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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AC45F2 it is the complementary color #53BA0D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AC45F2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AC45F2 shade: #B145ED, #C257FF, #D369FF, #E47BFF and #F58DFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AC45F2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AC45F2 shade: #AC45F2, #9B33DF, #8A21CC, #790FB9 and #6800A6

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AC45F2 shade: #AC45F2, #DA45F2, #F245DA, #F245AC and #F2457D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AC45F2 shade: #AC45F2, #7D45F2, #4E45F2 and #4545F2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AC45F2 shade matches the following richer shades: #AC45F2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AC45F2 shade: #AC45F2, #A855E1, #A565D1, #A275C1 and #9F85B1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AC45F2 shade: #4D45F2, #7B45F2, #A945F2, #D845F2 and #F245DD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AC45F2 shade: #850ED5, #9A1EEF, #AC45F2, #BD6BF4 and #CE92F7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AC45F2 shade: #AC45F2, #F2456A and #45F264

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AC45F2 shade: #AC45F2, #F2A945 and #45F2A9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AC45F2 shade: #AC45F2, #F2456A, #8DF245 and #45F2CC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AC45F2 shade: #AC45F2, #F25345, #8DF245 and #45E3F2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 29 / 71 / 0 / 5

HEX #AC45F2

RGB 172 69 242

HSL 275.72, 0.87%, 0.61%

LAB 51.2, 69.32, -68.95

 

Complementary color

CMYK 55 / 0 / 93 / 27

HEX #53BA0D

RGB 83 186 13

HSL 95.72, 0.87%, 0.39%

LAB 67.27, -55.68, 65.79

 

CMYK 25 / 71 / 0 / 7

HEX #B145ED

RGB 177 69 237

HSL 278.57, 0.82%, 0.6%

LAB 51.52, 69.22, -65.59

 

CMYK 24 / 66 / 0 / 0

HEX #C257FF

RGB 194 87 255

HSL 278.21, 1%, 0.67%

LAB 57.56, 68.84, -65.76

 

CMYK 17 / 59 / 0 / 0

HEX #D369FF

RGB 211 105 255

HSL 282.4, 1%, 0.71%

LAB 62.65, 64.51, -57.49

 

CMYK 11 / 52 / 0 / 0

HEX #E47BFF

RGB 228 123 255

HSL 287.73, 1%, 0.74%

LAB 67.93, 60.19, -48.99

 

CMYK 4 / 45 / 0 / 0

HEX #F58DFF

RGB 245 141 255

HSL 294.74, 1%, 0.78%

LAB 73.34, 55.96, -40.37

 

CMYK 29 / 71 / 0 / 5

HEX #AC45F2

RGB 172 69 242

HSL 275.72, 0.87%, 0.61%

LAB 51.2, 69.32, -68.95

 

CMYK 30 / 77 / 0 / 13

HEX #9B33DF

RGB 155 51 223

HSL 276.28, 0.73%, 0.54%

LAB 45.17, 69.11, -68.1

 

CMYK 32 / 84 / 0 / 20

HEX #8A21CC

RGB 138 33 204

HSL 276.84, 0.72%, 0.46%

LAB 39.33, 68.16, -66.79

 

CMYK 35 / 92 / 0 / 27

HEX #790FB9

RGB 121 15 185

HSL 277.41, 0.85%, 0.39%

LAB 33.79, 66.05, -64.8

 

CMYK 37 / 100 / 0 / 35

HEX #6800A6

RGB 104 0 166

HSL 277.59, 1%, 0.33%

LAB 28.63, 62.51, -62

 

CMYK 29 / 71 / 0 / 5

HEX #AC45F2

RGB 172 69 242

HSL 275.72, 0.87%, 0.61%

LAB 51.2, 69.32, -68.95

 

CMYK 10 / 71 / 0 / 5

HEX #DA45F2

RGB 218 69 242

HSL 291.68, 0.87%, 0.61%

LAB 57.63, 78.21, -58.26

 

CMYK 0 / 71 / 10 / 5

HEX #F245DA

RGB 242 69 218

HSL 308.32, 0.87%, 0.61%

LAB 60.06, 79.5, -40.69

 

CMYK 0 / 71 / 29 / 5

HEX #F245AC

RGB 242 69 172

HSL 324.28, 0.87%, 0.61%

LAB 58.14, 73.53, -17.33

 

CMYK 0 / 71 / 48 / 5

HEX #F2457D

RGB 242 69 125

HSL 340.58, 0.87%, 0.61%

LAB 56.7, 68.84, 8.13

 

CMYK 29 / 71 / 0 / 5

HEX #AC45F2

RGB 172 69 242

HSL 275.72, 0.87%, 0.61%

LAB 51.2, 69.32, -68.95

 

CMYK 48 / 71 / 0 / 5

HEX #7D45F2

RGB 125 69 242

HSL 259.42, 0.87%, 0.61%

LAB 45.67, 61.28, -78.19

 

CMYK 68 / 71 / 0 / 5

HEX #4E45F2

RGB 78 69 242

HSL 243.12, 0.87%, 0.61%

LAB 41.67, 55.12, -84.91

 

CMYK 71 / 71 / 0 / 5

HEX #4545F2

RGB 69 69 242

HSL 240, 0.87%, 0.61%

LAB 41.11, 54.23, -85.85

 

CMYK 29 / 71 / 0 / 5

HEX #AC45F2

RGB 172 69 242

HSL 275.72, 0.87%, 0.61%

LAB 51.2, 69.32, -68.95

 

CMYK 29 / 71 / 0 / 5

HEX #AC45F2

RGB 172 69 242

HSL 275.72, 0.87%, 0.61%

LAB 51.2, 69.32, -68.95

 

