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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AC2F86 it is the complementary color #53D079. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AC2F86. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AC2F86 shade: #B12F81, #C24194, #D353A7, #E465BA and #F577CD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AC2F86. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AC2F86 shade: #AC2F86, #9B1D73, #8A0B60, #79004D and #68003A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AC2F86 shade: #AC2F86, #AC2F64, #AC2F42 and #AC2F2F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AC2F86 shade: #AC2F86, #AC2FA7, #8E2FAC, #6D2FAC and #4B2FAC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AC2F86 shade matches the following richer shades: #AC2F86, #BD1D8D and #CF0B94

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AC2F86 shade: #AC2F86, #9A407F, #885278, #766471 and #65766A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AC2F86 shade: #8E2FAC, #AC2FA7, #AC2F86, #AC2F65 and #AC2F43

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AC2F86 shade: #6B1D53, #8B266C, #AC2F86, #C93B9E and #D25BAE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AC2F86 shade: #AC2F86, #AC6D2F and #2FAC9F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AC2F86 shade: #AC2F86, #86AC2F and #2F86AC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AC2F86 shade: #AC2F86, #AC6D2F, #2FAC54 and #2F6DAC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AC2F86 shade: #AC2F86, #AC932F, #2FAC54 and #2F48AC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 73 / 22 / 33

HEX #AC2F86

RGB 172 47 134

HSL 318.24, 0.57%, 0.43%

LAB 42.04, 58.37, -20.4

 

Complementary color

CMYK 60 / 0 / 42 / 18

HEX #53D079

RGB 83 208 121

HSL 138.24, 0.57%, 0.57%

LAB 75.03, -53.57, 33.1

 

CMYK 0 / 73 / 27 / 31

HEX #B12F81

RGB 177 47 129

HSL 322.15, 0.58%, 0.44%

LAB 42.71, 59.01, -16.23

 

CMYK 0 / 66 / 24 / 24

HEX #C24194

RGB 194 65 148

HSL 321.4, 0.51%, 0.51%

LAB 48.75, 59.39, -18.25

 

CMYK 0 / 61 / 21 / 17

HEX #D353A7

RGB 211 83 167

HSL 320.63, 0.59%, 0.58%

LAB 54.89, 59.29, -19.83

 

CMYK 0 / 56 / 18 / 11

HEX #E465BA

RGB 228 101 186

HSL 319.84, 0.7%, 0.65%

LAB 61.09, 58.9, -21.1

 

CMYK 0 / 51 / 16 / 4

HEX #F577CD

RGB 245 119 205

HSL 319.05, 0.86%, 0.71%

LAB 67.29, 58.35, -22.16

 

CMYK 0 / 73 / 22 / 33

HEX #AC2F86

RGB 172 47 134

HSL 318.24, 0.57%, 0.43%

LAB 42.04, 58.37, -20.4

 

CMYK 0 / 81 / 26 / 39

HEX #9B1D73

RGB 155 29 115

HSL 319.05, 0.68%, 0.36%

LAB 36.15, 57.22, -17.94

 

CMYK 0 / 92 / 30 / 46

HEX #8A0B60

RGB 138 11 96

HSL 319.84, 0.85%, 0.29%

LAB 30.61, 54.8, -14.58

 

CMYK 0 / 100 / 36 / 53

HEX #79004D

RGB 121 0 77

HSL 321.82, 1%, 0.24%

LAB 25.57, 50.62, -10.04

 

CMYK 0 / 100 / 44 / 59

HEX #68003A

RGB 104 0 58

HSL 326.54, 1%, 0.2%

LAB 21.01, 44.64, -4.23

 

CMYK 0 / 73 / 22 / 33

HEX #AC2F86

RGB 172 47 134

HSL 318.24, 0.57%, 0.43%

LAB 42.04, 58.37, -20.4

 

CMYK 0 / 73 / 42 / 33

HEX #AC2F64

RGB 172 47 100

HSL 334.56, 0.57%, 0.43%

LAB 40.77, 54.31, -1.22

 

