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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AC305E it is the complementary color #53CFA1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AC305E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AC305E shade: #B13059, #C2426C, #D3547F, #E46692 and #F578A5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AC305E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AC305E shade: #AC305E, #9B1E4B, #8A0C38, #790025 and #680012

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AC305E shade: #AB305D, #AB303C and #AB3030

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AC305E shade: #AB305D, #AB307E, #AB30A0, #9430AB and #7330AB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AC305E shade matches the following richer shades: #AB305D, #BC1E59 and #CE0C54

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AC305E shade: #AB305D, #994162, #875366, #75656B and #647770

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AC305E shade: #AB30A0, #AB3080, #AB305F, #AB303E and #AB4230

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AC305E shade: #6A1E3A, #8A274C, #AB305D, #C83C70 and #D15C87

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AC305E shade: #AC305E, #AB9430 and #3090AB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AC305E shade: #AC305E, #5FAB30 and #305FAB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AC305E shade: #AC305E, #AB9430, #30AB7B and #3046AB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AC305E shade: #AC305E, #9CAB30, #30AB7B and #3E30AB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 72 / 45 / 33

HEX #AC305E

RGB 172 48 94

HSL 337.74, 0.56%, 0.43%

LAB 40.72, 53.35, 2.48

 

Complementary color

CMYK 60 / 0 / 22 / 19

HEX #53CFA1

RGB 83 207 161

HSL 157.74, 0.56%, 0.57%

LAB 75.47, -45.32, 12.73

 

CMYK 0 / 73 / 50 / 31

HEX #B13059

RGB 177 48 89

HSL 340.93, 0.57%, 0.44%

LAB 41.5, 54.37, 6.86

 

CMYK 0 / 66 / 44 / 24

HEX #C2426C

RGB 194 66 108

HSL 340.31, 0.51%, 0.51%

LAB 47.56, 54.34, 4.16

 

CMYK 0 / 60 / 40 / 17

HEX #D3547F

RGB 211 84 127

HSL 339.69, 0.59%, 0.58%

LAB 53.73, 53.9, 2.01

 

CMYK 0 / 55 / 36 / 11

HEX #E46692

RGB 228 102 146

HSL 339.05, 0.7%, 0.65%

LAB 59.95, 53.25, 0.23

 

CMYK 0 / 51 / 33 / 4

HEX #F578A5

RGB 245 120 165

HSL 338.4, 0.86%, 0.72%

LAB 66.18, 52.49, -1.26

 

CMYK 0 / 72 / 45 / 33

HEX #AC305E

RGB 172 48 94

HSL 337.74, 0.56%, 0.43%

LAB 40.72, 53.35, 2.48

 

CMYK 0 / 81 / 52 / 39

HEX #9B1E4B

RGB 155 30 75

HSL 338.4, 0.68%, 0.36%

LAB 34.81, 52.68, 5.71

 

CMYK 0 / 91 / 59 / 46

HEX #8A0C38

RGB 138 12 56

HSL 339.05, 0.84%, 0.29%

LAB 29.29, 50.83, 10.01

 

CMYK 0 / 100 / 69 / 53

HEX #790025

RGB 121 0 37

HSL 341.65, 1%, 0.24%

LAB 24.32, 47.32, 15.64

 

CMYK 0 / 100 / 83 / 59

HEX #680012

RGB 104 0 18

HSL 349.62, 1%, 0.2%

LAB 19.99, 41.92, 22.42

 

CMYK 0 / 72 / 46 / 33

HEX #AB305D

RGB 171 48 93

HSL 338.05, 0.56%, 0.43%

LAB 40.51, 52.95, 2.78

 

CMYK 0 / 72 / 65 / 33

HEX #AB303C

RGB 171 48 60

HSL 354.15, 0.56%, 0.43%

LAB 39.75, 50.36, 22.48

 

CMYK 0 / 72 / 72 / 33

HEX #AB3030

RGB 171 48 48

HSL 0, 0.56%, 0.43%

LAB 39.56, 49.7, 29.59

 

CMYK 0 / 72 / 46 / 33

HEX #AB305D

RGB 171 48 93

HSL 338.05, 0.56%, 0.43%

LAB 40.51, 52.95, 2.78

 

CMYK 0 / 72 / 26 / 33

HEX #AB307E

RGB 171 48 126

HSL 321.95, 0.56%, 0.43%

LAB 41.65, 56.69, -16.09

 

CMYK 0 / 72 / 6 / 33

HEX #AB30A0

RGB 171 48 160

HSL 305.37, 0.56%, 0.43%

LAB 43.23, 61.6, -34.3

 

CMYK 13 / 72 / 0 / 33

HEX #9430AB

RGB 148 48 171

HSL 288.78, 0.56%, 0.43%

LAB 40.16, 58.35, -45.96

 

CMYK 33 / 72 / 0 / 33

HEX #7330AB

RGB 115 48 171

HSL 272.68, 0.56%, 0.43%

LAB 35.4, 51.5, -53.89

 

CMYK 0 / 72 / 46 / 33

HEX #AB305D

RGB 171 48 93

HSL 338.05, 0.56%, 0.43%

LAB 40.51, 52.95, 2.78

 

CMYK 0 / 84 / 53 / 26

HEX #BC1E59

RGB 188 30 89

HSL 337.59, 0.72%, 0.43%

LAB 41.75, 62.67, 7.51

 

CMYK 0 / 94 / 59 / 19

HEX #CE0C54

RGB 206 12 84

HSL 337.73, 0.89%, 0.43%

LAB 44.27, 69.66, 14.71

 

CMYK 0 / 72 / 46 / 33

HEX #AB305D

RGB 171 48 93

HSL 338.05, 0.56%, 0.43%

LAB 40.51, 52.95, 2.78

 

