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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AC292B it is the complementary color #53D6D4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AC292B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AC292B shade: #B12926, #C23B39, #D34D4C, #E45F5F and #F57172

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AC292B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AC292B shade: #AC292B, #9B1718, #8A0505, #790000 and #680000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AC292B shade: #AD282A and #AD2828

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AC292B shade: #AD282A, #AD284E, #AD2872, #AD2896 and #A128AD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AC292B shade matches the following richer shades: #AD282A, #BE1719 and #D00609

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AC292B shade: #AD282A, #9C3A3B, #8A4B4C, #795C5D and #686E6D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AC292B shade: #AD2871, #AD284E, #AD282A, #AD4928 and #AD6D28

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AC292B shade: #6A191A, #8C2022, #AD282A, #CE3033 and #D65254

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AC292B shade: #AC292B, #95AD28 and #2860AD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AC292B shade: #AC292B, #2AAD28 and #282AAD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AC292B shade: #AC292B, #95AD28, #28ADAB and #4128AD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AC292B shade: #AC292B, #6DAD28, #28ADAB and #6828AD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 76 / 75 / 33

HEX #AC292B

RGB 172 41 43

HSL 359.08, 0.62%, 0.42%

LAB 38.78, 52.3, 31.73

 

Complementary color

CMYK 61 / 0 / 1 / 16

HEX #53D6D4

RGB 83 214 212

HSL 179.08, 0.62%, 0.58%

LAB 78.86, -35.76, -9.69

 

CMYK 0 / 77 / 79 / 31

HEX #B12926

RGB 177 41 38

HSL 1.29, 0.65%, 0.42%

LAB 39.7, 53.65, 35.94

 

CMYK 0 / 70 / 71 / 24

HEX #C23B39

RGB 194 59 57

HSL 0.88, 0.55%, 0.49%

LAB 45.49, 53.4, 32.3

 

CMYK 0 / 64 / 64 / 17

HEX #D34D4C

RGB 211 77 76

HSL 0.44, 0.61%, 0.56%

LAB 51.47, 52.69, 29.17

 

CMYK 0 / 58 / 58 / 11

HEX #E45F5F

RGB 228 95 95

HSL 0, 0.71%, 0.63%

LAB 57.56, 51.75, 26.52

 

CMYK 0 / 54 / 53 / 4

HEX #F57172

RGB 245 113 114

HSL 359.55, 0.87%, 0.7%

LAB 63.7, 50.71, 24.25

 

CMYK 0 / 76 / 75 / 33

HEX #AC292B

RGB 172 41 43

HSL 359.08, 0.62%, 0.42%

LAB 38.78, 52.3, 31.73

 

CMYK 0 / 85 / 85 / 39

HEX #9B1718

RGB 155 23 24

HSL 359.55, 0.74%, 0.35%

LAB 33.24, 51.76, 35.87

 

CMYK 0 / 96 / 96 / 46

HEX #8A0505

RGB 138 5 5

HSL 0, 0.93%, 0.28%

LAB 28.18, 49.98, 39.24

 

CMYK 0 / 100 / 100 / 53

HEX #790000

RGB 121 0 0

HSL 0, 1%, 0.24%

LAB 23.89, 46.15, 35.9

 

CMYK 0 / 100 / 100 / 59

HEX #680000

RGB 104 0 0

HSL 0, 1%, 0.2%

LAB 19.81, 41.44, 30.34

 

CMYK 0 / 77 / 76 / 32

HEX #AD282A

RGB 173 40 42

HSL 359.1, 0.62%, 0.42%

LAB 38.84, 52.9, 32.46

 

CMYK 0 / 77 / 77 / 32

HEX #AD2828

RGB 173 40 40

HSL 0, 0.62%, 0.42%

LAB 38.82, 52.82, 33.6

 

CMYK 0 / 77 / 76 / 32

HEX #AD282A

RGB 173 40 42

HSL 359.1, 0.62%, 0.42%

LAB 38.84, 52.9, 32.46

 

CMYK 0 / 77 / 55 / 32

HEX #AD284E

RGB 173 40 78

HSL 342.86, 0.62%, 0.42%

LAB 39.5, 55.01, 10.88

 

CMYK 0 / 77 / 34 / 32

HEX #AD2872

RGB 173 40 114

HSL 326.62, 0.62%, 0.42%

LAB 40.6, 58.45, -10.22

 

CMYK 0 / 77 / 13 / 32

HEX #AD2896

RGB 173 40 150

HSL 310.38, 0.62%, 0.42%

LAB 42.16, 63.12, -29.94

 

CMYK 7 / 77 / 0 / 32

HEX #A128AD

RGB 161 40 173

HSL 294.59, 0.62%, 0.42%

LAB 41.39, 64.19, -45.07

 

CMYK 0 / 77 / 76 / 32

HEX #AD282A

RGB 173 40 42

HSL 359.1, 0.62%, 0.42%

LAB 38.84, 52.9, 32.46

 

CMYK 0 / 88 / 87 / 25

HEX #BE1719

RGB 190 23 25

HSL 359.28, 0.78%, 0.42%

LAB 40.62, 61.61, 44.68

 

CMYK 0 / 97 / 96 / 18

HEX #D00609

RGB 208 6 9

HSL 359.11, 0.94%, 0.42%

LAB 43.6, 68.23, 54.82

 

CMYK 0 / 77 / 76 / 32

HEX #AD282A

RGB 173 40 42

HSL 359.1, 0.62%, 0.42%

LAB 38.84, 52.9, 32.46

 