CMYK 0 / 73 / 62 / 33

HEX #AC2F42

RGB 172 47 66

HSL 350.88, 0.57%, 0.43%

LAB 39.91, 51.43, 18.99

 

CMYK 0 / 73 / 73 / 33

HEX #AC2F2F

RGB 172 47 47

HSL 0, 0.57%, 0.43%

LAB 39.6, 50.35, 30.28

 

CMYK 0 / 73 / 22 / 33

HEX #AC2F86

RGB 172 47 134

HSL 318.24, 0.57%, 0.43%

LAB 42.04, 58.37, -20.4

 

CMYK 0 / 73 / 3 / 33

HEX #AC2FA7

RGB 172 47 167

HSL 302.4, 0.57%, 0.43%

LAB 43.64, 63.29, -37.81

 

CMYK 17 / 73 / 0 / 33

HEX #8E2FAC

RGB 142 47 172

HSL 285.6, 0.57%, 0.43%

LAB 39.18, 57.66, -48.19

 

CMYK 37 / 73 / 0 / 33

HEX #6D2FAC

RGB 109 47 172

HSL 269.76, 0.57%, 0.43%

LAB 34.52, 51.03, -55.94

 

CMYK 56 / 73 / 0 / 33

HEX #4B2FAC

RGB 75 47 172

HSL 253.44, 0.57%, 0.43%

LAB 30.66, 45.21, -62.42

 

CMYK 0 / 73 / 22 / 33

HEX #AC2F86

RGB 172 47 134

HSL 318.24, 0.57%, 0.43%

LAB 42.04, 58.37, -20.4

 

CMYK 0 / 85 / 25 / 26

HEX #BD1D8D

RGB 189 29 141

HSL 318, 0.73%, 0.43%

LAB 43.68, 68.28, -21.88

 

CMYK 0 / 95 / 29 / 19

HEX #CF0B94

RGB 207 11 148

HSL 318.06, 0.9%, 0.43%

LAB 46.5, 75.49, -21.49

 

CMYK 0 / 73 / 22 / 33

HEX #AC2F86

RGB 172 47 134

HSL 318.24, 0.57%, 0.43%

LAB 42.04, 58.37, -20.4

 

CMYK 0 / 58 / 18 / 40

HEX #9A407F

RGB 154 64 127

HSL 318, 0.41%, 0.43%

LAB 41.33, 45.21, -17.46

 

CMYK 0 / 40 / 12 / 47

HEX #885278

RGB 136 82 120

HSL 317.78, 0.25%, 0.43%

LAB 42.19, 28.44, -12.08

 

CMYK 0 / 15 / 4 / 54

HEX #766471

RGB 118 100 113

HSL 316.67, 0.08%, 0.43%

LAB 44.46, 9.66, -4.63

 

CMYK 14 / 0 / 10 / 54

HEX #65766A

RGB 101 118 106

HSL 137.65, 0.08%, 0.43%

LAB 47.96, -8.86, 4.5

 

CMYK 17 / 73 / 0 / 33

HEX #8E2FAC

RGB 142 47 172

HSL 285.6, 0.57%, 0.43%

LAB 39.18, 57.66, -48.19

 

CMYK 0 / 73 / 3 / 33

HEX #AC2FA7

RGB 172 47 167

HSL 302.4, 0.57%, 0.43%

LAB 43.64, 63.29, -37.81

 

CMYK 0 / 73 / 22 / 33

HEX #AC2F86

RGB 172 47 134

HSL 318.24, 0.57%, 0.43%

LAB 42.04, 58.37, -20.4

 

CMYK 0 / 73 / 41 / 33

HEX #AC2F65

RGB 172 47 101

HSL 334.08, 0.57%, 0.43%

LAB 40.81, 54.41, -1.8

 

CMYK 0 / 73 / 61 / 33

HEX #AC2F43

RGB 172 47 67

HSL 350.4, 0.57%, 0.43%

LAB 39.93, 51.5, 18.39

 

