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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AC456F it is the complementary color #53BA90. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AC456F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AC456F shade: #B1456A, #C2577D, #D36990, #E47BA3 and #F58DB6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AC456F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AC456F shade: #AC456F, #9B335C, #8A2149, #790F36 and #680023

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AC456F shade: #AB446E, #AB4452 and #AB4444

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AC456F shade: #AB446E, #AB448A, #AB44A5, #9544AB and #7944AB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AC456F shade matches the following richer shades: #AB446E, #BE306A, #D21D67 and #E50A63

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AC456F shade: #AB446E, #975771, #846B75, #717E79 and #5D917C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AC456F shade: #AB44A6, #AB448A, #AB446F, #AB4453 and #AB5044

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AC456F shade: #702C48, #8D385B, #AB446E, #BD5B83 and #C97899

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AC456F shade: #AC456F, #AB9544 and #4498AB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AC456F shade: #AC456F, #6FAB44 and #446FAB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AC456F shade: #AC456F, #AB9544, #44AB80 and #445AAB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AC456F shade: #AC456F, #A2AB44, #44AB80 and #4C44AB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 60 / 35 / 33

HEX #AC456F

RGB 172 69 111

HSL 335.53, 0.43%, 0.47%

LAB 44.48, 46.34, -2.59

 

Complementary color

CMYK 55 / 0 / 23 / 27

HEX #53BA90

RGB 83 186 144

HSL 155.53, 0.43%, 0.53%

LAB 68.73, -39.97, 12.39

 

CMYK 0 / 61 / 40 / 31

HEX #B1456A

RGB 177 69 106

HSL 339.44, 0.44%, 0.48%

LAB 45.14, 47.4, 1.54

 

CMYK 0 / 55 / 36 / 24

HEX #C2577D

RGB 194 87 125

HSL 338.69, 0.47%, 0.55%

LAB 51.57, 46.73, -0.27

 

CMYK 0 / 50 / 32 / 17

HEX #D36990

RGB 211 105 144

HSL 337.92, 0.55%, 0.62%

LAB 58, 45.93, -1.75

 

CMYK 0 / 46 / 29 / 11

HEX #E47BA3

RGB 228 123 163

HSL 337.14, 0.66%, 0.69%

LAB 64.41, 45.1, -3

 

CMYK 0 / 42 / 26 / 4

HEX #F58DB6

RGB 245 141 182

HSL 336.35, 0.84%, 0.76%

LAB 70.76, 44.26, -4.09

 

CMYK 0 / 60 / 35 / 33

HEX #AC456F

RGB 172 69 111

HSL 335.53, 0.43%, 0.47%

LAB 44.48, 46.34, -2.59

 

CMYK 0 / 67 / 41 / 39

HEX #9B335C

RGB 155 51 92

HSL 336.35, 0.5%, 0.4%

LAB 38.04, 46.75, -0.54

 

CMYK 0 / 76 / 47 / 46

HEX #8A2149

RGB 138 33 73

HSL 337.14, 0.61%, 0.34%

LAB 31.74, 46.62, 2.18

 

CMYK 0 / 88 / 55 / 53

HEX #790F36

RGB 121 15 54

HSL 337.92, 0.78%, 0.27%

LAB 25.78, 45.43, 5.93

 

CMYK 0 / 100 / 66 / 59

HEX #680023

RGB 104 0 35

HSL 339.81, 1%, 0.2%

LAB 20.3, 42.76, 11.03

 

CMYK 0 / 60 / 36 / 33

HEX #AB446E

RGB 171 68 110

HSL 335.53, 0.43%, 0.47%

LAB 44.12, 46.36, -2.54

 

CMYK 0 / 60 / 52 / 33

HEX #AB4452

RGB 171 68 82

HSL 351.84, 0.43%, 0.47%

LAB 43.36, 43.42, 13.66

 

