 100 / 63 / 53

HEX #79002D

RGB 121 0 45

HSL 337.69, 1%, 0.24%

LAB 24.5, 47.8, 10.35

 

CMYK 0 / 100 / 75 / 59

HEX #68001A

RGB 104 0 26

HSL 345, 1%, 0.2%

LAB 20.11, 42.26, 17.16

 

CMYK 0 / 82 / 41 / 33

HEX #AC1F66

RGB 172 31 102

HSL 329.79, 0.69%, 0.4%

LAB 39.09, 59.46, -4.97

 

CMYK 0 / 82 / 63 / 33

HEX #AC1F40

RGB 172 31 64

HSL 345.96, 0.69%, 0.4%

LAB 38.06, 56.38, 17.81

 

CMYK 0 / 82 / 82 / 33

HEX #AC1F1F

RGB 172 31 31

HSL 0, 0.69%, 0.4%

LAB 37.57, 54.89, 37.38

 

CMYK 0 / 82 / 41 / 33

HEX #AC1F66

RGB 172 31 102

HSL 329.79, 0.69%, 0.4%

LAB 39.09, 59.46, -4.97

 

CMYK 0 / 82 / 19 / 33

HEX #AC1F8C

RGB 172 31 140

HSL 313.62, 0.69%, 0.4%

LAB 40.64, 63.93, -26.24

 

CMYK 3 / 82 / 0 / 33

HEX #A61FAC

RGB 166 31 172

HSL 297.45, 0.69%, 0.4%

LAB 41.32, 67.47, -44.54

 

CMYK 26 / 82 / 0 / 33

HEX #801FAC

RGB 128 31 172

HSL 281.28, 0.69%, 0.4%

LAB 35.1, 60.57, -54.89

 

CMYK 48 / 82 / 0 / 33

HEX #5A1FAC

RGB 90 31 172

HSL 265.11, 0.69%, 0.4%

LAB 29.74, 54.72, -63.86

 

CMYK 0 / 82 / 41 / 33

HEX #AC1F66

RGB 172 31 102

HSL 329.79, 0.69%, 0.4%

LAB 39.09, 59.46, -4.97

 

CMYK 0 / 92 / 46 / 26

HEX #BC0F66

RGB 188 15 102

HSL 329.83, 0.85%, 0.4%

LAB 41.2, 66.39, -1.49

 

CMYK 0 / 82 / 41 / 33

HEX #AC1F66

RGB 172 31 102

HSL 329.79, 0.69%, 0.4%

LAB 39.09, 59.46, -4.97

 

CMYK 0 / 69 / 34 / 39

HEX #9B3066

RGB 155 48 102

HSL 329.72, 0.53%, 0.4%

LAB 37.92, 49.16, -7.05

 

CMYK 0 / 54 / 27 / 45

HEX #8B4066

RGB 139 64 102

HSL 329.6, 0.37%, 0.4%

LAB 38.05, 36.51, -7.13

 

CMYK 0 / 34 / 16 / 52

HEX #7A5166

RGB 122 81 102

HSL 329.27, 0.2%, 0.4%

LAB 39.55, 20.58, -5.14

 

CMYK 0 / 8 / 4 / 58

HEX #6A6166

RGB 106 97 102

HSL 326.67, 0.04%, 0.4%

LAB 42.11, 4.57, -1.54

 

CMYK 4 / 82 / 0 / 33

HEX #A51FAC

RGB 165 31 172

HSL 297.02, 0.69%, 0.4%

LAB 41.15, 67.28, -44.83

 

CMYK 0 / 82 / 18 / 33

HEX #AC1F8D

RGB 172 31 141

HSL 313.19, 0.69%, 0.4%

LAB 40.69, 64.07, -26.77

 

CMYK 0 / 82 / 40 / 33

HEX #AC1F68

RGB 172 31 104

HSL 328.94, 0.69%, 0.4%

LAB 39.16, 59.66, -6.13

 

CMYK 0 / 82 / 62 / 33

HEX #AC1F42

RGB 172 31 66

HSL 345.11, 0.69%, 0.4%

LAB 38.1, 56.51, 16.59

 

