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Color name
HEX #AC489D

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AC489D it is the complementary color #53B762. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AC489D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AC489D shade: #B14898, #C25AAB, #D36CBE, #E47ED1 and #F590E4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AC489D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AC489D shade: #AC489D, #9B368A, #8A2477, #791264 and #680051

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AC489D shade: #AC489D, #AC4882, #AC4867, #AC484C and #AC4848

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AC489D shade: #AC489D, #A048AC, #8548AC, #6A48AC and #4F48AC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AC489D shade matches the following richer shades: #AC489D, #C034AB, #D420B9 and #E70CC7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AC489D shade: #AC489D, #985C8F, #846F81, #718373 and #5D9766

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AC489D shade: #8648AC, #A048AC, #AC489D, #AC4882 and #AC4867

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AC489D shade: #722F68, #8F3C82, #AC489D, #BC61AF and #C97EBD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AC489D shade: #AC489D, #AC6B48 and #48AC93

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AC489D shade: #AC489D, #9DAC48 and #489DAC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AC489D shade: #AC489D, #AC6B48, #48AC57 and #4889AC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AC489D shade: #AC489D, #AC8948, #48AC57 and #486BAC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 58 / 9 / 33

HEX #AC489D

RGB 172 72 157

HSL 309, 0.41%, 0.48%

LAB 46.76, 51.6, -26.96

 

Complementary color

CMYK 55 / 0 / 46 / 28

HEX #53B762

RGB 83 183 98

HSL 129, 0.41%, 0.52%

LAB 66.97, -47.37, 34.47

 

CMYK 0 / 59 / 14 / 31

HEX #B14898

RGB 177 72 152

HSL 314.29, 0.42%, 0.49%

LAB 47.3, 52.22, -23.09

 

CMYK 0 / 54 / 12 / 24

HEX #C25AAB

RGB 194 90 171

HSL 313.27, 0.46%, 0.56%

LAB 53.73, 51.76, -24.16

 

CMYK 0 / 49 / 10 / 17

HEX #D36CBE

RGB 211 108 190

HSL 312.23, 0.54%, 0.63%

LAB 60.15, 51.15, -25.02

 

CMYK 0 / 45 / 8 / 11

HEX #E47ED1

RGB 228 126 209

HSL 311.18, 0.65%, 0.69%

LAB 66.53, 50.45, -25.74

 

CMYK 0 / 41 / 7 / 4

HEX #F590E4

RGB 245 144 228

HSL 310.1, 0.83%, 0.76%

LAB 72.87, 49.73, -26.37

 

CMYK 0 / 58 / 9 / 33

HEX #AC489D

RGB 172 72 157

HSL 309, 0.41%, 0.48%

LAB 46.76, 51.6, -26.96

 

CMYK 0 / 65 / 11 / 39

HEX #9B368A

RGB 155 54 138

HSL 310.1, 0.48%, 0.41%

LAB 40.31, 51.78, -25.75

 

CMYK 0 / 74 / 14 / 46

HEX #8A2477

RGB 138 36 119

HSL 311.18, 0.59%, 0.34%

LAB 33.98, 51.39, -24.08

 

CMYK 0 / 85 / 17 / 53

HEX #791264

RGB 121 18 100

HSL 312.23, 0.74%, 0.27%

LAB 27.89, 49.97, -21.67

 

CMYK 0 / 100 / 22 / 59

HEX #680051

RGB 104 0 81

HSL 313.27, 1%, 0.2%

LAB 22.08, 47.37, -18.42

 

CMYK 0 / 58 / 9 / 33

HEX #AC489D

RGB 172 72 157

HSL 309, 0.41%, 0.48%

LAB 46.76, 51.6, -26.96

 

CMYK 0 / 58 / 24 / 33

HEX #AC4882

RGB 172 72 130

HSL 325.2, 0.41%, 0.48%

LAB 45.66, 47.43, -12.44

 

CMYK 0 / 58 / 40 / 33

HEX #AC4867

RGB 172 72 103

HSL 341.4, 0.41%, 0.48%

LAB 44.78, 43.98, 2.75

 

