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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AC4980 it is the complementary color #53B67F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AC4980. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AC4980 shade: #B1497B, #C25B8E, #D36DA1, #E47FB4 and #F591C7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AC4980. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AC4980 shade: #AC4980, #9B376D, #8A255A, #791347 and #680134

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AC4980 shade: #AB497F, #AB4965, #AB494B and #AB4949

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AC4980 shade: #AB497F, #AB499A, #A249AB, #8749AB and #6D49AB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AC4980 shade matches the following richer shades: #AB497F, #BF3582, #D22184 and #E60E86

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AC4980 shade: #AB497F, #975D7D, #83717B, #6F8479 and #5C9877

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AC4980 shade: #A149AB, #AB499B, #AB4980, #AB4966 and #AB494C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AC4980 shade: #713054, #8E3D6A, #AB497F, #BB6294 and #C87FA7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AC4980 shade: #AC4980, #AB8749 and #49A8AB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AC4980 shade: #AC4980, #80AB49 and #4980AB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AC4980 shade: #AC4980, #AB8749, #49AB73 and #496DAB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AC4980 shade: #AC4980, #ABA449, #49AB73 and #494FAB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 58 / 26 / 33

HEX #AC4980

RGB 172 73 128

HSL 326.67, 0.4%, 0.48%

LAB 45.76, 46.67, -11.06

 

Complementary color

CMYK 54 / 0 / 30 / 29

HEX #53B67F

RGB 83 182 127

HSL 146.67, 0.4%, 0.52%

LAB 67.15, -41.81, 19.41

 

CMYK 0 / 59 / 31 / 31

HEX #B1497B

RGB 177 73 123

HSL 331.15, 0.42%, 0.49%

LAB 46.37, 47.59, -7.04

 

CMYK 0 / 53 / 27 / 24

HEX #C25B8E

RGB 194 91 142

HSL 330.29, 0.46%, 0.56%

LAB 52.84, 46.95, -8.48

 

CMYK 0 / 48 / 24 / 17

HEX #D36DA1

RGB 211 109 161

HSL 329.41, 0.54%, 0.63%

LAB 59.31, 46.21, -9.67

 

CMYK 0 / 44 / 21 / 11

HEX #E47FB4

RGB 228 127 180

HSL 328.51, 0.65%, 0.7%

LAB 65.72, 45.42, -10.68

 

CMYK 0 / 41 / 19 / 4

HEX #F591C7

RGB 245 145 199

HSL 327.6, 0.83%, 0.76%

LAB 72.09, 44.64, -11.57

 

CMYK 0 / 58 / 26 / 33

HEX #AC4980

RGB 172 73 128

HSL 326.67, 0.4%, 0.48%

LAB 45.76, 46.67, -11.06

 

CMYK 0 / 65 / 30 / 39

HEX #9B376D

RGB 155 55 109

HSL 327.6, 0.48%, 0.41%

LAB 39.25, 47.08, -9.45

 

CMYK 0 / 73 / 35 / 46

HEX #8A255A

RGB 138 37 90

HSL 328.51, 0.58%, 0.34%

LAB 32.84, 47.01, -7.3

 

CMYK 0 / 84 / 41 / 53

HEX #791347

RGB 121 19 71

HSL 329.41, 0.73%, 0.27%

LAB 26.69, 46.01, -4.3

 

CMYK 0 / 99 / 50 / 59

HEX #680134

RGB 104 1 52

HSL 330.29, 0.98%, 0.21%

LAB 20.88, 43.82, -0.22

 

CMYK 0 / 57 / 26 / 33

HEX #AB497F

RGB 171 73 127

HSL 326.94, 0.4%, 0.48%

LAB 45.57, 46.21, -10.76

 

CMYK 0 / 57 / 41 / 33

HEX #AB4965

RGB 171 73 101

HSL 342.86, 0.4%, 0.48%

LAB 44.75, 42.93, 3.91

 

