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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AC29A8 it is the complementary color #53D657. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AC29A8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AC29A8 shade: #B129A3, #C23BB6, #D34DC9, #E45FDC and #F571EF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AC29A8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AC29A8 shade: #AC29A8, #9B1795, #8A0582, #79006F and #68005C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AC29A8 shade: #AD28A9, #AD2885, #AD2861, #AD283E and #AD2828

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AC29A8 shade: #AD28A9, #8D28AD, #6928AD, #4628AD and #2828AD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AC29A8 shade matches the following richer shades: #AD28A9, #BE17B9 and #D006C9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AC29A8 shade: #AD28A9, #9C3A99, #8A4B88, #795C78 and #686E68

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AC29A8 shade: #6828AD, #8C28AD, #AD28AB, #AD2887 and #AD2864

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AC29A8 shade: #6A1968, #8C2088, #AD28A9, #CE30C9 and #D652D2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AC29A8 shade: #AC29A8, #AD4528 and #28AD7A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AC29A8 shade: #AC29A8, #ABAD28 and #28ABAD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AC29A8 shade: #AC29A8, #AD4528, #28AD2A and #2890AD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AC29A8 shade: #AC29A8, #AD6D28, #28AD2A and #2868AD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 76 / 2 / 33

HEX #AC29A8

RGB 172 41 168

HSL 301.83, 0.62%, 0.42%

LAB 43.04, 65.34, -39.36

 

Complementary color

CMYK 61 / 0 / 59 / 16

HEX #53D657

RGB 83 214 87

HSL 121.83, 0.62%, 0.58%

LAB 76.45, -60.59, 51.19

 

CMYK 0 / 77 / 8 / 31

HEX #B129A3

RGB 177 41 163

HSL 306.18, 0.62%, 0.43%

LAB 43.62, 65.64, -35.41

 

CMYK 0 / 70 / 6 / 24

HEX #C23BB6

RGB 194 59 182

HSL 305.33, 0.53%, 0.5%

LAB 49.47, 66.58, -37.23

 

CMYK 0 / 64 / 5 / 17

HEX #D34DC9

RGB 211 77 201

HSL 304.48, 0.6%, 0.56%

LAB 55.46, 66.89, -38.61

 

CMYK 0 / 58 / 4 / 11

HEX #E45FDC

RGB 228 95 220

HSL 303.61, 0.71%, 0.63%

LAB 61.52, 66.79, -39.68

 

CMYK 0 / 54 / 2 / 4

HEX #F571EF

RGB 245 113 239

HSL 302.73, 0.87%, 0.7%

LAB 67.62, 66.44, -40.54

 

CMYK 0 / 76 / 2 / 33

HEX #AC29A8

RGB 172 41 168

HSL 301.83, 0.62%, 0.42%

LAB 43.04, 65.34, -39.36

 

CMYK 0 / 85 / 4 / 39

HEX #9B1795

RGB 155 23 149

HSL 302.73, 0.74%, 0.35%

LAB 37.39, 63.48, -37.07

 

CMYK 0 / 96 / 6 / 46

HEX #8A0582

RGB 138 5 130

HSL 303.61, 0.93%, 0.28%

LAB 32.09, 60.29, -33.96

 

CMYK 0 / 100 / 8 / 53

HEX #79006F

RGB 121 0 111

HSL 304.96, 1%, 0.24%

LAB 27.33, 55.06, -29.67

 

CMYK 0 / 100 / 12 / 59

HEX #68005C

RGB 104 0 92

HSL 306.92, 1%, 0.2%

LAB 22.71, 48.94, -24.8

 

CMYK 0 / 77 / 2 / 32

HEX #AD28A9

RGB 173 40 169

HSL 301.8, 0.62%, 0.42%

LAB 43.16, 66.01, -39.75

 

CMYK 0 / 77 / 23 / 32

HEX #AD2885

RGB 173 40 133

HSL 318.05, 0.62%, 0.42%

LAB 41.37, 60.77, -20.81

 

