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Color name
HEX #AC4A8A

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AC4A8A it is the complementary color #53B575. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AC4A8A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AC4A8A shade: #B14A85, #C25C98, #D36EAB, #E480BE and #F592D1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AC4A8A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AC4A8A shade: #AC4A8A, #9B3877, #8A2664, #791451 and #68023E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AC4A8A shade: #AB4989, #AB496E, #AB4954 and #AB4949

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AC4A8A shade: #AB4989, #AB49A3, #9849AB, #7E49AB and #6349AB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AC4A8A shade matches the following richer shades: #AB4989, #BF358F, #D22195 and #E60E9B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AC4A8A shade: #AB4989, #975D83, #83717D, #6F8477 and #5C9871

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AC4A8A shade: #9749AB, #AB49A4, #AB498A, #AB4970 and #AB4956

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AC4A8A shade: #71305B, #8E3D72, #AB4989, #BB629C and #C87FAE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AC4A8A shade: #AC4A8A, #AB7D49 and #49ABA4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AC4A8A shade: #AC4A8A, #8AAB49 and #498AAB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AC4A8A shade: #AC4A8A, #AB7D49, #49AB6A and #4977AB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AC4A8A shade: #AC4A8A, #AB9B49, #49AB6A and #4959AB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 57 / 20 / 33

HEX #AC4A8A

RGB 172 74 138

HSL 320.82, 0.4%, 0.48%

LAB 46.32, 47.64, -16.27

 

Complementary color

CMYK 54 / 0 / 35 / 29

HEX #53B575

RGB 83 181 117

HSL 140.82, 0.4%, 0.52%

LAB 66.65, -43.32, 24.11

 

CMYK 0 / 58 / 25 / 31

HEX #B14A85

RGB 177 74 133

HSL 325.63, 0.41%, 0.49%

LAB 46.89, 48.47, -12.31

 

CMYK 0 / 53 / 22 / 24

HEX #C25C98

RGB 194 92 152

HSL 324.71, 0.46%, 0.56%

LAB 53.37, 47.87, -13.58

 

CMYK 0 / 48 / 19 / 17

HEX #D36EAB

RGB 211 110 171

HSL 323.76, 0.53%, 0.63%

LAB 59.84, 47.16, -14.63

 

CMYK 0 / 44 / 17 / 11

HEX #E480BE

RGB 228 128 190

HSL 322.8, 0.65%, 0.7%

LAB 66.25, 46.41, -15.53

 

CMYK 0 / 40 / 15 / 4

HEX #F592D1

RGB 245 146 209

HSL 321.82, 0.83%, 0.77%

LAB 72.61, 45.65, -16.31

 

CMYK 0 / 57 / 20 / 33

HEX #AC4A8A

RGB 172 74 138

HSL 320.82, 0.4%, 0.48%

LAB 46.32, 47.64, -16.27

 

CMYK 0 / 64 / 23 / 39

HEX #9B3877

RGB 155 56 119

HSL 321.82, 0.47%, 0.41%

LAB 39.8, 48.01, -14.85

 

CMYK 0 / 72 / 28 / 46

HEX #8A2664

RGB 138 38 100

HSL 322.8, 0.57%, 0.35%

LAB 33.37, 47.91, -12.94

 

CMYK 0 / 83 / 33 / 53

HEX #791451

RGB 121 20 81

HSL 323.76, 0.72%, 0.28%

LAB 27.18, 46.88, -10.26

 

CMYK 0 / 98 / 40 / 59

HEX #68023E

RGB 104 2 62

HSL 324.71, 0.96%, 0.21%

LAB 21.34, 44.58, -6.54

 

CMYK 0 / 57 / 20 / 33

HEX #AB4989

RGB 171 73 137

HSL 320.82, 0.4%, 0.48%

LAB 45.95, 47.66, -16.25

 

CMYK 0 / 57 / 36 / 33

HEX #AB496E

RGB 171 73 110

HSL 337.35, 0.4%, 0.48%

LAB 45.01, 43.98, -1.22

 