CMYK 0 / 57 / 56 / 33

HEX #AB494B

RGB 171 73 75

HSL 358.78, 0.4%, 0.48%

LAB 44.13, 40.4, 18.99

 

CMYK 0 / 57 / 57 / 33

HEX #AB4949

RGB 171 73 73

HSL 0, 0.4%, 0.48%

LAB 44.1, 40.24, 20.15

 

CMYK 0 / 57 / 26 / 33

HEX #AB497F

RGB 171 73 127

HSL 326.94, 0.4%, 0.48%

LAB 45.57, 46.21, -10.76

 

CMYK 0 / 57 / 10 / 33

HEX #AB499A

RGB 171 73 154

HSL 310.41, 0.4%, 0.48%

LAB 46.65, 50.35, -25.36

 

CMYK 5 / 57 / 0 / 33

HEX #A249AB

RGB 162 73 171

HSL 294.49, 0.4%, 0.48%

LAB 46.16, 50.86, -36.31

 

CMYK 21 / 57 / 0 / 33

HEX #8749AB

RGB 135 73 171

HSL 277.96, 0.4%, 0.48%

LAB 42.55, 43.67, -42.26

 

CMYK 36 / 57 / 0 / 33

HEX #6D49AB

RGB 109 73 171

HSL 262.04, 0.4%, 0.48%

LAB 39.51, 37.05, -47.3

 

CMYK 0 / 57 / 26 / 33

HEX #AB497F

RGB 171 73 127

HSL 326.94, 0.4%, 0.48%

LAB 45.57, 46.21, -10.76

 

CMYK 0 / 72 / 32 / 25

HEX #BF3582

RGB 191 53 130

HSL 326.52, 0.57%, 0.48%

LAB 45.95, 60.78, -11.68

 

CMYK 0 / 84 / 37 / 18

HEX #D22184

RGB 210 33 132

HSL 326.44, 0.73%, 0.48%

LAB 47.57, 71.24, -10.13

 

CMYK 0 / 94 / 42 / 10

HEX #E60E86

RGB 230 14 134

HSL 326.67, 0.89%, 0.48%

LAB 50.52, 78.66, -6.52

 

CMYK 0 / 57 / 26 / 33

HEX #AB497F

RGB 171 73 127

HSL 326.94, 0.4%, 0.48%

LAB 45.57, 46.21, -10.76

 

CMYK 0 / 38 / 17 / 41

HEX #975D7D

RGB 151 93 125

HSL 326.9, 0.24%, 0.48%

LAB 46.83, 28.45, -7.95

 

CMYK 0 / 14 / 6 / 49

HEX #83717B

RGB 131 113 123

HSL 326.67, 0.07%, 0.48%

LAB 49.58, 8.88, -2.92

 

CMYK 16 / 0 / 8 / 48

HEX #6F8479

RGB 111 132 121

HSL 148.57, 0.09%, 0.48%

LAB 53.24, -9.93, 3.4

 

CMYK 39 / 0 / 22 / 40

HEX #5C9877

RGB 92 152 119

HSL 147, 0.25%, 0.48%

LAB 58.1, -27.18, 11.32

 

CMYK 6 / 57 / 0 / 33

HEX #A149AB

RGB 161 73 171

HSL 293.88, 0.4%, 0.48%

LAB 46.02, 50.59, -36.54

 

CMYK 0 / 57 / 9 / 33

HEX #AB499B

RGB 171 73 155

HSL 309.8, 0.4%, 0.48%

LAB 46.7, 50.51, -25.88

 

CMYK 0 / 57 / 25 / 33

HEX #AB4980

RGB 171 73 128

HSL 326.33, 0.4%, 0.48%

LAB 45.61, 46.35, -11.31

 

CMYK 0 / 57 / 40 / 33

HEX #AB4966

RGB 171 73 102

HSL 342.24, 0.4%, 0.48%

LAB 44.78, 43.04, 3.34

 

CMYK 0 / 57 / 56 / 33

HEX #AB494C

RGB 171 73 76

HSL 358.16, 0.4%, 0.48%

LAB 44.15, 40.48, 18.41

 