CMYK 0 / 60 / 60 / 33

HEX #AB4444

RGB 171 68 68

HSL 0, 0.43%, 0.47%

LAB 43.08, 42.28, 21.85

 

CMYK 0 / 60 / 36 / 33

HEX #AB446E

RGB 171 68 110

HSL 335.53, 0.43%, 0.47%

LAB 44.12, 46.36, -2.54

 

CMYK 0 / 60 / 19 / 33

HEX #AB448A

RGB 171 68 138

HSL 319.22, 0.43%, 0.47%

LAB 45.12, 50.15, -18.11

 

CMYK 0 / 60 / 4 / 33

HEX #AB44A5

RGB 171 68 165

HSL 303.5, 0.43%, 0.47%

LAB 46.32, 54.49, -32.41

 

CMYK 13 / 60 / 0 / 33

HEX #9544AB

RGB 149 68 171

HSL 287.18, 0.43%, 0.47%

LAB 43.45, 49.85, -40.71

 

CMYK 29 / 60 / 0 / 33

HEX #7944AB

RGB 121 68 171

HSL 270.87, 0.43%, 0.47%

LAB 39.81, 42.8, -46.73

 

CMYK 0 / 60 / 36 / 33

HEX #AB446E

RGB 171 68 110

HSL 335.53, 0.43%, 0.47%

LAB 44.12, 46.36, -2.54

 

CMYK 0 / 75 / 44 / 25

HEX #BE306A

RGB 190 48 106

HSL 335.49, 0.6%, 0.47%

LAB 44.38, 59.65, 0.7

 

CMYK 0 / 86 / 51 / 18

HEX #D21D67

RGB 210 29 103

HSL 335.47, 0.76%, 0.47%

LAB 46.39, 69.47, 5.95

 

CMYK 0 / 96 / 57 / 10

HEX #E50A63

RGB 229 10 99

HSL 335.62, 0.92%, 0.47%

LAB 49.22, 76.13, 12.95

 

CMYK 0 / 60 / 36 / 33

HEX #AB446E

RGB 171 68 110

HSL 335.53, 0.43%, 0.47%

LAB 44.12, 46.36, -2.54

 

CMYK 0 / 42 / 25 / 41

HEX #975771

RGB 151 87 113

HSL 335.63, 0.27%, 0.47%

LAB 45.06, 29.92, -3.31

 

CMYK 0 / 19 / 11 / 48

HEX #846B75

RGB 132 107 117

HSL 336, 0.1%, 0.47%

LAB 47.89, 11.68, -1.82

 

CMYK 10 / 0 / 4 / 51

HEX #717E79

RGB 113 126 121

HSL 156.92, 0.05%, 0.47%

LAB 51.63, -5.84, 1.08

 

CMYK 36 / 0 / 14 / 43

HEX #5D917C

RGB 93 145 124

HSL 155.77, 0.22%, 0.47%

LAB 56.12, -22.27, 5.68

 

CMYK 0 / 60 / 3 / 33

HEX #AB44A6

RGB 171 68 166

HSL 302.91, 0.43%, 0.47%

LAB 46.37, 54.66, -32.93

 

CMYK 0 / 60 / 19 / 33

HEX #AB448A

RGB 171 68 138

HSL 319.22, 0.43%, 0.47%

LAB 45.12, 50.15, -18.11

 

CMYK 0 / 60 / 35 / 33

HEX #AB446F

RGB 171 68 111

HSL 334.95, 0.43%, 0.47%

LAB 44.15, 46.49, -3.11

 

CMYK 0 / 60 / 51 / 33

HEX #AB4453

RGB 171 68 83

HSL 351.26, 0.43%, 0.47%

LAB 43.38, 43.51, 13.07

 

CMYK 0 / 53 / 60 / 33

HEX #AB5044

RGB 171 80 68

HSL 6.99, 0.43%, 0.47%

LAB 45.38, 36.3, 24.81

 