CMYK 0 / 81 / 82 / 33

HEX #AC211F

RGB 172 33 31

HSL 0.85, 0.69%, 0.4%

LAB 37.77, 54.34, 37.57

 

CMYK 0 / 82 / 40 / 60

HEX #66123D

RGB 102 18 61

HSL 329.29, 0.7%, 0.24%

LAB 22.28, 39.86, -4.47

 

CMYK 0 / 82 / 41 / 46

HEX #891951

RGB 137 25 81

HSL 330, 0.69%, 0.32%

LAB 30.9, 49.73, -4.35

 

CMYK 0 / 82 / 41 / 33

HEX #AC1F66

RGB 172 31 102

HSL 329.79, 0.69%, 0.4%

LAB 39.09, 59.46, -4.97

 

CMYK 0 / 82 / 41 / 19

HEX #CF267B

RGB 207 38 123

HSL 329.82, 0.69%, 0.48%

LAB 47.08, 68.53, -5.42

 

CMYK 0 / 70 / 35 / 14

HEX #DC428F

RGB 220 66 143

HSL 330, 0.69%, 0.56%

LAB 53.05, 65.52, -8.33

 

CMYK 0 / 82 / 41 / 33

HEX #AC1F66

RGB 172 31 102

HSL 329.79, 0.69%, 0.4%

LAB 39.09, 59.46, -4.97

 

CMYK 0 / 26 / 82 / 33

HEX #AC7F1F

RGB 172 127 31

HSL 40.85, 0.69%, 0.4%

LAB 56.14, 8.79, 54.57

 

CMYK 82 / 7 / 0 / 33

HEX #1FA0AC

RGB 31 160 172

HSL 185.11, 0.69%, 0.4%

LAB 60.26, -28.45, -15.74

 

CMYK 0 / 82 / 41 / 33

HEX #AC1F66

RGB 172 31 102

HSL 329.79, 0.69%, 0.4%

LAB 39.09, 59.46, -4.97

 

CMYK 40 / 0 / 82 / 33

HEX #68AC1F

RGB 104 172 31

HSL 88.94, 0.69%, 0.4%

LAB 63.79, -43.07, 59.46

 

CMYK 82 / 40 / 0 / 33

HEX #1F68AC

RGB 31 104 172

HSL 208.94, 0.69%, 0.4%

LAB 43.02, 2.97, -42.54

 

CMYK 0 / 82 / 41 / 33

HEX #AC1F66

RGB 172 31 102

HSL 329.79, 0.69%, 0.4%

LAB 39.09, 59.46, -4.97

 

CMYK 0 / 26 / 82 / 33

HEX #AC7F1F

RGB 172 127 31

HSL 40.85, 0.69%, 0.4%

LAB 56.14, 8.79, 54.57

 

CMYK 82 / 0 / 42 / 33

HEX #1FAC63

RGB 31 172 99

HSL 148.94, 0.69%, 0.4%

LAB 62.25, -52.46, 27.64

 

CMYK 82 / 56 / 0 / 33

HEX #1F4CAC

RGB 31 76 172

HSL 220.85, 0.69%, 0.4%

LAB 34.88, 21.33, -55.63

 

CMYK 0 / 82 / 41 / 33

HEX #AC1F66

RGB 172 31 102

HSL 329.79, 0.69%, 0.4%

LAB 39.09, 59.46, -4.97

 

CMYK 0 / 1 / 82 / 33

HEX #ACAA1F

RGB 172 170 31

HSL 59.15, 0.69%, 0.4%

LAB 67.74, -14.43, 64.68

 

CMYK 82 / 0 / 42 / 33

HEX #1FAC63

RGB 31 172 99

HSL 148.94, 0.69%, 0.4%

LAB 62.25, -52.46, 27.64

 

CMYK 82 / 81 / 0 / 33

HEX #1F21AC

RGB 31 33 172

HSL 239.15, 0.69%, 0.4%

LAB 24.82, 48.13, -72.16

 

Description

Color code: HEX #AC1F66 | qconv.com Color code: HEX #AC1F66 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 31 green and 102 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 31 102 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 82 magenta, 41 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 82% 41% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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