CMYK 0 / 58 / 26 / 56

HEX #713054

RGB 113 48 84

HSL 326.77, 0.4%, 0.32%

LAB 30.07, 33.19, -8

 

CMYK 0 / 57 / 25 / 44

HEX #8E3D6A

RGB 142 61 106

HSL 326.67, 0.4%, 0.4%

LAB 38.07, 39.66, -9.55

 

CMYK 0 / 57 / 26 / 33

HEX #AB497F

RGB 171 73 127

HSL 326.94, 0.4%, 0.48%

LAB 45.57, 46.21, -10.76

 

CMYK 0 / 48 / 21 / 27

HEX #BB6294

RGB 187 98 148

HSL 326.29, 0.4%, 0.56%

LAB 53.43, 41.96, -11.25

 

CMYK 0 / 37 / 17 / 22

HEX #C87FA7

RGB 200 127 167

HSL 327.12, 0.4%, 0.64%

LAB 61.87, 33.94, -9.43

 

CMYK 0 / 58 / 26 / 33

HEX #AC4980

RGB 172 73 128

HSL 326.67, 0.4%, 0.48%

LAB 45.76, 46.67, -11.06

 

CMYK 0 / 21 / 57 / 33

HEX #AB8749

RGB 171 135 73

HSL 37.96, 0.4%, 0.48%

LAB 58.48, 6.28, 38.15

 

CMYK 57 / 2 / 0 / 33

HEX #49A8AB

RGB 73 168 171

HSL 181.84, 0.4%, 0.48%

LAB 63.64, -26.81, -9.99

 

CMYK 0 / 58 / 26 / 33

HEX #AC4980

RGB 172 73 128

HSL 326.67, 0.4%, 0.48%

LAB 45.76, 46.67, -11.06

 

CMYK 25 / 0 / 57 / 33

HEX #80AB49

RGB 128 171 73

HSL 86.33, 0.4%, 0.48%

LAB 65.12, -30.71, 45.04

 

CMYK 57 / 25 / 0 / 33

HEX #4980AB

RGB 73 128 171

HSL 206.33, 0.4%, 0.48%

LAB 51.6, -5.24, -28.34

 

CMYK 0 / 58 / 26 / 33

HEX #AC4980

RGB 172 73 128

HSL 326.67, 0.4%, 0.48%

LAB 45.76, 46.67, -11.06

 

CMYK 0 / 21 / 57 / 33

HEX #AB8749

RGB 171 135 73

HSL 37.96, 0.4%, 0.48%

LAB 58.48, 6.28, 38.15

 

CMYK 57 / 0 / 33 / 33

HEX #49AB73

RGB 73 171 115

HSL 145.71, 0.4%, 0.48%

LAB 63.16, -41.82, 20.42

 

CMYK 57 / 36 / 0 / 33

HEX #496DAB

RGB 73 109 171

HSL 217.96, 0.4%, 0.48%

LAB 46.03, 6.17, -37.07

 

CMYK 0 / 58 / 26 / 33

HEX #AC4980

RGB 172 73 128

HSL 326.67, 0.4%, 0.48%

LAB 45.76, 46.67, -11.06

 

CMYK 0 / 4 / 57 / 33

HEX #ABA449

RGB 171 164 73

HSL 55.71, 0.4%, 0.48%

LAB 66.28, -9.49, 47.21

 

CMYK 57 / 0 / 33 / 33

HEX #49AB73

RGB 73 171 115

HSL 145.71, 0.4%, 0.48%

LAB 63.16, -41.82, 20.42

 

CMYK 57 / 54 / 0 / 33

HEX #494FAB

RGB 73 79 171

HSL 236.33, 0.4%, 0.48%

LAB 37.75, 25.23, -50.29

 

Description

Color code: HEX #AC4980 | qconv.com Color code: HEX #AC4980 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 73 green and 128 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 73 128 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 58 magenta, 26 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 58% 26% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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