CMYK 25 / 62 / 0 / 12

HEX #A855E1

RGB 168 85 225

HSL 275.57, 0.7%, 0.61%

LAB 52.13, 57.72, -57.91

 

CMYK 21 / 52 / 0 / 18

HEX #A565D1

RGB 165 101 209

HSL 275.56, 0.54%, 0.61%

LAB 53.93, 45.24, -45.98

 

CMYK 16 / 39 / 0 / 24

HEX #A275C1

RGB 162 117 193

HSL 275.53, 0.38%, 0.61%

LAB 56.34, 31.94, -33.1

 

CMYK 10 / 25 / 0 / 31

HEX #9F85B1

RGB 159 133 177

HSL 275.45, 0.22%, 0.61%

LAB 59.27, 18.33, -19.48

 

CMYK 68 / 71 / 0 / 5

HEX #4D45F2

RGB 77 69 242

HSL 242.77, 0.87%, 0.61%

LAB 41.6, 55.02, -85.02

 

CMYK 49 / 71 / 0 / 5

HEX #7B45F2

RGB 123 69 242

HSL 258.73, 0.87%, 0.61%

LAB 45.47, 60.97, -78.53

 

CMYK 30 / 71 / 0 / 5

HEX #A945F2

RGB 169 69 242

HSL 274.68, 0.87%, 0.61%

LAB 50.81, 68.77, -69.6

 

CMYK 11 / 71 / 0 / 5

HEX #D845F2

RGB 216 69 242

HSL 290.98, 0.87%, 0.61%

LAB 57.33, 77.81, -58.75

 

CMYK 0 / 71 / 9 / 5

HEX #F245DD

RGB 242 69 221

HSL 307.28, 0.87%, 0.61%

LAB 60.21, 79.93, -42.16

 

CMYK 38 / 93 / 0 / 16

HEX #850ED5

RGB 133 14 213

HSL 275.88, 0.88%, 0.45%

LAB 38.03, 73.36, -74.16

 

CMYK 36 / 87 / 0 / 6

HEX #9A1EEF

RGB 154 30 239

HSL 275.6, 0.87%, 0.53%

LAB 44.28, 78.22, -78.64

 

CMYK 29 / 71 / 0 / 5

HEX #AC45F2

RGB 172 69 242

HSL 275.72, 0.87%, 0.61%

LAB 51.2, 69.32, -68.95

 

CMYK 23 / 56 / 0 / 4

HEX #BD6BF4

RGB 189 107 244

HSL 275.91, 0.86%, 0.69%

LAB 59.77, 55.98, -56.17

 

CMYK 17 / 41 / 0 / 3

HEX #CE92F7

RGB 206 146 247

HSL 275.64, 0.86%, 0.77%

LAB 69.75, 40.69, -41.93

 

CMYK 29 / 71 / 0 / 5

HEX #AC45F2

RGB 172 69 242

HSL 275.72, 0.87%, 0.61%

LAB 51.2, 69.32, -68.95

 

CMYK 0 / 71 / 56 / 5

HEX #F2456A

RGB 242 69 106

HSL 347.17, 0.87%, 0.61%

LAB 56.26, 67.38, 18.78

 

CMYK 71 / 0 / 59 / 5

HEX #45F264

RGB 69 242 100

HSL 130.75, 0.87%, 0.61%

LAB 84.84, -71.19, 55.07

 

CMYK 29 / 71 / 0 / 5

HEX #AC45F2

RGB 172 69 242

HSL 275.72, 0.87%, 0.61%

LAB 51.2, 69.32, -68.95

 

CMYK 0 / 30 / 71 / 5

HEX #F2A945

RGB 242 169 69

HSL 34.68, 0.87%, 0.61%

LAB 74.62, 18, 60.1

 

CMYK 71 / 0 / 30 / 5

HEX #45F2A9

RGB 69 242 169

HSL 154.68, 0.87%, 0.61%

LAB 85.82, -59.98, 22.91

 

CMYK 29 / 71 / 0 / 5

HEX #AC45F2

RGB 172 69 242

HSL 275.72, 0.87%, 0.61%

LAB 51.2, 69.32, -68.95

 

CMYK 0 / 71 / 56 / 5

HEX #F2456A

RGB 242 69 106

HSL 347.17, 0.87%, 0.61%

LAB 56.26, 67.38, 18.78

 

CMYK 42 / 0 / 71 / 5

HEX #8DF245

RGB 141 242 69

HSL 95.03, 0.87%, 0.61%

LAB 86.8, -56.86, 70.07

 

CMYK 71 / 0 / 16 / 5

HEX #45F2CC

RGB 69 242 204

HSL 166.82, 0.87%, 0.61%

LAB 86.57, -52.1, 5.81

 

CMYK 29 / 71 / 0 / 5

HEX #AC45F2

RGB 172 69 242

HSL 275.72, 0.87%, 0.61%

LAB 51.2, 69.32, -68.95

 

CMYK 0 / 66 / 71 / 5

HEX #F25345

RGB 242 83 69

HSL 4.86, 0.87%, 0.61%

LAB 57.55, 60.09, 41.67

 

CMYK 42 / 0 / 71 / 5

HEX #8DF245

RGB 141 242 69

HSL 95.03, 0.87%, 0.61%

LAB 86.8, -56.86, 70.07

 

CMYK 71 / 6 / 0 / 5

HEX #45E3F2

RGB 69 227 242

HSL 185.2, 0.87%, 0.61%

LAB 83.24, -35.33, -19.11

 

Description

Color code: HEX #AC45F2 | qconv.com Color code: HEX #AC45F2 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 69 green and 242 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 69 242 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 29 cyan, 71 magenta, none yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
29% 71% 0% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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