CMYK 0 / 63 / 62 / 39

HEX #9C3A3B

RGB 156 58 59

HSL 359.39, 0.46%, 0.42%

LAB 38.57, 40.94, 21.04

 

CMYK 0 / 46 / 45 / 46

HEX #8A4B4C

RGB 138 75 76

HSL 359.05, 0.3%, 0.42%

LAB 39.51, 26.68, 11.25

 

CMYK 0 / 24 / 23 / 53

HEX #795C5D

RGB 121 92 93

HSL 357.93, 0.14%, 0.42%

LAB 42.01, 12.02, 4.01

 

CMYK 5 / 0 / 1 / 57

HEX #686E6D

RGB 104 110 109

HSL 170, 0.03%, 0.42%

LAB 45.91, -2.49, -0.24

 

CMYK 0 / 77 / 35 / 32

HEX #AD2871

RGB 173 40 113

HSL 327.07, 0.62%, 0.42%

LAB 40.56, 58.33, -9.65

 

CMYK 0 / 77 / 55 / 32

HEX #AD284E

RGB 173 40 78

HSL 342.86, 0.62%, 0.42%

LAB 39.5, 55.01, 10.88

 

CMYK 0 / 77 / 76 / 32

HEX #AD282A

RGB 173 40 42

HSL 359.1, 0.62%, 0.42%

LAB 38.84, 52.9, 32.46

 

CMYK 0 / 58 / 77 / 32

HEX #AD4928

RGB 173 73 40

HSL 14.89, 0.62%, 0.42%

LAB 43.95, 38.99, 39.06

 

CMYK 0 / 37 / 77 / 32

HEX #AD6D28

RGB 173 109 40

HSL 31.13, 0.62%, 0.42%

LAB 51.81, 19.68, 47.02

 

CMYK 0 / 76 / 75 / 58

HEX #6A191A

RGB 106 25 26

HSL 359.26, 0.62%, 0.26%

LAB 23.11, 35.64, 20.86

 

CMYK 0 / 77 / 76 / 45

HEX #8C2022

RGB 140 32 34

HSL 358.89, 0.63%, 0.34%

LAB 31.17, 44.84, 26.86

 

CMYK 0 / 77 / 76 / 32

HEX #AD282A

RGB 173 40 42

HSL 359.1, 0.62%, 0.42%

LAB 38.84, 52.9, 32.46

 

CMYK 0 / 77 / 75 / 19

HEX #CE3033

RGB 206 48 51

HSL 358.86, 0.62%, 0.5%

LAB 46.28, 60.68, 37.27

 

CMYK 0 / 62 / 61 / 16

HEX #D65254

RGB 214 82 84

HSL 359.09, 0.62%, 0.58%

LAB 52.92, 52.04, 26.44

 

CMYK 0 / 76 / 75 / 33

HEX #AC292B

RGB 172 41 43

HSL 359.08, 0.62%, 0.42%

LAB 38.78, 52.3, 31.73

 

CMYK 14 / 0 / 77 / 32

HEX #95AD28

RGB 149 173 40

HSL 70.83, 0.62%, 0.42%

LAB 66.85, -25.52, 60.57

 

CMYK 77 / 45 / 0 / 32

HEX #2860AD

RGB 40 96 173

HSL 214.74, 0.62%, 0.42%

LAB 40.95, 9.47, -46.41

 

CMYK 0 / 76 / 75 / 33

HEX #AC292B

RGB 172 41 43

HSL 359.08, 0.62%, 0.42%

LAB 38.78, 52.3, 31.73

 

CMYK 76 / 0 / 77 / 32

HEX #2AAD28

RGB 42 173 40

HSL 119.1, 0.62%, 0.42%

LAB 62.11, -59, 54.39

 

CMYK 77 / 76 / 0 / 32

HEX #282AAD

RGB 40 42 173

HSL 239.1, 0.62%, 0.42%

LAB 27.09, 44.24, -69

 

CMYK 0 / 76 / 75 / 33

HEX #AC292B

RGB 172 41 43

HSL 359.08, 0.62%, 0.42%

LAB 38.78, 52.3, 31.73

 

CMYK 14 / 0 / 77 / 32

HEX #95AD28

RGB 149 173 40

HSL 70.83, 0.62%, 0.42%

LAB 66.85, -25.52, 60.57

 

CMYK 77 / 0 / 1 / 32

HEX #28ADAB

RGB 40 173 171

HSL 179.1, 0.62%, 0.42%

LAB 64.39, -34.15, -8.96

 

CMYK 62 / 77 / 0 / 32

HEX #4128AD

RGB 65 40 173

HSL 251.28, 0.62%, 0.42%

LAB 28.53, 47.82, -66.55

 

CMYK 0 / 76 / 75 / 33

HEX #AC292B

RGB 172 41 43

HSL 359.08, 0.62%, 0.42%

LAB 38.78, 52.3, 31.73

 

CMYK 37 / 0 / 77 / 32

HEX #6DAD28

RGB 109 173 40

HSL 88.87, 0.62%, 0.42%

LAB 64.4, -41.26, 57.39

 

CMYK 77 / 0 / 1 / 32

HEX #28ADAB

RGB 40 173 171

HSL 179.1, 0.62%, 0.42%

LAB 64.39, -34.15, -8.96

 

CMYK 40 / 77 / 0 / 32

HEX #6828AD

RGB 104 40 173

HSL 268.87, 0.62%, 0.42%

LAB 32.87, 53.47, -59.27

 

Description

Color code: HEX #AC292B | qconv.com Color code: HEX #AC292B | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 41 green and 43 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 41 43 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 76 magenta, 75 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 76% 75% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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