CMYK 0 / 58 / 36 / 40

HEX #994162

RGB 153 65 98

HSL 337.5, 0.4%, 0.43%

LAB 40.3, 40.3, -1.04

 

CMYK 0 / 39 / 24 / 47

HEX #875366

RGB 135 83 102

HSL 338.08, 0.24%, 0.43%

LAB 41.68, 24.43, -1.8

 

CMYK 0 / 14 / 9 / 54

HEX #75656B

RGB 117 101 107

HSL 337.5, 0.07%, 0.43%

LAB 44.45, 7.49, -1.03

 

CMYK 16 / 0 / 6 / 53

HEX #647770

RGB 100 119 112

HSL 157.89, 0.09%, 0.43%

LAB 48.35, -8.52, 1.5

 

CMYK 0 / 72 / 6 / 33

HEX #AB30A0

RGB 171 48 160

HSL 305.37, 0.56%, 0.43%

LAB 43.23, 61.6, -34.3

 

CMYK 0 / 72 / 25 / 33

HEX #AB3080

RGB 171 48 128

HSL 320.98, 0.56%, 0.43%

LAB 41.74, 56.95, -17.2

 

CMYK 0 / 72 / 44 / 33

HEX #AB305F

RGB 171 48 95

HSL 337.07, 0.56%, 0.43%

LAB 40.57, 53.15, 1.6

 

CMYK 0 / 72 / 64 / 33

HEX #AB303E

RGB 171 48 62

HSL 353.17, 0.56%, 0.43%

LAB 39.78, 50.48, 21.28

 

CMYK 0 / 61 / 72 / 33

HEX #AB4230

RGB 171 66 48

HSL 8.78, 0.56%, 0.43%

LAB 42.41, 41.99, 32.89

 

CMYK 0 / 72 / 45 / 58

HEX #6A1E3A

RGB 106 30 58

HSL 337.89, 0.56%, 0.27%

LAB 24.63, 36.14, 1.14

 

CMYK 0 / 72 / 45 / 46

HEX #8A274C

RGB 138 39 76

HSL 337.58, 0.56%, 0.35%

LAB 32.65, 44.65, 1.52

 

CMYK 0 / 72 / 46 / 33

HEX #AB305D

RGB 171 48 93

HSL 338.05, 0.56%, 0.43%

LAB 40.51, 52.95, 2.78

 

CMYK 0 / 70 / 44 / 22

HEX #C83C70

RGB 200 60 112

HSL 337.71, 0.56%, 0.51%

LAB 47.86, 58.87, 2.29

 

CMYK 0 / 56 / 35 / 18

HEX #D15C87

RGB 209 92 135

HSL 337.95, 0.56%, 0.59%

LAB 55.03, 50.49, -0.87

 

CMYK 0 / 72 / 45 / 33

HEX #AC305E

RGB 172 48 94

HSL 337.74, 0.56%, 0.43%

LAB 40.72, 53.35, 2.48

 

CMYK 0 / 13 / 72 / 33

HEX #AB9430

RGB 171 148 48

HSL 48.78, 0.56%, 0.43%

LAB 61.7, -2.54, 53.37

 

CMYK 72 / 16 / 0 / 33

HEX #3090AB

RGB 48 144 171

HSL 193.17, 0.56%, 0.43%

LAB 55.6, -18.63, -22.25

 

CMYK 0 / 72 / 45 / 33

HEX #AC305E

RGB 172 48 94

HSL 337.74, 0.56%, 0.43%

LAB 40.72, 53.35, 2.48

 

CMYK 44 / 0 / 72 / 33

HEX #5FAB30

RGB 95 171 48

HSL 97.07, 0.56%, 0.43%

LAB 63.15, -44.7, 53.11

 

CMYK 72 / 44 / 0 / 33

HEX #305FAB

RGB 48 95 171

HSL 217.07, 0.56%, 0.43%

LAB 40.82, 10.44, -45.43

 

CMYK 0 / 72 / 45 / 33

HEX #AC305E

RGB 172 48 94

HSL 337.74, 0.56%, 0.43%

LAB 40.72, 53.35, 2.48

 

CMYK 0 / 13 / 72 / 33

HEX #AB9430

RGB 171 148 48

HSL 48.78, 0.56%, 0.43%

LAB 61.7, -2.54, 53.37

 

CMYK 72 / 0 / 28 / 33

HEX #30AB7B

RGB 48 171 123

HSL 156.59, 0.56%, 0.43%

LAB 62.66, -44.89, 15.25

 

CMYK 72 / 59 / 0 / 33

HEX #3046AB

RGB 48 70 171

HSL 229.27, 0.56%, 0.43%

LAB 33.88, 26.89, -56.64

 

CMYK 0 / 72 / 45 / 33

HEX #AC305E

RGB 172 48 94

HSL 337.74, 0.56%, 0.43%

LAB 40.72, 53.35, 2.48

 

CMYK 9 / 0 / 72 / 33

HEX #9CAB30

RGB 156 171 48

HSL 67.32, 0.56%, 0.43%

LAB 66.83, -21.17, 57.99

 

CMYK 72 / 0 / 28 / 33

HEX #30AB7B

RGB 48 171 123

HSL 156.59, 0.56%, 0.43%

LAB 62.66, -44.89, 15.25

 

CMYK 64 / 72 / 0 / 33

HEX #3E30AB

RGB 62 48 171

HSL 246.83, 0.56%, 0.43%

LAB 29.61, 42.51, -63.59

 

Description

Color code: HEX #AC305E | qconv.com Color code: HEX #AC305E | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 48 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 48 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 72 magenta, 45 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 72% 45% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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