CMYK 0 / 77 / 44 / 32

HEX #AD2861

RGB 173 40 97

HSL 334.29, 0.62%, 0.42%

LAB 40.02, 56.66, -0.41

 

CMYK 0 / 77 / 64 / 32

HEX #AD283E

RGB 173 40 62

HSL 350.08, 0.62%, 0.42%

LAB 39.16, 53.9, 20.55

 

CMYK 0 / 77 / 77 / 32

HEX #AD2828

RGB 173 40 40

HSL 0, 0.62%, 0.42%

LAB 38.82, 52.82, 33.6

 

CMYK 0 / 77 / 2 / 32

HEX #AD28A9

RGB 173 40 169

HSL 301.8, 0.62%, 0.42%

LAB 43.16, 66.01, -39.75

 

CMYK 18 / 77 / 0 / 32

HEX #8D28AD

RGB 141 40 173

HSL 285.56, 0.62%, 0.42%

LAB 38.19, 60.22, -50.38

 

CMYK 39 / 77 / 0 / 32

HEX #6928AD

RGB 105 40 173

HSL 269.32, 0.62%, 0.42%

LAB 33, 53.64, -59.05

 

CMYK 60 / 77 / 0 / 32

HEX #4628AD

RGB 70 40 173

HSL 253.53, 0.62%, 0.42%

LAB 29, 48.43, -65.77

 

CMYK 77 / 77 / 0 / 32

HEX #2828AD

RGB 40 40 173

HSL 240, 0.62%, 0.42%

LAB 26.69, 45.35, -69.65

 

CMYK 0 / 77 / 2 / 32

HEX #AD28A9

RGB 173 40 169

HSL 301.8, 0.62%, 0.42%

LAB 43.16, 66.01, -39.75

 

CMYK 0 / 88 / 3 / 25

HEX #BE17B9

RGB 190 23 185

HSL 301.8, 0.78%, 0.42%

LAB 45.72, 75.52, -44.96

 

CMYK 0 / 97 / 3 / 18

HEX #D006C9

RGB 208 6 201

HSL 302.08, 0.94%, 0.42%

LAB 49.2, 82.79, -48.54

 

CMYK 0 / 77 / 2 / 32

HEX #AD28A9

RGB 173 40 169

HSL 301.8, 0.62%, 0.42%

LAB 43.16, 66.01, -39.75

 

CMYK 0 / 63 / 2 / 39

HEX #9C3A99

RGB 156 58 153

HSL 301.84, 0.46%, 0.42%

LAB 41.84, 52.85, -32.45

 

CMYK 0 / 46 / 1 / 46

HEX #8A4B88

RGB 138 75 136

HSL 301.9, 0.3%, 0.42%

LAB 41.55, 36.06, -22.8

 

CMYK 0 / 24 / 1 / 53

HEX #795C78

RGB 121 92 120

HSL 302.07, 0.14%, 0.42%

LAB 42.88, 17.04, -11.22

 

CMYK 5 / 0 / 5 / 57

HEX #686E68

RGB 104 110 104

HSL 120, 0.03%, 0.42%

LAB 45.76, -3.53, 2.55

 

CMYK 40 / 77 / 0 / 32

HEX #6828AD

RGB 104 40 173

HSL 268.87, 0.62%, 0.42%

LAB 32.87, 53.47, -59.27

 

CMYK 19 / 77 / 0 / 32

HEX #8C28AD

RGB 140 40 173

HSL 285.11, 0.62%, 0.42%

LAB 38.04, 60.02, -50.64

 

CMYK 0 / 77 / 1 / 32

HEX #AD28AB

RGB 173 40 171

HSL 300.9, 0.62%, 0.42%

LAB 43.27, 66.33, -40.76

 

CMYK 0 / 77 / 22 / 32

HEX #AD2887

RGB 173 40 135

HSL 317.14, 0.62%, 0.42%

LAB 41.46, 61.03, -21.9

 

CMYK 0 / 77 / 42 / 32

HEX #AD2864

RGB 173 40 100

HSL 332.93, 0.62%, 0.42%

LAB 40.12, 56.95, -2.16

 

