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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AC26CE it is the complementary color #53D931. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AC26CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AC26CE shade: #B126C9, #C238DC, #D34AEF, #E45CFF and #F56EFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AC26CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AC26CE shade: #AC26CE, #9B14BB, #8A02A8, #790095 and #680082

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AC26CE shade: #AC25CE, #CE25C3, #CE2595, #CE2568 and #CE253A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AC26CE shade: #AC25CE, #7F25CE, #5125CE and #2525CE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AC26CE shade matches the following richer shades: #AC25CE and #B812E2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AC26CE shade: #AC25CE, #A039BB, #954DA7, #896193 and #7D757F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AC26CE shade: #5025CE, #7D25CE, #AA25CE, #CE25C6 and #CE2599

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AC26CE shade: #721989, #8F1FAB, #AC25CE, #BD41DC and #C964E2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AC26CE shade: #AC26CE, #CE2528 and #25CE66

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AC26CE shade: #AC26CE, #CEAA25 and #25CEAA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AC26CE shade: #AC26CE, #CE2528, #4ACE25 and #25CECC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AC26CE shade: #AC26CE, #CE5525, #4ACE25 and #259ECE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 17 / 82 / 0 / 19

HEX #AC26CE

RGB 172 38 206

HSL 287.86, 0.69%, 0.48%

LAB 45.1, 72.65, -58.34

 

Complementary color

CMYK 62 / 0 / 77 / 15

HEX #53D931

RGB 83 217 49

HSL 107.86, 0.69%, 0.52%

LAB 77.09, -64.91, 66.36

 

CMYK 12 / 81 / 0 / 21

HEX #B126C9

RGB 177 38 201

HSL 291.17, 0.68%, 0.47%

LAB 45.57, 72.65, -54.66

 

CMYK 12 / 75 / 0 / 14

HEX #C238DC

RGB 194 56 220

HSL 290.49, 0.7%, 0.54%

LAB 51.23, 73.93, -56.33

 

CMYK 12 / 69 / 0 / 6

HEX #D34AEF

RGB 211 74 239

HSL 289.82, 0.84%, 0.61%

LAB 57.05, 74.5, -57.56

 

CMYK 11 / 64 / 0 / 0

HEX #E45CFF

RGB 228 92 255

HSL 290.06, 1%, 0.68%

LAB 62.82, 74.06, -57.09

 

CMYK 4 / 57 / 0 / 0

HEX #F56EFF

RGB 245 110 255

HSL 295.86, 1%, 0.72%

LAB 67.86, 70.48, -48.95

 

CMYK 17 / 82 / 0 / 19

HEX #AC26CE

RGB 172 38 206

HSL 287.86, 0.69%, 0.48%

LAB 45.1, 72.65, -58.34

 

CMYK 17 / 89 / 0 / 27

HEX #9B14BB

RGB 155 20 187

HSL 288.5, 0.81%, 0.41%

LAB 39.68, 70.41, -56.17

 

CMYK 18 / 99 / 0 / 34

HEX #8A02A8

RGB 138 2 168

HSL 289.16, 0.98%, 0.33%

LAB 34.55, 66.96, -53.31

 

CMYK 19 / 100 / 0 / 42

HEX #790095

RGB 121 0 149

HSL 288.72, 1%, 0.29%

LAB 30, 61.38, -49.28

 

CMYK 20 / 100 / 0 / 49

HEX #680082

RGB 104 0 130

HSL 288, 1%, 0.25%

LAB 25.43, 55.4, -45.01

 

CMYK 17 / 82 / 0 / 19

HEX #AC25CE

RGB 172 37 206

HSL 287.93, 0.7%, 0.48%

LAB 45.01, 72.91, -58.49

 

CMYK 0 / 82 / 5 / 19

HEX #CE25C3

RGB 206 37 195

HSL 303.91, 0.7%, 0.48%

LAB 49.96, 77.34, -43.88

 

CMYK 0 / 82 / 28 / 19

HEX #CE2595

RGB 206 37 149

HSL 320.24, 0.7%, 0.48%

LAB 47.77, 71.29, -20.16

 

CMYK 0 / 82 / 50 / 19

HEX #CE2568

RGB 206 37 104

HSL 336.21, 0.7%, 0.48%

LAB 46.24, 66.84, 5.01

 

CMYK 0 / 82 / 72 / 19

HEX #CE253A

RGB 206 37 58

HSL 352.54, 0.7%, 0.48%

LAB 45.29, 64.01, 32.04

 

CMYK 17 / 82 / 0 / 19

HEX #AC25CE

RGB 172 37 206

HSL 287.93, 0.7%, 0.48%

LAB 45.01, 72.91, -58.49

 

CMYK 38 / 82 / 0 / 19

HEX #7F25CE

RGB 127 37 206

HSL 271.95, 0.7%, 0.48%

LAB 38.36, 65.81, -69.6

 

CMYK 61 / 82 / 0 / 19

HEX #5125CE

RGB 81 37 206

HSL 255.62, 0.7%, 0.48%

LAB 32.98, 60.24, -78.64

 

CMYK 82 / 82 / 0 / 19

HEX #2525CE

RGB 37 37 206

HSL 240, 0.7%, 0.48%

LAB 29.84, 57.11, -83.94

 

CMYK 17 / 82 / 0 / 19

HEX #AC25CE

RGB 172 37 206

HSL 287.93, 0.7%, 0.48%

LAB 45.01, 72.91, -58.49

 

CMYK 19 / 92 / 0 / 11

HEX #B812E2

RGB 184 18 226

HSL 287.88, 0.85%, 0.48%

LAB 47.12, 81.84, -66.44

 

CMYK 17 / 82 / 0 / 19

HEX #AC25CE

RGB 172 37 206

HSL 287.93, 0.7%, 0.48%

LAB 45.01, 72.91, -58.49

 