CMYK 0 / 57 / 51 / 33

HEX #AB4954

RGB 171 73 84

HSL 353.27, 0.4%, 0.48%

LAB 44.32, 41.19, 13.75

 

CMYK 0 / 57 / 57 / 33

HEX #AB4949

RGB 171 73 73

HSL 0, 0.4%, 0.48%

LAB 44.1, 40.24, 20.15

 

CMYK 0 / 57 / 20 / 33

HEX #AB4989

RGB 171 73 137

HSL 320.82, 0.4%, 0.48%

LAB 45.95, 47.66, -16.25

 

CMYK 0 / 57 / 5 / 33

HEX #AB49A3

RGB 171 73 163

HSL 304.9, 0.4%, 0.48%

LAB 47.06, 51.87, -30.07

 

CMYK 11 / 57 / 0 / 33

HEX #9849AB

RGB 152 73 171

HSL 288.37, 0.4%, 0.48%

LAB 44.77, 48.18, -38.59

 

CMYK 26 / 57 / 0 / 33

HEX #7E49AB

RGB 126 73 171

HSL 272.45, 0.4%, 0.48%

LAB 41.44, 41.33, -44.09

 

CMYK 42 / 57 / 0 / 33

HEX #6349AB

RGB 99 73 171

HSL 255.92, 0.4%, 0.48%

LAB 38.48, 34.66, -49.01

 

CMYK 0 / 57 / 20 / 33

HEX #AB4989

RGB 171 73 137

HSL 320.82, 0.4%, 0.48%

LAB 45.95, 47.66, -16.25

 

CMYK 0 / 72 / 25 / 25

HEX #BF358F

RGB 191 53 143

HSL 320.87, 0.57%, 0.48%

LAB 46.45, 62.37, -18.8

 

CMYK 0 / 84 / 29 / 18

HEX #D22195

RGB 210 33 149

HSL 320.68, 0.73%, 0.48%

LAB 48.21, 73.04, -19.43

 

CMYK 0 / 94 / 33 / 10

HEX #E60E9B

RGB 230 14 155

HSL 320.83, 0.89%, 0.48%

LAB 51.27, 80.65, -18

 

CMYK 0 / 57 / 20 / 33

HEX #AB4989

RGB 171 73 137

HSL 320.82, 0.4%, 0.48%

LAB 45.95, 47.66, -16.25

 

CMYK 0 / 38 / 13 / 41

HEX #975D83

RGB 151 93 131

HSL 320.69, 0.24%, 0.48%

LAB 47.04, 29.48, -11.24

 

CMYK 0 / 14 / 5 / 49

HEX #83717D

RGB 131 113 125

HSL 320, 0.07%, 0.48%

LAB 49.64, 9.27, -4.01

 

CMYK 16 / 0 / 10 / 48

HEX #6F8477

RGB 111 132 119

HSL 142.86, 0.09%, 0.48%

LAB 53.18, -10.35, 4.48

 

CMYK 39 / 0 / 26 / 40

HEX #5C9871

RGB 92 152 113

HSL 141, 0.25%, 0.48%

LAB 57.96, -28.41, 14.51

 

CMYK 12 / 57 / 0 / 33

HEX #9749AB

RGB 151 73 171

HSL 287.76, 0.4%, 0.48%

LAB 44.64, 47.91, -38.81

 

CMYK 0 / 57 / 4 / 33

HEX #AB49A4

RGB 171 73 164

HSL 304.29, 0.4%, 0.48%

LAB 47.11, 52.04, -30.59

 

CMYK 0 / 57 / 19 / 33

HEX #AB498A

RGB 171 73 138

HSL 320.2, 0.4%, 0.48%

LAB 45.99, 47.81, -16.79

 

CMYK 0 / 57 / 35 / 33

HEX #AB4970

RGB 171 73 112

HSL 336.12, 0.4%, 0.48%

LAB 45.07, 44.23, -2.36

 

CMYK 0 / 57 / 50 / 33

HEX #AB4956

RGB 171 73 86

HSL 352.04, 0.4%, 0.48%

LAB 44.37, 41.37, 12.59

 