CMYK 0 / 58 / 56 / 33

HEX #AC484C

RGB 172 72 76

HSL 357.6, 0.41%, 0.48%

LAB 44.13, 41.34, 18.4

 

CMYK 0 / 58 / 58 / 33

HEX #AC4848

RGB 172 72 72

HSL 0, 0.41%, 0.48%

LAB 44.05, 41.02, 20.73

 

CMYK 0 / 58 / 9 / 33

HEX #AC489D

RGB 172 72 157

HSL 309, 0.41%, 0.48%

LAB 46.76, 51.6, -26.96

 

CMYK 7 / 58 / 0 / 33

HEX #A048AC

RGB 160 72 172

HSL 292.8, 0.41%, 0.48%

LAB 45.75, 50.99, -37.56

 

CMYK 23 / 58 / 0 / 33

HEX #8548AC

RGB 133 72 172

HSL 276.6, 0.41%, 0.48%

LAB 42.15, 43.91, -43.49

 

CMYK 38 / 58 / 0 / 33

HEX #6A48AC

RGB 106 72 172

HSL 260.4, 0.41%, 0.48%

LAB 39.03, 37.18, -48.67

 

CMYK 54 / 58 / 0 / 33

HEX #4F48AC

RGB 79 72 172

HSL 244.2, 0.41%, 0.48%

LAB 36.51, 31.2, -52.87

 

CMYK 0 / 58 / 9 / 33

HEX #AC489D

RGB 172 72 157

HSL 309, 0.41%, 0.48%

LAB 46.76, 51.6, -26.96

 

CMYK 0 / 73 / 11 / 25

HEX #C034AB

RGB 192 52 171

HSL 309, 0.57%, 0.48%

LAB 47.76, 66.82, -33.48

 

CMYK 0 / 85 / 13 / 17

HEX #D420B9

RGB 212 32 185

HSL 309, 0.74%, 0.48%

LAB 50.14, 78.11, -37.72

 

CMYK 0 / 95 / 14 / 9

HEX #E70CC7

RGB 231 12 199

HSL 308.77, 0.9%, 0.48%

LAB 53.36, 86.05, -40.54

 

CMYK 0 / 58 / 9 / 33

HEX #AC489D

RGB 172 72 157

HSL 309, 0.41%, 0.48%

LAB 46.76, 51.6, -26.96

 

CMYK 0 / 39 / 6 / 40

HEX #985C8F

RGB 152 92 143

HSL 309, 0.25%, 0.48%

LAB 47.38, 32.55, -17.89

 

CMYK 0 / 16 / 2 / 48

HEX #846F81

RGB 132 111 129

HSL 308.57, 0.09%, 0.48%

LAB 49.33, 11.61, -6.84

 

CMYK 14 / 0 / 12 / 49

HEX #718373

RGB 113 131 115

HSL 126.67, 0.07%, 0.48%

LAB 52.93, -9.86, 6.46

 

CMYK 38 / 0 / 32 / 41

HEX #5D9766

RGB 93 151 102

HSL 129.31, 0.24%, 0.48%

LAB 57.48, -29.71, 20

 

CMYK 22 / 58 / 0 / 33

HEX #8648AC

RGB 134 72 172

HSL 277.2, 0.41%, 0.48%

LAB 42.28, 44.17, -43.29

 

CMYK 7 / 58 / 0 / 33

HEX #A048AC

RGB 160 72 172

HSL 292.8, 0.41%, 0.48%

LAB 45.75, 50.99, -37.56

 

CMYK 0 / 58 / 9 / 33

HEX #AC489D

RGB 172 72 157

HSL 309, 0.41%, 0.48%

LAB 46.76, 51.6, -26.96

 

CMYK 0 / 58 / 24 / 33

HEX #AC4882

RGB 172 72 130

HSL 325.2, 0.41%, 0.48%

LAB 45.66, 47.43, -12.44

 