CMYK 0 / 73 / 22 / 58

HEX #6B1D53

RGB 107 29 83

HSL 318.46, 0.57%, 0.27%

LAB 25.65, 40.18, -14.17

 

CMYK 0 / 73 / 22 / 45

HEX #8B266C

RGB 139 38 108

HSL 318.42, 0.57%, 0.35%

LAB 33.9, 49.29, -17.23

 

CMYK 0 / 73 / 22 / 33

HEX #AC2F86

RGB 172 47 134

HSL 318.24, 0.57%, 0.43%

LAB 42.04, 58.37, -20.4

 

CMYK 0 / 71 / 21 / 21

HEX #C93B9E

RGB 201 59 158

HSL 318.17, 0.57%, 0.51%

LAB 49.51, 64.81, -22.93

 

CMYK 0 / 57 / 17 / 18

HEX #D25BAE

RGB 210 91 174

HSL 318.15, 0.57%, 0.59%

LAB 56.33, 56.46, -21.72

 

CMYK 0 / 73 / 22 / 33

HEX #AC2F86

RGB 172 47 134

HSL 318.24, 0.57%, 0.43%

LAB 42.04, 58.37, -20.4

 

CMYK 0 / 37 / 73 / 33

HEX #AC6D2F

RGB 172 109 47

HSL 29.76, 0.57%, 0.43%

LAB 51.74, 19.58, 43.67

 

CMYK 73 / 0 / 8 / 33

HEX #2FAC9F

RGB 47 172 159

HSL 173.76, 0.57%, 0.43%

LAB 63.85, -36.32, -3.06

 

CMYK 0 / 73 / 22 / 33

HEX #AC2F86

RGB 172 47 134

HSL 318.24, 0.57%, 0.43%

LAB 42.04, 58.37, -20.4

 

CMYK 22 / 0 / 73 / 33

HEX #86AC2F

RGB 134 172 47

HSL 78.24, 0.57%, 0.43%

LAB 65.58, -30.85, 56.6

 

CMYK 73 / 22 / 0 / 33

HEX #2F86AC

RGB 47 134 172

HSL 198.24, 0.57%, 0.43%

LAB 52.55, -12.95, -27.53

 

CMYK 0 / 73 / 22 / 33

HEX #AC2F86

RGB 172 47 134

HSL 318.24, 0.57%, 0.43%

LAB 42.04, 58.37, -20.4

 

CMYK 0 / 37 / 73 / 33

HEX #AC6D2F

RGB 172 109 47

HSL 29.76, 0.57%, 0.43%

LAB 51.74, 19.58, 43.67

 

CMYK 73 / 0 / 51 / 33

HEX #2FAC54

RGB 47 172 84

HSL 137.76, 0.57%, 0.43%

LAB 62.3, -52.9, 35.51

 

CMYK 73 / 37 / 0 / 33

HEX #2F6DAC

RGB 47 109 172

HSL 210.24, 0.57%, 0.43%

LAB 44.97, 1.81, -39.41

 

CMYK 0 / 73 / 22 / 33

HEX #AC2F86

RGB 172 47 134

HSL 318.24, 0.57%, 0.43%

LAB 42.04, 58.37, -20.4

 

CMYK 0 / 15 / 73 / 33

HEX #AC932F

RGB 172 147 47

HSL 48, 0.57%, 0.43%

LAB 61.52, -1.6, 53.62

 

CMYK 73 / 0 / 51 / 33

HEX #2FAC54

RGB 47 172 84

HSL 137.76, 0.57%, 0.43%

LAB 62.3, -52.9, 35.51

 

CMYK 73 / 58 / 0 / 33

HEX #2F48AC

RGB 47 72 172

HSL 228, 0.57%, 0.43%

LAB 34.43, 25.81, -56.33

 

Description

Color code: HEX #AC2F86 | qconv.com Color code: HEX #AC2F86 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 47 green and 134 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 47 134 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 73 magenta, 22 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 73% 22% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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