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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AC36FB it is the complementary color #53C904. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AC36FB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AC36FB shade: #B136F6, #C248FF, #D35AFF, #E46CFF and #F57EFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AC36FB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AC36FB shade: #AC36FB, #9B24E8, #8A12D5, #7900C2 and #6800AF

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AC36FB shade: #AC37FA, #E137FA, #FA37DF, #FA37AB and #FA3776

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AC36FB shade: #AC37FA, #7737FA, #4237FA and #3737FA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AC36FB shade matches the following richer shades: #AC37FA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AC36FB shade: #AC37FA, #A947EA, #A558D9, #A268C9 and #9F79B8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AC36FB shade: #4037FA, #7537FA, #A937FA, #DD37FA and #FA37E4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AC36FB shade: #8404DB, #9B0EFA, #AC37FA, #BD5FFB and #CD87FC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AC36FB shade: #AC36FB, #FA3761 and #37FA5A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AC36FB shade: #AC36FB, #FAA937 and #37FAA9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AC36FB shade: #AC36FB, #FA3761, #88FA37 and #37FAD0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AC36FB shade: #AC36FB, #FA4737, #88FA37 and #37EAFA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 31 / 78 / 0 / 2

HEX #AC36FB

RGB 172 54 251

HSL 275.94, 0.96%, 0.6%

LAB 49.95, 76.65, -76.01

 

Complementary color

CMYK 59 / 0 / 98 / 21

HEX #53C904

RGB 83 201 4

HSL 95.94, 0.96%, 0.4%

LAB 71.97, -61.1, 70.64

 

CMYK 28 / 78 / 0 / 4

HEX #B136F6

RGB 177 54 246

HSL 278.44, 0.91%, 0.59%

LAB 50.26, 76.43, -72.67

 

CMYK 24 / 72 / 0 / 0

HEX #C248FF

RGB 194 72 255

HSL 280, 1%, 0.64%

LAB 55.4, 74.91, -69.24

 

CMYK 17 / 65 / 0 / 0

HEX #D35AFF

RGB 211 90 255

HSL 284, 1%, 0.68%

LAB 60.23, 71.16, -61.36

 

CMYK 11 / 58 / 0 / 0

HEX #E46CFF

RGB 228 108 255

HSL 288.98, 1%, 0.71%

LAB 65.31, 67.21, -53.13

 

CMYK 4 / 51 / 0 / 0

HEX #F57EFF

RGB 245 126 255

HSL 295.35, 1%, 0.75%

LAB 70.56, 63.22, -44.71

 

CMYK 31 / 78 / 0 / 2

HEX #AC36FB

RGB 172 54 251

HSL 275.94, 0.96%, 0.6%

LAB 49.95, 76.65, -76.01

 

CMYK 33 / 84 / 0 / 9

HEX #9B24E8

RGB 155 36 232

HSL 276.43, 0.81%, 0.53%

LAB 44.31, 75.52, -74.61

 

CMYK 35 / 92 / 0 / 16

HEX #8A12D5

RGB 138 18 213

HSL 276.92, 0.84%, 0.45%

LAB 38.97, 73.32, -72.59

 

CMYK 38 / 100 / 0 / 24

HEX #7900C2

RGB 121 0 194

HSL 277.42, 1%, 0.38%

LAB 33.9, 70.03, -69.94

 

CMYK 41 / 100 / 0 / 31

HEX #6800AF

RGB 104 0 175

HSL 275.66, 1%, 0.34%

LAB 29.51, 64.38, -65.98

 

CMYK 31 / 78 / 0 / 2

HEX #AC37FA

RGB 172 55 250

HSL 276, 0.95%, 0.6%

LAB 49.98, 76.12, -75.39

 

CMYK 10 / 78 / 0 / 2

HEX #E137FA

RGB 225 55 250

HSL 292.31, 0.95%, 0.6%

LAB 57.7, 85.09, -62.54

 

CMYK 0 / 78 / 11 / 2

HEX #FA37DF

RGB 250 55 223

HSL 308.31, 0.95%, 0.6%

LAB 60.23, 85.8, -43.16

 

CMYK 0 / 78 / 32 / 2

HEX #FA37AB

RGB 250 55 171

HSL 324.31, 0.95%, 0.6%

LAB 58.03, 79.45, -16.79

 

CMYK 0 / 78 / 53 / 2

HEX #FA3776

RGB 250 55 118

HSL 340.62, 0.95%, 0.6%

LAB 56.45, 74.68, 12.14

 

CMYK 31 / 78 / 0 / 2

HEX #AC37FA

RGB 172 55 250

HSL 276, 0.95%, 0.6%

LAB 49.98, 76.12, -75.39

 

CMYK 52 / 78 / 0 / 2

HEX #7737FA

RGB 119 55 250

HSL 259.69, 0.95%, 0.6%

LAB 43.59, 68.67, -86.11

 

CMYK 74 / 78 / 0 / 2

HEX #4237FA

RGB 66 55 250

HSL 243.38, 0.95%, 0.6%

LAB 39.23, 63.58, -93.46

 

CMYK 78 / 78 / 0 / 2

HEX #3737FA

RGB 55 55 250

HSL 240, 0.95%, 0.6%

LAB 38.63, 62.88, -94.47

 

CMYK 31 / 78 / 0 / 2

HEX #AC37FA

RGB 172 55 250

HSL 276, 0.95%, 0.6%

LAB 49.98, 76.12, -75.39

 

CMYK 31 / 78 / 0 / 2

HEX #AC37FA

RGB 172 55 250

HSL 276, 0.95%, 0.6%

LAB 49.98, 76.12, -75.39

 