CMYK 0 / 58 / 40 / 33

HEX #AC4867

RGB 172 72 103

HSL 341.4, 0.41%, 0.48%

LAB 44.78, 43.98, 2.75

 

CMYK 0 / 59 / 9 / 55

HEX #722F68

RGB 114 47 104

HSL 308.96, 0.42%, 0.32%

LAB 30.9, 37.4, -19.65

 

CMYK 0 / 58 / 9 / 44

HEX #8F3C82

RGB 143 60 130

HSL 309.4, 0.41%, 0.4%

LAB 39.04, 44.32, -22.97

 

CMYK 0 / 58 / 9 / 33

HEX #AC489D

RGB 172 72 157

HSL 309, 0.41%, 0.48%

LAB 46.76, 51.6, -26.96

 

CMYK 0 / 48 / 7 / 26

HEX #BC61AF

RGB 188 97 175

HSL 308.57, 0.4%, 0.56%

LAB 54.38, 47.17, -25.55

 

CMYK 0 / 37 / 6 / 21

HEX #C97EBD

RGB 201 126 189

HSL 309.6, 0.41%, 0.64%

LAB 62.52, 38.53, -20.94

 

CMYK 0 / 58 / 9 / 33

HEX #AC489D

RGB 172 72 157

HSL 309, 0.41%, 0.48%

LAB 46.76, 51.6, -26.96

 

CMYK 0 / 38 / 58 / 33

HEX #AC6B48

RGB 172 107 72

HSL 21, 0.41%, 0.48%

LAB 51.56, 22.36, 30.31

 

CMYK 58 / 0 / 15 / 33

HEX #48AC93

RGB 72 172 147

HSL 165, 0.41%, 0.48%

LAB 64.15, -35.31, 4.16

 

CMYK 0 / 58 / 9 / 33

HEX #AC489D

RGB 172 72 157

HSL 309, 0.41%, 0.48%

LAB 46.76, 51.6, -26.96

 

CMYK 9 / 0 / 58 / 33

HEX #9DAC48

RGB 157 172 72

HSL 69, 0.41%, 0.48%

LAB 67.38, -19.63, 48.6

 

CMYK 58 / 9 / 0 / 33

HEX #489DAC

RGB 72 157 172

HSL 189, 0.41%, 0.48%

LAB 60.31, -21.12, -15.57

 

CMYK 0 / 58 / 9 / 33

HEX #AC489D

RGB 172 72 157

HSL 309, 0.41%, 0.48%

LAB 46.76, 51.6, -26.96

 

CMYK 0 / 38 / 58 / 33

HEX #AC6B48

RGB 172 107 72

HSL 21, 0.41%, 0.48%

LAB 51.56, 22.36, 30.31

 

CMYK 58 / 0 / 49 / 33

HEX #48AC57

RGB 72 172 87

HSL 129, 0.41%, 0.48%

LAB 62.99, -47.36, 35

 

CMYK 58 / 20 / 0 / 33

HEX #4889AC

RGB 72 137 172

HSL 201, 0.41%, 0.48%

LAB 54.29, -10.28, -24.77

 

CMYK 0 / 58 / 9 / 33

HEX #AC489D

RGB 172 72 157

HSL 309, 0.41%, 0.48%

LAB 46.76, 51.6, -26.96

 

CMYK 0 / 20 / 58 / 33

HEX #AC8948

RGB 172 137 72

HSL 39, 0.41%, 0.48%

LAB 59.09, 5.52, 39.43

 

CMYK 58 / 0 / 49 / 33

HEX #48AC57

RGB 72 172 87

HSL 129, 0.41%, 0.48%

LAB 62.99, -47.36, 35

 

CMYK 58 / 38 / 0 / 33

HEX #486BAC

RGB 72 107 172

HSL 219, 0.41%, 0.48%

LAB 45.46, 7.54, -38.57

 

Description

Color code: HEX #AC489D | qconv.com Color code: HEX #AC489D | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 72 green and 157 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 72 157 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 58 magenta, 9 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 58% 9% 33% C M Y K

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Provide designers and agencies with accurate color values.

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