CMYK 0 / 76 / 2 / 58

HEX #6A1968

RGB 106 25 104

HSL 301.48, 0.62%, 0.26%

LAB 26.04, 44.92, -27.38

 

CMYK 0 / 77 / 3 / 45

HEX #8C2088

RGB 140 32 136

HSL 302.22, 0.63%, 0.34%

LAB 34.77, 55.93, -33.4

 

CMYK 0 / 77 / 2 / 32

HEX #AD28A9

RGB 173 40 169

HSL 301.8, 0.62%, 0.42%

LAB 43.16, 66.01, -39.75

 

CMYK 0 / 77 / 2 / 19

HEX #CE30C9

RGB 206 48 201

HSL 301.9, 0.62%, 0.5%

LAB 51.21, 75.55, -45.36

 

CMYK 0 / 62 / 2 / 16

HEX #D652D2

RGB 214 82 210

HSL 301.82, 0.62%, 0.58%

LAB 57.06, 67.08, -41.19

 

CMYK 0 / 76 / 2 / 33

HEX #AC29A8

RGB 172 41 168

HSL 301.83, 0.62%, 0.42%

LAB 43.04, 65.34, -39.36

 

CMYK 0 / 60 / 77 / 32

HEX #AD4528

RGB 173 69 40

HSL 13.08, 0.62%, 0.42%

LAB 43.2, 40.94, 38.28

 

CMYK 77 / 0 / 29 / 32

HEX #28AD7A

RGB 40 173 122

HSL 156.99, 0.62%, 0.42%

LAB 63.13, -47.03, 16.43

 

CMYK 0 / 76 / 2 / 33

HEX #AC29A8

RGB 172 41 168

HSL 301.83, 0.62%, 0.42%

LAB 43.04, 65.34, -39.36

 

CMYK 1 / 0 / 77 / 32

HEX #ABAD28

RGB 171 173 40

HSL 60.9, 0.62%, 0.42%

LAB 68.53, -16.09, 62.74

 

CMYK 77 / 1 / 0 / 32

HEX #28ABAD

RGB 40 171 173

HSL 180.9, 0.62%, 0.42%

LAB 63.83, -32.61, -10.91

 

CMYK 0 / 76 / 2 / 33

HEX #AC29A8

RGB 172 41 168

HSL 301.83, 0.62%, 0.42%

LAB 43.04, 65.34, -39.36

 

CMYK 0 / 60 / 77 / 32

HEX #AD4528

RGB 173 69 40

HSL 13.08, 0.62%, 0.42%

LAB 43.2, 40.94, 38.28

 

CMYK 77 / 0 / 76 / 32

HEX #28AD2A

RGB 40 173 42

HSL 120.9, 0.62%, 0.42%

LAB 62.09, -59.15, 53.67

 

CMYK 77 / 17 / 0 / 32

HEX #2890AD

RGB 40 144 173

HSL 193.08, 0.62%, 0.42%

LAB 55.5, -18.98, -23.56

 

CMYK 0 / 76 / 2 / 33

HEX #AC29A8

RGB 172 41 168

HSL 301.83, 0.62%, 0.42%

LAB 43.04, 65.34, -39.36

 

CMYK 0 / 37 / 77 / 32

HEX #AD6D28

RGB 173 109 40

HSL 31.13, 0.62%, 0.42%

LAB 51.81, 19.68, 47.02

 

CMYK 77 / 0 / 76 / 32

HEX #28AD2A

RGB 40 173 42

HSL 120.9, 0.62%, 0.42%

LAB 62.09, -59.15, 53.67

 

CMYK 77 / 40 / 0 / 32

HEX #2868AD

RGB 40 104 173

HSL 211.13, 0.62%, 0.42%

LAB 43.31, 4.36, -42.64

 

Description

Color code: HEX #AC29A8 | qconv.com Color code: HEX #AC29A8 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 41 green and 168 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 41 168 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 76 magenta, 2 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 76% 2% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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