CMYK 0 / 61 / 36 / 56

HEX #702C48

RGB 112 44 72

HSL 335.29, 0.44%, 0.31%

LAB 28.68, 33.21, -2.21

 

CMYK 0 / 60 / 35 / 45

HEX #8D385B

RGB 141 56 91

HSL 335.29, 0.43%, 0.39%

LAB 36.45, 39.75, -2.51

 

CMYK 0 / 60 / 36 / 33

HEX #AB446E

RGB 171 68 110

HSL 335.53, 0.43%, 0.47%

LAB 44.12, 46.36, -2.54

 

CMYK 0 / 52 / 31 / 26

HEX #BD5B83

RGB 189 91 131

HSL 335.51, 0.43%, 0.55%

LAB 51.77, 43.82, -3.64

 

CMYK 0 / 40 / 24 / 21

HEX #C97899

RGB 201 120 153

HSL 335.56, 0.43%, 0.63%

LAB 60.02, 35.92, -4.13

 

CMYK 0 / 60 / 35 / 33

HEX #AC456F

RGB 172 69 111

HSL 335.53, 0.43%, 0.47%

LAB 44.48, 46.34, -2.59

 

CMYK 0 / 13 / 60 / 33

HEX #AB9544

RGB 171 149 68

HSL 47.18, 0.43%, 0.47%

LAB 62.14, -1.83, 44.91

 

CMYK 60 / 11 / 0 / 33

HEX #4498AB

RGB 68 152 171

HSL 191.07, 0.43%, 0.47%

LAB 58.63, -19.57, -17.57

 

CMYK 0 / 60 / 35 / 33

HEX #AC456F

RGB 172 69 111

HSL 335.53, 0.43%, 0.47%

LAB 44.48, 46.34, -2.59

 

CMYK 35 / 0 / 60 / 33

HEX #6FAB44

RGB 111 171 68

HSL 94.95, 0.43%, 0.47%

LAB 64.1, -37.51, 45.94

 

CMYK 60 / 35 / 0 / 33

HEX #446FAB

RGB 68 111 171

HSL 214.95, 0.43%, 0.47%

LAB 46.36, 3.89, -36.57

 

CMYK 0 / 60 / 35 / 33

HEX #AC456F

RGB 172 69 111

HSL 335.53, 0.43%, 0.47%

LAB 44.48, 46.34, -2.59

 

CMYK 0 / 13 / 60 / 33

HEX #AB9544

RGB 171 149 68

HSL 47.18, 0.43%, 0.47%

LAB 62.14, -1.83, 44.91

 

CMYK 60 / 0 / 25 / 33

HEX #44AB80

RGB 68 171 128

HSL 154.95, 0.43%, 0.47%

LAB 63.27, -40.17, 13.42

 

CMYK 60 / 47 / 0 / 33

HEX #445AAB

RGB 68 90 171

HSL 227.18, 0.43%, 0.47%

LAB 40.38, 17.15, -46.08

 

CMYK 0 / 60 / 35 / 33

HEX #AC456F

RGB 172 69 111

HSL 335.53, 0.43%, 0.47%

LAB 44.48, 46.34, -2.59

 

CMYK 5 / 0 / 60 / 33

HEX #A2AB44

RGB 162 171 68

HSL 65.24, 0.43%, 0.47%

LAB 67.45, -17.34, 50.59

 

CMYK 60 / 0 / 25 / 33

HEX #44AB80

RGB 68 171 128

HSL 154.95, 0.43%, 0.47%

LAB 63.27, -40.17, 13.42

 

CMYK 56 / 60 / 0 / 33

HEX #4C44AB

RGB 76 68 171

HSL 244.66, 0.43%, 0.47%

LAB 35.22, 32.78, -54.37

 

Description

Color code: HEX #AC456F | qconv.com Color code: HEX #AC456F | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 69 green and 111 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 69 111 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 60 magenta, 35 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 60% 35% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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