CMYK 0 / 58 / 19 / 56

HEX #71305B

RGB 113 48 91

HSL 320.31, 0.4%, 0.32%

LAB 30.35, 34.31, -12.13

 

CMYK 0 / 57 / 20 / 44

HEX #8E3D72

RGB 142 61 114

HSL 320.74, 0.4%, 0.4%

LAB 38.38, 40.88, -14.09

 

CMYK 0 / 57 / 20 / 33

HEX #AB4989

RGB 171 73 137

HSL 320.82, 0.4%, 0.48%

LAB 45.95, 47.66, -16.25

 

CMYK 0 / 48 / 17 / 27

HEX #BB629C

RGB 187 98 156

HSL 320.9, 0.4%, 0.56%

LAB 53.71, 43.2, -15.52

 

CMYK 0 / 37 / 13 / 22

HEX #C87FAE

RGB 200 127 174

HSL 321.37, 0.4%, 0.64%

LAB 62.1, 35.08, -13.08

 

CMYK 0 / 57 / 20 / 33

HEX #AC4A8A

RGB 172 74 138

HSL 320.82, 0.4%, 0.48%

LAB 46.32, 47.64, -16.27

 

CMYK 0 / 27 / 57 / 33

HEX #AB7D49

RGB 171 125 73

HSL 31.84, 0.4%, 0.48%

LAB 55.89, 11.88, 35.05

 

CMYK 57 / 0 / 4 / 33

HEX #49ABA4

RGB 73 171 164

HSL 175.71, 0.4%, 0.48%

LAB 64.34, -30.22, -5.04

 

CMYK 0 / 57 / 20 / 33

HEX #AC4A8A

RGB 172 74 138

HSL 320.82, 0.4%, 0.48%

LAB 46.32, 47.64, -16.27

 

CMYK 19 / 0 / 57 / 33

HEX #8AAB49

RGB 138 171 73

HSL 80.2, 0.4%, 0.48%

LAB 65.76, -26.8, 45.94

 

CMYK 57 / 19 / 0 / 33

HEX #498AAB

RGB 73 138 171

HSL 200.2, 0.4%, 0.48%

LAB 54.59, -10.95, -23.73

 

CMYK 0 / 57 / 20 / 33

HEX #AC4A8A

RGB 172 74 138

HSL 320.82, 0.4%, 0.48%

LAB 46.32, 47.64, -16.27

 

CMYK 0 / 27 / 57 / 33

HEX #AB7D49

RGB 171 125 73

HSL 31.84, 0.4%, 0.48%

LAB 55.89, 11.88, 35.05

 

CMYK 57 / 0 / 38 / 33

HEX #49AB6A

RGB 73 171 106

HSL 140.2, 0.4%, 0.48%

LAB 63, -43.54, 25.07

 

CMYK 57 / 30 / 0 / 33

HEX #4977AB

RGB 73 119 171

HSL 211.84, 0.4%, 0.48%

LAB 48.95, 0.08, -32.49

 

CMYK 0 / 57 / 20 / 33

HEX #AC4A8A

RGB 172 74 138

HSL 320.82, 0.4%, 0.48%

LAB 46.32, 47.64, -16.27

 

CMYK 0 / 9 / 57 / 33

HEX #AB9B49

RGB 171 155 73

HSL 50.2, 0.4%, 0.48%

LAB 63.82, -4.69, 44.4

 

CMYK 57 / 0 / 38 / 33

HEX #49AB6A

RGB 73 171 106

HSL 140.2, 0.4%, 0.48%

LAB 63, -43.54, 25.07

 

CMYK 57 / 48 / 0 / 33

HEX #4959AB

RGB 73 89 171

HSL 230.2, 0.4%, 0.48%

LAB 40.41, 18.81, -46.01

 

Description

Color code: HEX #AC4A8A | qconv.com Color code: HEX #AC4A8A | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 74 green and 138 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 74 138 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 57 magenta, 20 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 57% 20% 33% C M Y K

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Provide designers and agencies with accurate color values.

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