CMYK 14 / 70 / 0 / 27

HEX #A039BB

RGB 160 57 187

HSL 287.54, 0.53%, 0.48%

LAB 44.22, 60.51, -48.82

 

CMYK 11 / 54 / 0 / 35

HEX #954DA7

RGB 149 77 167

HSL 288, 0.37%, 0.48%

LAB 44.92, 44.5, -36.01

 

CMYK 7 / 34 / 0 / 42

HEX #896193

RGB 137 97 147

HSL 288, 0.2%, 0.48%

LAB 46.94, 25.39, -21.1

 

CMYK 2 / 8 / 0 / 50

HEX #7D757F

RGB 125 117 127

HSL 288, 0.04%, 0.48%

LAB 50.23, 5.06, -4.38

 

CMYK 61 / 82 / 0 / 19

HEX #5025CE

RGB 80 37 206

HSL 255.27, 0.7%, 0.48%

LAB 32.89, 60.15, -78.8

 

CMYK 39 / 82 / 0 / 19

HEX #7D25CE

RGB 125 37 206

HSL 271.24, 0.7%, 0.48%

LAB 38.09, 65.52, -70.05

 

CMYK 17 / 82 / 0 / 19

HEX #AA25CE

RGB 170 37 206

HSL 287.22, 0.7%, 0.48%

LAB 44.7, 72.57, -59.01

 

CMYK 0 / 82 / 4 / 19

HEX #CE25C6

RGB 206 37 198

HSL 302.84, 0.7%, 0.48%

LAB 50.12, 77.78, -45.36

 

CMYK 0 / 82 / 26 / 19

HEX #CE2599

RGB 206 37 153

HSL 318.82, 0.7%, 0.48%

LAB 47.94, 71.76, -22.3

 

CMYK 17 / 82 / 0 / 46

HEX #721989

RGB 114 25 137

HSL 287.68, 0.69%, 0.32%

LAB 29.61, 52.85, -42.54

 

CMYK 16 / 82 / 0 / 33

HEX #8F1FAB

RGB 143 31 171

HSL 288, 0.69%, 0.4%

LAB 37.41, 63.01, -50.44

 

CMYK 17 / 82 / 0 / 19

HEX #AC25CE

RGB 172 37 206

HSL 287.93, 0.7%, 0.48%

LAB 45.01, 72.91, -58.49

 

CMYK 14 / 70 / 0 / 14

HEX #BD41DC

RGB 189 65 220

HSL 288, 0.69%, 0.56%

LAB 51.57, 69.81, -55.81

 

CMYK 11 / 56 / 0 / 11

HEX #C964E2

RGB 201 100 226

HSL 288.1, 0.68%, 0.64%

LAB 59, 58.7, -47.28

 

CMYK 17 / 82 / 0 / 19

HEX #AC26CE

RGB 172 38 206

HSL 287.86, 0.69%, 0.48%

LAB 45.1, 72.65, -58.34

 

CMYK 0 / 82 / 81 / 19

HEX #CE2528

RGB 206 37 40

HSL 358.93, 0.7%, 0.48%

LAB 45.08, 63.36, 42.15

 

CMYK 82 / 0 / 50 / 19

HEX #25CE66

RGB 37 206 102

HSL 143.08, 0.7%, 0.48%

LAB 73.22, -63.21, 40.09

 

CMYK 17 / 82 / 0 / 19

HEX #AC26CE

RGB 172 38 206

HSL 287.86, 0.69%, 0.48%

LAB 45.1, 72.65, -58.34

 

CMYK 0 / 17 / 82 / 19

HEX #CEAA25

RGB 206 170 37

HSL 47.22, 0.7%, 0.48%

LAB 70.87, 0.74, 66.93

 

CMYK 82 / 0 / 17 / 19

HEX #25CEAA

RGB 37 206 170

HSL 167.22, 0.7%, 0.48%

LAB 74.47, -49.18, 6.35

 

CMYK 17 / 82 / 0 / 19

HEX #AC26CE

RGB 172 38 206

HSL 287.86, 0.69%, 0.48%

LAB 45.1, 72.65, -58.34

 

CMYK 0 / 82 / 81 / 19

HEX #CE2528

RGB 206 37 40

HSL 358.93, 0.7%, 0.48%

LAB 45.08, 63.36, 42.15

 

CMYK 64 / 0 / 82 / 19

HEX #4ACE25

RGB 74 206 37

HSL 106.86, 0.7%, 0.48%

LAB 73.37, -63.89, 66.18

 

CMYK 82 / 0 / 1 / 19

HEX #25CECC

RGB 37 206 204

HSL 179.29, 0.7%, 0.48%

LAB 75.39, -39.9, -10.66

 

CMYK 17 / 82 / 0 / 19

HEX #AC26CE

RGB 172 38 206

HSL 287.86, 0.69%, 0.48%

LAB 45.1, 72.65, -58.34

 

CMYK 0 / 59 / 82 / 19

HEX #CE5525

RGB 206 85 37

HSL 17.04, 0.7%, 0.48%

LAB 51.56, 45.56, 49.81

 

CMYK 64 / 0 / 82 / 19

HEX #4ACE25

RGB 74 206 37

HSL 106.86, 0.7%, 0.48%

LAB 73.37, -63.89, 66.18

 

CMYK 82 / 23 / 0 / 19

HEX #259ECE

RGB 37 158 206

HSL 197.04, 0.7%, 0.48%

LAB 61.05, -15.5, -33.62

 

Description

Color code: HEX #AC26CE | qconv.com Color code: HEX #AC26CE | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 38 green and 206 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 38 206 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 17 cyan, 82 magenta, none yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
17% 82% 0% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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