CMYK 28 / 70 / 0 / 8

HEX #A947EA

RGB 169 71 234

HSL 276.07, 0.8%, 0.6%

LAB 50.55, 66.22, -65.52

 

CMYK 24 / 59 / 0 / 15

HEX #A558D9

RGB 165 88 217

HSL 275.81, 0.63%, 0.6%

LAB 51.82, 53.78, -53.88

 

CMYK 19 / 48 / 0 / 21

HEX #A268C9

RGB 162 104 201

HSL 275.88, 0.47%, 0.6%

LAB 53.81, 40.99, -41.63

 

CMYK 14 / 34 / 0 / 28

HEX #9F79B8

RGB 159 121 184

HSL 276.19, 0.31%, 0.6%

LAB 56.59, 26.73, -27.59

 

CMYK 74 / 78 / 0 / 2

HEX #4037FA

RGB 64 55 250

HSL 242.77, 0.95%, 0.6%

LAB 39.11, 63.44, -93.66

 

CMYK 53 / 78 / 0 / 2

HEX #7537FA

RGB 117 55 250

HSL 259.08, 0.95%, 0.6%

LAB 43.38, 68.43, -86.46

 

CMYK 32 / 78 / 0 / 2

HEX #A937FA

RGB 169 55 250

HSL 275.08, 0.95%, 0.6%

LAB 49.58, 75.65, -76.07

 

CMYK 12 / 78 / 0 / 2

HEX #DD37FA

RGB 221 55 250

HSL 291.08, 0.95%, 0.6%

LAB 57.08, 84.38, -63.56

 

CMYK 0 / 78 / 9 / 2

HEX #FA37E4

RGB 250 55 228

HSL 306.77, 0.95%, 0.6%

LAB 60.48, 86.49, -45.58

 

CMYK 40 / 98 / 0 / 14

HEX #8404DB

RGB 132 4 219

HSL 275.72, 0.96%, 0.44%

LAB 38.03, 75.69, -77.62

 

CMYK 38 / 94 / 0 / 2

HEX #9B0EFA

RGB 155 14 250

HSL 275.85, 0.96%, 0.52%

LAB 44.5, 83.15, -84.46

 

CMYK 31 / 78 / 0 / 2

HEX #AC37FA

RGB 172 55 250

HSL 276, 0.95%, 0.6%

LAB 49.98, 76.12, -75.39

 

CMYK 25 / 62 / 0 / 2

HEX #BD5FFB

RGB 189 95 251

HSL 276.15, 0.95%, 0.68%

LAB 58.01, 63.32, -62.87

 

CMYK 19 / 46 / 0 / 1

HEX #CD87FC

RGB 205 135 252

HSL 275.9, 0.95%, 0.76%

LAB 67.53, 47.36, -48.16

 

CMYK 31 / 78 / 0 / 2

HEX #AC36FB

RGB 172 54 251

HSL 275.94, 0.96%, 0.6%

LAB 49.95, 76.65, -76.01

 

CMYK 0 / 78 / 61 / 2

HEX #FA3761

RGB 250 55 97

HSL 347.08, 0.95%, 0.6%

LAB 56.01, 73.31, 24.02

 

CMYK 78 / 0 / 64 / 2

HEX #37FA5A

RGB 55 250 90

HSL 130.77, 0.95%, 0.6%

LAB 86.96, -76.72, 61.62

 

CMYK 31 / 78 / 0 / 2

HEX #AC36FB

RGB 172 54 251

HSL 275.94, 0.96%, 0.6%

LAB 49.95, 76.65, -76.01

 

CMYK 0 / 32 / 78 / 2

HEX #FAA937

RGB 250 169 55

HSL 35.08, 0.95%, 0.6%

LAB 75.44, 20.76, 66.8

 

CMYK 78 / 0 / 32 / 2

HEX #37FAA9

RGB 55 250 169

HSL 155.08, 0.95%, 0.6%

LAB 87.99, -64.63, 25.84

 

CMYK 31 / 78 / 0 / 2

HEX #AC36FB

RGB 172 54 251

HSL 275.94, 0.96%, 0.6%

LAB 49.95, 76.65, -76.01

 

CMYK 0 / 78 / 61 / 2

HEX #FA3761

RGB 250 55 97

HSL 347.08, 0.95%, 0.6%

LAB 56.01, 73.31, 24.02

 

CMYK 46 / 0 / 78 / 2

HEX #88FA37

RGB 136 250 55

HSL 95.08, 0.95%, 0.6%

LAB 88.87, -62.23, 76.37

 

CMYK 78 / 0 / 17 / 2

HEX #37FAD0

RGB 55 250 208

HSL 167.08, 0.95%, 0.6%

LAB 88.8, -55.92, 6.91

 

CMYK 31 / 78 / 0 / 2

HEX #AC36FB

RGB 172 54 251

HSL 275.94, 0.96%, 0.6%

LAB 49.95, 76.65, -76.01

 

CMYK 0 / 72 / 78 / 2

HEX #FA4737

RGB 250 71 55

HSL 4.92, 0.95%, 0.6%

LAB 57.18, 66.52, 49.11

 

CMYK 46 / 0 / 78 / 2

HEX #88FA37

RGB 136 250 55

HSL 95.08, 0.95%, 0.6%

LAB 88.87, -62.23, 76.37

 

CMYK 78 / 6 / 0 / 2

HEX #37EAFA

RGB 55 234 250

HSL 184.92, 0.95%, 0.6%

LAB 85.28, -37.68, -20.27

 

Description

Color code: HEX #AC36FB | qconv.com Color code: HEX #AC36FB | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 54 green and 251 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 54 251 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 31 cyan, 78 magenta, none yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
31% 78% 0% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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